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The Kingdom Beyond the Waves
9.0
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Professor Amelia Harsh is obsessed with finding the lost civilization of Camlantis, a legendary city...
The Daughter of The Ice (Age of Rekindling #1)
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After a thousand-year slumber, she is ready to blanket Elessia in icy death. The Daughter,...
Action and Adventure Epic Fantasy
BankofMarquis (1832 KP) rated Army of the Dead (2021) in Movies
May 26, 2021
Took To Long To Get To The Fun Part
I love me a good Zombie flick. I also love me a good Heist flick. So…when I heard that Zack Snyder (JUSTICE LEAGUE) was making a “Zombie/Heist Flick”, I thought “what’s not to like”?
Turns out…plenty.
A pet project of Sndyer’s that has been stuck in “development hell” in Hollywood for almost 2 decades, ARMY OF THE DEAD tells the tale of a group of mercenaries that look to rob $200 million from a vault under the casinos of Las Vegas - one small problem…Las Vegas has been walled off as a way to contain a zombie plague.
My first warning that this was not going to a pleasant experience is that this film has a 2 1/2 hour run time. That certainly seems bloated for a Zombie film and the first 1 1/2 of this flick certainly proves this out as Snyder - ham handedly - seeks to flesh out each of the characters in long, boring exposition scenes that didn’t really add anything to the tension or action. Well…it did add something…restless boredom.
But…I gotta admit, once the group of mercenaries make their way to the vault in Las Vegas, the last hour of the film was pretty darn fun.
Dave Bautista (Drax in the GUARDIANS OF THE GALAXY films) leads the group of mercenaries and Ella Purnell (Emma in MISS PEREGRINE…) is his estranged daughter. I won’t bore you with the details of why these 2 are estranged…but they are and Bautista insists that his daughter NOT come along on this mission. So you know what happens next…yep, she comes along and I was rooting for her to get killed almost from the start. Neither of these 2 characters work and since they are central to the story they are really at the root of the problems with the first 1 1/2 hours of this film.
The rest of the ensemble, however, are a lot of fun and bring that “B Monster Movie” vibe to the proceedings and they look like they are having alot of fun. Tig Notero, Ana de La Reguera, Omari Hardwick and Theo Rossi are an enjoyable lot and know EXACTLY what type of film they are in.
But the standouts of the ensemble are the always great Garret Dillahunt (John Dorie in FEAR THE WALKING DEAD) who brings his usual “A” game to the proceedings. As does Nora Arnezeder (SAFE HOUSE) as “The Coyote” a survivor who has been in Las Vegas before and - especially - Matthias Schweighofer (RESISTANCE) who steals every scene he is in playing the German safecracker.
I would have loved it if Snyder would have cut the Bautista and daughter scenes (and characters) and just had this ensemble go after the loot - it would have been a much better - and shorter - film.
But…if you can last through the long, boring first 1 1/2 hours, the last hour is “good enough” Zombie action with an interesting “twist” on the genre that I will have to give Snyder credit for.
If you do all this, you’ll have a passably decent enough entertaining time.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(OfMarquis)
Turns out…plenty.
A pet project of Sndyer’s that has been stuck in “development hell” in Hollywood for almost 2 decades, ARMY OF THE DEAD tells the tale of a group of mercenaries that look to rob $200 million from a vault under the casinos of Las Vegas - one small problem…Las Vegas has been walled off as a way to contain a zombie plague.
My first warning that this was not going to a pleasant experience is that this film has a 2 1/2 hour run time. That certainly seems bloated for a Zombie film and the first 1 1/2 of this flick certainly proves this out as Snyder - ham handedly - seeks to flesh out each of the characters in long, boring exposition scenes that didn’t really add anything to the tension or action. Well…it did add something…restless boredom.
But…I gotta admit, once the group of mercenaries make their way to the vault in Las Vegas, the last hour of the film was pretty darn fun.
Dave Bautista (Drax in the GUARDIANS OF THE GALAXY films) leads the group of mercenaries and Ella Purnell (Emma in MISS PEREGRINE…) is his estranged daughter. I won’t bore you with the details of why these 2 are estranged…but they are and Bautista insists that his daughter NOT come along on this mission. So you know what happens next…yep, she comes along and I was rooting for her to get killed almost from the start. Neither of these 2 characters work and since they are central to the story they are really at the root of the problems with the first 1 1/2 hours of this film.
The rest of the ensemble, however, are a lot of fun and bring that “B Monster Movie” vibe to the proceedings and they look like they are having alot of fun. Tig Notero, Ana de La Reguera, Omari Hardwick and Theo Rossi are an enjoyable lot and know EXACTLY what type of film they are in.
But the standouts of the ensemble are the always great Garret Dillahunt (John Dorie in FEAR THE WALKING DEAD) who brings his usual “A” game to the proceedings. As does Nora Arnezeder (SAFE HOUSE) as “The Coyote” a survivor who has been in Las Vegas before and - especially - Matthias Schweighofer (RESISTANCE) who steals every scene he is in playing the German safecracker.
I would have loved it if Snyder would have cut the Bautista and daughter scenes (and characters) and just had this ensemble go after the loot - it would have been a much better - and shorter - film.
But…if you can last through the long, boring first 1 1/2 hours, the last hour is “good enough” Zombie action with an interesting “twist” on the genre that I will have to give Snyder credit for.
If you do all this, you’ll have a passably decent enough entertaining time.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(OfMarquis)
Cyn Armistead (14 KP) rated Places to Be, People to Kill in Books
Mar 1, 2018
I enjoyed this anthology more than one might expect from a collection of stories about killers, but then I've read a couple of volumes edited by [a:Brittiany A. Koren|12300|Brittiany A. Koren|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] and [a:Martin H. Greenberg|26064|Martin H. Greenberg|http://photo.goodreads.com/authors/1247759305p2/26064.jpg] now, and I trust the pair. (Greenberg has turned out so many anthologies that I don't assume anything at all when I see his name.)
I had to explain to my family why I kept laughing while reading "Exactly" by [a:Tanya Huff|1967|Tanya Huff|http://photo.goodreads.com/authors/1207242126p2/1967.jpg]. I'm a long-time fan of her work, so was already familiar with sibling assassins Vree and Bannon from [b:Fifth Quarter|175312|Fifth Quarter (Quarters, #2)|Tanya Huff|http://photo.goodreads.com/books/1172433365s/175312.jpg|169357] and [b:No Quarter|175300|No Quarter (Quarters, #3)|Tanya Huff|http://photo.goodreads.com/books/1172433338s/175300.jpg|169345]. While all of Huff's work includes some humor, this story is particularly funny.
"Breia’s Diamond" by [a:Cat Collins|380276|Cat Collins|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] was a memorable low in the book. In addition to the inappropriate and inept use of romance clichés, it's all too obvious early on that the mercenaries are being paid far too much for too little work by the necromancer. That isn't foreshadowing, it's foreshouting—or just plain stupidity on the part of the mercenaries. They are murderers for hire, nothing else, and I've never felt any sympathy for such. Why would I start now, simply because a story is told from their point of view?
[a:Bradley H. Sinor|2282520|Bradley H. Sinor|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]'s "Money's Worth" has the feel of something excerpted from a larger work. It's good and I enjoyed it, but I think I would have enjoyed it far more in its proper context.
The only other story that is memorable enough to single out is "The Hundredth Kill" by [a:John Marco|9266|John Marco|http://photo.goodreads.com/authors/1244460712p2/9266.jpg]. It is a lovely jewel of a story, one that stands for itself, leaving little to be said other than "read it." I don't believe that I've read any of Marco's novels, but obviously I've missed out on something very good. I intend to remedy that omission shortly.
I had to explain to my family why I kept laughing while reading "Exactly" by [a:Tanya Huff|1967|Tanya Huff|http://photo.goodreads.com/authors/1207242126p2/1967.jpg]. I'm a long-time fan of her work, so was already familiar with sibling assassins Vree and Bannon from [b:Fifth Quarter|175312|Fifth Quarter (Quarters, #2)|Tanya Huff|http://photo.goodreads.com/books/1172433365s/175312.jpg|169357] and [b:No Quarter|175300|No Quarter (Quarters, #3)|Tanya Huff|http://photo.goodreads.com/books/1172433338s/175300.jpg|169345]. While all of Huff's work includes some humor, this story is particularly funny.
"Breia’s Diamond" by [a:Cat Collins|380276|Cat Collins|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] was a memorable low in the book. In addition to the inappropriate and inept use of romance clichés, it's all too obvious early on that the mercenaries are being paid far too much for too little work by the necromancer. That isn't foreshadowing, it's foreshouting—or just plain stupidity on the part of the mercenaries. They are murderers for hire, nothing else, and I've never felt any sympathy for such. Why would I start now, simply because a story is told from their point of view?
[a:Bradley H. Sinor|2282520|Bradley H. Sinor|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]'s "Money's Worth" has the feel of something excerpted from a larger work. It's good and I enjoyed it, but I think I would have enjoyed it far more in its proper context.
The only other story that is memorable enough to single out is "The Hundredth Kill" by [a:John Marco|9266|John Marco|http://photo.goodreads.com/authors/1244460712p2/9266.jpg]. It is a lovely jewel of a story, one that stands for itself, leaving little to be said other than "read it." I don't believe that I've read any of Marco's novels, but obviously I've missed out on something very good. I intend to remedy that omission shortly.
Ross (3284 KP) rated The Black Hawks in Books
Nov 11, 2019
A gritty story that emerges gradually and organically
The Black Hawks follows Vedren Chel, a young knight-in-training whose training is floundering and he is disengaged. His place in the corrupt country, and its class system, is dubious, and suddenly thrown into doubt when his home city is invaded. He sees the chance to escort young cowardly Prince Tarfel across country as his way out of his dead-end role. Sadly for him, they are kidnapped by the Black Hawk company, a crew of mercenaries as likely to call you an inventive swear-word as to instantly gut you.
The story is one that emerges over time, as Chel and the Black Hawks' journey changes and develops into more of a righteous quest. While I tend to prefer books where I can visualise the overall plot early on, I really enjoyed this and the way everyone was on the back foot the whole time. It gave me, as the reader, the feeling of being unaware and at the mercy of this harsh world, as it did for the characters in the story.
The characters themselves are largely well-developed. Chel is an interesting main character, being morally strong but largely useless in a fight. I was oddly glad that his battle skills barely improved throughout the book, I was at one point dreading chapters of sword forms and stances. He contrasts well with the Black Hawks, who are a grim company of morally corrupt selfish head-cases who are somewhat loyal to each other, but at the same time out for themselves. Within the crew each has their own place, their own skills and their own defined personality. It was a little hard initially to remember each of them, but I quickly got to know them well. Their different skills were well used in the action scenes as the company fought against other crews of mercenaries and corrupt government/church officials.
The plot is strong here. As said earlier, it develops over time with twists and turns and treachery and moral corruption throughout.
While the ending was a little bit of a surprise and a let-down, it felt overall the right way to end this first book in the series.
I had some issues with the pacing, but on the whole really enjoyed this book.
The story is one that emerges over time, as Chel and the Black Hawks' journey changes and develops into more of a righteous quest. While I tend to prefer books where I can visualise the overall plot early on, I really enjoyed this and the way everyone was on the back foot the whole time. It gave me, as the reader, the feeling of being unaware and at the mercy of this harsh world, as it did for the characters in the story.
The characters themselves are largely well-developed. Chel is an interesting main character, being morally strong but largely useless in a fight. I was oddly glad that his battle skills barely improved throughout the book, I was at one point dreading chapters of sword forms and stances. He contrasts well with the Black Hawks, who are a grim company of morally corrupt selfish head-cases who are somewhat loyal to each other, but at the same time out for themselves. Within the crew each has their own place, their own skills and their own defined personality. It was a little hard initially to remember each of them, but I quickly got to know them well. Their different skills were well used in the action scenes as the company fought against other crews of mercenaries and corrupt government/church officials.
The plot is strong here. As said earlier, it develops over time with twists and turns and treachery and moral corruption throughout.
While the ending was a little bit of a surprise and a let-down, it felt overall the right way to end this first book in the series.
I had some issues with the pacing, but on the whole really enjoyed this book.
Frosthaven
9.0
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Frosthaven is the story of a small outpost far to the north of the capital city of White Oak, an...
If You Dare (MacCarrick Brothers, #1)
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Kresley Cole introduces a thrilling new romance trilogy featuring fierce Scottish brothers with...
Matthew Krueger (10051 KP) rated The Magnificent Seven (2016) in Movies
Jun 26, 2020
The Deadly Seven
The Magnificent Seven- i haven't seen both Seven Samurai and the 1960 verison. I would like to see the 1960 verison cause it has Steve McQueen and Charlies Bronson in it. Its good to see a good western movie these days, cause we either dont see them to often or their not good. So to see a remake of The Magnificent Seven in 2016 was both a surpise and good. With a great cast, Antonie Fuqua directing, good action and Denzel Riding a horse. It was a good movie.
The plot: Looking to mine for gold, greedy industrialist Bartholomew Bogue seizes control of the Old West town of Rose Creek. With their lives in jeopardy, Emma Cullen and other desperate residents turn to bounty hunter Sam Chisolm (Denzel Washington) for help. Chisolm recruits an eclectic group of gunslingers to take on Bogue and his ruthless henchmen. With a deadly showdown on the horizon, the seven mercenaries soon find themselves fighting for more than just money once the bullets start to fly.
Good action, good cast, horses and more, The Magnificent Seven lives up to both Seven Samurai and the 1960 verison.
The plot: Looking to mine for gold, greedy industrialist Bartholomew Bogue seizes control of the Old West town of Rose Creek. With their lives in jeopardy, Emma Cullen and other desperate residents turn to bounty hunter Sam Chisolm (Denzel Washington) for help. Chisolm recruits an eclectic group of gunslingers to take on Bogue and his ruthless henchmen. With a deadly showdown on the horizon, the seven mercenaries soon find themselves fighting for more than just money once the bullets start to fly.
Good action, good cast, horses and more, The Magnificent Seven lives up to both Seven Samurai and the 1960 verison.
Compass Rose
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Rose was born facing due north, with an inherent perception of cardinal points flowing through her...
Lesbian Pirates