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Toy Defense Fantasy
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Toy Defense Fantasy 2.0 will please fans of tower defence genre with excellent graphics,...
Crowntakers - The Ultimate Strategy RPG
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Dark times are imminent: the king’s abduction throws a once peaceful land into turmoil. Being the...
The Grand Mafia
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Join The Grand Mafia Guns Blazing & Carve Out Your Journey To Greatness! ...
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Europa, Jupiter's moon. Deep beneath the crust, the oceans are teeming with alien sea life....
JT (287 KP) rated White House Down (2013) in Movies
Mar 17, 2020
The White House gets the action treatment once again
For the second time in 2013 the White House was the target of terrorists, as no sooner had Gerard Butler shut the door (or what was left of it) Channing Tatum stepped through to show what he could do. It’s oddly surreal for two films with the same plot to be out the very same year, (and if anyone knows of any others films then please let me know) and with identical scenarios, and outcomes for that matter.
Directed by Roland Emmerich who must have blown up and destroyed more landmarks than we care to remember, has another crack at dismantling the White House. Whereas Olympus was more of an attempt at a serious film, White House Down seemed to opt for a more light-hearted approach, and it was clear that it wasn’t taking itself to seriously.
Tatum plays capitol policeman Cale who, desperate to connect with his daughter, brings her along to the White House for a tour while he interviews for a job on the President’s secret service detail. Failing to make the grade due to a poor disciplinary record and disregard for authority he’s turned away, but as luck would have it is on hand to save the day in McClane-esque fashion.
The problem is its big-budget, overblown on a plot that has been done to death (not just twice in a year) the whole father trying to connect with his son/daughter, while at the same time dealing with his demons and back story is just Hollywood on repeat. Emmerich is a master for the visual, and CGI for that matter as he brings us as close to the chaos as is humanly possible, but in the end, the charge is going to run out and you’re left thinking “yea, give us something we haven’t seen already!”.
The on-screen relationship between Fox’s President Sawyer and Tatum’s head strung cop is pretty good, must be all the time they spent making that god awful Channing All Over Your Tatum music video. So the love between the pair is already there, and it was certainly a hell of a lot better than Gerard Butler and Aaron Eckhart.
The action is big and ballsey and there are one or two neat moments like the car chase over the White House lawn and the Black Hawk descent, but we’ve seen it all before especially from Emmerich, and you can see he prefers to favour action set pieces as opposed to neatly setting up the plot and constructing dialogue. James Woods is on hand for villain duties as the disgruntled head of the President’s secret service and is wanting vengeance for the death of his soldier son. It’s all pretty bog-standard stuff, and the list of mercenaries are forgettable, no real standouts there either.
It certainly not the worst but doesn’t quite pip Olympus for me, it’s Emmerich on autopilot doing what he does best but while it’s entertaining it’s not unique enough to set it apart from other blockbusters.
Directed by Roland Emmerich who must have blown up and destroyed more landmarks than we care to remember, has another crack at dismantling the White House. Whereas Olympus was more of an attempt at a serious film, White House Down seemed to opt for a more light-hearted approach, and it was clear that it wasn’t taking itself to seriously.
Tatum plays capitol policeman Cale who, desperate to connect with his daughter, brings her along to the White House for a tour while he interviews for a job on the President’s secret service detail. Failing to make the grade due to a poor disciplinary record and disregard for authority he’s turned away, but as luck would have it is on hand to save the day in McClane-esque fashion.
The problem is its big-budget, overblown on a plot that has been done to death (not just twice in a year) the whole father trying to connect with his son/daughter, while at the same time dealing with his demons and back story is just Hollywood on repeat. Emmerich is a master for the visual, and CGI for that matter as he brings us as close to the chaos as is humanly possible, but in the end, the charge is going to run out and you’re left thinking “yea, give us something we haven’t seen already!”.
The on-screen relationship between Fox’s President Sawyer and Tatum’s head strung cop is pretty good, must be all the time they spent making that god awful Channing All Over Your Tatum music video. So the love between the pair is already there, and it was certainly a hell of a lot better than Gerard Butler and Aaron Eckhart.
The action is big and ballsey and there are one or two neat moments like the car chase over the White House lawn and the Black Hawk descent, but we’ve seen it all before especially from Emmerich, and you can see he prefers to favour action set pieces as opposed to neatly setting up the plot and constructing dialogue. James Woods is on hand for villain duties as the disgruntled head of the President’s secret service and is wanting vengeance for the death of his soldier son. It’s all pretty bog-standard stuff, and the list of mercenaries are forgettable, no real standouts there either.
It certainly not the worst but doesn’t quite pip Olympus for me, it’s Emmerich on autopilot doing what he does best but while it’s entertaining it’s not unique enough to set it apart from other blockbusters.
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Emma @ The Movies (1786 KP) rated Army of the Dead (2021) in Movies
Aug 22, 2021
I can't say that the name Zack Snyder held any pull to watching Army of the Dead. I'm still mad that I watched 8 hours of Justice League. But, I was sold on zombies and the poster, so I gave it a go.
Zombies have taken Las Vegas and the only option to end the danger is to raise the city to the ground. As the countdown to the cities destruction begins, a group of mercenaries are recruited to enter the quarantined zone for a wealthy businessman. Their retrieval mission will end with them getting out of the city safely, or the zombies getting them... whichever comes first.
A heist film with zombies and plenty of action? Three of my favourite things in one. The heist part is solid, it had time constraints to add tension, and the added peril of flesh eating monsters brought a bit of the unknown to each scene in the quarantine zone.
However... the idea doesn't pan out so well in production.
I enjoy Dave Bautista's acting career. Drax is a legend, and his dramatic yet comedic role in My Spy is great. Army of the Dead is a whole new ball game. Scott has the potential to be a really good lead, there's backstory, moments of action that Bautista is made for... but there's that script. There are so many points that diverge from what's happening that he ends up with something that hovers around average.
The humour between Vanderohe (Omari Hardwick) and Dieter (Matthias Schweighöfer) was fun. It wasn't quite a double act but it did cut through some of the more serious (and clunky) sections. My other call out is Tig Notaro. I loved the attitude she brings to her role, that's the level of sass I aspire to. It wasn't until after my viewing that I realised she had been CGId into the film as a last minute replacement. For the majority of the time I didn't notice, it's just one group shot as they enter Vegas that sticks out like a sore thumb. And with it being so early in proceedings, I was worried that it would be foreshadowing for what was to come.
Thankfully though, the effects were pretty good apart from that (and that tiger). The creatures were impressive and I was pleased to see that they still had the consistency of who the zombie population would be while they were inside the walls. Some of the action sequences may have been a little over the top, but it is a zombie action film so you've got to give it leeway.
I enjoyed Army of the Dead while I was watching it. But it's one of those films that changes when you think about it deeper. The main issue for me is that... this film doesn't need to happen... and a close second is that they attempt to give it a twist that comes to nothing, and because of that, ultimately felt bizarre. I don't think I'd mind watching it again, but I'm not feeling the urge to rush to Netflix.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/army-of-dead-movie-review.html
Zombies have taken Las Vegas and the only option to end the danger is to raise the city to the ground. As the countdown to the cities destruction begins, a group of mercenaries are recruited to enter the quarantined zone for a wealthy businessman. Their retrieval mission will end with them getting out of the city safely, or the zombies getting them... whichever comes first.
A heist film with zombies and plenty of action? Three of my favourite things in one. The heist part is solid, it had time constraints to add tension, and the added peril of flesh eating monsters brought a bit of the unknown to each scene in the quarantine zone.
However... the idea doesn't pan out so well in production.
I enjoy Dave Bautista's acting career. Drax is a legend, and his dramatic yet comedic role in My Spy is great. Army of the Dead is a whole new ball game. Scott has the potential to be a really good lead, there's backstory, moments of action that Bautista is made for... but there's that script. There are so many points that diverge from what's happening that he ends up with something that hovers around average.
The humour between Vanderohe (Omari Hardwick) and Dieter (Matthias Schweighöfer) was fun. It wasn't quite a double act but it did cut through some of the more serious (and clunky) sections. My other call out is Tig Notaro. I loved the attitude she brings to her role, that's the level of sass I aspire to. It wasn't until after my viewing that I realised she had been CGId into the film as a last minute replacement. For the majority of the time I didn't notice, it's just one group shot as they enter Vegas that sticks out like a sore thumb. And with it being so early in proceedings, I was worried that it would be foreshadowing for what was to come.
Thankfully though, the effects were pretty good apart from that (and that tiger). The creatures were impressive and I was pleased to see that they still had the consistency of who the zombie population would be while they were inside the walls. Some of the action sequences may have been a little over the top, but it is a zombie action film so you've got to give it leeway.
I enjoyed Army of the Dead while I was watching it. But it's one of those films that changes when you think about it deeper. The main issue for me is that... this film doesn't need to happen... and a close second is that they attempt to give it a twist that comes to nothing, and because of that, ultimately felt bizarre. I don't think I'd mind watching it again, but I'm not feeling the urge to rush to Netflix.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/army-of-dead-movie-review.html
Debbiereadsbook (1202 KP) rated Their Bounty (Four Mercenaries #1) in Books
May 30, 2019
took me a while, but i did enjoy it.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Clover is rescued from the hands of traffickers and lands in the lap of a group of mercenaries. Tank, Boar, Pyro and Drake are a well-established group who right some of the world's wrongs, mostly on the wrong side of the line. But Clover is now a witness to a job, and there is a bounty on his head. They need to keep him safe. In the meantime, what harm is a little fun with the young man, huh?
I border-line did not finish this. I kept putting it down and picking it up again. I did though, eventually.
I think what bothered me the most, was the speed at which Clover gave himself to all four of the group. Very quickly, VERY quickly, he is calling Tank Daddy and Pyro and Boar are partaking of Clover’s body. Drake takes a lot longer to come around, but he does, eventually. Maybe it’s just me, maybe I expected Clover to be a bit more. . resistant to what Tank suggests. But he isn’t, he just jumps straight in!
What I did like, though, was that ALL the guys are very different. Tank is the boss, but he is also the biggest baddest mofo in the group. Boar is a bear of a man, but the youngest (not counting Clover) of the group. He has the sweetest soul, for a bad-ish guy! Pyro is a bit bouncy, maybe even a little messed in the head, but it’s Drake who held my attention the most. Drake is clearly against Clover right from the start. He does come around, but it takes him a long time. He makes it clear what his kink is, and what would happen to Clover if Drake got his hands on him, but Clover is non-plussed by that.
All the guys get a voice, but I wasn’t sure if Drake would, since it’s a long time before he does. I’m glad he does though. I think, from what was said here, Drake will come out of himself a lot more now he’s accepted Clover is theirs. He doesn’t say much, but what he did say to Clover carried a lot of weight and says a lot about Drake and his past.
Clover and Tank have the majority voices though.
It is hot off the charts, with Clover the centre of every scene. There are 2/3/4-way scenes, and everyone gets a piece of Clover, not that Clover really minds, he just wants to be safe!
It carries some difficult topics, trafficking, murder, drugs but all dealt with well. I didn’t see any spelling or editing errors to spoil my reading.
I went through Merikan’s entire back catalogue to see if I had read anything else by this author, and it appears not. I would like to read more, even though I struggled with the SPEED at which things moved, I did enjoy it. I wrote 3 stars at the top of the page when I wrote this up, but now I’m typing my review up, I’m upgrading to 4 stars. I think it was just these guys and the way they work, rather than that speed making for a negative reaction to this book. I really want to see what’s gonna happen with these guys, and they will have two more books for me get used to them!
4 stars
**same worded review will appear elsewhere**
Clover is rescued from the hands of traffickers and lands in the lap of a group of mercenaries. Tank, Boar, Pyro and Drake are a well-established group who right some of the world's wrongs, mostly on the wrong side of the line. But Clover is now a witness to a job, and there is a bounty on his head. They need to keep him safe. In the meantime, what harm is a little fun with the young man, huh?
I border-line did not finish this. I kept putting it down and picking it up again. I did though, eventually.
I think what bothered me the most, was the speed at which Clover gave himself to all four of the group. Very quickly, VERY quickly, he is calling Tank Daddy and Pyro and Boar are partaking of Clover’s body. Drake takes a lot longer to come around, but he does, eventually. Maybe it’s just me, maybe I expected Clover to be a bit more. . resistant to what Tank suggests. But he isn’t, he just jumps straight in!
What I did like, though, was that ALL the guys are very different. Tank is the boss, but he is also the biggest baddest mofo in the group. Boar is a bear of a man, but the youngest (not counting Clover) of the group. He has the sweetest soul, for a bad-ish guy! Pyro is a bit bouncy, maybe even a little messed in the head, but it’s Drake who held my attention the most. Drake is clearly against Clover right from the start. He does come around, but it takes him a long time. He makes it clear what his kink is, and what would happen to Clover if Drake got his hands on him, but Clover is non-plussed by that.
All the guys get a voice, but I wasn’t sure if Drake would, since it’s a long time before he does. I’m glad he does though. I think, from what was said here, Drake will come out of himself a lot more now he’s accepted Clover is theirs. He doesn’t say much, but what he did say to Clover carried a lot of weight and says a lot about Drake and his past.
Clover and Tank have the majority voices though.
It is hot off the charts, with Clover the centre of every scene. There are 2/3/4-way scenes, and everyone gets a piece of Clover, not that Clover really minds, he just wants to be safe!
It carries some difficult topics, trafficking, murder, drugs but all dealt with well. I didn’t see any spelling or editing errors to spoil my reading.
I went through Merikan’s entire back catalogue to see if I had read anything else by this author, and it appears not. I would like to read more, even though I struggled with the SPEED at which things moved, I did enjoy it. I wrote 3 stars at the top of the page when I wrote this up, but now I’m typing my review up, I’m upgrading to 4 stars. I think it was just these guys and the way they work, rather than that speed making for a negative reaction to this book. I really want to see what’s gonna happen with these guys, and they will have two more books for me get used to them!
4 stars
**same worded review will appear elsewhere**
Movie Metropolis (309 KP) rated Kong: Skull Island (2017) in Movies
Jun 10, 2019
Beauty and the Beast
The fact that Legendary Pictures are busying themselves with an epic Godzilla vs King Kong showdown is one of the worst kept secrets in Hollywood. Naturally, this presented a problem for Peter Jackson’s Kong who simply doesn’t measure up against the giant lizard in 2013’s Godzilla.
And in Hollywood, size really does matter; therefore the monstrous ape has been given a monumental upgrade featuring an all-star cast and some serious talent behind the camera. But is Kong: Skull Island as bananas as its trailers would suggest? Or are we looking at something a little more mainstream?
At the climax of the Vietnam War, a team of explorers and mercenaries head to an unchartered island in the South Pacific in an effort to document its inhabitants. Little do they know they are crossing into the domain of vicious man-eating monsters and the legendary Kong.
With a cast that includes Tom Hiddleston, Brie Larson, John Goodman, Samuel L Jackson and John C Reilly, you’d be forgiven for thinking everything is hunky dory over on Skull Island, but this spectacular film isn’t without its flaws. A lack of character development and a severe tonal imbalance mean it’s a beautiful near miss that thankfully manages to pull itself up from a crash landing.
Jordan Vogt-Roberts in his first big budget feature directs a film that is absolutely staggering to watch, with stunning cinematography and exceptionally well-choreographed battles between the gigantic ape and his many adversaries. Giving indie directors the chance to work with big studios to produce blockbusters is something that seems incredibly popular at the moment.
After all, Gareth Edwards took up the challenge of rebooting Godzilla in 2013 with stunning results and Colin Trevorrow was entrusted by Steven Spielberg to rekindle the public’s love affair with Jurassic Park back in 2015 and that worked a treat too.
Here, Vogt-Roberts utilises both of those franchises to great effect, even managing to shoehorn a tasteful reference to Samuel L Jackson’s Jurassic Park character, Ray Arnold. Elsewhere, though, the film falls a little flat. The constant switch in tone from comedy to action leaves a sour taste in the mouth, though John C Reilly’s stranded pilot is a pleasure to watch and lightens up proceedings.
Tom Hiddleston does well in the leading role, though as an SAS operative, he feels a little miscast and Samuel L Jackson’s Preston Packard is immensely dislikeable and his gripe with Kong is forced. It creates a subplot that doesn’t really need to be there.
The special effects, however, are top notch, helped by the splendid cinematography. The gorgeous sunsets and sweeping tropical landscapes have a whiff of Apocalypse Now and the misty terrain brings back memories of Jurassic Park’s first sequel, The Lost World.
Overall, Kong: Skull Island is a stunning film filled to the brim with colour, charming effects and great performances. However, it is a little light on character development and that tone issue is frustrating at times, but as a precursor to a mighty monster battle, it does a fine job in continuing the franchise and setting its future.
Leaving the cinema, though, I was left with a concern for when the two behemoths, Godzilla and Kong, finally meet. Each film has given their respective creature a ‘personality’, and if one of them must inevitably die, who on earth do you choose to perish?
https://moviemetropolis.net/2017/03/10/beauty-and-the-beast-kong-skull-island-review/
And in Hollywood, size really does matter; therefore the monstrous ape has been given a monumental upgrade featuring an all-star cast and some serious talent behind the camera. But is Kong: Skull Island as bananas as its trailers would suggest? Or are we looking at something a little more mainstream?
At the climax of the Vietnam War, a team of explorers and mercenaries head to an unchartered island in the South Pacific in an effort to document its inhabitants. Little do they know they are crossing into the domain of vicious man-eating monsters and the legendary Kong.
With a cast that includes Tom Hiddleston, Brie Larson, John Goodman, Samuel L Jackson and John C Reilly, you’d be forgiven for thinking everything is hunky dory over on Skull Island, but this spectacular film isn’t without its flaws. A lack of character development and a severe tonal imbalance mean it’s a beautiful near miss that thankfully manages to pull itself up from a crash landing.
Jordan Vogt-Roberts in his first big budget feature directs a film that is absolutely staggering to watch, with stunning cinematography and exceptionally well-choreographed battles between the gigantic ape and his many adversaries. Giving indie directors the chance to work with big studios to produce blockbusters is something that seems incredibly popular at the moment.
After all, Gareth Edwards took up the challenge of rebooting Godzilla in 2013 with stunning results and Colin Trevorrow was entrusted by Steven Spielberg to rekindle the public’s love affair with Jurassic Park back in 2015 and that worked a treat too.
Here, Vogt-Roberts utilises both of those franchises to great effect, even managing to shoehorn a tasteful reference to Samuel L Jackson’s Jurassic Park character, Ray Arnold. Elsewhere, though, the film falls a little flat. The constant switch in tone from comedy to action leaves a sour taste in the mouth, though John C Reilly’s stranded pilot is a pleasure to watch and lightens up proceedings.
Tom Hiddleston does well in the leading role, though as an SAS operative, he feels a little miscast and Samuel L Jackson’s Preston Packard is immensely dislikeable and his gripe with Kong is forced. It creates a subplot that doesn’t really need to be there.
The special effects, however, are top notch, helped by the splendid cinematography. The gorgeous sunsets and sweeping tropical landscapes have a whiff of Apocalypse Now and the misty terrain brings back memories of Jurassic Park’s first sequel, The Lost World.
Overall, Kong: Skull Island is a stunning film filled to the brim with colour, charming effects and great performances. However, it is a little light on character development and that tone issue is frustrating at times, but as a precursor to a mighty monster battle, it does a fine job in continuing the franchise and setting its future.
Leaving the cinema, though, I was left with a concern for when the two behemoths, Godzilla and Kong, finally meet. Each film has given their respective creature a ‘personality’, and if one of them must inevitably die, who on earth do you choose to perish?
https://moviemetropolis.net/2017/03/10/beauty-and-the-beast-kong-skull-island-review/
Gareth von Kallenbach (980 KP) rated The First Purge (2018) in Movies
Jun 19, 2019
Usually when a film reaches the fourth in a series there is the danger of becoming stale and repeating things form the prior film. With the release of “The First Purge”, the creator of the series, James DeMonaco; has stepped away from directing duties this time around and has turned his script over to Director Gerald McMurray to tell the tale of how the Purge began.
With crime, unemployment, and other social issues at all all-time high, a new political group; known as the “New Founding Fathers of America” rises to power and plan to implement a bold new experiment to get the country back on track.
Dr. Updale (Marisa Tomei) has a plan to legalize all crime including murder for a 12-hour span. The idea is that by allowing people to vent their frustrations, it will allow them to be happier in the situations and better able to face the challenges they have.
The decision is made to set it in a poor community in Staten Island and naturally protests arise over this especially from community leaders who see the cash incentives being offered to stay in the area and take part in the event as exploiting the poor.
Despite worldwide condemnation and protests, the event goes on as planned and for the most part does not result in the mass carnage that many expected.
Local criminal Kingpin Dmitri (Y’Lan Noel) plans to ride out the event in his compound surrounded by his crew as he believes that his fortified and well-armed locale will be more than enough to ensure his safety. Others in the community stay at home, gather at a church, or take to the streets for parties and mayhem as nobody really knows what to expect.
Under the watchful gaze of the government, it soon becomes clear that the events of the evening are being manipulated and that there is a much bigger and more sinister agenda behind the event.
When squads of well-armed mercenaries enter the community and start killing everyone they encounter, Dmitri and others must work with one another to survive the night.
The film takes a bit to get started as it spends a good amount of time introducing us to the various characters we will meet over the evening and it helps to show the community and how the events of the evening motivate the various characters.
The series has always been heavy on social commentary and the inclusion of characters and costumes that are clearly inspired by various hate groups throughout history is impossible to miss and the film seems to be pushing home the message that society needs to be careful as we are close to heading down the dystopian path that the series depicts.
If you have seen any of the film in the series, you know what to expect as it shows what happens when humanity is not bound by the laws of society and the threat of punishment. The cast works well as they are not simply fodder to be endangered and disposed of when the Purge begins.
There is a 10-episode television series coming soon and it will be interesting to see where the franchise goes following it. For now, “The First Purge” should be an entertaining enough film for fans of the series
http://sknr.net/2018/07/03/the-first-purge/
With crime, unemployment, and other social issues at all all-time high, a new political group; known as the “New Founding Fathers of America” rises to power and plan to implement a bold new experiment to get the country back on track.
Dr. Updale (Marisa Tomei) has a plan to legalize all crime including murder for a 12-hour span. The idea is that by allowing people to vent their frustrations, it will allow them to be happier in the situations and better able to face the challenges they have.
The decision is made to set it in a poor community in Staten Island and naturally protests arise over this especially from community leaders who see the cash incentives being offered to stay in the area and take part in the event as exploiting the poor.
Despite worldwide condemnation and protests, the event goes on as planned and for the most part does not result in the mass carnage that many expected.
Local criminal Kingpin Dmitri (Y’Lan Noel) plans to ride out the event in his compound surrounded by his crew as he believes that his fortified and well-armed locale will be more than enough to ensure his safety. Others in the community stay at home, gather at a church, or take to the streets for parties and mayhem as nobody really knows what to expect.
Under the watchful gaze of the government, it soon becomes clear that the events of the evening are being manipulated and that there is a much bigger and more sinister agenda behind the event.
When squads of well-armed mercenaries enter the community and start killing everyone they encounter, Dmitri and others must work with one another to survive the night.
The film takes a bit to get started as it spends a good amount of time introducing us to the various characters we will meet over the evening and it helps to show the community and how the events of the evening motivate the various characters.
The series has always been heavy on social commentary and the inclusion of characters and costumes that are clearly inspired by various hate groups throughout history is impossible to miss and the film seems to be pushing home the message that society needs to be careful as we are close to heading down the dystopian path that the series depicts.
If you have seen any of the film in the series, you know what to expect as it shows what happens when humanity is not bound by the laws of society and the threat of punishment. The cast works well as they are not simply fodder to be endangered and disposed of when the Purge begins.
There is a 10-episode television series coming soon and it will be interesting to see where the franchise goes following it. For now, “The First Purge” should be an entertaining enough film for fans of the series
http://sknr.net/2018/07/03/the-first-purge/