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JT (287 KP) rated Predators (2010) in Movies
Mar 10, 2020
Fans of the original Predator will no doubt have been excited to see the trailers for Predators, a script pulled from a filing cabinet in 1994 and given a 2010 make over by Robert Rodriguez, who produces, with Nimród Antal directing.
It was always going to be hard to top Schwarzenegger’s 1987 hit; John McTiernan had little special effects to work with but delivered an action/sci-fi masterpiece with a cast of mercenaries. When the sequel came along Schwarzenegger wanted no part of it, and so it was up to Danny Glover (I’m still getting to old for this shit) to battle on home turf, unsuccessfully in many people’s eyes.
In 2010 we’re back in the jungle only this is no ordinary jungle, this is home field advantage for the Predators. Again, a bunch of unknowns from different specially selected backgrounds are dropped in together to face a new breed of Predator, seemingly engaged in their own tribal turf war.
The story follows some similar paths to the original, macho heroes must work together to fight back, while at the same time avoid being picked off one at a time. The script is disjointed with no prior background as to why these bunch of cut throats have been pooled together, or who is behind it all.
That said those of us who can remember back as far as 1987 will enjoy a homage to the original with scenes like a spectacular waterfall jump, a Yazuka Vs Predator battle which gives us an insight as to what might have happened when Billy stayed behind on the bridge with nothing more than a huge knife for protection. All that and the immortal line “Kill me I’m here!”
Adrien Brody may not seem like your stereotypical action hero but he does do a half decent job, following along the action hero code of A) getting some serious gym time, B) lowering voice to a low growl and C) not giving a shit, then coming back and giving a shit!
The others, well they’re no Dutch, Mac, Billy or Zane but they are a new breed. There is the quiet and yet deadly Yakuza (Louis Ozawa Changchien), who is dressed for the most part in a smart grey suit and performs the sword-moves in a well choreographed human vs. Predator duel.
The rest are walking talking archetypal thugs, a Russian beef cake (Oleg Taktarov), a death row serial murderer (Walton Goggins), an African Death Squad killer (Mahershalalhashbaz Ali) and a cocaine cartel hatchet man (the legend that is Danny Trejo). There is also a rather pointless guest appearance which might lead us into a false sense of security as it is all but cut short, shame!
It was always going to be hard to top Schwarzenegger’s 1987 hit; John McTiernan had little special effects to work with but delivered an action/sci-fi masterpiece with a cast of mercenaries. When the sequel came along Schwarzenegger wanted no part of it, and so it was up to Danny Glover (I’m still getting to old for this shit) to battle on home turf, unsuccessfully in many people’s eyes.
In 2010 we’re back in the jungle only this is no ordinary jungle, this is home field advantage for the Predators. Again, a bunch of unknowns from different specially selected backgrounds are dropped in together to face a new breed of Predator, seemingly engaged in their own tribal turf war.
The story follows some similar paths to the original, macho heroes must work together to fight back, while at the same time avoid being picked off one at a time. The script is disjointed with no prior background as to why these bunch of cut throats have been pooled together, or who is behind it all.
That said those of us who can remember back as far as 1987 will enjoy a homage to the original with scenes like a spectacular waterfall jump, a Yazuka Vs Predator battle which gives us an insight as to what might have happened when Billy stayed behind on the bridge with nothing more than a huge knife for protection. All that and the immortal line “Kill me I’m here!”
Adrien Brody may not seem like your stereotypical action hero but he does do a half decent job, following along the action hero code of A) getting some serious gym time, B) lowering voice to a low growl and C) not giving a shit, then coming back and giving a shit!
The others, well they’re no Dutch, Mac, Billy or Zane but they are a new breed. There is the quiet and yet deadly Yakuza (Louis Ozawa Changchien), who is dressed for the most part in a smart grey suit and performs the sword-moves in a well choreographed human vs. Predator duel.
The rest are walking talking archetypal thugs, a Russian beef cake (Oleg Taktarov), a death row serial murderer (Walton Goggins), an African Death Squad killer (Mahershalalhashbaz Ali) and a cocaine cartel hatchet man (the legend that is Danny Trejo). There is also a rather pointless guest appearance which might lead us into a false sense of security as it is all but cut short, shame!
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Lee (2222 KP) rated The First Purge (2018) in Movies
Jul 9, 2018
Not sure why they bothered
The fourth movie in 'The Purge' series takes us right back to the beginning, introducing us to the days leading up to and including the very first purge. It's the weakest of the series, and while not exactly a bad movie, you're kind of left wondering why they even bothered.
The site of the new 'experiment' is Staten Island, NY, and in the run up to it's commencement we're introduced to quite a few of the locals, most of which aren't that memorable once the end credits have rolled. Some of them are angry, and looking to embrace this new way of being able to legally release their anger. Some are out to protect their illegal business interests, and some just want to keep their heads down and ride out the night with as little trouble as possible. In an effort to keep people on the island during the experiment, the NFFA offers $5,000 to anyone who does stick around for the night. And, if they actually participate in the purge, they'll get a nice bonus! Glowing contact lenses containing tiny cameras are on offer to those that do wish to partake, allowing their movements and actions to be tracked and seen by all, and providing a suitably creepy effect when worn out in the dark.
Unfortunately though, purge night doesn't get off to a great start. While most streets are clear, a number of block parties start up, and the only murder that takes place has been by the local crazy guy on drugs. So, they decide to stir things up a bit by sending in trained teams, disguised as locals, in an attempt to incite violence. When this happens, and innocent lives are lost, local drug boss Dmitri and his team of dealers decide to take things into their own hands. With their arsenal of automatic weapons, they seem surprisingly well trained in the art of taking out the mercenaries, and this is where the movie is at it's most enjoyable. As Dmitri strips down to his white vest and heads into the tower block where a number of bad guys are sweeping each floor, taking out innocents as they go, we get some fantastic action sequences. It's all very reminiscent of The Raid, with a dash of Die Hard thrown in. Close quarters stairwell fighting, gun fights, explosions, all beautifully choreographed and ramping up the tension as the bad guys near the 14th floor, where many of the characters introduced earlier in the movie are all holed up.
Sadly, this intense and thrilling action only features in the last 20 minutes or so and isn't enough to pull this back from being just a so-so movie, only adding to the overall imbalance of it all.
The site of the new 'experiment' is Staten Island, NY, and in the run up to it's commencement we're introduced to quite a few of the locals, most of which aren't that memorable once the end credits have rolled. Some of them are angry, and looking to embrace this new way of being able to legally release their anger. Some are out to protect their illegal business interests, and some just want to keep their heads down and ride out the night with as little trouble as possible. In an effort to keep people on the island during the experiment, the NFFA offers $5,000 to anyone who does stick around for the night. And, if they actually participate in the purge, they'll get a nice bonus! Glowing contact lenses containing tiny cameras are on offer to those that do wish to partake, allowing their movements and actions to be tracked and seen by all, and providing a suitably creepy effect when worn out in the dark.
Unfortunately though, purge night doesn't get off to a great start. While most streets are clear, a number of block parties start up, and the only murder that takes place has been by the local crazy guy on drugs. So, they decide to stir things up a bit by sending in trained teams, disguised as locals, in an attempt to incite violence. When this happens, and innocent lives are lost, local drug boss Dmitri and his team of dealers decide to take things into their own hands. With their arsenal of automatic weapons, they seem surprisingly well trained in the art of taking out the mercenaries, and this is where the movie is at it's most enjoyable. As Dmitri strips down to his white vest and heads into the tower block where a number of bad guys are sweeping each floor, taking out innocents as they go, we get some fantastic action sequences. It's all very reminiscent of The Raid, with a dash of Die Hard thrown in. Close quarters stairwell fighting, gun fights, explosions, all beautifully choreographed and ramping up the tension as the bad guys near the 14th floor, where many of the characters introduced earlier in the movie are all holed up.
Sadly, this intense and thrilling action only features in the last 20 minutes or so and isn't enough to pull this back from being just a so-so movie, only adding to the overall imbalance of it all.
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JT (287 KP) rated White House Down (2013) in Movies
Mar 17, 2020
The White House gets the action treatment once again
For the second time in 2013 the White House was the target of terrorists, as no sooner had Gerard Butler shut the door (or what was left of it) Channing Tatum stepped through to show what he could do. It’s oddly surreal for two films with the same plot to be out the very same year, (and if anyone knows of any others films then please let me know) and with identical scenarios, and outcomes for that matter.
Directed by Roland Emmerich who must have blown up and destroyed more landmarks than we care to remember, has another crack at dismantling the White House. Whereas Olympus was more of an attempt at a serious film, White House Down seemed to opt for a more light-hearted approach, and it was clear that it wasn’t taking itself to seriously.
Tatum plays capitol policeman Cale who, desperate to connect with his daughter, brings her along to the White House for a tour while he interviews for a job on the President’s secret service detail. Failing to make the grade due to a poor disciplinary record and disregard for authority he’s turned away, but as luck would have it is on hand to save the day in McClane-esque fashion.
The problem is its big-budget, overblown on a plot that has been done to death (not just twice in a year) the whole father trying to connect with his son/daughter, while at the same time dealing with his demons and back story is just Hollywood on repeat. Emmerich is a master for the visual, and CGI for that matter as he brings us as close to the chaos as is humanly possible, but in the end, the charge is going to run out and you’re left thinking “yea, give us something we haven’t seen already!”.
The on-screen relationship between Fox’s President Sawyer and Tatum’s head strung cop is pretty good, must be all the time they spent making that god awful Channing All Over Your Tatum music video. So the love between the pair is already there, and it was certainly a hell of a lot better than Gerard Butler and Aaron Eckhart.
The action is big and ballsey and there are one or two neat moments like the car chase over the White House lawn and the Black Hawk descent, but we’ve seen it all before especially from Emmerich, and you can see he prefers to favour action set pieces as opposed to neatly setting up the plot and constructing dialogue. James Woods is on hand for villain duties as the disgruntled head of the President’s secret service and is wanting vengeance for the death of his soldier son. It’s all pretty bog-standard stuff, and the list of mercenaries are forgettable, no real standouts there either.
It certainly not the worst but doesn’t quite pip Olympus for me, it’s Emmerich on autopilot doing what he does best but while it’s entertaining it’s not unique enough to set it apart from other blockbusters.
Directed by Roland Emmerich who must have blown up and destroyed more landmarks than we care to remember, has another crack at dismantling the White House. Whereas Olympus was more of an attempt at a serious film, White House Down seemed to opt for a more light-hearted approach, and it was clear that it wasn’t taking itself to seriously.
Tatum plays capitol policeman Cale who, desperate to connect with his daughter, brings her along to the White House for a tour while he interviews for a job on the President’s secret service detail. Failing to make the grade due to a poor disciplinary record and disregard for authority he’s turned away, but as luck would have it is on hand to save the day in McClane-esque fashion.
The problem is its big-budget, overblown on a plot that has been done to death (not just twice in a year) the whole father trying to connect with his son/daughter, while at the same time dealing with his demons and back story is just Hollywood on repeat. Emmerich is a master for the visual, and CGI for that matter as he brings us as close to the chaos as is humanly possible, but in the end, the charge is going to run out and you’re left thinking “yea, give us something we haven’t seen already!”.
The on-screen relationship between Fox’s President Sawyer and Tatum’s head strung cop is pretty good, must be all the time they spent making that god awful Channing All Over Your Tatum music video. So the love between the pair is already there, and it was certainly a hell of a lot better than Gerard Butler and Aaron Eckhart.
The action is big and ballsey and there are one or two neat moments like the car chase over the White House lawn and the Black Hawk descent, but we’ve seen it all before especially from Emmerich, and you can see he prefers to favour action set pieces as opposed to neatly setting up the plot and constructing dialogue. James Woods is on hand for villain duties as the disgruntled head of the President’s secret service and is wanting vengeance for the death of his soldier son. It’s all pretty bog-standard stuff, and the list of mercenaries are forgettable, no real standouts there either.
It certainly not the worst but doesn’t quite pip Olympus for me, it’s Emmerich on autopilot doing what he does best but while it’s entertaining it’s not unique enough to set it apart from other blockbusters.
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NEW UPDATE, 67% off for a limited time! Slice and dice human prey with razor sharp Retina display...