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Andy K (10821 KP) rated The Post (2017) in Movies
Jan 20, 2018
Acting/Directing/All the technical stuff (1 more)
Screenplay
It sucked me in
It's hard to believe Meryl Streep, Tom Hanks and Steven Spielberg have not teamed up for a film until now, but this movie makes this fact worth the wait.
The story took a little while to grab hold of me and to understand fully the implications as to what was happening (maybe I am a little slow), but once it gets going it doesn't stop. All the actors are on the top of their game and pull off hearty performances.
It is difficult for a historical film like this to grab hold of you since a lot of people already know the climax, but great films like Apollo 13, Titanic and this one manage to pull it off.
Glad it had a wide release before the Oscars this year.
The story took a little while to grab hold of me and to understand fully the implications as to what was happening (maybe I am a little slow), but once it gets going it doesn't stop. All the actors are on the top of their game and pull off hearty performances.
It is difficult for a historical film like this to grab hold of you since a lot of people already know the climax, but great films like Apollo 13, Titanic and this one manage to pull it off.
Glad it had a wide release before the Oscars this year.
Sarah (7798 KP) rated The Post (2017) in Movies
Jan 13, 2019
A little dull
I really wanted to like this and I had hoped it was going to be similar to Spotlight, but sadly it was a bit of a let down.
It has a stellar cast and you can never fault Tom Hanks especially. I've never really been a big fan of Meryl Streep which may contribute to part of the reason why I didn't like this very much. But aside from her, this has got a fantastic cast. It's just a shame that the story itself just came across as very dull. I really wanted to be interested in it but I struggled because the entire film dragged so much. I have no doubt it's an interesting story, it just doesn't come across very entertaining in the film. I was so surprised that this is a Steven Spielberg film as it doesn't come across like it.
It has a stellar cast and you can never fault Tom Hanks especially. I've never really been a big fan of Meryl Streep which may contribute to part of the reason why I didn't like this very much. But aside from her, this has got a fantastic cast. It's just a shame that the story itself just came across as very dull. I really wanted to be interested in it but I struggled because the entire film dragged so much. I have no doubt it's an interesting story, it just doesn't come across very entertaining in the film. I was so surprised that this is a Steven Spielberg film as it doesn't come across like it.
Lenard (726 KP) rated The Hustle (2019) in Movies
Jul 1, 2019
When I first heard they were making a gender-flipped version of "Dirty Rotten Scoundrels," I feared that it could be misogynistic based on the end of the English language remake of the French original. The Frank Oz-directed "Dirty Rotten Scoundrels" is a classic comedy with a original twist. This female-centric remake is rarely funny and inoffensive. Anne Hathaway gets to practice three of her Meryl Streep accents. Rebel Wilson plays the uncouth low level con artist piggishly. When the two met on a train to St Tropez where Anne runs elaborate cons on rich tourists, Anne is not threatened but she realizes Rebel could ruin her trade. So she continuously schemes ways to rid herself of the slouch. The whole movie could have ended if Rebel just found a real policeman and unmasked Anne, but that would not make great cinema so we are stuck with this stinker.
Gareth von Kallenbach (965 KP) rated Julie & Julia (2009) in Movies
Aug 9, 2019
Julie & Julia’ is an intertwined tale based on the two true stories of cooking legend Julia Child (Meryl Streep) and that of author Julie Powell (Amy Adams). It is a story of non-traditional mentoring and the value of hard work and dedication, covering the process Child went through creating the 1961 classic Mastering the Art of French Cooking alongside the tale of Powell who was made famous when she blogged her way through Child’s book.
The films leads do nothing but deliver. Amy Adams, sporting a spunky new haircut, creates a character that is both soul searching and fun to watch. Meryl Streep amazingly transforms into Child, having perfected the subtleties of her personality so well that I found myself remising back to my single digit years.
The costumes are delightful and manage to seamlessly separate the two women’s tales while uniting them into a bigger story. The use of color and pacing make this a film that displays not only a change in time and lifestyle, but also the uniting human values that are entirely timeless.
A story of relationships and personal growth, combined with moments of laughter and hardship, I found myself in the mood I enjoyed through ‘Chocolat’ and ‘The Pursuit of Happyness’.
The film could have used more food imagery and I felt like the character of Eric Powell (Chris Messina) could have been better developed. But the delightful relationship between Julia and her husband Paul Child, played by the ever-enchanting Stanley Tucci, made this film a wildly entertaining journey.
On top of being a well-told tale, ‘Julie & Julia’ has that je ne sais quoi which make it a truly exceptional piece of film, and I know this because even my action loving husband enjoyed it. Well worth the price of admission ‘Julie & Julia’ is a time traveling felicity that is sure to win your heart, as it has mine.
The films leads do nothing but deliver. Amy Adams, sporting a spunky new haircut, creates a character that is both soul searching and fun to watch. Meryl Streep amazingly transforms into Child, having perfected the subtleties of her personality so well that I found myself remising back to my single digit years.
The costumes are delightful and manage to seamlessly separate the two women’s tales while uniting them into a bigger story. The use of color and pacing make this a film that displays not only a change in time and lifestyle, but also the uniting human values that are entirely timeless.
A story of relationships and personal growth, combined with moments of laughter and hardship, I found myself in the mood I enjoyed through ‘Chocolat’ and ‘The Pursuit of Happyness’.
The film could have used more food imagery and I felt like the character of Eric Powell (Chris Messina) could have been better developed. But the delightful relationship between Julia and her husband Paul Child, played by the ever-enchanting Stanley Tucci, made this film a wildly entertaining journey.
On top of being a well-told tale, ‘Julie & Julia’ has that je ne sais quoi which make it a truly exceptional piece of film, and I know this because even my action loving husband enjoyed it. Well worth the price of admission ‘Julie & Julia’ is a time traveling felicity that is sure to win your heart, as it has mine.
Ashley Valencia (5 KP) rated Into the Woods (2014) in Movies
Apr 14, 2019
Cast (2 more)
Adaption to film
Music
Baker's father reduced role (1 more)
Missing songs
And Happy Ever After! (I wish)
Fans of the play will love this movie. They did a great job adapting this for a film.
The cast is especially amazing, esp Meryl Streep and my dream wife Anna Kendrick. However, while James um British talk show host that plays the Baker wasn't the worst choice, he kind of stuck out as mediocre compared to the other cast members. The singing from all cast members, James included, is all excellently done, all the actors performed their vocals live.
My only real beef with the movie is the complete removal of the narrator character and the missing song, "No More". While they also didnt include "Agony: Reprise," I liked the change they made to Rapunzel's story which would've recquired halfing the song or a complete rewrite. I'm good with that trade off. Plus I imagine the lyric "dwarves are very upsetting" might've proved for some to be indeed upsetting.
The cast is especially amazing, esp Meryl Streep and my dream wife Anna Kendrick. However, while James um British talk show host that plays the Baker wasn't the worst choice, he kind of stuck out as mediocre compared to the other cast members. The singing from all cast members, James included, is all excellently done, all the actors performed their vocals live.
My only real beef with the movie is the complete removal of the narrator character and the missing song, "No More". While they also didnt include "Agony: Reprise," I liked the change they made to Rapunzel's story which would've recquired halfing the song or a complete rewrite. I'm good with that trade off. Plus I imagine the lyric "dwarves are very upsetting" might've proved for some to be indeed upsetting.
Awix (3310 KP) rated Mamma Mia: Here We Go Again! (2018) in Movies
Oct 10, 2018
More semi-demented glam-rock-inflected goings-on amongst the Greek islands, distinguished this time by an actual sense of self-awareness of how absurd the whole thing is, an increased focus on younger and more attractive versions of the main characters, and an advertising campaign built around a massive piece of deception (Meryl Streep is only in the film for about two minutes).
I don't know, it's jolly enough I suppose, but one of the things that made the first one so distinctive was the fact it was about randy middle-aged people murdering classic pop songs, which you don't see much of in the cinema. This one is more about randy young people, which is much more commonplace and rather less fun. Also, when I watch a Mamma Mia film I want to see Pierce Brosnan murdering a song, not just being reduced to contributing the odd chorus and standing around in the background. Fairly inoffensive all in all, and quite entertaining.
I don't know, it's jolly enough I suppose, but one of the things that made the first one so distinctive was the fact it was about randy middle-aged people murdering classic pop songs, which you don't see much of in the cinema. This one is more about randy young people, which is much more commonplace and rather less fun. Also, when I watch a Mamma Mia film I want to see Pierce Brosnan murdering a song, not just being reduced to contributing the odd chorus and standing around in the background. Fairly inoffensive all in all, and quite entertaining.
Sarah (7798 KP) rated Little Women (2019) in Movies
Feb 5, 2020
Great performances let down by the pace
I read Little Women quite a few years ago, and other than remembering the basic plot details, I went into this film with barely any preconceptions. And for the most part, it does quite well.
This film is all about the performances. I've always liked Saoirse Ronan and Timothee Chalamet, I think they're both charismatic and fantastic actors and any time these two are on screen in this film (either together or separately), it really is marvellous to watch. Throwing in a great turn from Florence Pugh and some wonderful support from Laura Dern, Chris Cooper, Meryl Streep and (a sadly forgettable) Emma Watson, the acting in this is pretty stellar
The major problem however is the pacing. The plot is interesting, but it's let down by the plodding dreadfully slow pace and a just over 2 hour film feels like a lifetime. It's such a shame, as had this been sped up a little or had a little of the runtime shaved off, it'd be a truly fantastic period drama.
This film is all about the performances. I've always liked Saoirse Ronan and Timothee Chalamet, I think they're both charismatic and fantastic actors and any time these two are on screen in this film (either together or separately), it really is marvellous to watch. Throwing in a great turn from Florence Pugh and some wonderful support from Laura Dern, Chris Cooper, Meryl Streep and (a sadly forgettable) Emma Watson, the acting in this is pretty stellar
The major problem however is the pacing. The plot is interesting, but it's let down by the plodding dreadfully slow pace and a just over 2 hour film feels like a lifetime. It's such a shame, as had this been sped up a little or had a little of the runtime shaved off, it'd be a truly fantastic period drama.
Bob Mann (459 KP) rated The Laundromat (2019) in Movies
May 18, 2021
Is this the dullest movie title in film history?
In "The Laundromat", Ellen Martin (Meryl Streep) loses her husband Joe (James Cromwell) in a boating accident. She expects a multi-million dollar insurance payout, but is frustrated that the insurance companies evaporate in a miasma of shell-companies and double-dealing. Her compulsive investigations lead her to two Panamanian-based double dealers: Jürgen Mossack (Gary Oldman) and Ramón Fonseca (Antonio Banderas).
Based on a true story, a hack of the company's 2.6 TB of email data led to the 2016 scandal known as "The Panama Papers": something that dragged into the headlines the alleged dodgy-dealings of many celebrities including David Cameron.
Positives:
- Meryl Steep delivers another superb performance as the grieving avenging widow.
- There's a "twist" in the final scene which I didn't see coming, and which was impressive.
Negatives:
- This is a really strange and disjointed movie. It seems to be trying to be "The Big Short", but is a significant fail. There are numerous quirky scenes, most involving Oldman and Banderas. But there is enough bat-shit crazy stuff in here to make you think that either Sonderbergh, or the writers, or both were on acid. What was with the "Dawn of Man" sequence at the start? And why the anonymisation of the 'hominids'? Lots of bonkers stuff.
- The movie is made up of a series of chapters ("Lessons"), but the connection between the lesson title and the "message" conveyed is loose at best. It's all a bit of a convoluted mess.
- The script seems to assume a school-boy level of knowledge of the subject matter. As a result, some of the explanations of Mssrs, Oldman and Banderas come across as extremely patronising 'mansplaining'.
Summary Thoughts on "The Laundromat": There's a stellar cast involved with this one, and the subject matter in the hands of an Adam McKay could have been compelling. But as it is, it's rather a disjointed mess. It's worth a watch just to see the actors at work. But that's about the long and the short of it. Watch "The Big Short" again instead.
This has been sitting on my Netflix box for a long time without a watch, and this is mostly because the title suggested something completely different (and not of great interest). (Yes, I understand in retrospect that the movie is partially concerned with money laundering!) It was only my wife suggesting we watch it that pushed it onto the list. If it had been titled something like "The Panama Papers" I would have probably watched it sooner!
(For the full graphical review, please check out One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/18/the-laundromat-is-this-the-worst-title-of-any-movie-in-film-history/. Thanks.)
Based on a true story, a hack of the company's 2.6 TB of email data led to the 2016 scandal known as "The Panama Papers": something that dragged into the headlines the alleged dodgy-dealings of many celebrities including David Cameron.
Positives:
- Meryl Steep delivers another superb performance as the grieving avenging widow.
- There's a "twist" in the final scene which I didn't see coming, and which was impressive.
Negatives:
- This is a really strange and disjointed movie. It seems to be trying to be "The Big Short", but is a significant fail. There are numerous quirky scenes, most involving Oldman and Banderas. But there is enough bat-shit crazy stuff in here to make you think that either Sonderbergh, or the writers, or both were on acid. What was with the "Dawn of Man" sequence at the start? And why the anonymisation of the 'hominids'? Lots of bonkers stuff.
- The movie is made up of a series of chapters ("Lessons"), but the connection between the lesson title and the "message" conveyed is loose at best. It's all a bit of a convoluted mess.
- The script seems to assume a school-boy level of knowledge of the subject matter. As a result, some of the explanations of Mssrs, Oldman and Banderas come across as extremely patronising 'mansplaining'.
Summary Thoughts on "The Laundromat": There's a stellar cast involved with this one, and the subject matter in the hands of an Adam McKay could have been compelling. But as it is, it's rather a disjointed mess. It's worth a watch just to see the actors at work. But that's about the long and the short of it. Watch "The Big Short" again instead.
This has been sitting on my Netflix box for a long time without a watch, and this is mostly because the title suggested something completely different (and not of great interest). (Yes, I understand in retrospect that the movie is partially concerned with money laundering!) It was only my wife suggesting we watch it that pushed it onto the list. If it had been titled something like "The Panama Papers" I would have probably watched it sooner!
(For the full graphical review, please check out One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/18/the-laundromat-is-this-the-worst-title-of-any-movie-in-film-history/. Thanks.)
BankofMarquis (1832 KP) rated The Laundromat (2019) in Movies
Aug 1, 2021
Fun and Interesting
Do remember the Oscar nominated film THE BIG SHORT from 2015, where Director Adam McKay would make sense out of a dry subject (the financial crisis of 2008) by breaking the 4th wall and speaking directly to the audience, while also wrapping in a very strong emotional drama?
Well…Director Steven Soderbergh (ERIN BROCKOVICH) has taken that recipe and attached it to another dry subject (this time money laundering through off-shore “Shell Companies”) and has turned in a very good and interesting (though not quite as intense) film that got lost in the shuffle in 2019.
Starring Meryl Streep as a widow who is trying to get her Insurance Company to pay off after the death of her husband, THE LAUNDROMAT follows the trail through shell company after shell company as the money is Laundered by 2 unscrupulous Bankers (Gary Oldman and Antonio Banderas) in a series of vignettes.
While THE LAUNDROMAT doesn’t pack the punch of THE BIG SHORT (where the real life consequences of what happened impacted many, many people throughout the world), THE LAUNDROMAT falls just short in that only Meryl Streep’s character really suffers the consequences (though many unscrupulous players do get theirs in the end).
Soderbergh is a Director who’s work I have really, really liked throughout his career as he has a tendency to focus on the people, rather than spectacle, when telling a story, and it works well in this film. He gets the audience to care about the victims of the scheming money men and root like crazy for the “bad guys” to get theirs.
As for the acting, Meryl Streep (of course) is marvelous as Ellen Martin, the widow who’s tragic experience (the death of her husband - played by the great James Cromwell) sets off the course of events in this film.
Oldman and Banderas are equally as good as the narrators and antagonists of this piece. They play their roles with a slight wink in their eyes and a “devil-may-care” attitude which makes them charming, but does take a notch (or so) off of the drama of the piece.
Soderbergh, as he is want to do, fills this film with many memorable actors/characters in what amounts to extended cameos - Jeffrey Wright, Robert Patrick, David Schwimmer, Will Forte, Chris Parnell, Larry Wilmore and even Sharon Stone stop by for a moment to bring other characters into play and they all work well.
To be fair, some of the vignettes work better than the others, but all-in-all Soderbergh has crafted an interesting, fun and IMPORTANT film that will teach it’s audience about the inner workings of a system that most of us have heard about but never really looked into.
Check out THE LAUNDROMAT the next time you are scrolling through Netflix looking for something good to watch.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Well…Director Steven Soderbergh (ERIN BROCKOVICH) has taken that recipe and attached it to another dry subject (this time money laundering through off-shore “Shell Companies”) and has turned in a very good and interesting (though not quite as intense) film that got lost in the shuffle in 2019.
Starring Meryl Streep as a widow who is trying to get her Insurance Company to pay off after the death of her husband, THE LAUNDROMAT follows the trail through shell company after shell company as the money is Laundered by 2 unscrupulous Bankers (Gary Oldman and Antonio Banderas) in a series of vignettes.
While THE LAUNDROMAT doesn’t pack the punch of THE BIG SHORT (where the real life consequences of what happened impacted many, many people throughout the world), THE LAUNDROMAT falls just short in that only Meryl Streep’s character really suffers the consequences (though many unscrupulous players do get theirs in the end).
Soderbergh is a Director who’s work I have really, really liked throughout his career as he has a tendency to focus on the people, rather than spectacle, when telling a story, and it works well in this film. He gets the audience to care about the victims of the scheming money men and root like crazy for the “bad guys” to get theirs.
As for the acting, Meryl Streep (of course) is marvelous as Ellen Martin, the widow who’s tragic experience (the death of her husband - played by the great James Cromwell) sets off the course of events in this film.
Oldman and Banderas are equally as good as the narrators and antagonists of this piece. They play their roles with a slight wink in their eyes and a “devil-may-care” attitude which makes them charming, but does take a notch (or so) off of the drama of the piece.
Soderbergh, as he is want to do, fills this film with many memorable actors/characters in what amounts to extended cameos - Jeffrey Wright, Robert Patrick, David Schwimmer, Will Forte, Chris Parnell, Larry Wilmore and even Sharon Stone stop by for a moment to bring other characters into play and they all work well.
To be fair, some of the vignettes work better than the others, but all-in-all Soderbergh has crafted an interesting, fun and IMPORTANT film that will teach it’s audience about the inner workings of a system that most of us have heard about but never really looked into.
Check out THE LAUNDROMAT the next time you are scrolling through Netflix looking for something good to watch.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Awix (3310 KP) rated Little Women (2019) in Movies
Jan 7, 2020
Not my usual kind of movie, but I turn up for anything with Greta Gerwig or Florence Pugh involved in it. Happily this proved not to be the leaden piece of post-MeToo agitprop some of the advertising suggested, but a sensitive and subtle adaptation of a classic piece of literature (it says here). During and after the American Civil War, four sisters (Meg, Amy, Little Jo and Hoss) grow up and come of age, under the steely gaze of their Aunt Ben Cartwright (Meryl Streep). (I may be getting this mixed up with something else.)
Strong performances, especially from Ronan and Pugh, and a generally classy movie in most respects. This is mainly due to a very smart script and evocative direction, both from Gerwig, which finds clever resonances between events at different points in the narrative (the story is told somewhat out of chronological order) and creates just the right kind of atmosphere. There is inevitably a little bit of gender politics, but also a scene where a character suggests that there's nothing wrong with wanting to get married and have children, either. Engaging, likeable, and even quite moving in places.
Strong performances, especially from Ronan and Pugh, and a generally classy movie in most respects. This is mainly due to a very smart script and evocative direction, both from Gerwig, which finds clever resonances between events at different points in the narrative (the story is told somewhat out of chronological order) and creates just the right kind of atmosphere. There is inevitably a little bit of gender politics, but also a scene where a character suggests that there's nothing wrong with wanting to get married and have children, either. Engaging, likeable, and even quite moving in places.