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Gareth von Kallenbach (980 KP) rated The Bourne Ultimatum (2007) in Movies
Aug 14, 2019
When last audiences left Jason Bourne (Matt Damon), he had just exposed a coverup and in doing so, extacted revenge upon those who killed his girlfriend and hunted him. In the new thriller “The Bourne Ultimatum”, Bourne is back in a big way, as he becomes unwittingly entangled in a international manhunt, when a reporter gets to close to the truth of a top secret program.
With most of his memory still missing, Boune travels to London to seek out the reporter, in an effort to learn what he knows, hoping it will lead him to the answers he seeks. Things take a turn for the worse when Bourne is discovered, by the powers that created him who are convinced that he is a danger to the program, and may expose everything he knows to the media. Unwilling to take that chance, Bourne is targeted for elimination which sets into motion a frantic series of events that spans seven cities around the world.
Tasked with locating Bourne is Pamela Landy (Joan Allen), who while dedicated to her task, is convinced that Bourne is simply caught up in the mix, and wants nothing more than to get on with his life.
Bourne in the course of tracking the source of the leak eventually meets up with Nicky Parsons (Julia Stiles), who not only gets Bourne up to speed, but helps him attempt to locate her boss, as he may very well be the source of the information leak and the key to unlocking Bourne’s missing memories.
Between daring action scenes, intrigue, and solid Drama, Bourne begins to unravel the puzzle as he attempts to solve the mystery and stay alive from the myriad of threats that target his every move.
This Bourne is solid and fits very well into the framework of the past two films. Damon has never been stronger his signature role and is able to convincingly transition from action sequences to the dramatic elements the story requires adroitly while never losing his connection with the audience. Bourne while dangerous is in many ways a victim, who simply wants to know the truth, and is easy for the audience to support.
There are numerous action and chase sequences that combine brutality and fluidity in a amazing combination. This is not a CGI fest, this is flesh and bone, metal and glass combining to create one of the best action dramas ever to grace the screen.
The film is well paced and never overstays its welcome thanks to a plot that is intelligent yet not overly complicated.
In a summer of sequels that have mainly not lived up to expectations, Bourne is a film that delivers.
With most of his memory still missing, Boune travels to London to seek out the reporter, in an effort to learn what he knows, hoping it will lead him to the answers he seeks. Things take a turn for the worse when Bourne is discovered, by the powers that created him who are convinced that he is a danger to the program, and may expose everything he knows to the media. Unwilling to take that chance, Bourne is targeted for elimination which sets into motion a frantic series of events that spans seven cities around the world.
Tasked with locating Bourne is Pamela Landy (Joan Allen), who while dedicated to her task, is convinced that Bourne is simply caught up in the mix, and wants nothing more than to get on with his life.
Bourne in the course of tracking the source of the leak eventually meets up with Nicky Parsons (Julia Stiles), who not only gets Bourne up to speed, but helps him attempt to locate her boss, as he may very well be the source of the information leak and the key to unlocking Bourne’s missing memories.
Between daring action scenes, intrigue, and solid Drama, Bourne begins to unravel the puzzle as he attempts to solve the mystery and stay alive from the myriad of threats that target his every move.
This Bourne is solid and fits very well into the framework of the past two films. Damon has never been stronger his signature role and is able to convincingly transition from action sequences to the dramatic elements the story requires adroitly while never losing his connection with the audience. Bourne while dangerous is in many ways a victim, who simply wants to know the truth, and is easy for the audience to support.
There are numerous action and chase sequences that combine brutality and fluidity in a amazing combination. This is not a CGI fest, this is flesh and bone, metal and glass combining to create one of the best action dramas ever to grace the screen.
The film is well paced and never overstays its welcome thanks to a plot that is intelligent yet not overly complicated.
In a summer of sequels that have mainly not lived up to expectations, Bourne is a film that delivers.
Gareth von Kallenbach (980 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 31, 2019
The battle for the future is about to unfold and if you think that “Terminator: Dark Fate” is dancing around to a familiar tune; you would be right to a certain point. Once again a killer cyborg from the future is dispatched to our timeline in order to destroy someone who will play a part in the downfall of an A.I. system in the future.
As before; a protector is sent back and this time around it is a woman named Grace (Mackenzie Davis); who will need every bit of her augmented abilities to stop a deadly new Terminator (Diego Luna), from killing a young girl named Dani (Natalia Reyes).
Grace is soon joined by Sarah Connor (Linda Hamilton), who has been waging a war on Terminators for most of her life and now has an even bigger reason to hate them. Sarah clashes with Grace as she tells her that she was Dani at one point and knows all too well what is going on even though Grace’s future does not include the exploits of Sarah and her son.
The crew eventually join forces with an older Terminator model (Arnold Schwarzenegger); to try to stop the new threat and what follows are some amazing action sequences along with some light comedic moments.
While the film opens with epic battles and chases which bring back memories of the earlier films it is the breakneck intensity that sets this film apart. While audiences are not in awe with a liquid metal Terminator as they were in the second film, it is done in a new and creative way to keep you guessing.
The film also cleverly throws some unexpected twists which helps explain the divergence from the futuristic timeline that was displayed in the prior films.
However this time around we get a fresh new wrinkle with a new A.I., new Terminator, new characters, but the same intense action sequences that have been missing from the series.
Creator James Cameron has returned to the franchise as a Producer and story contributor, and Director Tim Miller using the earlier Cameron films to set a tone that makes this film stand out from the recent sequels.
The return of Hamilton is great and she shows off a gritty and tough Sarah that has been missing greatly from the series. Luna plays his role with an icy efficiency but also has some good lines in the process showing how his model is an even more skilled and deadly infiltration unit.
While it will not be in the same class as the first two films in the series; it is much more enjoyable and much better than the subsequent films as Cameron and Miller have created an intense and relentless action spectacle.
4 stars out of 5
As before; a protector is sent back and this time around it is a woman named Grace (Mackenzie Davis); who will need every bit of her augmented abilities to stop a deadly new Terminator (Diego Luna), from killing a young girl named Dani (Natalia Reyes).
Grace is soon joined by Sarah Connor (Linda Hamilton), who has been waging a war on Terminators for most of her life and now has an even bigger reason to hate them. Sarah clashes with Grace as she tells her that she was Dani at one point and knows all too well what is going on even though Grace’s future does not include the exploits of Sarah and her son.
The crew eventually join forces with an older Terminator model (Arnold Schwarzenegger); to try to stop the new threat and what follows are some amazing action sequences along with some light comedic moments.
While the film opens with epic battles and chases which bring back memories of the earlier films it is the breakneck intensity that sets this film apart. While audiences are not in awe with a liquid metal Terminator as they were in the second film, it is done in a new and creative way to keep you guessing.
The film also cleverly throws some unexpected twists which helps explain the divergence from the futuristic timeline that was displayed in the prior films.
However this time around we get a fresh new wrinkle with a new A.I., new Terminator, new characters, but the same intense action sequences that have been missing from the series.
Creator James Cameron has returned to the franchise as a Producer and story contributor, and Director Tim Miller using the earlier Cameron films to set a tone that makes this film stand out from the recent sequels.
The return of Hamilton is great and she shows off a gritty and tough Sarah that has been missing greatly from the series. Luna plays his role with an icy efficiency but also has some good lines in the process showing how his model is an even more skilled and deadly infiltration unit.
While it will not be in the same class as the first two films in the series; it is much more enjoyable and much better than the subsequent films as Cameron and Miller have created an intense and relentless action spectacle.
4 stars out of 5
Andy K (10821 KP) rated Dancer in the Dark (2000) in Movies
Nov 24, 2019
Selma is a simple woman leading a simple life. She lives with her only son in a trailer on the property of her friends the nice cop and his wife. She works at a metal factory making sinks and basins. She doesn't make a lot of money, so she holds on to almost every penny she earns for something secret. She can't even buy her son a present for his birthday, so her friends and landlords buy the boy the used bicycle he has been yearning for. Selma also enjoys musicals. She loves them. Especially The Sound of Music, She is actually cast in a local production and gets to play Maria. She can even hear rhythm through the common sounds of life like a train on its tracks or even the sounds of people walking. She creates melodies in her head to distract from the mundane events of life. Sometimes these melodies turn into full production numbers only visible in the confines of her cerebrum.
Now the problem.
Selma is going blind. She knows she is. She is trying to set her plans and set up her son for a better life than she is able before her illness runs its course. Out of nowhere, tragedy strikes from an unexpected source. She is petrified and acts in haste with dreadful results. Now she must deal with the consequences of her actions and let the pieces fall where they must.
Controversial writer/director Lars von Trier finds an unexpected leading lady in Icelandic alternative pop singer Björk. I guess maybe not so unexpected considering all the singing in the film which she also wrote. I was surprised to read only one of the songs was nominated for Best Song in 2000 and no nomination for her acting prowess. Her emotional turmoil is the spine of the film and her simple, yet powerful demeanor holds the film together through its humorous and tense, gripping melodrama. All Selma wants is to give a good life to her son and is content with a meager existence, which, unfortunately is ripped from her.
The songs are brilliant as most of the them begin with the random noises of life in Selma's brain and become a glorious, choreographed splendor which I found myself really loving. These events make the 2nd half of the film such a tragedy as her spirit is resilient always sees the lighter side of life.
Unlike a lot of Von Trier's other work, no sex scenes and only one scene of violence in the film. The actions of the "normal" people here are the true horror.
Now the problem.
Selma is going blind. She knows she is. She is trying to set her plans and set up her son for a better life than she is able before her illness runs its course. Out of nowhere, tragedy strikes from an unexpected source. She is petrified and acts in haste with dreadful results. Now she must deal with the consequences of her actions and let the pieces fall where they must.
Controversial writer/director Lars von Trier finds an unexpected leading lady in Icelandic alternative pop singer Björk. I guess maybe not so unexpected considering all the singing in the film which she also wrote. I was surprised to read only one of the songs was nominated for Best Song in 2000 and no nomination for her acting prowess. Her emotional turmoil is the spine of the film and her simple, yet powerful demeanor holds the film together through its humorous and tense, gripping melodrama. All Selma wants is to give a good life to her son and is content with a meager existence, which, unfortunately is ripped from her.
The songs are brilliant as most of the them begin with the random noises of life in Selma's brain and become a glorious, choreographed splendor which I found myself really loving. These events make the 2nd half of the film such a tragedy as her spirit is resilient always sees the lighter side of life.
Unlike a lot of Von Trier's other work, no sex scenes and only one scene of violence in the film. The actions of the "normal" people here are the true horror.
Sophia (Bookwyrming Thoughts) (530 KP) rated Avalon Rising (Metal & Lace, #2) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Compared to <i><a href="https://bookwyrmingthoughts.com/arc-review-camelot-burning-by-kathryn-rose/"; target="_blank" rel="noopener">Camelot Burning</a>,</i> the sequel definitely surpassed most, if not all, of my expectations.
I found <i>Avalon Rising</i> to be a lot more enjoyable than its predecessor. There aren't as many technical terms this time around, as Vivienne seems to be more focused on the mission the Lady of the Lake left for her near the end of the first book and helping Camelot's remaining refugees rebuild after the war with Morgan Le Fay. Soon, Vivienne finds out that some of the knights, including her brother and Marcus, have been missing for several weeks on their quest to find the Holy Grail and Avalon. She also finds out that Jerusalem, where the alchemist Azur resides, is attacked by the Black Knight and his men. Wanting to offer her help, Vivienne decides to leave earlier than what the Lady of the Lake originally planned, finding out that in doing so, she may have placed Marcus's life in danger.
The second <i>Metal & Lace</i> novel is a lot more adventurous than the first one - Vivienne teams up with the castle blacksmith to find the missing knights, which is eventually intercepted by Merlin (who tends to be more of an obstacle this time around rather than actually helping Vivienne). They are then sent to free the Fisher King in the Perilous Lands, which actually results in several fantastic tests/trials for Vivienne to try and prove her worth to free the Fisher King and reveal the coordinates to Avalon. The trials that Vivienne goes through in <i>Avalon Rising</i> to find the knights and to reveal Avalon's coordinates almost felt like a female version of Percy Jackson in a medieval-esque world.
Vivienne also underwent a few changes as a character. She seems more temperamental, but is definitely extremely determined to accomplish what she wants to accomplish. A fantastic quality in a heroine, since Vivienne probably would have spent her time running away from pursuers who also want the coordinates to Avalon rather than doing something extremely interesting (like trying to resist using magic despite the pull).
<i>Avalon Rising</i> was a fantastic companion to <i>Camelot Burning</i> - I definitely look forward to reading the next book with the major cliffhanger Kathryn Rose leaves us with. Might I ask to review-nap this until the next book come out?
<a href="https://bookwyrmingthoughts.com/arc-review-avalon-rising-by-kathryn-rose/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Compared to <i><a href="https://bookwyrmingthoughts.com/arc-review-camelot-burning-by-kathryn-rose/"; target="_blank" rel="noopener">Camelot Burning</a>,</i> the sequel definitely surpassed most, if not all, of my expectations.
I found <i>Avalon Rising</i> to be a lot more enjoyable than its predecessor. There aren't as many technical terms this time around, as Vivienne seems to be more focused on the mission the Lady of the Lake left for her near the end of the first book and helping Camelot's remaining refugees rebuild after the war with Morgan Le Fay. Soon, Vivienne finds out that some of the knights, including her brother and Marcus, have been missing for several weeks on their quest to find the Holy Grail and Avalon. She also finds out that Jerusalem, where the alchemist Azur resides, is attacked by the Black Knight and his men. Wanting to offer her help, Vivienne decides to leave earlier than what the Lady of the Lake originally planned, finding out that in doing so, she may have placed Marcus's life in danger.
The second <i>Metal & Lace</i> novel is a lot more adventurous than the first one - Vivienne teams up with the castle blacksmith to find the missing knights, which is eventually intercepted by Merlin (who tends to be more of an obstacle this time around rather than actually helping Vivienne). They are then sent to free the Fisher King in the Perilous Lands, which actually results in several fantastic tests/trials for Vivienne to try and prove her worth to free the Fisher King and reveal the coordinates to Avalon. The trials that Vivienne goes through in <i>Avalon Rising</i> to find the knights and to reveal Avalon's coordinates almost felt like a female version of Percy Jackson in a medieval-esque world.
Vivienne also underwent a few changes as a character. She seems more temperamental, but is definitely extremely determined to accomplish what she wants to accomplish. A fantastic quality in a heroine, since Vivienne probably would have spent her time running away from pursuers who also want the coordinates to Avalon rather than doing something extremely interesting (like trying to resist using magic despite the pull).
<i>Avalon Rising</i> was a fantastic companion to <i>Camelot Burning</i> - I definitely look forward to reading the next book with the major cliffhanger Kathryn Rose leaves us with. Might I ask to review-nap this until the next book come out?
<a href="https://bookwyrmingthoughts.com/arc-review-avalon-rising-by-kathryn-rose/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated A Different Kind in Books
Jan 23, 2020
A Different Kind follows Payton Carlson, a high school who has a perfect life as a cheerleader and on top of the social pyramid at her school, at least until she starts getting strange dreams that are actually her being abducted by aliens.
A Different Kind definitely isn't my favorite book, contrary to the stellar rating. It reminded me a lot about Lux, which I actually have a like/hate relationship:
~ Aliens. Obviously. On the bright side, the name isn't complex, although Lux certainly isn't complex. But Latin is most certainly complex. Here, they're just called Greys. Simple. Easy.
~ DOD, aka Department of Defense, or maybe some sort of government interference. The DOD checks up on fellow Luxens in Lux. It's pretty much a similar case here, although it's simply someone. Chances are it's the DOD. That's up to Lauryn to confirm.
~ Telepathy. Need I say more? O_O I did find "We mean you no harm" funny though... it's probably made me think of the weird voice going "We come in peace."
<img border="0" src="http://3.bp.blogspot.com/-C7DVLiXJ_jg/U3FdCxE4PMI/AAAAAAAADQI/JNNizFBzwVw/s1600/we_come_in_peace.jpg"; height="240" width="320">
<b>What Made Me Enjoy A Different Kind?</b>
~ Logan's humble. At least, that's what it seems to me. He certainly doesn't need an ego check AT ALL. I don't think he even has an ego. I'm not saying all book boys with an ego need a check. Some I just don't like. Some I don't like in the first but I like them by the second, and if I don't like said boy by the second book, he's toasty. No pun intended.
~ Telekinesis over metal, which I find majorly cool. Blacksmiths would be uber happy if this were an actual power. Oh, and there would be less hospital bills. ;)
~ Despite the fact I disliked Payton in the first half of the book, I actually liked her by the end. She makes a major character change from being a complete jerk to someone who realized that she didn't want to be popular after all and for her entire life, she's been acting like someone that everyone expected her to be. I did have a problem with her being drunk a lot though. But that was before her change. I suppose that means strong character development. :3
MORAL: Be Yourself
<img border="0" src="http://3.bp.blogspot.com/-inMi1-dfOq4/U3FdRYX9AwI/AAAAAAAADQQ/6xhvm2InqUo/s1600/be-yourself-Favim.com-368618.gif"; height="179" width="320">
------------------
Review copy provided by the author
Original Rating: 4.5
This review and more can be found over at <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/review-a-different-kind-by-lauryn-april.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
A Different Kind definitely isn't my favorite book, contrary to the stellar rating. It reminded me a lot about Lux, which I actually have a like/hate relationship:
~ Aliens. Obviously. On the bright side, the name isn't complex, although Lux certainly isn't complex. But Latin is most certainly complex. Here, they're just called Greys. Simple. Easy.
~ DOD, aka Department of Defense, or maybe some sort of government interference. The DOD checks up on fellow Luxens in Lux. It's pretty much a similar case here, although it's simply someone. Chances are it's the DOD. That's up to Lauryn to confirm.
~ Telepathy. Need I say more? O_O I did find "We mean you no harm" funny though... it's probably made me think of the weird voice going "We come in peace."
<img border="0" src="http://3.bp.blogspot.com/-C7DVLiXJ_jg/U3FdCxE4PMI/AAAAAAAADQI/JNNizFBzwVw/s1600/we_come_in_peace.jpg"; height="240" width="320">
<b>What Made Me Enjoy A Different Kind?</b>
~ Logan's humble. At least, that's what it seems to me. He certainly doesn't need an ego check AT ALL. I don't think he even has an ego. I'm not saying all book boys with an ego need a check. Some I just don't like. Some I don't like in the first but I like them by the second, and if I don't like said boy by the second book, he's toasty. No pun intended.
~ Telekinesis over metal, which I find majorly cool. Blacksmiths would be uber happy if this were an actual power. Oh, and there would be less hospital bills. ;)
~ Despite the fact I disliked Payton in the first half of the book, I actually liked her by the end. She makes a major character change from being a complete jerk to someone who realized that she didn't want to be popular after all and for her entire life, she's been acting like someone that everyone expected her to be. I did have a problem with her being drunk a lot though. But that was before her change. I suppose that means strong character development. :3
MORAL: Be Yourself
<img border="0" src="http://3.bp.blogspot.com/-inMi1-dfOq4/U3FdRYX9AwI/AAAAAAAADQQ/6xhvm2InqUo/s1600/be-yourself-Favim.com-368618.gif"; height="179" width="320">
------------------
Review copy provided by the author
Original Rating: 4.5
This review and more can be found over at <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/review-a-different-kind-by-lauryn-april.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Gareth von Kallenbach (980 KP) rated Furious 7 (2015) in Movies
Aug 6, 2019
As most would expect from the Fast & Furious franchise, the 7th installment was full of the absurd, ridiculous and spectacular. How a former FBI agent and reticent street racer came to be the leaders of a highly sought after band of not-so-merry brothers (and sisters), hired to accomplish what special ops couldn’t is just part of the absurd. The ridiculous can be found in the escapades they find themselves mired in as well as the stunts they have to pull off to get out of said predicaments. But tied into the absurd and ridiculous are the spectacular adrenaline rushes charged with a lot of shiny metal and ferocious revs and rumbles of finely tuned engines.
Furious 7 tries to tie together the storylines of its predecessors. At least that was the original intent. But with only a couple weeks of filming left, the movie lost one of its leading men, Paul Walker in a horrifically ironic car accident. When the cast and crew, as well as Universal and Walker’s family agreed to finish filming, the movie became more about giving his character, Brian O’Connor, his last hurrah, a final dance with bullets he told his wife he missed before he finally accepted a more domesticated existence.
As much as I enjoyed Furious 7, it was hard to watch on so many levels. The fans will love the intense fight scenes, some wincingly brutal, some intricately choreographed. There are plenty of jaw-dropping stunts and heart-racing car chases, and plenty of one-liners to laugh or groan at, mainly from Dwayne Johnson’s character, Hobbs. This movie also had two villains, Jason Statham’s Deckard Shaw and Djimon Honsou’s Jakande; one intent on avenging his brother, the other bent on getting his hands on “God’s Eye”, a device that would essentially give Jakande control of the world, of course. The movie also introduced a new character named Mr. Nobody, played by an amusing Kirk Russell.
With the aid of CGI and Walker’s brothers, Cody and Caleb, as stand-ins, director James Wan was able to keep Brian in most of the film. That’s where I found some difficulty in watching the movie. Wan and his staff combed through footage that normally would’ve ended on the cutting room floor to find usable shots that Wan came to refer to as “Walker Gold” because each shot became more and more precious. I understood that sentiment as each of Walker’s scenes, especially with Vin Diesel and Jordana Brewster, became even more poignant knowing they were some of his last. Wan didn’t try to make the audience forget that Walker was gone, instead he made Furious 7 the satisfying closing chapter for the character Walker brought to life, effectively paying tribute to Walker himself.
Furious 7 tries to tie together the storylines of its predecessors. At least that was the original intent. But with only a couple weeks of filming left, the movie lost one of its leading men, Paul Walker in a horrifically ironic car accident. When the cast and crew, as well as Universal and Walker’s family agreed to finish filming, the movie became more about giving his character, Brian O’Connor, his last hurrah, a final dance with bullets he told his wife he missed before he finally accepted a more domesticated existence.
As much as I enjoyed Furious 7, it was hard to watch on so many levels. The fans will love the intense fight scenes, some wincingly brutal, some intricately choreographed. There are plenty of jaw-dropping stunts and heart-racing car chases, and plenty of one-liners to laugh or groan at, mainly from Dwayne Johnson’s character, Hobbs. This movie also had two villains, Jason Statham’s Deckard Shaw and Djimon Honsou’s Jakande; one intent on avenging his brother, the other bent on getting his hands on “God’s Eye”, a device that would essentially give Jakande control of the world, of course. The movie also introduced a new character named Mr. Nobody, played by an amusing Kirk Russell.
With the aid of CGI and Walker’s brothers, Cody and Caleb, as stand-ins, director James Wan was able to keep Brian in most of the film. That’s where I found some difficulty in watching the movie. Wan and his staff combed through footage that normally would’ve ended on the cutting room floor to find usable shots that Wan came to refer to as “Walker Gold” because each shot became more and more precious. I understood that sentiment as each of Walker’s scenes, especially with Vin Diesel and Jordana Brewster, became even more poignant knowing they were some of his last. Wan didn’t try to make the audience forget that Walker was gone, instead he made Furious 7 the satisfying closing chapter for the character Walker brought to life, effectively paying tribute to Walker himself.
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