Search
Search results
Andy K (10821 KP) created a poll about in Movies are the shiz!
Jun 1, 2018 (Updated Jun 1, 2018)
Whatchareadin (174 KP) rated Little Fires Everywhere in Books
May 10, 2018
Mia and Pearl move around a lot, but they may have found their forever home in Shaker Heights, Ohio. They are renting the top floor of a duplex owned by the Richardson family. The Richardson's have four children who are all close in age to Pearl. When controversy hits the small tight knit community and Mrs. Richardson finds out that Mia is behind it, she will stop at nothing to find out more about this woman who has disrupted this town.
For me, this book moved very slowly. The story as a whole was good, but there was something about the writing that I just couldn't connect with. The story was told from everyone's point of view, but at times it seemed like that changed in mid-sentence.
Mia is the kind of woman, I think a lot of us wish we could be. She is artistic and carefree. She is an attentive mother and compassionate with her fellow co-workers. But she can't sit still. Every few months, she and Pearl are on the move again for one reason or another. For Pearl, she doesn't mind so much. She has never been able to make and keep friends easily, so it feels good to start over. But Shaker Heights is different. Immediately, she befriends, Moody, the Richardson's youngest son. They have an instant bond. Pearl begins to spend afternoons at their house and walks back and forth to school with Moody. Making friends feels good to Pearl and she is glad that they have decided to spend a little more time in this town than most.
Mia works all kinds of odd jobs to support her in Pearl why she works on her photography. Mia has sold many pieces through an art gallery in New York. Sometimes the pieces go quickly and other times they do not. While in Shaker Heights, Mia is working the take out counter for a Chinese Restaurant. There she befriends a girl who becomes a part of the center of the controversy. With Mia's help this girl finds the strength she needs to do what is necessary.
Mrs. Robinson works as a reporter for the local paper. Covering various events throughout the town. Mrs. Robinson likes Mia and Pearl when they move in, and she even offers Mia a job to do some light housekeeping and cooking at their house. But maybe they shouldn't have allowed Mia to get so close. Maybe then one of her best friends would not have to go through the turmoil she is currently in.
I think many people will like this book, but for me, it was just alright.
For me, this book moved very slowly. The story as a whole was good, but there was something about the writing that I just couldn't connect with. The story was told from everyone's point of view, but at times it seemed like that changed in mid-sentence.
Mia is the kind of woman, I think a lot of us wish we could be. She is artistic and carefree. She is an attentive mother and compassionate with her fellow co-workers. But she can't sit still. Every few months, she and Pearl are on the move again for one reason or another. For Pearl, she doesn't mind so much. She has never been able to make and keep friends easily, so it feels good to start over. But Shaker Heights is different. Immediately, she befriends, Moody, the Richardson's youngest son. They have an instant bond. Pearl begins to spend afternoons at their house and walks back and forth to school with Moody. Making friends feels good to Pearl and she is glad that they have decided to spend a little more time in this town than most.
Mia works all kinds of odd jobs to support her in Pearl why she works on her photography. Mia has sold many pieces through an art gallery in New York. Sometimes the pieces go quickly and other times they do not. While in Shaker Heights, Mia is working the take out counter for a Chinese Restaurant. There she befriends a girl who becomes a part of the center of the controversy. With Mia's help this girl finds the strength she needs to do what is necessary.
Mrs. Robinson works as a reporter for the local paper. Covering various events throughout the town. Mrs. Robinson likes Mia and Pearl when they move in, and she even offers Mia a job to do some light housekeeping and cooking at their house. But maybe they shouldn't have allowed Mia to get so close. Maybe then one of her best friends would not have to go through the turmoil she is currently in.
I think many people will like this book, but for me, it was just alright.
Sophia (Bookwyrming Thoughts) (530 KP) rated Fake It Till You Break It in Books
Jan 23, 2020
From the moment I read the synopsis, I wanted to read Fake It Till You Break It by Jenn P. Nguyen. Fake dating that might backfire on the characters in the end? That sounded like pure fun (for the reader, probably not the characters), and Nguyen delivered. Some people may think the book is predictable and full of clichés, which can definitely be the case depending on reading preferences (and mood).
But if anyone is looking for a light and funny young adult contemporary romance to read, Fake It Till You Break It is the perfect new release from Swoon Reads. Knowing each other since childhood, Mia and Jake have constantly been in each others presence thanks to their mothers being friends. From dentist visits to brunch and even vacation, theyve done practically everything together growing up.
But now that theyre old enough to be in romantic relationships, their moms think the two of them will be perfect (and bonus: they can continue hanging out together if everything goes well). Tiring? Mia and Jake seem to think so. To get their moms off their backs about being the perfect couple, the two devise a plan: pretend to date, then break it off bad enough that theyll be out of each others lives forever. So much for their moms trying to get them together, right?
Spoiler: Jokes on Mia and Jake.
Mia and Jake were cute together and I loved their individual viewpoints throughout the book as they evolved from we hate each other to maybe we dont hate each other. Their voices were easily distinguishable and not confusing between chapters while adding to the story overall. Both of their moms were so much fun to read despite the irritation Mia and Jake felt with the constant pushing for them to be together.
Fake It Till You Break is such a cute and pure romance, and I highly encourage giving Nguyens book a chance if you enjoy the fake dating trope and good banter, and you want a light read for the summer.
<a href="http://theartsstl.com/jenn-p-nguyen-fake-it-till-you-break-it-swoon-reads/">This review is originally posted on The Arts STL</a>
But if anyone is looking for a light and funny young adult contemporary romance to read, Fake It Till You Break It is the perfect new release from Swoon Reads. Knowing each other since childhood, Mia and Jake have constantly been in each others presence thanks to their mothers being friends. From dentist visits to brunch and even vacation, theyve done practically everything together growing up.
But now that theyre old enough to be in romantic relationships, their moms think the two of them will be perfect (and bonus: they can continue hanging out together if everything goes well). Tiring? Mia and Jake seem to think so. To get their moms off their backs about being the perfect couple, the two devise a plan: pretend to date, then break it off bad enough that theyll be out of each others lives forever. So much for their moms trying to get them together, right?
Spoiler: Jokes on Mia and Jake.
Mia and Jake were cute together and I loved their individual viewpoints throughout the book as they evolved from we hate each other to maybe we dont hate each other. Their voices were easily distinguishable and not confusing between chapters while adding to the story overall. Both of their moms were so much fun to read despite the irritation Mia and Jake felt with the constant pushing for them to be together.
Fake It Till You Break is such a cute and pure romance, and I highly encourage giving Nguyens book a chance if you enjoy the fake dating trope and good banter, and you want a light read for the summer.
<a href="http://theartsstl.com/jenn-p-nguyen-fake-it-till-you-break-it-swoon-reads/">This review is originally posted on The Arts STL</a>
Suswatibasu (1701 KP) rated I'm Travelling Alone in Books
Jul 27, 2017
Interesting plot but nothing spectacular
There's something enticing about Scandinavian thrillers that shine through imagery of its cold landscape. While it's an interesting story, nothing really seemed to stand out and the parallel story completely fell by the wayside - I suspect this will be picked up in Samuel Bjork's later novels. This goes for the protagonist Mia, who I believe may have a greater role in the following books.
As there are so many components to the story, you won't feel bored as such - but it is still far too long for what it is. The killer is predictable - remember always suspect the extremely nice side characters. So it doesn't break out of the thriller mould unfortunately. Slightly disappointed after all the hype.
As there are so many components to the story, you won't feel bored as such - but it is still far too long for what it is. The killer is predictable - remember always suspect the extremely nice side characters. So it doesn't break out of the thriller mould unfortunately. Slightly disappointed after all the hype.
Sarah Betts (103 KP) rated Hood Academy in Books
Dec 31, 2019
I received a copy of this book from Netgalley and the publisher in exchange for an honest review.
WHERE WOLF? THERE WOLF! THERE CASTLE!
I really liked this book! Mia is a likable strong character who dealt with horrible abuse.
Then her abuser is attacked by a werewolf.
Suddenly she's taken to a school to train in fighting werewolves and discovers the things she thought were good may not be.
So. I really did like this book but there were a few things that struck me as off.
A character is very upset at the idea of werewolf hunting. Another character doesn't even consider that they could be a werewolf.
It's strange because this character was shown to be pretty intelligent before that.
WHERE WOLF? THERE WOLF! THERE CASTLE!
I really liked this book! Mia is a likable strong character who dealt with horrible abuse.
Then her abuser is attacked by a werewolf.
Suddenly she's taken to a school to train in fighting werewolves and discovers the things she thought were good may not be.
So. I really did like this book but there were a few things that struck me as off.
A character is very upset at the idea of werewolf hunting. Another character doesn't even consider that they could be a werewolf.
It's strange because this character was shown to be pretty intelligent before that.
Erika (17788 KP) rated Only Lovers Left Alive (2014) in Movies
Feb 10, 2018
Gosh, I love this movie. The soundtrack is great to start out with, I own it, and frequently listen to it when I'm at work. Tom Hiddleston's character, Adam, is so melodramatic and sarcastic and it's oh-so amusing. Anton Yelchin (RIP) is Ian, Adam's music agent, and basically one of two humans Adam has contact with. Tilda Swinton is Eve, Adam's wife, who lives in Tangiers, while Adam lives in Detroit, visits him because he's depressed and suicidal. And, while the word is never said, Adam, Eve, Kit (John Hurt/RIP playing Kit Marlow), and Ava (Mia Wasikowska) are all vampires, who deal with vampire probs. Anyway, it may seem like there's no plot, but there is, it's just slow moving. One particular thing I liked was the filming in Detroit and the beauty in the ruin.
Whatchareadin (174 KP) rated If I Stay (If I Stay, #1) in Books
May 10, 2018
Mia is a typical 17 year old girl. She has a great family, plays the cello, has good friends and an incredible boyfriend. On a very non-typical day in her home of Oregon, a dusting of snow keeps the whole family home from work and school. Her family decides to take a drive and visit some family and friends. Unfortunately, on this journey, tragedy strikes. Mia's family is involved in a car accident. As Mia's life hangs in the balance, she reflects on all that has happened in her short time on earth and what would or could happen if she decided to stay.
I thought this was going to be a tear-jerker, but it wasn't so much. The events that took place are sad for sure, but I didn't find myself crying like I thought I would. Imagine if everyone in your immediate family is killed in a car accident and you are the only survivor. What do you do? You watch your whole family laying in pools of blood and then you watch yourself being operated on and see the looks in the eyes of your friends and family as they try to make sense of it all as well. In the book, the movie Ghost is referenced, and this book does remind me a bit of that movie. Patrick Swayze is dead though, and Mia is just trying to figure out if she should stay with the living, or go and be with her parents and her brother. It's a hard decision to make and I'm not sure if it is one that I could make. For me or for any other member of my family. How can you make the decision to let someone live or die? How do you make that decision yourself? Are we really able to make that decision?
My favorite part of this book, is looking back into Mia's life. Getting an understanding of who she is and who her family was. I love the fact that her family was so close and most of her life treated her like a little adult instead of a child. They were encouraging and always there for her. Her boyfriend and her best friend were the same way. They may not have always agreed on everything, but they were always understanding and willing to give a listening ear. I'm not sure if the series follows Mia along the rest of her journey, but I would like to know what her decision was.
I thought this was going to be a tear-jerker, but it wasn't so much. The events that took place are sad for sure, but I didn't find myself crying like I thought I would. Imagine if everyone in your immediate family is killed in a car accident and you are the only survivor. What do you do? You watch your whole family laying in pools of blood and then you watch yourself being operated on and see the looks in the eyes of your friends and family as they try to make sense of it all as well. In the book, the movie Ghost is referenced, and this book does remind me a bit of that movie. Patrick Swayze is dead though, and Mia is just trying to figure out if she should stay with the living, or go and be with her parents and her brother. It's a hard decision to make and I'm not sure if it is one that I could make. For me or for any other member of my family. How can you make the decision to let someone live or die? How do you make that decision yourself? Are we really able to make that decision?
My favorite part of this book, is looking back into Mia's life. Getting an understanding of who she is and who her family was. I love the fact that her family was so close and most of her life treated her like a little adult instead of a child. They were encouraging and always there for her. Her boyfriend and her best friend were the same way. They may not have always agreed on everything, but they were always understanding and willing to give a listening ear. I'm not sure if the series follows Mia along the rest of her journey, but I would like to know what her decision was.
Gareth von Kallenbach (980 KP) rated Fast Five (2011) in Movies
Aug 7, 2019
The 2011 summer movie season kicks off in high gear with the release of Fast Five the latest installment in the phenomenally popular Fast and Furious series. The movie picks up exactly where the previous film ended with Brian O’ Conner (Paul Walker), orchestrating a daring escape for Dominic Toretto (Vin Diesel).
The film quickly moves forward in time where Brian and Dominic’s sister Mia (Jordana Brewster), overall fugitives from the law, have taken refuge in Rio. Unsure of exactly where Dominic is, an old family friend offers Brian and Mia roles in a job which will surely score them some very easy and much-needed money. Although reluctant, Brian agrees to the job which involves the theft of three high-value cars from a train. Things go horribly wrong when they’re doublecrossed, the aftermath of which leads to the death of three federal agents. Only Dominic’s arrival, quick thinking, and a daring escape allows Brian and Mia to survive.
Although it is not their fault, the deaths of the agents is blamed solely on the trio, and an elite fugitive hunter named Hobbs (Dwayne Johnson) arrives with his team with the sole mission of stopping Brian, Mia and Dominic, no matter the cost.
As if this wasn’t enough trouble for the fugities, it is learned that they have also fallen on the radar of the local drug kingpin named Reyes (Joaquim de Almeida), who will stop at nothing to retrieve an item now in the trio’s possession. Caught in the crossfire between Hobbs and Reyes, Dominic plots an epic caper that will allow them not only the money to flee Hobbs and disappear into a life of luxury, but allow them to settle the score with Reyes.
What follows is a nonstop action thrill ride that sprinkles in a nice mix of comedy and romance to keep things interesting. The film downplays the racing aspect of the series and instead saves the spectacular driving for key action sequences. While street racing scenes are alluded to they are not shown as director Justin Chin focuses squarely on his cast and allows them ample time to develop their characters. In doing so it strengthens the bond between them and allows the climactic sequence to have an even greater impact than your standard over-the-top summer film action scenes.
.
There are some really funny moments in the film as Dominic assembles his team to pull off the ultimate job. The new characters work very well with the established cast from the previous films and introduce characters which I hope will be a part of any future films in the series. Johnson was a very pleasant surprise, as his character could easily have been one-dimensional. He was given a few wrinkles which allowed him to walk the fine line between good guy and bad guy, which is an essential quality to many of the film’s characters. Johnson’s action sequences were solid and highly effective and once again underscores that he needs to be focusing more on action films and less on the family-friendly genre that
has dominated the bulk of his recent work.
Walker and Diesel complement each other perfectly and appear to be having a great time working with one another again. They have a very easy-going and natural chemistry with one another that works even when they’re not behind the wheel of a car or caught up in a frantic action scene.
While the plot of the film is fairly straightforward it provides ample framework for the characters to grow and propel the story forward. While the audience is asked to take some great leaps in logic it doesn’t derail from the finished product. The stuntwork in the film was absolutely amazing and the spectacular finale of the movie alone must be seen to be believed.
Many times during my press screening the audience was completely silent for a brief second following an action sequence before erupting into thunderous applause and cheers after they’ve fully processed what just unfolded on the screen. Larger-than-life characters combined with larger-than-life action, plus some very sexy cars and very sexy people make an extremely winning formula. If the rumors are true, Chin may be handed the reins to the Terminator franchise as well as the next film in the Fast and Furious series, then audiences are in for one hell of a ride.
I think my wife summed it up best when she said that movie was “Ridiculous…ridiculously good.” Reality is thrown out the window for pure adrenaline and testosterone fueled action.
The film quickly moves forward in time where Brian and Dominic’s sister Mia (Jordana Brewster), overall fugitives from the law, have taken refuge in Rio. Unsure of exactly where Dominic is, an old family friend offers Brian and Mia roles in a job which will surely score them some very easy and much-needed money. Although reluctant, Brian agrees to the job which involves the theft of three high-value cars from a train. Things go horribly wrong when they’re doublecrossed, the aftermath of which leads to the death of three federal agents. Only Dominic’s arrival, quick thinking, and a daring escape allows Brian and Mia to survive.
Although it is not their fault, the deaths of the agents is blamed solely on the trio, and an elite fugitive hunter named Hobbs (Dwayne Johnson) arrives with his team with the sole mission of stopping Brian, Mia and Dominic, no matter the cost.
As if this wasn’t enough trouble for the fugities, it is learned that they have also fallen on the radar of the local drug kingpin named Reyes (Joaquim de Almeida), who will stop at nothing to retrieve an item now in the trio’s possession. Caught in the crossfire between Hobbs and Reyes, Dominic plots an epic caper that will allow them not only the money to flee Hobbs and disappear into a life of luxury, but allow them to settle the score with Reyes.
What follows is a nonstop action thrill ride that sprinkles in a nice mix of comedy and romance to keep things interesting. The film downplays the racing aspect of the series and instead saves the spectacular driving for key action sequences. While street racing scenes are alluded to they are not shown as director Justin Chin focuses squarely on his cast and allows them ample time to develop their characters. In doing so it strengthens the bond between them and allows the climactic sequence to have an even greater impact than your standard over-the-top summer film action scenes.
.
There are some really funny moments in the film as Dominic assembles his team to pull off the ultimate job. The new characters work very well with the established cast from the previous films and introduce characters which I hope will be a part of any future films in the series. Johnson was a very pleasant surprise, as his character could easily have been one-dimensional. He was given a few wrinkles which allowed him to walk the fine line between good guy and bad guy, which is an essential quality to many of the film’s characters. Johnson’s action sequences were solid and highly effective and once again underscores that he needs to be focusing more on action films and less on the family-friendly genre that
has dominated the bulk of his recent work.
Walker and Diesel complement each other perfectly and appear to be having a great time working with one another again. They have a very easy-going and natural chemistry with one another that works even when they’re not behind the wheel of a car or caught up in a frantic action scene.
While the plot of the film is fairly straightforward it provides ample framework for the characters to grow and propel the story forward. While the audience is asked to take some great leaps in logic it doesn’t derail from the finished product. The stuntwork in the film was absolutely amazing and the spectacular finale of the movie alone must be seen to be believed.
Many times during my press screening the audience was completely silent for a brief second following an action sequence before erupting into thunderous applause and cheers after they’ve fully processed what just unfolded on the screen. Larger-than-life characters combined with larger-than-life action, plus some very sexy cars and very sexy people make an extremely winning formula. If the rumors are true, Chin may be handed the reins to the Terminator franchise as well as the next film in the Fast and Furious series, then audiences are in for one hell of a ride.
I think my wife summed it up best when she said that movie was “Ridiculous…ridiculously good.” Reality is thrown out the window for pure adrenaline and testosterone fueled action.
JT (287 KP) rated Chloe (2010) in Movies
Mar 10, 2020
As sexual thrillers go this is hardly up there with the best of them, in fact it boarder lines on B-movie soft porn. Director Atom Egoyan is no stranger to this type of erotic genre having previously helmed such films as Exotica and Where The Truth Lies. But this latest turn lacked something in the plot and it just seemed to fall at the last hurdle.
With three exceptional acting talents, more so from Seyfried whose role in this as the sexy femme fatal is a far cry from Mamma Mia. For Moore it was a role that may have caused much whispering in Hollywood if anything for the lesbian clinch mid way through.
From the outset it looks as if we are going to be in for a great little thriller. Moore’s Catherine is desperate to find out if her husband (Neeson) is as honest as he says he is. But she is apparently drawn into Chloe’s sexual tales and meets up with her on countless occasions to have the events graphically recited back to her like some x-rated book club.
This is where the film seems to lack the tension that we might have been hoping for, with the exception of maybe a little flurry at the end. It never really digs its nails underneath the skin and claws at us, we hope that it will arrive at some point but alas it never does. The ending is disappointing.
However, Seyfried’s sheer beauty is not for question, she is curvaceous and captivating and her scenes with Moore are extremely sensuous, one in particular will make you sit bolt up right in your seat.
At the end of it all you’ll walk away flustered, but it certainly won’t be from the gripping suspense.
With three exceptional acting talents, more so from Seyfried whose role in this as the sexy femme fatal is a far cry from Mamma Mia. For Moore it was a role that may have caused much whispering in Hollywood if anything for the lesbian clinch mid way through.
From the outset it looks as if we are going to be in for a great little thriller. Moore’s Catherine is desperate to find out if her husband (Neeson) is as honest as he says he is. But she is apparently drawn into Chloe’s sexual tales and meets up with her on countless occasions to have the events graphically recited back to her like some x-rated book club.
This is where the film seems to lack the tension that we might have been hoping for, with the exception of maybe a little flurry at the end. It never really digs its nails underneath the skin and claws at us, we hope that it will arrive at some point but alas it never does. The ending is disappointing.
However, Seyfried’s sheer beauty is not for question, she is curvaceous and captivating and her scenes with Moore are extremely sensuous, one in particular will make you sit bolt up right in your seat.
At the end of it all you’ll walk away flustered, but it certainly won’t be from the gripping suspense.
Emma @ The Movies (1786 KP) rated La La Land (2016) in Movies
Jun 2, 2020
Let me give you the background on this one. Many years ago (when La La Land was due out in the cinemas) ITV2 were showing the new series of Scorpion in their prime time drama spot, this feature was sponsored by something and quite often that's a film. For the season's entire run it was sponsored by... you guessed it... La La Land. Every episode you'd have to see up to 8 clips of the film without any real context about what it was, and worst of all there was very little deviation, you could be seeing the same clip over and over again for 20 or so episodes. I love musicals and I love Emma Stone but this pushed me so far over the edge that I swore I'd never watch it. (The same goes for Moulin Rouge which I also now have to watch) Evidently though I'm a grown ass adult and can't hold petty grudges against films so now I have to watch them... partially so I can make other people watch films they don't want to watch in an underhanded deal on Twitter.
But I digress.
When Mia and Sebastian's lives cross unexpectedly it is impossible to know how much the future will change for both of them. What at first is a wholesome whirlwind of romance begins to fall apart as their careers progress and pull them apart.
At its heart it's a simple romance story for Mia and Sebastian as they build each other up for the lives they want and the perils that that brings, but when you add the extra depth into it all with the music it takes on a whole other dimension. As a spoiler alert for my take on the film, at one point I had to stop and I just wrote in my notes "oh god, why am I crying?!" That wasn't a feeling I had throughout the film though, in fact, straight off the bat I thought I was going to hate the film because of that opening musical number. That number made no impact on me and I was massively concerned, thankfully that didn't hold true for the next number.
On the acting... Emma Stone is glorious and should be in everything... end of review... okay, fine. I loved the way she made Mia come to life, she's fun, got some sass to her and I loved the way she behaved through her auditions. Emma Stone may be my spirit animal, I absolutely love her.
And then there's Ryan Gosling... As an indication of how I feel about him please accept this reenactment of a recent conversation:
Friend: Did you see they're talking about the new Wolfman movie?
Me: Oh my god, really?! Yay! It'll be great!
Friend: Yeah, it's going to have Ryan Gosling in it!
Me: *crickets chirp and a tumbleweed bounces past*
His acting does nothing for me. It's very much the Brad Pitt style of acting without the humour, he always acts the same way, but... I would genuinely say this is the first of his films I've seen where it felt like he was acting. I genuinely enjoyed him in it, it didn't feel like he was hiding all his emotions in a box in his dressing room. I was so thankful.
The chemistry between the pair was brilliant and that really helped carry me through the film. With lots of musical numbers and elaborate looking sets to deal with I was worried that it might end up looking more like theatre than film, it obviously does have that vibe because that's part of the idea but it flowed incredibly well.
La La Land has a wonderful feel to it with vibrant sets and costumes, it gives a glow of the old school and this works incredibly well with the jazz side of the story. This, however, is part of my main problem with the film.
You've got the golden age vibe with the colours and the music, but the modern creeps in everywhere and I wasn't a fan of this mix. Every time it popped up I noticed it and it made me frown. That being said, I don't know if it would have worked being an entirely modern film but it could easily have gone back in time and lived happily ever after.
Even with me disliking that part of the film's story I really enjoyed watching La La Land. It's stunning visually, the music is (mainly) beautiful and I was incredibly surprised by the acting. The moral of this story is don't let excessive advertising put you off something.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/la-la-land-movie-review.html
But I digress.
When Mia and Sebastian's lives cross unexpectedly it is impossible to know how much the future will change for both of them. What at first is a wholesome whirlwind of romance begins to fall apart as their careers progress and pull them apart.
At its heart it's a simple romance story for Mia and Sebastian as they build each other up for the lives they want and the perils that that brings, but when you add the extra depth into it all with the music it takes on a whole other dimension. As a spoiler alert for my take on the film, at one point I had to stop and I just wrote in my notes "oh god, why am I crying?!" That wasn't a feeling I had throughout the film though, in fact, straight off the bat I thought I was going to hate the film because of that opening musical number. That number made no impact on me and I was massively concerned, thankfully that didn't hold true for the next number.
On the acting... Emma Stone is glorious and should be in everything... end of review... okay, fine. I loved the way she made Mia come to life, she's fun, got some sass to her and I loved the way she behaved through her auditions. Emma Stone may be my spirit animal, I absolutely love her.
And then there's Ryan Gosling... As an indication of how I feel about him please accept this reenactment of a recent conversation:
Friend: Did you see they're talking about the new Wolfman movie?
Me: Oh my god, really?! Yay! It'll be great!
Friend: Yeah, it's going to have Ryan Gosling in it!
Me: *crickets chirp and a tumbleweed bounces past*
His acting does nothing for me. It's very much the Brad Pitt style of acting without the humour, he always acts the same way, but... I would genuinely say this is the first of his films I've seen where it felt like he was acting. I genuinely enjoyed him in it, it didn't feel like he was hiding all his emotions in a box in his dressing room. I was so thankful.
The chemistry between the pair was brilliant and that really helped carry me through the film. With lots of musical numbers and elaborate looking sets to deal with I was worried that it might end up looking more like theatre than film, it obviously does have that vibe because that's part of the idea but it flowed incredibly well.
La La Land has a wonderful feel to it with vibrant sets and costumes, it gives a glow of the old school and this works incredibly well with the jazz side of the story. This, however, is part of my main problem with the film.
You've got the golden age vibe with the colours and the music, but the modern creeps in everywhere and I wasn't a fan of this mix. Every time it popped up I noticed it and it made me frown. That being said, I don't know if it would have worked being an entirely modern film but it could easily have gone back in time and lived happily ever after.
Even with me disliking that part of the film's story I really enjoyed watching La La Land. It's stunning visually, the music is (mainly) beautiful and I was incredibly surprised by the acting. The moral of this story is don't let excessive advertising put you off something.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/la-la-land-movie-review.html