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Brit Wit: The Perfect Riposte for Every Social Occasion
Book
'In politics, if you want something said, ask a man. If you want something done, ask a woman.'...
David McK (3207 KP) rated The Italian Job (2003) in Movies
May 2, 2021
All i can really remember about the 1969 original is that it is a crime caper, starring Michael Caine, and that it involves Mini Coopers.
As such, I'm not sure whether to class this as a remake, a reimagining or something else entirely!
This version stars Mark Wahoberg, Cherlize Theron, Donald Sutherland, Jason Staham and Oz-from-Buffy (Seth Green) and starts with a heist in Venice: a successful heist, with the perpetrators then betrayed by Ed Norton's 'Steve', who leaves them all for dead.
The rest of the film - mainly set in the States - then follows the remainder of the crew and their quest to get even against Steve, in a plot that yes, once again, involves the use of Mini Coopers!
It would hardly be The Italian Job without said cars, after all ....
As such, I'm not sure whether to class this as a remake, a reimagining or something else entirely!
This version stars Mark Wahoberg, Cherlize Theron, Donald Sutherland, Jason Staham and Oz-from-Buffy (Seth Green) and starts with a heist in Venice: a successful heist, with the perpetrators then betrayed by Ed Norton's 'Steve', who leaves them all for dead.
The rest of the film - mainly set in the States - then follows the remainder of the crew and their quest to get even against Steve, in a plot that yes, once again, involves the use of Mini Coopers!
It would hardly be The Italian Job without said cars, after all ....
Awix (3310 KP) rated Get Carter (2000) in Movies
Jul 31, 2020
Clumsy, uninspired, and - let's be honest - pointless and redundant remake of the British gangster classic. Stallone is as clumpingly inarticulate as ever as a gangster seeking the truth about his brother's death; various surprisingly good actors are roped in but get virtually nothing to do. For appearance's sake Michael Caine comes back, in the not-exactly-plum role of Cliff Brumby.
The plot is mostly just the same as in the original movie, although the magnificent desolation of north-east England is replaced by somewhere nondescript and American, and bleak nihilism is gone too, as that's not what Stallone's audience wants: instead there's a dull old plot about a man out for redemption. It's all sort of watchable, but it's hard to really think of a reason why you'd want to.
The plot is mostly just the same as in the original movie, although the magnificent desolation of north-east England is replaced by somewhere nondescript and American, and bleak nihilism is gone too, as that's not what Stallone's audience wants: instead there's a dull old plot about a man out for redemption. It's all sort of watchable, but it's hard to really think of a reason why you'd want to.
Rachel King (13 KP) rated Last Breath (The Morganville Vampires, #11) in Books
Feb 11, 2019
I always crack open the next Morganville book knowing that I will love it before I read a single word. Rachel Caine is a writer I can depend on. In this book, she takes the concept that she used in the previous book of sharing the P.O.V. with another character and multiplies it. In other words, while Claire still gets the most narration, the reader also gets to read a bit of narration by Amelie, Shane, Michael, and Eve. Shane's thought process is familiar from the previous book, and Eve's reminds me of her diary entries from the early books in the series. Michael's are interesting because I got to see some of the darkness that he struggles with on a daily basis, while trying to hide it from the other members of the Glass House. I enjoy Amelie's P.O.V. the most because she obviously has the most secrets and history to reveal. Caine could easily make Amelie the main character of a prequel series about the founding of Morganville (how I wish!).
Claire is in top form as usual, as she has the unique -- and unexplained -- ability to see Magnus before anyone else, or before Magnus even wants to be seen. Magnus is quite the horror-movie creature, the draug, whom even the local vamps fear. Reading the detailed descriptions of what he can do with water gives me goosebumps. As for how Magnus retaliates against Claire, I simply refused to believe that Claire's state was permanent -- she is simply too essential to the series. Now I am wondering, though, how the series would fare if Claire went vamp -- but that's all up to Rachel Caine.
The one thing I really disliked, of course, was how the book ended -- the first cliff-hanger of the series. There was just way too big of a loose end hanging to leave me feeling satisfied. The rest of the book was still fabulous, though, and I can't wait for Black Dawn to hit the shelves.
Claire is in top form as usual, as she has the unique -- and unexplained -- ability to see Magnus before anyone else, or before Magnus even wants to be seen. Magnus is quite the horror-movie creature, the draug, whom even the local vamps fear. Reading the detailed descriptions of what he can do with water gives me goosebumps. As for how Magnus retaliates against Claire, I simply refused to believe that Claire's state was permanent -- she is simply too essential to the series. Now I am wondering, though, how the series would fare if Claire went vamp -- but that's all up to Rachel Caine.
The one thing I really disliked, of course, was how the book ended -- the first cliff-hanger of the series. There was just way too big of a loose end hanging to leave me feeling satisfied. The rest of the book was still fabulous, though, and I can't wait for Black Dawn to hit the shelves.
Educating Rita
Book
'One way of describing Educating Rita would be to say that it was about the meaning of education...
Get Carter
Book
THE NOVEL BEHIND THE CULT FILM STARRING MICHAEL CAINE Doncaster, and Jack Carter is home for a...
Awix (3310 KP) rated The Eagle Has Landed (1976) in Movies
May 22, 2018 (Updated May 22, 2018)
Pretty reasonable, slightly silly all-star war movie; the Germans attempt to bring the Allies to the negotiating table by kidnapping Churchill. Sent on this improbable mission is Michael Caine's decent paratrooper officer and his men, and ridiculously Irish IRA man Donald Sutherland. Spoiler alert: Germany still loses the war.
Good performances, mostly, and some well-staged action in the closing sections of the film; what's curious about it is the way that the Germans are mostly presented sympathetically, at least as much as the British and American characters. It's a war movie without bad guys, but without much sense of moral or emotional investment either - as a result it's enjoyable as a piece of action cinema, but rather shallow. (It doesn't feel like the moral ambiguity is a deliberate creative choice: Caine thought the director was more interested in going fishing than in overseeing the final edit.) Fun in a disposable sort of way; you could be forgiven for expecting more, given the talent involved.
Good performances, mostly, and some well-staged action in the closing sections of the film; what's curious about it is the way that the Germans are mostly presented sympathetically, at least as much as the British and American characters. It's a war movie without bad guys, but without much sense of moral or emotional investment either - as a result it's enjoyable as a piece of action cinema, but rather shallow. (It doesn't feel like the moral ambiguity is a deliberate creative choice: Caine thought the director was more interested in going fishing than in overseeing the final edit.) Fun in a disposable sort of way; you could be forgiven for expecting more, given the talent involved.
Sarah Betts (103 KP) rated Midnight Alley (The Morganville Vampires #3) in Books
Dec 30, 2019
Claire is still trying to survive her freshman year at TPU and adjusting to her relationship with Shane. Michael is dealing with the results of becoming a vampire, and Eve is trying to stay away from her psycho brother Jason.
This book is great. It moves at a rapid pace and introduce news characters and still keeps the momentum going.
Claire's relationship with Myrnin is fascinating, because Claire actually gets to use her skills and show how important she is to Morganville.
Amelie is still very much the Ice Queen and there is a group f wannabe vampire hunters led by a guy who calls himself Captain Obvious.
The switch from every day life in the Glass House to the conspiracies and double-crossings that make up the Morganville social elite are contrasted nicely.
This book is funny, scary, and tragic. More YA books should be this well-written. Write faster, Rachel Caine!
This book is great. It moves at a rapid pace and introduce news characters and still keeps the momentum going.
Claire's relationship with Myrnin is fascinating, because Claire actually gets to use her skills and show how important she is to Morganville.
Amelie is still very much the Ice Queen and there is a group f wannabe vampire hunters led by a guy who calls himself Captain Obvious.
The switch from every day life in the Glass House to the conspiracies and double-crossings that make up the Morganville social elite are contrasted nicely.
This book is funny, scary, and tragic. More YA books should be this well-written. Write faster, Rachel Caine!
Lee KM Pallatina (951 KP) rated The Dark Knight (2008) in Movies
Jun 24, 2019
Wanna know how I got these oscars?
directed, produced, and co-written by Christopher Nolan and Based on the DC Comics character Batman.
the second installment in Nolan's The Dark Knight Trilogy.
Bruce Wayne/Batman (Christian Bale) allies himself with Lieutenant James Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart) to reduce crime in Gotham, but are seemingly outsmarted by a criminal mastermind known as the Joker (Heath Ledger) who seeks test Batman's influence by creating chaos in Gotham.
also Michael Caine reprises his role as Bruce Wayne's butler Alfred Pennyworth, Maggie Gyllenhaal as Rachel Dawes, and Morgan Freeman as Lucius Fox.
This was unfortunately Heath Ledger's final movie before his untimely passing and is considered his greatest portrayal, which won him the Oscar award for best supporting actor.
The Dark Knight grossed over a billion dollars worldwide, becoming the fourth film in history to gross more than $1 billion worldwide and the highest-grossing film of 2008.
the second installment in Nolan's The Dark Knight Trilogy.
Bruce Wayne/Batman (Christian Bale) allies himself with Lieutenant James Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart) to reduce crime in Gotham, but are seemingly outsmarted by a criminal mastermind known as the Joker (Heath Ledger) who seeks test Batman's influence by creating chaos in Gotham.
also Michael Caine reprises his role as Bruce Wayne's butler Alfred Pennyworth, Maggie Gyllenhaal as Rachel Dawes, and Morgan Freeman as Lucius Fox.
This was unfortunately Heath Ledger's final movie before his untimely passing and is considered his greatest portrayal, which won him the Oscar award for best supporting actor.
The Dark Knight grossed over a billion dollars worldwide, becoming the fourth film in history to gross more than $1 billion worldwide and the highest-grossing film of 2008.
Bob Mann (459 KP) rated King of Thieves (2018) in Movies
Sep 28, 2021
No f-ing honour among f-ing thieves.
What a cast! Micheal Caine; Jim Broadbent; Tom Courtenay; Michael Gambon; Ray Winstone; Paul Whitehouse…. Just one look at the poster and you think yes, Yes, YES! But would this be a case where my expectations would be dashed?
Having seen the film at a preview showing last night, I’m pleased to say no, it’s not. I was very much entertained.
The film tells the ridiculous true story of the “over the hill gang” – the bunch of largely pensioner-age criminals who successfully extracted what was definitely £14 million – and could have been up to £200 million – of goodies from a vault in London’s Hatton Gardens jewellery district over the Easter Bank Holiday weekend in 2015. The gang is led by the “king of thieves” – Brian (Michael Caine) – highly regarded as an ‘elder statesman’ among the London criminal scene.
Did you see Mark Kermode‘s excellent “Secrets of Cinema” series on the BBC? (If not, seek it out on a catch-up service!) The first of the series deconstructs the “Heist” movie, showing how such movies track the preparation, the execution and the progressive unravelling of the wicked scheme, typically through internal strife among the gang itself. (Pretty much as you would assume happens most of the time in real life!) Kermode points out that such movies play with our emotion in secretly wishing the bad ‘uns to succeed in doing something we would never have the bottle to ‘step out of line’ to do. “King of Thieves” nicely follows this well trodden story-arc, but – for me – does it with significantly greater style than the norm.
Yes, it’s very much a “Brit-flick”, and I’m not sure how it will play outside of the UK. But the film’s script, penned by Joe Penhall (“The Road”, “Enduring Love”), plays beautifully to the extreme age of its cast – the average age of the actors playing the gang is over 67… and that includes the 35-year old Charlie “Stardust” Cox (who is actually very good as the young foil for the older blades)! There is lots of laugh-out-loud dialogue relating to bodily deficiencies and ailments and the tendencies of old-folk to nod off at inconvenient times! However, its not very deep stuff, giving little background to the characters. And if you are of a sensitive disposition, the language used in the film is pretty extreme: F-bombs and C-bombs are dropped in every other sentence.
The film is delivered with visual style by “The Theory of Everything” director James Marsh. He cleverly reflects that all of the older leads have past records: the film nicely interweaving tiny snippets of past British crime movies to illustrate the career exploits of the now-creaky old folks. (If in the epilepsy-inducing opening titles you thought you caught a subliminal shot of the gold from “The Italian Job” – the superior 1969 version – then you were right!) As well as “The Italian Job”, the snippets also includes “The Lavender Hill Mob” and (if I’m not mistaken) the late George Sewell in “Robbery”.
It’s all delivered to a deafeningly intrusive – but in a good way – jazz-style soundtrack by the continually up-and-coming Benjamin Wallfisch.
As in the recent “The Children Act”, it is the acting of the senior leads that makes the film fly for me. Caine is just MAGNIFICENT, at the age of 85 with the same screen presence he had (as featured) stepping out of that prison in “The Italian Job”; Winstone is as good as ever in playing a menacing thug, and even gets to do a Michael Caine impression!; Gambon is hilarious as the weak-bladdered “Billy the Fish”. But it is Broadbent that really impresses: he generally appears in films as a genial but slightly ditzy old gent in films like the “Potter” series; “Paddington” and “Bridget Jones“. While he has played borderline darker roles (“The Lady in the Van” for example), he rarely goes full “Sexy Beast” evil…. but here he is borderline psycho and displays blistering form. A head-to-head unblinking confrontation between Broadbent and Caine is a high-point in the whole film… just electrifying. I’d love to see BAFTA nominations for them both in Acting/Supporting Acting categories.
In summary, it’s a sweary but stylishly-executed heist movie that has enough humour to thoroughly entertain this cinema-goer. The film is on general release in the UK from September 14th and comes with my recommendation.
Having seen the film at a preview showing last night, I’m pleased to say no, it’s not. I was very much entertained.
The film tells the ridiculous true story of the “over the hill gang” – the bunch of largely pensioner-age criminals who successfully extracted what was definitely £14 million – and could have been up to £200 million – of goodies from a vault in London’s Hatton Gardens jewellery district over the Easter Bank Holiday weekend in 2015. The gang is led by the “king of thieves” – Brian (Michael Caine) – highly regarded as an ‘elder statesman’ among the London criminal scene.
Did you see Mark Kermode‘s excellent “Secrets of Cinema” series on the BBC? (If not, seek it out on a catch-up service!) The first of the series deconstructs the “Heist” movie, showing how such movies track the preparation, the execution and the progressive unravelling of the wicked scheme, typically through internal strife among the gang itself. (Pretty much as you would assume happens most of the time in real life!) Kermode points out that such movies play with our emotion in secretly wishing the bad ‘uns to succeed in doing something we would never have the bottle to ‘step out of line’ to do. “King of Thieves” nicely follows this well trodden story-arc, but – for me – does it with significantly greater style than the norm.
Yes, it’s very much a “Brit-flick”, and I’m not sure how it will play outside of the UK. But the film’s script, penned by Joe Penhall (“The Road”, “Enduring Love”), plays beautifully to the extreme age of its cast – the average age of the actors playing the gang is over 67… and that includes the 35-year old Charlie “Stardust” Cox (who is actually very good as the young foil for the older blades)! There is lots of laugh-out-loud dialogue relating to bodily deficiencies and ailments and the tendencies of old-folk to nod off at inconvenient times! However, its not very deep stuff, giving little background to the characters. And if you are of a sensitive disposition, the language used in the film is pretty extreme: F-bombs and C-bombs are dropped in every other sentence.
The film is delivered with visual style by “The Theory of Everything” director James Marsh. He cleverly reflects that all of the older leads have past records: the film nicely interweaving tiny snippets of past British crime movies to illustrate the career exploits of the now-creaky old folks. (If in the epilepsy-inducing opening titles you thought you caught a subliminal shot of the gold from “The Italian Job” – the superior 1969 version – then you were right!) As well as “The Italian Job”, the snippets also includes “The Lavender Hill Mob” and (if I’m not mistaken) the late George Sewell in “Robbery”.
It’s all delivered to a deafeningly intrusive – but in a good way – jazz-style soundtrack by the continually up-and-coming Benjamin Wallfisch.
As in the recent “The Children Act”, it is the acting of the senior leads that makes the film fly for me. Caine is just MAGNIFICENT, at the age of 85 with the same screen presence he had (as featured) stepping out of that prison in “The Italian Job”; Winstone is as good as ever in playing a menacing thug, and even gets to do a Michael Caine impression!; Gambon is hilarious as the weak-bladdered “Billy the Fish”. But it is Broadbent that really impresses: he generally appears in films as a genial but slightly ditzy old gent in films like the “Potter” series; “Paddington” and “Bridget Jones“. While he has played borderline darker roles (“The Lady in the Van” for example), he rarely goes full “Sexy Beast” evil…. but here he is borderline psycho and displays blistering form. A head-to-head unblinking confrontation between Broadbent and Caine is a high-point in the whole film… just electrifying. I’d love to see BAFTA nominations for them both in Acting/Supporting Acting categories.
In summary, it’s a sweary but stylishly-executed heist movie that has enough humour to thoroughly entertain this cinema-goer. The film is on general release in the UK from September 14th and comes with my recommendation.