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Awix (3310 KP) rated Prehistoric Women (1967) in Movies
Feb 12, 2018
The Land That The Budget Forgot
Pretty much a one-man show for Hammer supremo Michael Carreras, who writes, directs, and produces, and in the process demonstrates why he should really have stuck to producing. Then again, the whole movie was intended as a cash-saving measure so there's a limit to how much you can complain about the slapdash plotting, absurdly cheap 'monster', or painful non-acting from most of the cast.
Martine Beswick does her best to rise above it all, but this is even less entertaining than it probably sounds; it's not even that interesting as an exploitation movie. Noted actor, director and playwright Steven Berkoff can be spotted hanging around in the background hoping not to be seen and planning on calling his agent.
Martine Beswick does her best to rise above it all, but this is even less entertaining than it probably sounds; it's not even that interesting as an exploitation movie. Noted actor, director and playwright Steven Berkoff can be spotted hanging around in the background hoping not to be seen and planning on calling his agent.
Awix (3310 KP) rated The Lost Continent (1968) in Movies
May 9, 2021
Highly entertaining but impossible to categorise piece of nonsense from Hammer Films. Starts off looking like a bad melodrama as a freighter sets off from Sierra Leone with a combustible mix of lost souls in the ship's saloon, and an even more combustible cargo of white phosphorous in the hold. The various characters doggedly try to get on with telling each other their back-stories even as the crew is mutinying, the ship is sinking, sharks and giant octopuses are attacking, carnivorous sea-weed is snarling the propellors and fanatical descendants of the Spanish Inquisition are clambering over the side intent on dragging them off to be sacrificed.
One does have to wonder what anyone involved was thinking (the chief culprit, perhaps unsurprisingly, is long-serving Hammer executive Michael Carreras, who was a good producer but not so good at anything else), but the actors attack the ridiculous material with admirable gravitas and the set dressing is decent. It at least hits all the necessary exploitation movie beats (plenty of badly-realised monsters, low-octane action and scantily-clad women), and is very funny, albeit not intentionally. Possibly one of the worst films ever made, certainly the weirdest thing Hammer ever did; rated highly for entertainment value, not actual quality.
One does have to wonder what anyone involved was thinking (the chief culprit, perhaps unsurprisingly, is long-serving Hammer executive Michael Carreras, who was a good producer but not so good at anything else), but the actors attack the ridiculous material with admirable gravitas and the set dressing is decent. It at least hits all the necessary exploitation movie beats (plenty of badly-realised monsters, low-octane action and scantily-clad women), and is very funny, albeit not intentionally. Possibly one of the worst films ever made, certainly the weirdest thing Hammer ever did; rated highly for entertainment value, not actual quality.