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Matthew Krueger (10051 KP) rated The Green Mile (1999) in Movies
Sep 5, 2019
The Shawshank
The plot: Paul Edgecomb (Tom Hanks) walked the mile with a variety of cons. He had never encountered someone like John Coffey (Michael Clarke Duncan), a massive black man convicted of brutally killing a pair of young sisters. Coffey had the size and strength to kill anyone, but not the demeanor. Beyond his simple, naive nature and a deathly fear of the dark, Coffey seemed to possess a prodigious, supernatural gift. Paul began to question whether Coffey was truly guilty of murdering the two girls.
Again what a perfect cast, michael clarke duncan will be missed, he was a great actor. I know he passed away years ago, but he is still missed. Same with river Pheniox who was in Stand By Me, he will also be missed.
I would highly reccordmend this movie.
Again what a perfect cast, michael clarke duncan will be missed, he was a great actor. I know he passed away years ago, but he is still missed. Same with river Pheniox who was in Stand By Me, he will also be missed.
I would highly reccordmend this movie.
Lee KM Pallatina (951 KP) rated Street Fighter: The Legend of Chun-Li (2009) in Movies
Mar 23, 2020
An origin story that was better left alone or in better hands.
Contains spoilers, click to show
In the city of Bangkok, criminal kingpin Bison (McDonough), begins a violent bid for power in the city's slums, eliminating everyone who gets in his way.
with the violence escalating, heroes emerges in an attempt to bring Bison to justice. Fighting for good are Chun-Li (Kristin Kreuk), martial-arts master Gen (Robin Shou) although rarely seen, Interpol agent Charlie Nash (Chris Klein) and his partner, Maya Sunee (Moon Bloodgood).
In their way are also bisons Henchmen Vega (black eyed peas Taboo) Balrog (Michael Clarke duncan) & Catana (josie ho).
Unfortunately this attempt at n origin movie is almost completely flawed.
1) chun li's origin is completely unoriginal
2)both Michael Clarke duncan and Taboo were wrong for the parts visually & given the actor's ages during filming of an origin story wouldn't have helped any possible sequels.
3) chun li is displayed martial arts master...this early??
4) Vega is defeated too easily during first encounter with chun li, considering he's a skilled assassin?!
Although there's obviously actresses who could've been worse I feel Kristen kreuk wasn't the right choice for the role as she seemed physically weak where the character of chun li has always been seen as a strong female character, I would've preferred Ming-Na wen to reprise her role in a new story, with childhood flash backs.
with the violence escalating, heroes emerges in an attempt to bring Bison to justice. Fighting for good are Chun-Li (Kristin Kreuk), martial-arts master Gen (Robin Shou) although rarely seen, Interpol agent Charlie Nash (Chris Klein) and his partner, Maya Sunee (Moon Bloodgood).
In their way are also bisons Henchmen Vega (black eyed peas Taboo) Balrog (Michael Clarke duncan) & Catana (josie ho).
Unfortunately this attempt at n origin movie is almost completely flawed.
1) chun li's origin is completely unoriginal
2)both Michael Clarke duncan and Taboo were wrong for the parts visually & given the actor's ages during filming of an origin story wouldn't have helped any possible sequels.
3) chun li is displayed martial arts master...this early??
4) Vega is defeated too easily during first encounter with chun li, considering he's a skilled assassin?!
Although there's obviously actresses who could've been worse I feel Kristen kreuk wasn't the right choice for the role as she seemed physically weak where the character of chun li has always been seen as a strong female character, I would've preferred Ming-Na wen to reprise her role in a new story, with childhood flash backs.
Awix (3310 KP) rated Jabberwocky (1977) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Little bit Slithy, little bit Frabjous
Oddball comedy-drama that sets the tone for much of Terry Gilliam's career by being visually ravishing but a bit all-over-the-place story-wise. Gilliam's background at the time was in TV comedy, which may explain why so many well-known TV comics turn up in the film - apart from Michael Palin, there's Warren Clarke, Harry H Corbett, John le Mesurier, and so on.
The thing is that this isn't actually very funny - there are the seeds of some good jokes here, but the fact the movie has been filmed and edited in the style of an art-house historical drama kills most of them dead. Still, the medieval period has seldom been brought to the screen with such an authentic sense of filth, squalour, and misery, and the monster suit is pretty good. That said, if you're not into absurd comedy, Dragonslayer (1981) tells a very similar story in a more accessible style.
(And I have to say I'm astounded a film so focused on gore and bodily functions has only got a PG certificate. Caveat emptor.)
The thing is that this isn't actually very funny - there are the seeds of some good jokes here, but the fact the movie has been filmed and edited in the style of an art-house historical drama kills most of them dead. Still, the medieval period has seldom been brought to the screen with such an authentic sense of filth, squalour, and misery, and the monster suit is pretty good. That said, if you're not into absurd comedy, Dragonslayer (1981) tells a very similar story in a more accessible style.
(And I have to say I'm astounded a film so focused on gore and bodily functions has only got a PG certificate. Caveat emptor.)
Sarah (7798 KP) rated Last Christmas (2019) in Movies
Nov 27, 2019
Lacking in romance & comedy
The trailer made this film look awful, and whilst it isnt quite as bad as it looked, it left me feeling rather underwhelmed.
For a rom-com set at Christmas, it's surprisingly lacking in romance, comedy and even festive spirit. The romance feels rather forced and there isn't any sort of spark between the two main characters at all, so it's quite unbelievable. I like Emilia Clarke, but even she can't save the lack of connection. There are a few funny lines in the film, but the rest of the script seems out of place, badly written and the intended humour falls flat. And trying to be relevant with some Brexit references doesn't work either.
Even the plot itself isn't great. It varies from typical rom-com to a predictable twist and even the George Michael/Wham theme didn't work. I was expected to be overwhelmed with music but instead you'd barely notice this was meant to be the theme at all. Admittedly the twist may go some way to explaining some of my above niggles, but not all of them. This is one of those strange films that isn't good but isn't terrible enough to hate every minute of it either. Definitely not a christmas classic though!
For a rom-com set at Christmas, it's surprisingly lacking in romance, comedy and even festive spirit. The romance feels rather forced and there isn't any sort of spark between the two main characters at all, so it's quite unbelievable. I like Emilia Clarke, but even she can't save the lack of connection. There are a few funny lines in the film, but the rest of the script seems out of place, badly written and the intended humour falls flat. And trying to be relevant with some Brexit references doesn't work either.
Even the plot itself isn't great. It varies from typical rom-com to a predictable twist and even the George Michael/Wham theme didn't work. I was expected to be overwhelmed with music but instead you'd barely notice this was meant to be the theme at all. Admittedly the twist may go some way to explaining some of my above niggles, but not all of them. This is one of those strange films that isn't good but isn't terrible enough to hate every minute of it either. Definitely not a christmas classic though!
Cody (12 KP) rated The Green Mile (1999) in Movies
Aug 2, 2020
Contains spoilers, click to show
A wonderful film about selflessness. This is what it really seems to come down to. It is a story about doing what is right no matter the cost.
Tom Hanks is Paul Edgecomb, a guard for the death row inmates. Michael Clarke Duncan is John Coffey, the newest inmate on death row for the rape and murder of two young girls. But Paul soon discovers that John can heal illnesses and injuries
After both Paul and a pet mouse are healed by John, the guards risk their jobs, their lively hoods, to sneak John out so he is able to heal the warden's dying wife.
Each time Coffey heals someone it takes something out of him. Taking the darkness of disease and injury costs Coffey a piece of himself. The jail break could have cost the guards their lives in a manner of speaking.
The execution of Coffey remains one of the most tragic deaths on screen. It effectively drives home the darkness of the world we live in and the need for goodness in it.
The whole film is brilliantly acted by a stellar cast. The script has a good flow and a few touches of humor. It never loses its impact.
Tom Hanks is Paul Edgecomb, a guard for the death row inmates. Michael Clarke Duncan is John Coffey, the newest inmate on death row for the rape and murder of two young girls. But Paul soon discovers that John can heal illnesses and injuries
After both Paul and a pet mouse are healed by John, the guards risk their jobs, their lively hoods, to sneak John out so he is able to heal the warden's dying wife.
Each time Coffey heals someone it takes something out of him. Taking the darkness of disease and injury costs Coffey a piece of himself. The jail break could have cost the guards their lives in a manner of speaking.
The execution of Coffey remains one of the most tragic deaths on screen. It effectively drives home the darkness of the world we live in and the need for goodness in it.
The whole film is brilliantly acted by a stellar cast. The script has a good flow and a few touches of humor. It never loses its impact.
Jordan Binkerd (567 KP) rated The Scorpion King (2002) in Movies
Aug 24, 2019
The Rock (2 more)
Kelly Hu
Michael Clarke Duncan
Lots of white guys for Africa (1 more)
Not a single female who is not stuck in a bikini of some sort (Not that I'm complaining, but....)
Good sword and sorcery fun
Spinning out of The Mummy Returns, The Scorpion King is a decent sword-and-sorcery epic in the vein of Conan the Barbarian that would work better on its own than it does connected to the Mummy franchise. It's not that it's bad, but we know how things end up in The Mummy Returns, and that undercuts some of the characterization in this film. The performances are good to great across the board, though there's a lot of white guys given the African setting. I realize that it's the cradle of civilization, but still. Then there's the trope of all the women wearing bikinis, which doesn't play as well in this day and age as it did in the pulp era....I mean, it has the desired effect, don't get me wrong, but I think we've moved on. The action is excellent, the graphics hold up even seventeen years later (which is more than can be said for the character's introduction in TMR), and on the whole, I enjoyed the film. After watching the special features, though, I think they should have kept the prophecy element in the film. Just my opinion.
LeftSideCut (3778 KP) rated Sin City (2005) in Movies
Jan 7, 2021 (Updated Jan 11, 2021)
I absolutely adored Sin City when it first released way back in 2005, and I still do to a point, albeit a little less than I used to.
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
Bob Mann (459 KP) rated Star Trek Into Darkness (2013) in Movies
Sep 28, 2021
This one seems to have received a very mixed reception among Trek fans, but I absolutely loved it when it first came out, giving it 4.5/5 in one of my early One Mann’s Movies reviews.
I find the pre-titles sequence on this one a real blast, both thrilling in content and enormously funny with the primitive stone age race trashing their previous relic in favour of their new Enterprise-shaped deity! And then the dramatic pseudo-blackmailing of Harewood, (an impressive Noel Clarke, when he was being given better roles that he is at the moment), to Michael Giacchino’s awesome “London Calling” music, is a truly memorable bit of movie-making.
The cast have all settled into their roles nicely. Chris Pine’s Kirk is still the arrogant ladies man (e.g. bedding twin aliens and chatting up the starfleet totty…. “Hi Ladies… Jim Kirk”), but learning the hard way that with great power comes at least a modicum of responsibility. He actually needs to act in this movie. And I find Scotty (Simon Pegg) slightly less grating in this outing (though his sidekick Keenser (Deep Roy) is still the annoying Jar Jar Binks of these films).
Benedict Cumberbatch adds great gravitas as the arch villain, and his announcement of his name was one of those “I am your father” movie-moments for me on first viewing.
It’s also the last screen appearance of Leonard Nimoy as Spock Prime – indeed, his last movie appearance period. A nice and fitting way to bow out.
My rating here is a little lower than my previous OMM rating. It’s attempts to shoehorn-in scenes and dialogue from an earlier Trek movie are a misstep by the writers, and grate on repeat viewing. But it’s still a cracking episode in the Trek saga, and another of my personal favourites.
I find the pre-titles sequence on this one a real blast, both thrilling in content and enormously funny with the primitive stone age race trashing their previous relic in favour of their new Enterprise-shaped deity! And then the dramatic pseudo-blackmailing of Harewood, (an impressive Noel Clarke, when he was being given better roles that he is at the moment), to Michael Giacchino’s awesome “London Calling” music, is a truly memorable bit of movie-making.
The cast have all settled into their roles nicely. Chris Pine’s Kirk is still the arrogant ladies man (e.g. bedding twin aliens and chatting up the starfleet totty…. “Hi Ladies… Jim Kirk”), but learning the hard way that with great power comes at least a modicum of responsibility. He actually needs to act in this movie. And I find Scotty (Simon Pegg) slightly less grating in this outing (though his sidekick Keenser (Deep Roy) is still the annoying Jar Jar Binks of these films).
Benedict Cumberbatch adds great gravitas as the arch villain, and his announcement of his name was one of those “I am your father” movie-moments for me on first viewing.
It’s also the last screen appearance of Leonard Nimoy as Spock Prime – indeed, his last movie appearance period. A nice and fitting way to bow out.
My rating here is a little lower than my previous OMM rating. It’s attempts to shoehorn-in scenes and dialogue from an earlier Trek movie are a misstep by the writers, and grate on repeat viewing. But it’s still a cracking episode in the Trek saga, and another of my personal favourites.
Emma @ The Movies (1786 KP) rated Last Christmas (2019) in Movies
Dec 8, 2019
I ummed and erred about how to start this review, should I burst into song? Should I be writing it while adorned with fairy lights? None of that is needed though, and I'll tell you why in a moment.
Kate the Christmas elf has lost her Christmas spirit, life just hasn't felt the same recently and it's affecting her friends and family as well as everything in her life. Tensions run high as she takes advantage of her close friends and slowly burns almost all of her bridges.
Then she meets Tom, he's happy-go-lucky and all about something more to life. Where she's single-minded and oblivious he's caring and mindful of everyone, the pair couldn't be more different while still being the perfect match.
So... a Christmas film using the music of George Michael. Christmas probably appears in 95% of the shots and yet at no point did I feel very Christmassy. As for the music, if I hadn't been told they use his tracks in there I would have just said they just used Last Christmas because they thought they should match the title.
A fair bit of the film takes place at night which does allow for some beautiful illuminated shots of London. The settings are all very well suited for this, I always think that Covent Garden looks like the perfect place for a Christmas paradise when it's made up properly... and that Christmas shop! I died and went to heaven!
I've had no real previous experience with Emilia Clarke as an actress, I've never knowingly seen her in anything (yes, I've never watched Game Of Thrones), but I was impressed with her portrayal of Kate. It all felt very natural, there was a lot of sass but she also managed to keep it together during the serious moments. I don't think I'll be going back to watch GoT after this but I may well give some of her other films a go.
Henry Golding plays the perfect gentleman, that might be his niche. There's nothing to object to in his performance at all, I might have some issues with the way he's written in the script but Golding brought Tom to life perfectly on screen.
The best support performance for me was definitely Santa, played by Michelle Yeoh. Santa and Kate playing off against each other was wonderful to see, no matter whether it eas a dramatic moment or a comedy one they bounced back and forth incredibly well. Seeing Yeoh listed for this was a little dubious but it was delightful to see.
Emma Thompson's portrayal was enjoyable, though the accent did change the feel of the humour. I do question why Kate's family needed to be of Croatian descent. I'm not one to say "this was trying to make a statement" but there wasn't anything of any major consequence in the film that required it to be that way. It didn't feel like the film gained anything from this apart from an opportunity to shoehorn in Brexit.
Despite my quibbling, which you know I love to do, Last Christmas was a thoroughly enjoyable film. It is much more drama than it is Christmas film, Christmas honestly feels incidental even though Emilia Clarke is dressed as an elf most of the time. Sure its message might be a little "hidden agenda" and overly sweet but it's a great bit of entertainment. Just remember, don't be the arsehole who spoils it for someone.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/last-christmas-movie-review.html
Kate the Christmas elf has lost her Christmas spirit, life just hasn't felt the same recently and it's affecting her friends and family as well as everything in her life. Tensions run high as she takes advantage of her close friends and slowly burns almost all of her bridges.
Then she meets Tom, he's happy-go-lucky and all about something more to life. Where she's single-minded and oblivious he's caring and mindful of everyone, the pair couldn't be more different while still being the perfect match.
So... a Christmas film using the music of George Michael. Christmas probably appears in 95% of the shots and yet at no point did I feel very Christmassy. As for the music, if I hadn't been told they use his tracks in there I would have just said they just used Last Christmas because they thought they should match the title.
A fair bit of the film takes place at night which does allow for some beautiful illuminated shots of London. The settings are all very well suited for this, I always think that Covent Garden looks like the perfect place for a Christmas paradise when it's made up properly... and that Christmas shop! I died and went to heaven!
I've had no real previous experience with Emilia Clarke as an actress, I've never knowingly seen her in anything (yes, I've never watched Game Of Thrones), but I was impressed with her portrayal of Kate. It all felt very natural, there was a lot of sass but she also managed to keep it together during the serious moments. I don't think I'll be going back to watch GoT after this but I may well give some of her other films a go.
Henry Golding plays the perfect gentleman, that might be his niche. There's nothing to object to in his performance at all, I might have some issues with the way he's written in the script but Golding brought Tom to life perfectly on screen.
The best support performance for me was definitely Santa, played by Michelle Yeoh. Santa and Kate playing off against each other was wonderful to see, no matter whether it eas a dramatic moment or a comedy one they bounced back and forth incredibly well. Seeing Yeoh listed for this was a little dubious but it was delightful to see.
Emma Thompson's portrayal was enjoyable, though the accent did change the feel of the humour. I do question why Kate's family needed to be of Croatian descent. I'm not one to say "this was trying to make a statement" but there wasn't anything of any major consequence in the film that required it to be that way. It didn't feel like the film gained anything from this apart from an opportunity to shoehorn in Brexit.
Despite my quibbling, which you know I love to do, Last Christmas was a thoroughly enjoyable film. It is much more drama than it is Christmas film, Christmas honestly feels incidental even though Emilia Clarke is dressed as an elf most of the time. Sure its message might be a little "hidden agenda" and overly sweet but it's a great bit of entertainment. Just remember, don't be the arsehole who spoils it for someone.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/last-christmas-movie-review.html
JT (287 KP) rated Green Lantern (2011) in Movies
Mar 10, 2020
You feel that had The Green Lantern arrived on the scene in 2011 not competing with a host of other super hero films, such as Thor, X-Men: First Class and Captain America, it might have had a better welcome.
For me the super hero genre really is bordering a mass overkill, what with this years upcoming Avengers getting so much press its hard to turn a corner without seing one of Iron Man, Hulk or Thor adoring a billboard or poster somewhere.
So it’s a shame then that Hollywood’s Mr. Nice guy, Ryan Reynolds, was given a role so bland and pointless it was almost insulting.
Director Martin Campbell’s previous outings Casino Royale and Edge if Darkness were deep gritty affairs and he really should have carried that over into this, there was so much flamboyant colour you wondered if Joel Schumacher had some how been a part of it.
That isn’t to say that during some stages the film was not enjoyable. Test pilot Hal Jordan is given the power bestowed on him by a mysterious ring with a back story shoe horned into an opening five minute monologue, if you’re not paying attention its going to be a little confusing.
The action and special effects are very good, with the Green Lantern able to concoct a wide range of objects from his mind ranging from missile launchers, swords and even a necklace, all transferred through the power and energy of the ring.
The less so, well Reynolds is surrounded by characters that only really dip their toe into the water of the film. With thousands of Green Lanterns we only really here from two, Tomar-Re and Kilowog voiced by Geoffrey Rush and Michael Clarke Duncan respectively.
Mark Strong as Sinestro on first glance has the look of someone bound to step over to the evil side, and maybe that is to come if a sequel is due at some point.
Peter Sarsgaard’s large headed villain only serves as an entrée before Hal has to tackle the large bellowing cloud that is Parallax, an entity that thrives on sucking out the fear of its victims.
The film has its moments, but it never really has the energy that so many other super hero films have. Perhaps that fact that the back story of Hal is not nearly as exciting as say Spider-man, Batman or any of the Avengers for that matter.
For me the super hero genre really is bordering a mass overkill, what with this years upcoming Avengers getting so much press its hard to turn a corner without seing one of Iron Man, Hulk or Thor adoring a billboard or poster somewhere.
So it’s a shame then that Hollywood’s Mr. Nice guy, Ryan Reynolds, was given a role so bland and pointless it was almost insulting.
Director Martin Campbell’s previous outings Casino Royale and Edge if Darkness were deep gritty affairs and he really should have carried that over into this, there was so much flamboyant colour you wondered if Joel Schumacher had some how been a part of it.
That isn’t to say that during some stages the film was not enjoyable. Test pilot Hal Jordan is given the power bestowed on him by a mysterious ring with a back story shoe horned into an opening five minute monologue, if you’re not paying attention its going to be a little confusing.
The action and special effects are very good, with the Green Lantern able to concoct a wide range of objects from his mind ranging from missile launchers, swords and even a necklace, all transferred through the power and energy of the ring.
The less so, well Reynolds is surrounded by characters that only really dip their toe into the water of the film. With thousands of Green Lanterns we only really here from two, Tomar-Re and Kilowog voiced by Geoffrey Rush and Michael Clarke Duncan respectively.
Mark Strong as Sinestro on first glance has the look of someone bound to step over to the evil side, and maybe that is to come if a sequel is due at some point.
Peter Sarsgaard’s large headed villain only serves as an entrée before Hal has to tackle the large bellowing cloud that is Parallax, an entity that thrives on sucking out the fear of its victims.
The film has its moments, but it never really has the energy that so many other super hero films have. Perhaps that fact that the back story of Hal is not nearly as exciting as say Spider-man, Batman or any of the Avengers for that matter.