Search
Search results
Julia Cafritz recommended Downhill Racer (1969) in Movies (curated)
Matthew Krueger (10051 KP) rated Unlawful Entry (1992) in Movies
Feb 17, 2021
Kurt Russell (1 more)
Ray Liotta
One Man's Obsession
Unlawful Entry- is a really good suspense thriller. The suspense, the thrills, the drama, the mystery are all excellent.
The plot: Happily married Michael (Kurt Russell) and Karen Carr (Madeleine Stowe) call the police after a failed robbery. Officer Pete Davis (Ray Liotta) arrives and helps arrange the installation of a new security system. The grateful Carrs have Pete to dinner and strike up a friendship. Pete invites Michael to ride with him during a night's patrol and gives him the chance to beat up the burglar. Michael refuses and tells the disturbed cop to stay away, but Pete begins stalking the terrified couple.
Its a excellent film. Highly recordmend.
The plot: Happily married Michael (Kurt Russell) and Karen Carr (Madeleine Stowe) call the police after a failed robbery. Officer Pete Davis (Ray Liotta) arrives and helps arrange the installation of a new security system. The grateful Carrs have Pete to dinner and strike up a friendship. Pete invites Michael to ride with him during a night's patrol and gives him the chance to beat up the burglar. Michael refuses and tells the disturbed cop to stay away, but Pete begins stalking the terrified couple.
Its a excellent film. Highly recordmend.
Kristy H (1252 KP) rated Michael Jordan: The Life in Books
Feb 13, 2018
I'm a huge Michael Jordan fan, so I was excited to read this book. It was definitely a worthwhile read, especially if you're a basketball, MJ, or Chicago Bulls fan. The level of detail is amazing, and I learned a lot about Michael's early years, especially, as well as some great facts about his college selection process, his first deals with Nike and such. If you're a sports geek, you'll eat this stuff up.
The book picks up speed once Michael joins the Bulls and sort of blows through his Championships. I get it - there are plenty of other reads about those events (including some by Lazenby himself, I believe), but I wouldn't have minded a few more details about some of his years with the Bulls.
If those years go by quickly in the book, his time after the Bulls is really glossed over. For me, that was the one real disappointment of this biography. That's sort of the part of MJ that's such a mystery and it was a little sad not to know more about what he's up to these days. There is, however, some great information about his time with the Wizards organization.
All told, even when some of the years pass by quickly, the book is a worthy read. I think it presents a pretty fair portrait of Jordan. He's recognized as a hero to many, but Lazenby certainly brings in quotes and perspectives from all sides, including those who don't always sing his praises. You learn a lot about MJ's childhood and family make-up and how it created the determined, competitive individual that he is. If you're a fan, there are some quotes that will make you laugh out loud and other passages that will fascinate you. And there are plenty of little tidbits you can trot out at dinner parties... (ok, ok, maybe just with your other sports nerds friends. But there are lots of fun stories and facts throughout the book!)
By the end you'll know a lot about Michael, but still be left wondering a bit. But perhaps that's the key to Jordan all along.
The book picks up speed once Michael joins the Bulls and sort of blows through his Championships. I get it - there are plenty of other reads about those events (including some by Lazenby himself, I believe), but I wouldn't have minded a few more details about some of his years with the Bulls.
If those years go by quickly in the book, his time after the Bulls is really glossed over. For me, that was the one real disappointment of this biography. That's sort of the part of MJ that's such a mystery and it was a little sad not to know more about what he's up to these days. There is, however, some great information about his time with the Wizards organization.
All told, even when some of the years pass by quickly, the book is a worthy read. I think it presents a pretty fair portrait of Jordan. He's recognized as a hero to many, but Lazenby certainly brings in quotes and perspectives from all sides, including those who don't always sing his praises. You learn a lot about MJ's childhood and family make-up and how it created the determined, competitive individual that he is. If you're a fan, there are some quotes that will make you laugh out loud and other passages that will fascinate you. And there are plenty of little tidbits you can trot out at dinner parties... (ok, ok, maybe just with your other sports nerds friends. But there are lots of fun stories and facts throughout the book!)
By the end you'll know a lot about Michael, but still be left wondering a bit. But perhaps that's the key to Jordan all along.
Lyndsey Gollogly (2893 KP) rated Corrupt (Devil's Night #1) in Books
Feb 14, 2021
24 of 250
Kindle
Corrupt (Devils night book 1)
By Penelope Douglas
Once read a review will be written via Smashbomb and link posted in comments
Erika
I was told that dreams were our heart’s desires. My nightmares, however, became my obsession.
His name is Michael Crist.
My boyfriend’s older brother is like that scary movie that you peek through your hand to watch. He's handsome, strong, and completely terrifying. The star of his college’s basketball team and now gone pro, he’s more concerned with the dirt on his shoe than me.
But I noticed him.
I saw him. I heard him. The things that he did, and the deeds that he hid…For years, I bit my nails, unable to look away.
Now, I’ve graduated high school and moved on to college, but I haven’t stopped watching Michael. He’s bad, and the dirt I’ve seen isn’t content to stay in my head anymore.
Because he’s finally noticed me.
Michael
Her name is Erika Fane, but everyone calls her Rika.
My brother’s girlfriend grew up hanging around my house and is always at our dinner table. She looks down when I enter a room and stills when I am close. I can always feel the fear rolling off of her, and while I haven’t had her body, I know that I have her mind. That’s all I really want anyway.
Until my brother leaves for the military, and I find Rika alone at college.
In my city.
Unprotected.
The opportunity is too good to be true, as well as the timing. Because you see, three years ago she put a few of my high school friends in prison, and now they’re out.
We’ve waited. We’ve been patient. And now every last one of her nightmares will come true.
I was in two minds all the way through this book but something kept me hooked! It was intriguing and turned out to be an interesting storyline. There were some bits I was uncomfortable with as I don’t really enjoy reading certain scenes. Overall though I enjoyed it in the end.
Kindle
Corrupt (Devils night book 1)
By Penelope Douglas
Once read a review will be written via Smashbomb and link posted in comments
Erika
I was told that dreams were our heart’s desires. My nightmares, however, became my obsession.
His name is Michael Crist.
My boyfriend’s older brother is like that scary movie that you peek through your hand to watch. He's handsome, strong, and completely terrifying. The star of his college’s basketball team and now gone pro, he’s more concerned with the dirt on his shoe than me.
But I noticed him.
I saw him. I heard him. The things that he did, and the deeds that he hid…For years, I bit my nails, unable to look away.
Now, I’ve graduated high school and moved on to college, but I haven’t stopped watching Michael. He’s bad, and the dirt I’ve seen isn’t content to stay in my head anymore.
Because he’s finally noticed me.
Michael
Her name is Erika Fane, but everyone calls her Rika.
My brother’s girlfriend grew up hanging around my house and is always at our dinner table. She looks down when I enter a room and stills when I am close. I can always feel the fear rolling off of her, and while I haven’t had her body, I know that I have her mind. That’s all I really want anyway.
Until my brother leaves for the military, and I find Rika alone at college.
In my city.
Unprotected.
The opportunity is too good to be true, as well as the timing. Because you see, three years ago she put a few of my high school friends in prison, and now they’re out.
We’ve waited. We’ve been patient. And now every last one of her nightmares will come true.
I was in two minds all the way through this book but something kept me hooked! It was intriguing and turned out to be an interesting storyline. There were some bits I was uncomfortable with as I don’t really enjoy reading certain scenes. Overall though I enjoyed it in the end.
Jonas Carpignano recommended The Secret Garden (1993) in Movies (curated)
Jonas Carpignano recommended Fish Tank (2010) in Movies (curated)
Tim McGuire (301 KP) rated A Serious Man (2009) in Movies
Jan 21, 2020
Old Movie Revisited: A Serious Man. A friend just asked me what I was watching, I said A Serious Man, a Coen Brothers movie. The reply, I hate them... I freaking love them. Who else can tell the tale of a man and his life totally unraveling and still be able to laugh at it, like the Coen Bros. Oh well... The movie tells the tale of Larry Gopnik, and like I said, his life is falling apart. It all starts one day as he's sitting in his office, a college psychics teacher, and a student tries to bribe him for a passing grade, goes home, his neighbor is going over property lines with a lawnmower and making things look shitty, his brother is living with them because someone has a gambling problem, his daughter is stealing money from his wallet to save up for a nose job, and his son owes 20 bucks to the fat drug dealer up the street. And of course right before dinner, his wife lets him know she wants a quickie divorce so she can be with a another man, a good friend of the family. And thats the first 20 minutes. For the rest of the flick, it seems Larry just wants to make everyone happy tho his own life is going insanely out of control, all while staying within the confines of his religion. And thanks to the Coen brothers the Jewish faith looks totally insane (Being fair, all religion to me is insane) It really was an awesome movie, pulls you in with a great story and great acting, Michael Stuhlbarg, not exactly a household name, was excellent as Larry!! And right before the credits roll. It kicks you in the balls one last time, its great!
MaryAnn (14 KP) rated The Baggage Handler in Books
Nov 4, 2019
n a similar vein to The Travelers Gift by Andy Andrews or Dinner with a Perfect Stranger by David Gregory, The Baggage Handler is a contemporary story that explores one question: What baggage are you carrying?
Three people take a flight that will change their lives forever. Fresh off a run-in with his wife, harried businessman David disembarks the plane angry and impatient. Gillian thought she would be more excited about coming to her nieces wedding, but she is just hoping to survive. Malcolm has gambled everything on this trip to start his fledgling artistic career. To him, failure means working in hardware in what his father calls a real job. After each picks up the wrong suitcase, they make their way to a mysterious baggage depot in a deserted part of the city. There they meet the Baggage Handler, who shows them there is more in their baggage than what they have packed. A simple baggage mix-up at the airport is more than an inconvenience when it forces three people to face the baggage they are unknowingly carrying around.
My Thoughts: This was an eye-opening story about how we carry our troubles or "baggage" with us every day. This becomes such a habit that we can be so unaware that we are in truth carrying so much with us that we don't have to. Why not feel free and give it all to the one who says He will carry all our troubles and burdens?
This is a wonderful reminder from the author that we need not burden ourselves, that we can live the life we want. I really enjoyed this novel, it brought to my attention that we all need to look inside and take inventory and just let go anything that is bringing us down. I could completely relate to Michael and Gillian with the baggage they were carrying. This is a book that catches the readers' attention from beginning to end and can totally relate to in many aspects. The reader can identify with any of the characters in this novel. This is a novel I truly enjoyed and highly recommend it to others.
Three people take a flight that will change their lives forever. Fresh off a run-in with his wife, harried businessman David disembarks the plane angry and impatient. Gillian thought she would be more excited about coming to her nieces wedding, but she is just hoping to survive. Malcolm has gambled everything on this trip to start his fledgling artistic career. To him, failure means working in hardware in what his father calls a real job. After each picks up the wrong suitcase, they make their way to a mysterious baggage depot in a deserted part of the city. There they meet the Baggage Handler, who shows them there is more in their baggage than what they have packed. A simple baggage mix-up at the airport is more than an inconvenience when it forces three people to face the baggage they are unknowingly carrying around.
My Thoughts: This was an eye-opening story about how we carry our troubles or "baggage" with us every day. This becomes such a habit that we can be so unaware that we are in truth carrying so much with us that we don't have to. Why not feel free and give it all to the one who says He will carry all our troubles and burdens?
This is a wonderful reminder from the author that we need not burden ourselves, that we can live the life we want. I really enjoyed this novel, it brought to my attention that we all need to look inside and take inventory and just let go anything that is bringing us down. I could completely relate to Michael and Gillian with the baggage they were carrying. This is a book that catches the readers' attention from beginning to end and can totally relate to in many aspects. The reader can identify with any of the characters in this novel. This is a novel I truly enjoyed and highly recommend it to others.
Matthew Krueger (10051 KP) rated Clue (1985) in Movies
Nov 3, 2020
The Multiple Endings (2 more)
The Cast
The Humor
All Time Favorites
Ive seen Clue about nine times now and it has become a tradition to watch Clue every October. I remember watching clue the first time and i laughed my ass off and i still do that. The humor is excellent, the cast is excellent, the multiple endings are excellent. Everything about Clue is excellent.
The plot: Based on the popular board game, this comedy begins at a dinner party hosted by Mr. Boddy (Lee Ving), where he admits to blackmailing his visitors. These guests, who have been given aliases, are Mrs. Peacock (Eileen Brennan), Miss Scarlet (Lesley Ann Warren), Mr. Green (Michael McKean), professor Plum (Christopher Lloyd), Mrs. White (Madeline Kahn) and Col. Mustard (Martin Mull). When Boddy turns up murdered, all are suspects, and together they try to figure out who is the killer.
The film was produced by Debra Hill and the story was by John Landis.
In keeping with the nature of the board game, the theatrical release included three possible endings, with different theaters receiving one of the three endings. In the film's home video release, all three endings were included.
The multiple-ending concept was developed by John Landis, who claimed in an interview to have invited playwright Tom Stoppard, writer and composer Stephen Sondheim, and actor Anthony Perkins to write the screenplay. The script was ultimately finished by director Jonathan Lynn.
A fourth ending was filmed, but Lynn removed it because as he later stated, "It really wasn't very good. I looked at it, and I thought, 'No, no, no, we've got to get rid of that.'" In the unused fourth ending, Wadsworth committed all of the murders. He was motivated by his desire for perfection. Having failed to be either the perfect husband or the perfect butler, he decided to be the perfect murderer instead. Wadsworth reports that he poisoned the champagne the guests had drunk earlier so they would soon die, leaving no witnesses. The police and the FBI arrive and Wadsworth is arrested. He breaks free and steals a police car, but his escape is thwarted when three police dogs lunge from the back seat. This ending is documented in Clue: The Storybook, a tie-in book released in conjunction with the film.
Carrie Fisher was originally contracted to portray Miss Scarlet, but withdrew to enter treatment for drug and alcohol addiction. Jonathan Lynn's first choice for the role of Wadsworth was Leonard Rossiter, but he died before filming commenced. The second choice was Rowan Atkinson, but it was decided that he wasn't well known enough at the time, so Tim Curry was eventually cast.
Mrs. White's famous "Flames" speech was improvised by Madeline Kahn.
A documentary about the movie is being made, including interviews already filmed with the director, writer, and several cast members including Lesley Ann Warren, Michael McKean, Colleen Camp, and Lee Ving.
I love Clue, it is one of my all time favorite films. In my top ten best films of all time at number #3 and just excellent.
Happy Halloween everybody.
The plot: Based on the popular board game, this comedy begins at a dinner party hosted by Mr. Boddy (Lee Ving), where he admits to blackmailing his visitors. These guests, who have been given aliases, are Mrs. Peacock (Eileen Brennan), Miss Scarlet (Lesley Ann Warren), Mr. Green (Michael McKean), professor Plum (Christopher Lloyd), Mrs. White (Madeline Kahn) and Col. Mustard (Martin Mull). When Boddy turns up murdered, all are suspects, and together they try to figure out who is the killer.
The film was produced by Debra Hill and the story was by John Landis.
In keeping with the nature of the board game, the theatrical release included three possible endings, with different theaters receiving one of the three endings. In the film's home video release, all three endings were included.
The multiple-ending concept was developed by John Landis, who claimed in an interview to have invited playwright Tom Stoppard, writer and composer Stephen Sondheim, and actor Anthony Perkins to write the screenplay. The script was ultimately finished by director Jonathan Lynn.
A fourth ending was filmed, but Lynn removed it because as he later stated, "It really wasn't very good. I looked at it, and I thought, 'No, no, no, we've got to get rid of that.'" In the unused fourth ending, Wadsworth committed all of the murders. He was motivated by his desire for perfection. Having failed to be either the perfect husband or the perfect butler, he decided to be the perfect murderer instead. Wadsworth reports that he poisoned the champagne the guests had drunk earlier so they would soon die, leaving no witnesses. The police and the FBI arrive and Wadsworth is arrested. He breaks free and steals a police car, but his escape is thwarted when three police dogs lunge from the back seat. This ending is documented in Clue: The Storybook, a tie-in book released in conjunction with the film.
Carrie Fisher was originally contracted to portray Miss Scarlet, but withdrew to enter treatment for drug and alcohol addiction. Jonathan Lynn's first choice for the role of Wadsworth was Leonard Rossiter, but he died before filming commenced. The second choice was Rowan Atkinson, but it was decided that he wasn't well known enough at the time, so Tim Curry was eventually cast.
Mrs. White's famous "Flames" speech was improvised by Madeline Kahn.
A documentary about the movie is being made, including interviews already filmed with the director, writer, and several cast members including Lesley Ann Warren, Michael McKean, Colleen Camp, and Lee Ving.
I love Clue, it is one of my all time favorite films. In my top ten best films of all time at number #3 and just excellent.
Happy Halloween everybody.
Bob Mann (459 KP) rated Nocturnal Animals (2016) in Movies
Sep 29, 2021
Putting the crisis into mid-life crisis.
“Do you think your life has turned into something you never intended?” So asks Susan Morrow (Amy Adams) to her young assistant, who obviously looks baffled. “Of course, not – you’re still young”. Susan is in a mid-life crisis. While successful within the opulent Los Angeles art scene her personal life is crashing to the ground around her: her marriage (to Hutton (Armie Hammer, “The Man From Uncle”) ) appears to be cooling fast amid financial worries.
In the midst of this rudderless time a manuscript from her ex-husband, struggling writer Edward Sheffield (Jake Gyllenhaal), turns up out of the blue. As we see in flashback, Edward is a man let down on multiple levels by Susan in the past. His novel – “Nocturnal Animals”, dedicated to Susan – is a primal scream of twenty years worth of hurt, pain, regret and vengeance; a railing against a loss of love; a railing against a loss of life.
As Susan painfully turns the pages we live the book as a ‘film within a film’ – with characters casually modelled on Edward, Susan and Susan’s daughter, actually played by Gyllenhaal, Amy-Adams-lookalike Isla Fisher (“Grimsby”) and Ellie Bamber (“Pride and Prejudice and Zombies”) respectively. The insomniac Susan is seriously moved. She feels likes someone who’s fallen asleep on the train of life and doesn’t recognise any of the stations when she wakes up. How will Susan’s regrets translate into action? Should she take up Edwards offer to meet up for dinner?
This Tom Ford film – only his second after the wildly successful “A Single Man” in 2009 – is a challenging film to watch. The opening titles of naked overweight woman ‘twerkers’ is challenging enough (#wobble). After this shocking opening (that morphs into an art gallery installation) the LA scenes have a gloriously Hitchcockian/noir feel to them, being gorgeously filmed by cinematographer Seamus McGarvey (“The Accountant”, “The Avengers”) – an Oscar nomination I would suggest should be in the offing.
And then comes the start of the “book” segment: one of the most uncomfortably tense scenes I’ve seen this year. A Texan family horror film featuring a lonely highway and a trio of “deplorables” (to quote an unfortunate put-down by Hilary Clinton). As stark contrast to the sharp lines and glamour of LA, these scenes are reminiscent of “No Country for Old Men” with a searingly unpleasant performance from Aaron Taylor-Johnson (“Kick-Ass”) and an equally queasy turn by local law enforcer Bobby Andes (Michael Shannon, Zod in “Batman v Superman: Dawn of Justice”). Either or both of these gentlemen could be contenders for a Supporting Actor nomination. The tension is superbly notched up by a mesmerising cello/violin score by Polish composer Abel Korzeniowski.
Amy Adams is fantastic in the leading role (what with “Arrival” this month, this is quite a month for the actress) as is Jake Gyllenhaal, channelling so much emotion, angst and guilt at his own impotence. After “Nightcrawler” Gyllenhaal is building up a formidable reputation that must translate into an Oscar some time soon: possibly this is it. Some excellent cameos from Laura Linney (as Susan’s sad-eyed mother) and Michael Sheen (in a superb purple jacket) rounds off an excellent ensemble cast.
The concept of a “film within a film” is not new. The most memorable example (I realise with a shock – #midlifecrisis) was “The French Lieutenant’s Woman” with a young but striking Meryl Streep 35 years ago. Here the LA sequence, the book and the flashback scenes are beautifully merged into a seamless whole where you never seem to get lost or disorientated.
If there is a criticism to be made, the second half of the ‘book’ is not as satisfying as the first with some rather clunky plot points that fall a little too easily.
However, this is a nuanced film where every step and every scene feels sculpted and filled with meaning. It is a film that deserves repeat viewings, since it raises questions and thoughts that survive long after the lights have come up. Tom Ford’s output may be of a sparsity of Kubrick proportions, but like Kubrick his output is certainly worth waiting for.
Recommended, but go mentally prepared: this was a UK 15 certificate, but it felt like it should be more of a UK 18.
In the midst of this rudderless time a manuscript from her ex-husband, struggling writer Edward Sheffield (Jake Gyllenhaal), turns up out of the blue. As we see in flashback, Edward is a man let down on multiple levels by Susan in the past. His novel – “Nocturnal Animals”, dedicated to Susan – is a primal scream of twenty years worth of hurt, pain, regret and vengeance; a railing against a loss of love; a railing against a loss of life.
As Susan painfully turns the pages we live the book as a ‘film within a film’ – with characters casually modelled on Edward, Susan and Susan’s daughter, actually played by Gyllenhaal, Amy-Adams-lookalike Isla Fisher (“Grimsby”) and Ellie Bamber (“Pride and Prejudice and Zombies”) respectively. The insomniac Susan is seriously moved. She feels likes someone who’s fallen asleep on the train of life and doesn’t recognise any of the stations when she wakes up. How will Susan’s regrets translate into action? Should she take up Edwards offer to meet up for dinner?
This Tom Ford film – only his second after the wildly successful “A Single Man” in 2009 – is a challenging film to watch. The opening titles of naked overweight woman ‘twerkers’ is challenging enough (#wobble). After this shocking opening (that morphs into an art gallery installation) the LA scenes have a gloriously Hitchcockian/noir feel to them, being gorgeously filmed by cinematographer Seamus McGarvey (“The Accountant”, “The Avengers”) – an Oscar nomination I would suggest should be in the offing.
And then comes the start of the “book” segment: one of the most uncomfortably tense scenes I’ve seen this year. A Texan family horror film featuring a lonely highway and a trio of “deplorables” (to quote an unfortunate put-down by Hilary Clinton). As stark contrast to the sharp lines and glamour of LA, these scenes are reminiscent of “No Country for Old Men” with a searingly unpleasant performance from Aaron Taylor-Johnson (“Kick-Ass”) and an equally queasy turn by local law enforcer Bobby Andes (Michael Shannon, Zod in “Batman v Superman: Dawn of Justice”). Either or both of these gentlemen could be contenders for a Supporting Actor nomination. The tension is superbly notched up by a mesmerising cello/violin score by Polish composer Abel Korzeniowski.
Amy Adams is fantastic in the leading role (what with “Arrival” this month, this is quite a month for the actress) as is Jake Gyllenhaal, channelling so much emotion, angst and guilt at his own impotence. After “Nightcrawler” Gyllenhaal is building up a formidable reputation that must translate into an Oscar some time soon: possibly this is it. Some excellent cameos from Laura Linney (as Susan’s sad-eyed mother) and Michael Sheen (in a superb purple jacket) rounds off an excellent ensemble cast.
The concept of a “film within a film” is not new. The most memorable example (I realise with a shock – #midlifecrisis) was “The French Lieutenant’s Woman” with a young but striking Meryl Streep 35 years ago. Here the LA sequence, the book and the flashback scenes are beautifully merged into a seamless whole where you never seem to get lost or disorientated.
If there is a criticism to be made, the second half of the ‘book’ is not as satisfying as the first with some rather clunky plot points that fall a little too easily.
However, this is a nuanced film where every step and every scene feels sculpted and filled with meaning. It is a film that deserves repeat viewings, since it raises questions and thoughts that survive long after the lights have come up. Tom Ford’s output may be of a sparsity of Kubrick proportions, but like Kubrick his output is certainly worth waiting for.
Recommended, but go mentally prepared: this was a UK 15 certificate, but it felt like it should be more of a UK 18.