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Adam Pally recommended Out of Sight (1998) in Movies (curated)
chandler ellis (3 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 14, 2017
Michael Keaton's portrayal of his character: The Vulture. (1 more)
The idea that his Peter Parker, tried to prove himself worthy for the Avengers, and that he wouldn't let someone die just because their bad.
Spiderman swings into a 9/10 place, giving a comical take on the teenage superhero
Contains spoilers, click to show
Spiderman Homecoming swung into theatres last week, and provided a comical take on the young superhero. It gives us an opening on Peter, enjoying his time and experience through the events of Civil War. But this comes to an end, when it shows him as a normal teen. Michael Keaton, gives a hatred to play-boy millionaire Tony Stark. So he retrieves pieces of weaponry and tech, from previous Marvel films. And he sells them to make money, and give his family a good life. Through this Peter learns of the idea of trust, bravery, and of course doing the right thing no matter what. All in all, Spiderman Homecoming makes a great film for the new generation and for some in the old generation.
Matthew Krueger (10051 KP) rated Batman (1989) in Movies
Oct 10, 2019
Batman- i love this movie, i have seen it about 7-9 times. I love michael Keaton as bruce wayne/batman. I love jack nicholson as the joker. This movie has action, comedy, suspense, laughing gas, a prince song, adventure and so much more. Also you have darkness, romance, lots of screaming from Vicki Vale played by Kim Basinger. Did i mention that Tim Burton directed this film.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
Awix (3310 KP) rated Batman (1989) in Movies
Feb 25, 2018
Tim Burton's landmark superhero adaptation was an unavoidable media juggernaut on original release; has stood the test of time pretty well. Bruce Wayne begins his battle against crime as Batman, inadvertently creates psycho crime-lord the Joker; the two of them both take a shine to reporter Vicki Vale.
Enormously influenced by Frank Miller's The Dark Knight Returns, clearly, but then you could say the same about every single other Batman movie since. The real innovation at the time was to create a distinctive fantasy world around Batman so he appears less absurd: hence the gothic nightmare of Gotham City's architecture, and the combination of elements of 40s and 80s fashion in the costume design. Whole film is arguably unbalanced by Jack Nicholson's not-exactly-understated performance as the Joker, though Michael Keaton does his best. Is there really anything behind all the art direction and overacting? Possibly not, but that may be missing the point.
Enormously influenced by Frank Miller's The Dark Knight Returns, clearly, but then you could say the same about every single other Batman movie since. The real innovation at the time was to create a distinctive fantasy world around Batman so he appears less absurd: hence the gothic nightmare of Gotham City's architecture, and the combination of elements of 40s and 80s fashion in the costume design. Whole film is arguably unbalanced by Jack Nicholson's not-exactly-understated performance as the Joker, though Michael Keaton does his best. Is there really anything behind all the art direction and overacting? Possibly not, but that may be missing the point.
Awix (3310 KP) rated Spider-Man: Homecoming (2017) in Movies
Feb 12, 2018
Third time's a charm
Wasn't it Oscar Wilde who said that to cast one actor as Spider-Man is a sound artistic choice, but to cast three in only fifteen years is possibly taking the mickey? Hey ho. Marvel Studios bring all their usual skill to this latest addition to the series, and the result is as entertaining as you'd expect.
They do make quite a big deal out of the fact that Spider-Man is back in continuity with the Avengers (et al), much more so than happens in the other MCU films, but I suppose it's forgivable. The movie's two big innovations are to basically tell the story as a goofy 80s-style high school comedy, and to actually have a genuinely strong and memorable villain (Michael Keaton makes a real impression as another sort of birdman). Solid script; also very funny; doesn't quite supplant memories of the Sam Raimi-Tobey Maguire films, but stands comparison to them very well.
They do make quite a big deal out of the fact that Spider-Man is back in continuity with the Avengers (et al), much more so than happens in the other MCU films, but I suppose it's forgivable. The movie's two big innovations are to basically tell the story as a goofy 80s-style high school comedy, and to actually have a genuinely strong and memorable villain (Michael Keaton makes a real impression as another sort of birdman). Solid script; also very funny; doesn't quite supplant memories of the Sam Raimi-Tobey Maguire films, but stands comparison to them very well.
Zach Smith (62 KP) rated Spider-Man: Homecoming (2017) in Movies
May 29, 2018
The very best
The reboot of the reboot of our web slinger, this time around making Peter Parker with an actor who appears high school aged and not thirty something. It starts off without the origin which was a weird surprise but I think they believed the audience is well aware of how spidey got his powers so why not save some space and skip ahead to where he is experimenting being a superhero. Michael Keaton is cast as the Falcon but he is able to channel his badass side and make this character more than just a glider suite. The relationship between Tony Stark and Peter is cute and again the best part of this is Tom Hollands performance and youthfulness.
Nikki Pugh (2 KP) rated American Assassin (2017) in Movies
Nov 19, 2017
Not a patch on the book
Contains spoilers, click to show
Okay so if you have read the books you'll know a few things were seriously off about this film. Plot for a start.
The book's plot circles around the Lockabie bombing which most of today's young audience will not remember so a plot update was definitely needed and setting the first scene on a beach with terrorists shooting tourists was a good plot call. I settled down in my seat thinking this might just work....and then the rest of the film happened.
Everyone did a good job trying to inject some feeling and drama into the limp script - Michael keaton was excellent - but there is no disguising the fact that this was intended as a for-runner for a Mitch Rap franchise. The plot was ludicrous, the characters under developed and overacted.
Maybe the next one will have me routing for Mitch instead of wishing I had gone to see the My Little Pony Movie...that would have been a lot less painful.
The book's plot circles around the Lockabie bombing which most of today's young audience will not remember so a plot update was definitely needed and setting the first scene on a beach with terrorists shooting tourists was a good plot call. I settled down in my seat thinking this might just work....and then the rest of the film happened.
Everyone did a good job trying to inject some feeling and drama into the limp script - Michael keaton was excellent - but there is no disguising the fact that this was intended as a for-runner for a Mitch Rap franchise. The plot was ludicrous, the characters under developed and overacted.
Maybe the next one will have me routing for Mitch instead of wishing I had gone to see the My Little Pony Movie...that would have been a lot less painful.
Suswatibasu (1701 KP) rated Spider-Man: Homecoming (2017) in Movies
Nov 22, 2017 (Updated Nov 22, 2017)
Fun to watch but doesn't break new ground
No doubt Tom Holland's portrayal of Spiderman is the most accurate version that I have seen, given that Spiderman is a teenager in a high school. I can't help but feel that if Homecoming had more time in the oven, we would have been rewarded with the best Spider-man ever seen on the silver screen. As is, this Spider-man breaks no new ground that won't quickly be plowed under.
Michael Keaton's Vulture is the perfect villain for a downbeat in the MCU symphony. A regular, working-class but ambitious man who took an opportunity - a blue collar Tony Stark. The level of detail and forethought paid to the Vulture and his crew's dealings provides much needed grounding to these fabulous tales of super-heroism. Still, the refreshing qualities of Homecoming are far-outmatched by the staleness of its formula.
Too many of these beats have already been explored in other movies. Tony Stark has remote access to his suit. Tony Stark's dad. Retro-reflective plates. Tony Stark overdesigns stuff. Peter Parker has trouble managing his two lives. Peter Parker's enemy is a close friend's parent.
But the best part is definitely Michael Keaton, who is both seen as a 'hardworking' father trying to provide for his family, while being deeply flawed - the fact that he isn't killed off is also promising. Not a bad film, but not particularly novel.
Michael Keaton's Vulture is the perfect villain for a downbeat in the MCU symphony. A regular, working-class but ambitious man who took an opportunity - a blue collar Tony Stark. The level of detail and forethought paid to the Vulture and his crew's dealings provides much needed grounding to these fabulous tales of super-heroism. Still, the refreshing qualities of Homecoming are far-outmatched by the staleness of its formula.
Too many of these beats have already been explored in other movies. Tony Stark has remote access to his suit. Tony Stark's dad. Retro-reflective plates. Tony Stark overdesigns stuff. Peter Parker has trouble managing his two lives. Peter Parker's enemy is a close friend's parent.
But the best part is definitely Michael Keaton, who is both seen as a 'hardworking' father trying to provide for his family, while being deeply flawed - the fact that he isn't killed off is also promising. Not a bad film, but not particularly novel.
Joe Kline (10 KP) rated Beetlejuice (1988) in Movies
Dec 9, 2017
The style of Tim Burton makes this movie amazing visually (3 more)
Michael Keaton creates one of the funniest ghosts of all time
The score by Danny Elfman is phenomenal
Still unique after all these years
Some of the stop motion effects may turn off certain people (1 more)
Although originally rated PG it would easily be a PG13 by modern standards
80's Classic with Timeless Appeal
This is a movie about a young couple's struggle to cope with life, or rather their lack there of. The Maitlands discover that death is just the beginning and the living can be a nuisance.
Trouble is on the horizon as a yuppie couple and their terminally dismal daughter Lydia move in. The rustic country house is soon renovated into a warped view of abstract modernism. The Maitlands are unable to scare off the invaders. In a moment of desperation they respond to an erie advertisement by calling Beetlejuice, Beetlejuice, Beetlejuice.
After awakening this audacious spirit they soon realise why the other ghosts had warned against him. He is crass and crude and has no boundaries. However the Maitlands discover that putting this genie back in the bottle will not be easy.
Chaos ensues when Beetlejuice goes overboard and makes the family right back. Lydia, who has befriended the Maitlands, is caught in the middle.
This is one of my favorite movies of all time. It's a funny, quirky take on the afterlife. Tim Burton's signature style makes the world beyond both creepy and intriguing. It's paired perfectly with a brilliant score by Danny Elfman.
This is easily one of Michael Keaton best performances. Beetlejuice is the perfect villain that you love to hate, and you hate that you love. Every character is perfectly cast.
There are some negatives, but they're mostly nit-picks. This movie was PG when it came out, but some of the language and humor would easily make it a PG13 today. Some of the stop motion effects may look cheesey to some, although personally I love them. Finally, the eighties modern stylings of the Deets family may date the movie for some.
I cannot recommend this movie enough. If you love dark humor and the visual flare of Tim Burton you owe it to yourself to see this movie.
One final warning: The song Day-O will be stuck in your head for days.
Trouble is on the horizon as a yuppie couple and their terminally dismal daughter Lydia move in. The rustic country house is soon renovated into a warped view of abstract modernism. The Maitlands are unable to scare off the invaders. In a moment of desperation they respond to an erie advertisement by calling Beetlejuice, Beetlejuice, Beetlejuice.
After awakening this audacious spirit they soon realise why the other ghosts had warned against him. He is crass and crude and has no boundaries. However the Maitlands discover that putting this genie back in the bottle will not be easy.
Chaos ensues when Beetlejuice goes overboard and makes the family right back. Lydia, who has befriended the Maitlands, is caught in the middle.
This is one of my favorite movies of all time. It's a funny, quirky take on the afterlife. Tim Burton's signature style makes the world beyond both creepy and intriguing. It's paired perfectly with a brilliant score by Danny Elfman.
This is easily one of Michael Keaton best performances. Beetlejuice is the perfect villain that you love to hate, and you hate that you love. Every character is perfectly cast.
There are some negatives, but they're mostly nit-picks. This movie was PG when it came out, but some of the language and humor would easily make it a PG13 today. Some of the stop motion effects may look cheesey to some, although personally I love them. Finally, the eighties modern stylings of the Deets family may date the movie for some.
I cannot recommend this movie enough. If you love dark humor and the visual flare of Tim Burton you owe it to yourself to see this movie.
One final warning: The song Day-O will be stuck in your head for days.
Andy K (10821 KP) rated Batman: The Killing Joke (2016) in Movies
Dec 27, 2017
Visuals on par with the comic (2 more)
True to the source material
Superb voice talent
Using R rating incorrectly (1 more)
Batgirl
Missed opportunity
Contains spoilers, click to show
I remember reading the source graphic novel when it was first released in 1988 thinking "this would make a cool movie". This was even before the 1989 Michael Keaton-Tim Burton film in 1989.
In the modern world of the R rated Logan and Deadpool, it's now possible to push the envelope; however, not sure about an animated film. The character of Batman certainly is very dark and some of his emotional issues and those of the Joker could venture into those realms, but the tone of this film seem wrong.
The character of Batgirl seemed to be a victim rather than the strong character she is normally, and the "sex" scene between them seemed a little unusual. The brutality inflicted upon her at the hands of the Joker also was a bit much.
The highlight of the experience was listening to Kevin Conroy and Mark Hamill reprise their now infamous Batman and Joker characters once again.
Overall, the film may have been better off to take "inspiration" from the novel rather than trying to reproduce it 100%.
In the modern world of the R rated Logan and Deadpool, it's now possible to push the envelope; however, not sure about an animated film. The character of Batman certainly is very dark and some of his emotional issues and those of the Joker could venture into those realms, but the tone of this film seem wrong.
The character of Batgirl seemed to be a victim rather than the strong character she is normally, and the "sex" scene between them seemed a little unusual. The brutality inflicted upon her at the hands of the Joker also was a bit much.
The highlight of the experience was listening to Kevin Conroy and Mark Hamill reprise their now infamous Batman and Joker characters once again.
Overall, the film may have been better off to take "inspiration" from the novel rather than trying to reproduce it 100%.