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Gareth von Kallenbach (980 KP) rated Creed (2015) in Movies
Jun 19, 2019
Life for Adonis Johnson (Michael B Jordan) has always been a struggle. He has moved from one facility to another under the care the state constantly fighting for his place in society. When he is adopted by Mary Anne Creed (Phylicia Rashad), he learns that his father was actually legendary fighter Apollo Creed who had a dalliance with his mother and died before Adonis was born. Flash forward year’s later, despite a life of privilege and a good job, Adonis yearns to be a boxer and follow in his father’s footsteps. Unable to secure fights, he travels across the border to fight on the circuit in Mexico where he is undefeated. When able to quench his conflicting emotions, Adonis moves to Philadelphia to live a simpler life. He hopes to take pointers from his father’s chief rival and longtime friend Rocky Balboa (Sylvester Stallone), but is at first hesitant to reveal his true connection to Creed. This is the promise of the new film “Creed”, which is a very worthy and in joy of all entry into the popular “Rocky” series. In older, more cautious and world beaten Balboa is hesitant to go back into the world that made him a household name, but eventually is determined to train the young boxer and in doing so both of them learn what it is to be a champion in and out of the ring.
There is the uplifting training and human stories that made the series so popular but what really keeps this from being a retread is the solid work of Jordan and Stallone. Jordan is very much his own character and not trying to copy his father. He is headstrong, impulsive, quick to anger, but also willing to listen to the wisdom of Rocky. Stallone does perhaps his best work in a very long time in a supporting role by playing a more vulnerable and wise character that is not afraid to show his humanity. This is a very welcome change for the actor who is best known as larger-than-life and unstoppable in many of the roles that he portrays. I know it would be considered a long shot but this is the type of performance that veteran actors get award nominations for in a supporting role.
Of course Johnson is leading up to his big fight with destiny that will either make or break him against an overwhelmingly unstoppable opponent but the well-choreographed and paste fight sequences will have you on the edge of your seat and captivated much like the best sequences from the earlier Rocky films.
This was a very solid and entertaining film that should delight fans of the series as well as sports films in general and was one of the most enjoyable surprises of the year.
http://sknr.net/2015/11/23/creed/
There is the uplifting training and human stories that made the series so popular but what really keeps this from being a retread is the solid work of Jordan and Stallone. Jordan is very much his own character and not trying to copy his father. He is headstrong, impulsive, quick to anger, but also willing to listen to the wisdom of Rocky. Stallone does perhaps his best work in a very long time in a supporting role by playing a more vulnerable and wise character that is not afraid to show his humanity. This is a very welcome change for the actor who is best known as larger-than-life and unstoppable in many of the roles that he portrays. I know it would be considered a long shot but this is the type of performance that veteran actors get award nominations for in a supporting role.
Of course Johnson is leading up to his big fight with destiny that will either make or break him against an overwhelmingly unstoppable opponent but the well-choreographed and paste fight sequences will have you on the edge of your seat and captivated much like the best sequences from the earlier Rocky films.
This was a very solid and entertaining film that should delight fans of the series as well as sports films in general and was one of the most enjoyable surprises of the year.
http://sknr.net/2015/11/23/creed/
Night Reader Reviews (683 KP) rated The Boy Caught in the Starlight in Books
Feb 29, 2020
Honest Review for Free Copy of Book
The Boy Caught In The Starlight by Michael J H Taylor is a wonderful adventure where the heroes never go any farther than a cabin a little ways from home. This tale is expected to be the first in a series.
Jake lives with his mother who loves bragging about him a little too much. He is smothered by her overwhelming pressure to be perfect and longs for adventure. However, there really is not much in the lines of adventure for a young teenager these days. So being board Jake asks his mother if he can spend the weekend with his father, mostly for a change. Jake goes with his father to pick up an old Bubble Car that his father recently purchased from Professor Septimus Kneebone, self-proclaimed genius. It is this trip that sets Jake on the course for the dangerous adventure that he so longs for.
It turns out that the Bubble Car is no longer a car but a very special machine. This machine has the unique ability to show images of things past to those who know how to work it. Although no one can interact with the images in anyway they can show wondrous things, such as the location of treasure. As luck would have it a gang of thieves know about the machine and have been using it to find long lost treasurer to get rich. Yet what would such a gang do when they discover the Professor has decided to dismantle the machine forever.
This book was surprisingly unique. It offered multiple turns that I did not expect. The story brought me to many different theories along the way to discovering the truth. I hope the promised second book is just as entertaining as the first. What I did not like was that at first, I pegged this book to be much like back to the future. As it turns out I was wrong. This is a problem because the description of the book comes off differently. I just don’t want anyone to go into this book with the wrong expectations.
Young adults and children alike will enjoy this tale. Though a little on the long side for very young children a tale of adventure such as this would be good spread out over multiple days as a wonderful bedtime story. I rate this book 3 out of 4. I was very happy with this book. The slightly misleading description lost a rating point for me, but other than that I found no major complaint. I believe this book to be a good story for all who pick it up.
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Jake lives with his mother who loves bragging about him a little too much. He is smothered by her overwhelming pressure to be perfect and longs for adventure. However, there really is not much in the lines of adventure for a young teenager these days. So being board Jake asks his mother if he can spend the weekend with his father, mostly for a change. Jake goes with his father to pick up an old Bubble Car that his father recently purchased from Professor Septimus Kneebone, self-proclaimed genius. It is this trip that sets Jake on the course for the dangerous adventure that he so longs for.
It turns out that the Bubble Car is no longer a car but a very special machine. This machine has the unique ability to show images of things past to those who know how to work it. Although no one can interact with the images in anyway they can show wondrous things, such as the location of treasure. As luck would have it a gang of thieves know about the machine and have been using it to find long lost treasurer to get rich. Yet what would such a gang do when they discover the Professor has decided to dismantle the machine forever.
This book was surprisingly unique. It offered multiple turns that I did not expect. The story brought me to many different theories along the way to discovering the truth. I hope the promised second book is just as entertaining as the first. What I did not like was that at first, I pegged this book to be much like back to the future. As it turns out I was wrong. This is a problem because the description of the book comes off differently. I just don’t want anyone to go into this book with the wrong expectations.
Young adults and children alike will enjoy this tale. Though a little on the long side for very young children a tale of adventure such as this would be good spread out over multiple days as a wonderful bedtime story. I rate this book 3 out of 4. I was very happy with this book. The slightly misleading description lost a rating point for me, but other than that I found no major complaint. I believe this book to be a good story for all who pick it up.
https://www.facebook.com/nightreaderreviews/
https://smashbomb.com/nightreader
https://nightreaderreviews.blogspot.com/
Lee Richmond (19 KP) rated Halloween (2018) in Movies
Mar 5, 2019
Face your fate.
It's 1999 and my twenty years younger self is spending the entire year getting hyped for The Phantom Menace. That movie dominated my year. I had queued at ToysRUs when they released the new figures just to get my hands on a Darth Maul and a Podracer. I had brought the CD of John Williams Soundtrack. I had seen every trailer countless times and as soon as they were put on sale I brought two tickets so that I could watch the movie twice on the same day. I sat in the theatre as the Lucasfilm logo appeared and thought 'this is it'. Then the end credits rolled and I left the movie and headed to get something to eat before the next showing, all the while trying to convince myself that I had loved what I had just watched. Truth is I couldn't do it. I hadn't loved it at all. It left me deflated and all I could think was that I had to sit and watch it all again as all that excitement turned to shit with every clunky piece of dialogue and every scene featuring Jar Jar fucking Binks. It hurt and I promised I would never get so hyped for a movie again.
Fast forward to 2018. I had been excited for the prospect of Halloween since it was announced. Jamie Lee was involved and it was a direct sequel. Both of these things had me invested. Then the trailer dropped and that old familiar feeling of hype that I had promised to forgo started to creep over me once more. Now I should add that John Carpenters original 1978 movie is one of my all time favourites. I love that movie. To me it is an example of perfect horror story telling. It's simple yet incredibly effective at doing what it says on the tin and I rewatch it every year on Haloween as a tradition.
Time came for opening night and I had purchased my ticket in advance (but only one this time just in case) and as we sat waiting for the movie to start even my wife commented that I appeared nervous. I was nervous. I had every right to be nervous because the mishandling of something that means so much to me would mean major disappointment. I am a movie geek. Movies mean so much to me, especially Halloween and I take disappointment pretty badly. So the movie played out. That old familiar score played over the top of bright orange titles against a black background as a pumpkin seemed to unrot and I loved it. I loved the steady build to Michaels escape. I loved how being locked up for so long just seemed to make him more relentless. Once he was out and let loose on Haddonfield I was hooked. The killing spree that followed as Michael went from house to house on a rampage fueled by 40 years of incarceration had me mentally punching the air with happiness. Jamie Lee Curtis though was something else all together. Her portrayal of Laurie suffering from four decades of pent up PTSD was nothing short of brilliant. I could really feel for this character that I have adored for so many years. Laurie will always be my number 1 final girl. She survived the original Halloween because she was smart, and wasn't distracted like her sex mad, airhead friends. Seeing how the events of the first film had effected her life so dramatically was like watching an old friend going through a really hard time. The closing twenty minutes literally had me on the edge of my seat as Laurie searches one dark room after another, the hunted becoming the hunter. You know Michael is there lurking somewhere, but where? The final image as a trapped Michael stares up at his escaping prey, so fixed on Laurie that he fails to even notice that he is being engulfed in flames really stuck with me after the credits rolled.
Now I'm not going as far as to say this film was perfect. Some of the humour fell a little flat and felt out of place and I hated the new Dr Loomis character and his plot twist. It felt crowbarred in and completely unnecessary. Had the rest of the film not been as tight it would have taken me out of the movie completely, but thankfully that was not the case. A lot of love and passion went into making this movie. Clearly the film makers are fans of the original and that really comes across on screen. It really honours Carpenters movie and evidently comes across as a love letter more than a cash in. I know this movie divided people. You either loved it or hated it and I am definitely in the camp of the former. Do I want another sequel? If the quality of this one is maintained then hell yeah. Halloween 2018 has taught me that allowing myself to get a little hyped now and again can sometimes be rewarding. Not everything has to be The Phantom Menace.
Fast forward to 2018. I had been excited for the prospect of Halloween since it was announced. Jamie Lee was involved and it was a direct sequel. Both of these things had me invested. Then the trailer dropped and that old familiar feeling of hype that I had promised to forgo started to creep over me once more. Now I should add that John Carpenters original 1978 movie is one of my all time favourites. I love that movie. To me it is an example of perfect horror story telling. It's simple yet incredibly effective at doing what it says on the tin and I rewatch it every year on Haloween as a tradition.
Time came for opening night and I had purchased my ticket in advance (but only one this time just in case) and as we sat waiting for the movie to start even my wife commented that I appeared nervous. I was nervous. I had every right to be nervous because the mishandling of something that means so much to me would mean major disappointment. I am a movie geek. Movies mean so much to me, especially Halloween and I take disappointment pretty badly. So the movie played out. That old familiar score played over the top of bright orange titles against a black background as a pumpkin seemed to unrot and I loved it. I loved the steady build to Michaels escape. I loved how being locked up for so long just seemed to make him more relentless. Once he was out and let loose on Haddonfield I was hooked. The killing spree that followed as Michael went from house to house on a rampage fueled by 40 years of incarceration had me mentally punching the air with happiness. Jamie Lee Curtis though was something else all together. Her portrayal of Laurie suffering from four decades of pent up PTSD was nothing short of brilliant. I could really feel for this character that I have adored for so many years. Laurie will always be my number 1 final girl. She survived the original Halloween because she was smart, and wasn't distracted like her sex mad, airhead friends. Seeing how the events of the first film had effected her life so dramatically was like watching an old friend going through a really hard time. The closing twenty minutes literally had me on the edge of my seat as Laurie searches one dark room after another, the hunted becoming the hunter. You know Michael is there lurking somewhere, but where? The final image as a trapped Michael stares up at his escaping prey, so fixed on Laurie that he fails to even notice that he is being engulfed in flames really stuck with me after the credits rolled.
Now I'm not going as far as to say this film was perfect. Some of the humour fell a little flat and felt out of place and I hated the new Dr Loomis character and his plot twist. It felt crowbarred in and completely unnecessary. Had the rest of the film not been as tight it would have taken me out of the movie completely, but thankfully that was not the case. A lot of love and passion went into making this movie. Clearly the film makers are fans of the original and that really comes across on screen. It really honours Carpenters movie and evidently comes across as a love letter more than a cash in. I know this movie divided people. You either loved it or hated it and I am definitely in the camp of the former. Do I want another sequel? If the quality of this one is maintained then hell yeah. Halloween 2018 has taught me that allowing myself to get a little hyped now and again can sometimes be rewarding. Not everything has to be The Phantom Menace.
Chris Sawin (602 KP) rated Public Enemies (2009) in Movies
Jun 22, 2019
The year is 1933 and bank robberies are at an all time high. John Dillinger, Baby Face Nelson, and Pretty Boy Floyd are at the top of their game. In the public eye, robbers are looked at as heroes instead of criminals. Dillinger enjoys the fruit of his labor to the fullest until the day Melvin Purvis is put in charge of the FBI division down in Chicago. Word traveled fast of how one of FBI's top agents (Purvis) took down Pretty Boy Floyd and hopes are high that he can help in the newly announced "war on crime." Once Purvis arrived in Chicago, the crime wave of the 30's that was on a steady uprise took a drastic decline. Bank robberies were never the same as Dillinger's friends began dropping like flies. As Dillinger's motto of not thinking about tomorrow since he's too busy enjoying today comes back to haunt him, he soon realizes that he can only hide for so long and that the feds will catch up with him sooner or later.
The most noticeable thing about the film is its cinematography. Michael Mann has used the same method of shooting Public Enemies with HD digital cameras like he did with Collateral. This could be a hassle to some viewers as the picture isn't as shaky as it was in something like Cloverfield, but isn't as crystal clear and steady as you may have found in some of Mann's earlier work like Heat or most other films, for that matter. Perspective plays a huge role in this film. Certain lighting seems to come off better being shot in HD digital and it certainly shows, but the imperfections seem to give the film more character. Some people might throw the word, "edgy," around, but we'll settle on saying this style of filming feels like a more realistic approach. It makes the audience feel like they're actually amongst these gangsters during their heyday.
It almost felt like Christian Bale didn't really want to be there. Between this and Terminator: Salvation, he's really lacking the charisma and talent he's shown in films like The Prestige and The Machinist or even American Psycho. Maybe he's just hit his peak and has nothing else up his sleeve to wow audiences. Bale has hit an eye-catching slump, which is hard to say since this is coming from a long time fan. As long as he continues to be cast in big budget films though and those films wind up doing extremely well at the box office, then not many people are going to notice a difference in the actor's lackluster performance.
Johnny Depp, on the other hand, stole every scene he was in. His cockiness and confidence in his abilities in what he does just gave life to Dillinger that makes you generally like him. You want to see him escape as soon as he gets caught, pull off that next big robbery, and succeed at everything he does so he can run off with Billie Frechette (Marion Cotillard) and live happily ever after. His dialogue is also generally pretty incredible. In the scene where he's confronting Agent Purvis from behind bars, Dillinger is asking Purvis about what it was like to kill a man. How their eyes looked and how you can literally watch a man just drift away by staring into their eyes while they're dying. That that whole experience could keep a man up at night. Purvis asks Dillinger what keeps him up at night. Dillinger, who always seemed to be chewing gum, replies, "Coffee." Dillinger just felt like one of Depp's better acting roles, as of late. He showed more emotion than we're generally used to seeing from him and it was just an incredibly strong performance from the Oscar nominee.
The film has a lot of great dialogue, intriguing character interaction, and it's interesting watching the story unfold of how the crime wave of the 30s may have come to an end, but what really makes the film worth seeing is the shootouts. Any scene that begins with somebody holding a gun is worth getting excited over. There's a scene in the woods in the latter half of the film that is worth the price of admission alone. It takes place at night and everything is littered with darkness until the tommy guns make an appearance. The way the guns light up everything else around the characters firing them was a nice touch. Small explosions erupting from a chamber every time somebody pulled the trigger. This is some of the best gunfire to ever be filmed.
When it comes to Public Enemies, it is one of the best films of the year which is mentioned in at least one of the TV spots. Anyone who was a fan of Michael Mann's previous films (or gangster films, in general) will more than likely walk away from this film satisfied. Johnny Depp is still at the top of his game while Christian Bale seems to be winding down. Public Enemies is a film worthy of the summer blockbuster season which will satisfy the appetite of any fan of crime films.
The most noticeable thing about the film is its cinematography. Michael Mann has used the same method of shooting Public Enemies with HD digital cameras like he did with Collateral. This could be a hassle to some viewers as the picture isn't as shaky as it was in something like Cloverfield, but isn't as crystal clear and steady as you may have found in some of Mann's earlier work like Heat or most other films, for that matter. Perspective plays a huge role in this film. Certain lighting seems to come off better being shot in HD digital and it certainly shows, but the imperfections seem to give the film more character. Some people might throw the word, "edgy," around, but we'll settle on saying this style of filming feels like a more realistic approach. It makes the audience feel like they're actually amongst these gangsters during their heyday.
It almost felt like Christian Bale didn't really want to be there. Between this and Terminator: Salvation, he's really lacking the charisma and talent he's shown in films like The Prestige and The Machinist or even American Psycho. Maybe he's just hit his peak and has nothing else up his sleeve to wow audiences. Bale has hit an eye-catching slump, which is hard to say since this is coming from a long time fan. As long as he continues to be cast in big budget films though and those films wind up doing extremely well at the box office, then not many people are going to notice a difference in the actor's lackluster performance.
Johnny Depp, on the other hand, stole every scene he was in. His cockiness and confidence in his abilities in what he does just gave life to Dillinger that makes you generally like him. You want to see him escape as soon as he gets caught, pull off that next big robbery, and succeed at everything he does so he can run off with Billie Frechette (Marion Cotillard) and live happily ever after. His dialogue is also generally pretty incredible. In the scene where he's confronting Agent Purvis from behind bars, Dillinger is asking Purvis about what it was like to kill a man. How their eyes looked and how you can literally watch a man just drift away by staring into their eyes while they're dying. That that whole experience could keep a man up at night. Purvis asks Dillinger what keeps him up at night. Dillinger, who always seemed to be chewing gum, replies, "Coffee." Dillinger just felt like one of Depp's better acting roles, as of late. He showed more emotion than we're generally used to seeing from him and it was just an incredibly strong performance from the Oscar nominee.
The film has a lot of great dialogue, intriguing character interaction, and it's interesting watching the story unfold of how the crime wave of the 30s may have come to an end, but what really makes the film worth seeing is the shootouts. Any scene that begins with somebody holding a gun is worth getting excited over. There's a scene in the woods in the latter half of the film that is worth the price of admission alone. It takes place at night and everything is littered with darkness until the tommy guns make an appearance. The way the guns light up everything else around the characters firing them was a nice touch. Small explosions erupting from a chamber every time somebody pulled the trigger. This is some of the best gunfire to ever be filmed.
When it comes to Public Enemies, it is one of the best films of the year which is mentioned in at least one of the TV spots. Anyone who was a fan of Michael Mann's previous films (or gangster films, in general) will more than likely walk away from this film satisfied. Johnny Depp is still at the top of his game while Christian Bale seems to be winding down. Public Enemies is a film worthy of the summer blockbuster season which will satisfy the appetite of any fan of crime films.
Movie Metropolis (309 KP) rated Dad's Army (2016) in Movies
Jun 11, 2019
Full of wasted British talent
I may be fairly young in years, but I grew up around comedies like Only Fools & Horses, One Foot in the Grave and of course Dad’s Army. I remember many evenings sitting at home with my dad as he cried with laughter at all three, though it was the latter’s influence that stuck with me the most.
Now, Dad’s Army like so many classic TV shows is getting the silver screen treatment, but does this modern-day reimagining, with an all-star British cast live up to the series that delighted so many for so long?
The movie adaptation of Dad’s Army follows on from the TV series, taking place just before the Second World War comes to an end. In Walmington-On-Sea, the Home Guard, led by Captain Mainwaring must track down a German spy, who is intent on swaying the war in their favour.
A whole host of British talent, young and old, star and each and every one of them slots perfectly into the well-worn shoes of classic characters. From Michael Gambon’s effervescent performance as Godfrey and Toby Jones’ faithful portrayal of Mainwaring to Inbetweeners star Blake Harrison taking on the role of Pike, it feels as though the casting team really put a lot of thought into getting the characteristics right.
It doesn’t stop there, Welsh beauty Catherine Zeta Jones, TV favourite Sarah Lancashire and Victor Meldrew’s long-suffering wife Margaret (Annette Crosbie) all make appearances for the fairer sex, with each bringing something to the table.
The scenery is beautiful, filmed just a couple of hours up the road in Bridlington, East Yorkshire, the normally vibrant seaside town is transformed into 1940s Walmington with an enviable amount of detail. Elsewhere, the White Cliffs of Dover are replicated exceptionally at Flamborough on the east coast.
Unfortunately, the story is a little on the light side, barely managing to stretch to the film’s slightly overlong running time. This is an issue that blights many TV to film projects and it feels like this unbelievably talented cast is somewhat wasted with a fairly run-of-the-mill plot.
It also feels like the comedy is on rations. Yes, it’s nostalgic with constant references to its small-screen counterpart, but it comes across like the producers were too busy trying to shoehorn as many elements of the TV series into the film, without concentrating on what Dad’s Army was all about – laughs.
Nevertheless, there is plenty to enjoy despite a lack of giggles. The acting is, as said previously, remarkable with fans of the series and newcomers alike being able to enjoy the warm, typically British feeling these thespians bring to the film.
Overall, Dad’s Army is a decent, albeit slightly underwhelming, effort in bringing one of the most popular TV shows of all time to the big screen. Its talent and casting are undeniable and the filming style is very impressive, but a lack of attention to the plot and a comedy drought stop it short of achieving what it clearly set out to do.
https://moviemetropolis.net/2016/02/07/full-of-wasted-british-talent-dads-army-review/
Now, Dad’s Army like so many classic TV shows is getting the silver screen treatment, but does this modern-day reimagining, with an all-star British cast live up to the series that delighted so many for so long?
The movie adaptation of Dad’s Army follows on from the TV series, taking place just before the Second World War comes to an end. In Walmington-On-Sea, the Home Guard, led by Captain Mainwaring must track down a German spy, who is intent on swaying the war in their favour.
A whole host of British talent, young and old, star and each and every one of them slots perfectly into the well-worn shoes of classic characters. From Michael Gambon’s effervescent performance as Godfrey and Toby Jones’ faithful portrayal of Mainwaring to Inbetweeners star Blake Harrison taking on the role of Pike, it feels as though the casting team really put a lot of thought into getting the characteristics right.
It doesn’t stop there, Welsh beauty Catherine Zeta Jones, TV favourite Sarah Lancashire and Victor Meldrew’s long-suffering wife Margaret (Annette Crosbie) all make appearances for the fairer sex, with each bringing something to the table.
The scenery is beautiful, filmed just a couple of hours up the road in Bridlington, East Yorkshire, the normally vibrant seaside town is transformed into 1940s Walmington with an enviable amount of detail. Elsewhere, the White Cliffs of Dover are replicated exceptionally at Flamborough on the east coast.
Unfortunately, the story is a little on the light side, barely managing to stretch to the film’s slightly overlong running time. This is an issue that blights many TV to film projects and it feels like this unbelievably talented cast is somewhat wasted with a fairly run-of-the-mill plot.
It also feels like the comedy is on rations. Yes, it’s nostalgic with constant references to its small-screen counterpart, but it comes across like the producers were too busy trying to shoehorn as many elements of the TV series into the film, without concentrating on what Dad’s Army was all about – laughs.
Nevertheless, there is plenty to enjoy despite a lack of giggles. The acting is, as said previously, remarkable with fans of the series and newcomers alike being able to enjoy the warm, typically British feeling these thespians bring to the film.
Overall, Dad’s Army is a decent, albeit slightly underwhelming, effort in bringing one of the most popular TV shows of all time to the big screen. Its talent and casting are undeniable and the filming style is very impressive, but a lack of attention to the plot and a comedy drought stop it short of achieving what it clearly set out to do.
https://moviemetropolis.net/2016/02/07/full-of-wasted-british-talent-dads-army-review/
Molly J (Cover To Cover Cafe) (106 KP) rated Sunset in Old Savannah (Secrets of the South Mysteries #4) in Books
Feb 27, 2019
<img class="aligncenter size-full wp-image-12684" src="http://cafinatedreads.com/wp-content/uploads/2017/03/Review-Cafinated-Reads-UPDATED-1.jpg"; alt="" width="350" height="214" />
<p style="text-align: center;"><span style="color: #993300;">Holy smokes! Ms. Ellis is amazing! I'm used to reading her Amish books, so when the chance to read her Sunset In Old Savannah novel, I jumped on the chance. I wanted to see her talent at work in a suspenseful genre. It was not disappointing, that's for sure. I lost myself among the pages of this gripping novel and I wasn't expecting the ending that I got! I love a book like this.</span>
<span style="color: #993300;">Ms. Ellis created a novel that all readers will love. It's a touch of romance, Godly messages woven through out, a whole lotta twists, and a dash of humor. Beth and Michael's characters will quickly work their way into your heart and they will stay there. They will take you on the whirl wind that is investigations, and lead you on a roller coaster ride that is evident with murders. Following Michael and Beth along the streets of Savannah (I've been once, and fell in love with the quaint town!) was so much fun! I was definitely on the edge of my seat for each page and stayed up long into the night reading.</span>
<p style="text-align: center;"><span style="color: #993300;"> Ms. Ellis is a wonderful author. I haven't had the pleasure of reading books 1-3 in this Secrets Of The South Mysteries series, but this 4th installment didn't leave me confused. I was easily drawn in and had so much fun trying to figure out the clues. The plot twists are perfectly written and the ending is amazing! I am looking forward to going back and seeing where these awesome mysteries began and meet the characters of this series from the start. I highly recommend this read with 5 stars and hats off.</span><a href="http://cafinatedreads.com/review-sunset-in-old-savannah-by-mary-ellis/"; target="_blank">This review was originally posted on Cafinated Reads</a>
<p style="text-align: center;"><span style="color: #993300;">Holy smokes! Ms. Ellis is amazing! I'm used to reading her Amish books, so when the chance to read her Sunset In Old Savannah novel, I jumped on the chance. I wanted to see her talent at work in a suspenseful genre. It was not disappointing, that's for sure. I lost myself among the pages of this gripping novel and I wasn't expecting the ending that I got! I love a book like this.</span>
<span style="color: #993300;">Ms. Ellis created a novel that all readers will love. It's a touch of romance, Godly messages woven through out, a whole lotta twists, and a dash of humor. Beth and Michael's characters will quickly work their way into your heart and they will stay there. They will take you on the whirl wind that is investigations, and lead you on a roller coaster ride that is evident with murders. Following Michael and Beth along the streets of Savannah (I've been once, and fell in love with the quaint town!) was so much fun! I was definitely on the edge of my seat for each page and stayed up long into the night reading.</span>
<p style="text-align: center;"><span style="color: #993300;"> Ms. Ellis is a wonderful author. I haven't had the pleasure of reading books 1-3 in this Secrets Of The South Mysteries series, but this 4th installment didn't leave me confused. I was easily drawn in and had so much fun trying to figure out the clues. The plot twists are perfectly written and the ending is amazing! I am looking forward to going back and seeing where these awesome mysteries began and meet the characters of this series from the start. I highly recommend this read with 5 stars and hats off.</span><a href="http://cafinatedreads.com/review-sunset-in-old-savannah-by-mary-ellis/"; target="_blank">This review was originally posted on Cafinated Reads</a>
Gareth von Kallenbach (980 KP) rated Inception (2010) in Movies
Aug 8, 2019
Inception is a stunningly good movie. Written and rewritten over the course of the last 10 years, this has been Christopher Nolan’s pet project since before he worked on either of the Batman movies. Finally getting the support to afford a big-budget movie of his own creation, he does not disappoint, as Inception is by far one of the best films of the last several years.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isn’t exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesn’t hold back on twisting your brain, and expects you to figure out when he’s showing reality and when he’s showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know what’s going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the “guiding thread of the story” and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, it’s a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isn’t overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots I’ve seen in a very long time. Do not miss this movie.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isn’t exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesn’t hold back on twisting your brain, and expects you to figure out when he’s showing reality and when he’s showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know what’s going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the “guiding thread of the story” and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, it’s a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isn’t overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots I’ve seen in a very long time. Do not miss this movie.
Gareth von Kallenbach (980 KP) rated Journey 2: The Mysterious Island (2012) in Movies
Aug 7, 2019
A follow up to the 2008, “Journey to the Center of the Earth,” here is another modern take on those beloved classic stories of the 19th century. “Journey 2: The Mysterious Island” is based on the idea that Jules Verne’s Mysterious Island, Jonathan Swift’s Gulliver’s Travels and Robert Louis Stevenson’s Treasure Island, are in fact the same island which really does exist.
The movie opens up with the return of Sean Anderson (Josh Hutcherson) getting caught by the police for climbing a satellite tower. To his chagrin, Josh is released into the custody of his stepfather Hank (Dwayne ‘The Rock’ Johnson), a former Navy man who wants nothing more than to be friends with his stepson. Sean’s reason for climbing the satellite tower was to get a hold of a satellite transmission code that he believes is the key to a message from his long-lost grandfather Alexander(Michael Caine).
Sean, with the help of Hank’s Navy expertise, attempts to decode the message which eventually leads them to the Mysterious Island. Along the way, the two hire a helicopter pilot Gabato (Luis Guzman), who provides the comedic relief and his daughter Kailani (Vanessa Hudgens) who, of course, is the eye candy and the romantic interest for Sean.
Upon arrival at the Mysterious Island, they locate Sean’s grandfather Alexander and they discover they must trek across the island, past a volcano that erupts gold leaves and run from dangerous creatures to find Captain Nemo’s ship. All before the island sinks!
You don’t have to be a “Vernian” to know what’s going on here. This movie was definitely geared toward a younger audience. The idea behind recreating Verne’s novels with a modern day twist was clever, however the execution was poor as the sequence of events didn’t flow from one scene to the next and the character relationships were not genuine at all. I must say, however the visual effects were stunning. as well as some of the action scenes which could have rivaled “Indiana Jones” or even “The Goonies” with just a bit more care and attention to detail.
The movie opens up with the return of Sean Anderson (Josh Hutcherson) getting caught by the police for climbing a satellite tower. To his chagrin, Josh is released into the custody of his stepfather Hank (Dwayne ‘The Rock’ Johnson), a former Navy man who wants nothing more than to be friends with his stepson. Sean’s reason for climbing the satellite tower was to get a hold of a satellite transmission code that he believes is the key to a message from his long-lost grandfather Alexander(Michael Caine).
Sean, with the help of Hank’s Navy expertise, attempts to decode the message which eventually leads them to the Mysterious Island. Along the way, the two hire a helicopter pilot Gabato (Luis Guzman), who provides the comedic relief and his daughter Kailani (Vanessa Hudgens) who, of course, is the eye candy and the romantic interest for Sean.
Upon arrival at the Mysterious Island, they locate Sean’s grandfather Alexander and they discover they must trek across the island, past a volcano that erupts gold leaves and run from dangerous creatures to find Captain Nemo’s ship. All before the island sinks!
You don’t have to be a “Vernian” to know what’s going on here. This movie was definitely geared toward a younger audience. The idea behind recreating Verne’s novels with a modern day twist was clever, however the execution was poor as the sequence of events didn’t flow from one scene to the next and the character relationships were not genuine at all. I must say, however the visual effects were stunning. as well as some of the action scenes which could have rivaled “Indiana Jones” or even “The Goonies” with just a bit more care and attention to detail.
Darren (1599 KP) rated Salt and Fire (2016) in Movies
Sep 26, 2019
Characters – Laura Sommerfeld is the lead UN doctor on the latest mission, but she gets taken hostage by a radical group that want to take down a cooperation that has accidently started the end of the world, she must learn about the salt plain that could end the world. Matt Riley is the man behind the hostage taking as he knows about the potential threat to the world. Doctor Cavani is the loud mouth of the team that is also cowardly, he works with Laura but is sick for most of the film. we don’t get very much from any of the supporting characters in this film.
Performances – Veronica Ferres is the main actress, she is in every scene as we see how she learns about the story unfold, she is solid in the leading role but never enough to hold our attention. Michael Shannon is good in his role but we just don’t get enough from him character, this can be said for most of the cast we just needed more from their characters.
Story – The story follows one doctor that must learn of an impending disaster which needs solving even though it is considered unsolvable. This story is dull and slow, but it does have meaning when you look at the message trying to be sent, other than that it is too preachy for its own good. It tries to make us feel guilty for a new threat to the world that is manmade but is slowly becoming too much.
Thriller – This film tries to keep us on edge but in the end, you just don’t hit the edge of your seat by a long way.
Settings – The film is set in an unknown location in South America, it is designed to make us feel like it could be anywhere in the world that this could happen.
Scene of the Movie – Photo time.
That Moment That Annoyed Me – Overly preachy.
Final Thoughts – This is a film that doesn’t hit the marks it should, it could be breath-taking but in the end just sends you to sleep.
Overall: This movie was just painfully boring to watch from start to finish
Performances – Veronica Ferres is the main actress, she is in every scene as we see how she learns about the story unfold, she is solid in the leading role but never enough to hold our attention. Michael Shannon is good in his role but we just don’t get enough from him character, this can be said for most of the cast we just needed more from their characters.
Story – The story follows one doctor that must learn of an impending disaster which needs solving even though it is considered unsolvable. This story is dull and slow, but it does have meaning when you look at the message trying to be sent, other than that it is too preachy for its own good. It tries to make us feel guilty for a new threat to the world that is manmade but is slowly becoming too much.
Thriller – This film tries to keep us on edge but in the end, you just don’t hit the edge of your seat by a long way.
Settings – The film is set in an unknown location in South America, it is designed to make us feel like it could be anywhere in the world that this could happen.
Scene of the Movie – Photo time.
That Moment That Annoyed Me – Overly preachy.
Final Thoughts – This is a film that doesn’t hit the marks it should, it could be breath-taking but in the end just sends you to sleep.
Overall: This movie was just painfully boring to watch from start to finish
Darren (1599 KP) rated Beast of Burden (2018) in Movies
Sep 26, 2019
Characters – Laura Sommerfeld is the lead UN doctor on the latest mission, but she gets taken hostage by a radical group that want to take down a cooperation that has accidently started the end of the world, she must learn about the salt plain that could end the world. Matt Riley is the man behind the hostage taking as he knows about the potential threat to the world. Doctor Cavani is the loud mouth of the team that is also cowardly, he works with Laura but is sick for most of the film. we don’t get very much from any of the supporting characters in this film.
Performances – Veronica Ferres is the main actress, she is in every scene as we see how she learns about the story unfold, she is solid in the leading role but never enough to hold our attention. Michael Shannon is good in his role but we just don’t get enough from him character, this can be said for most of the cast we just needed more from their characters.
Story – The story follows one doctor that must learn of an impending disaster which needs solving even though it is considered unsolvable. This story is dull and slow, but it does have meaning when you look at the message trying to be sent, other than that it is too preachy for its own good. It tries to make us feel guilty for a new threat to the world that is manmade but is slowly becoming too much.
Thriller – This film tries to keep us on edge but in the end, you just don’t hit the edge of your seat by a long way.
Settings – The film is set in an unknown location in South America, it is designed to make us feel like it could be anywhere in the world that this could happen.
Scene of the Movie – Photo time.
That Moment That Annoyed Me – Overly preachy.
Final Thoughts – This is a film that doesn’t hit the marks it should, it could be breath-taking but in the end just sends you to sleep.
Overall: This movie was just painfully boring to watch from start to finish
Performances – Veronica Ferres is the main actress, she is in every scene as we see how she learns about the story unfold, she is solid in the leading role but never enough to hold our attention. Michael Shannon is good in his role but we just don’t get enough from him character, this can be said for most of the cast we just needed more from their characters.
Story – The story follows one doctor that must learn of an impending disaster which needs solving even though it is considered unsolvable. This story is dull and slow, but it does have meaning when you look at the message trying to be sent, other than that it is too preachy for its own good. It tries to make us feel guilty for a new threat to the world that is manmade but is slowly becoming too much.
Thriller – This film tries to keep us on edge but in the end, you just don’t hit the edge of your seat by a long way.
Settings – The film is set in an unknown location in South America, it is designed to make us feel like it could be anywhere in the world that this could happen.
Scene of the Movie – Photo time.
That Moment That Annoyed Me – Overly preachy.
Final Thoughts – This is a film that doesn’t hit the marks it should, it could be breath-taking but in the end just sends you to sleep.
Overall: This movie was just painfully boring to watch from start to finish