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Olivier Assayas recommended Rififi (1955) in Movies (curated)
Olivier Assayas recommended Thief (1981) in Movies (curated)
LeftSideCut (3776 KP) rated Tremors (1990) in Movies
Jan 15, 2021
As far as practical effects driven monster movies go, you can't get much better than Tremors.
It has a wonderful cast for a start - lead by Kevin Bacon and Fred Ward, and featuring the likes of Finn Carter, Michael Gross, and Reba McEntire, every character is likable (apart from that little shit Melvin) and you want them all to survive their ordeal, usually a rarity in this genre!
The chemistry between all of the actors is great, and makes for a frequently funny adventure. It has its fair share of bloodier moments that push into horror territory, and in that regards, the mostly daylit Nevada desert setting is something different to enjoy. The practical effects are extremely B-Movie, but it works so well with the overall tone.
The narrative takes a little while to set everything up, but when things get moving, it doesn't stop, moving from set piece to set piece, that are all memorable as hell, from pole vaulting from boulder to boulder, to fishing with homemade bombs, to a over the top l, laughable amount of guns being fired when a Graboid breaches an underground bunker.
Tremors is fucking great and deserves so much praise for what it is - it's own little pocket of comedy horror, with its own rules. Long live Tremors.
It has a wonderful cast for a start - lead by Kevin Bacon and Fred Ward, and featuring the likes of Finn Carter, Michael Gross, and Reba McEntire, every character is likable (apart from that little shit Melvin) and you want them all to survive their ordeal, usually a rarity in this genre!
The chemistry between all of the actors is great, and makes for a frequently funny adventure. It has its fair share of bloodier moments that push into horror territory, and in that regards, the mostly daylit Nevada desert setting is something different to enjoy. The practical effects are extremely B-Movie, but it works so well with the overall tone.
The narrative takes a little while to set everything up, but when things get moving, it doesn't stop, moving from set piece to set piece, that are all memorable as hell, from pole vaulting from boulder to boulder, to fishing with homemade bombs, to a over the top l, laughable amount of guns being fired when a Graboid breaches an underground bunker.
Tremors is fucking great and deserves so much praise for what it is - it's own little pocket of comedy horror, with its own rules. Long live Tremors.
Hazel (2934 KP) rated Survivor's Guilt (DCI Matilda Darke #8) in Books
Sep 26, 2021
Having just finished Time is Running Out, the 7th in this series, and being absolutely blown away by it, I couldn't wait to get my grubby little mitts on this, the 8th in the brilliant Matilda Darke series and I wasn't disappointed in the slightest. What I will say is that I think it would be preferable to have read the 7th book before reading this one as this one picks the story up 9 months later and will provide an explanation as to why Matilda and other characters are acting as they are.
This book follows 3 themes; the aftermath of the massacre that occurred in the previous book, the murder of prostitutes in Sheffield and the long-running theme of the kidnapping of Carl Meagan.
Once again, Michael writes a gripping story that moves at pace. There is violence and edge-of-the-seat moments; I took at sharp intake of breath when the murderer was revealed - I am usually quite good at figuring out who it is but this one absolutely blind-sided me and I actually gasped and said a few choice words that are not repeatable here as I try to avoid profanity in my reviews!
There is also compassion and tenderness and an authentic-feeling description of how grief and tragedy can affect people differently; it can bring you together or completely tear you apart and destroy you and those around you. Everyone is struggling to manage their grief but can they work together to catch the killer or are they too broken?
The characters are just brilliant and I particularly liked how Michael portrayed the prostitutes as "people" rather than the usual stereotypes which made a nice change; I absolutely loved Bev and Sarah. Matilda is, I admit, a difficult person to like in this book but given what she has endured, she is forgiven ... just this once!
Full of tension, suspense and emotion, this book and the series, is one that shouldn't be missed ... roll on number 9!
I am grateful to HarperCollins UK / One More Chapter via NetGalley for my copy in return for an honest, unbiased and unedited review.
This book follows 3 themes; the aftermath of the massacre that occurred in the previous book, the murder of prostitutes in Sheffield and the long-running theme of the kidnapping of Carl Meagan.
Once again, Michael writes a gripping story that moves at pace. There is violence and edge-of-the-seat moments; I took at sharp intake of breath when the murderer was revealed - I am usually quite good at figuring out who it is but this one absolutely blind-sided me and I actually gasped and said a few choice words that are not repeatable here as I try to avoid profanity in my reviews!
There is also compassion and tenderness and an authentic-feeling description of how grief and tragedy can affect people differently; it can bring you together or completely tear you apart and destroy you and those around you. Everyone is struggling to manage their grief but can they work together to catch the killer or are they too broken?
The characters are just brilliant and I particularly liked how Michael portrayed the prostitutes as "people" rather than the usual stereotypes which made a nice change; I absolutely loved Bev and Sarah. Matilda is, I admit, a difficult person to like in this book but given what she has endured, she is forgiven ... just this once!
Full of tension, suspense and emotion, this book and the series, is one that shouldn't be missed ... roll on number 9!
I am grateful to HarperCollins UK / One More Chapter via NetGalley for my copy in return for an honest, unbiased and unedited review.
Bong Mines Entertainment (15 KP) rated Cult Classic by Fiona Grey in Music
Jun 21, 2019
Fiona Grey is an LA-based singer-songwriter from Chicago, Illinois. Not too long ago, she released a music video for her “Saviour” single featuring Emma Cole.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
Rickey A. Mossow Jr. (689 KP) rated 3 From Hell (2019) in Movies
Dec 8, 2019
I just wasted nearly 2 hours of my life.
Already having issues with Rob Zombie films after he single-handedly tried to kill the Halloween franchise, I went into this one already predisposed to not have a good time watching. But, trying to partake due to my wife's love affair with this movie series, I was open-minded and objective. And then I wasted nearly two hours of my life I'll never get back.
Make no mistake, I get the series. I get the ideas behind Zombie's pet project series. A little comedy, a little horror, a little action flick, and a little bit satire. The violence, language, and nudity is gratuitous throughout, and I am one who can enjoy some violence, language, and nudity.
But this is all nonsensical BS passed off as a film. The film has more plot holes than bullet holes in random people. The characters are caricatures, hollow vessels that carry no weight or consequences. I didn't care who died by whose hand or what happened to anyone. There was blood, gore, boobs, language, and blunts. Time passed.
I don't know. Maybe that's the point. Maybe Zombie should do another film in this series. Or maybe some other pet project that tickles his fancy. Just as long as he leaves Michael Myers and every other quality iconic character alone. Please, Rob, for the love of all that is sacred in film.
Make no mistake, I get the series. I get the ideas behind Zombie's pet project series. A little comedy, a little horror, a little action flick, and a little bit satire. The violence, language, and nudity is gratuitous throughout, and I am one who can enjoy some violence, language, and nudity.
But this is all nonsensical BS passed off as a film. The film has more plot holes than bullet holes in random people. The characters are caricatures, hollow vessels that carry no weight or consequences. I didn't care who died by whose hand or what happened to anyone. There was blood, gore, boobs, language, and blunts. Time passed.
I don't know. Maybe that's the point. Maybe Zombie should do another film in this series. Or maybe some other pet project that tickles his fancy. Just as long as he leaves Michael Myers and every other quality iconic character alone. Please, Rob, for the love of all that is sacred in film.
Sarah (7800 KP) rated We Will Rock You in Palace Theatre Manchester (Manchester, United Kingdom) in Shows
Jul 15, 2020
I went to watch We Will Rock You at the Palace Theatre in Manchester back in February, and I had such a fantastic night.
It really is a genius marketing idea to announce a tour of this show not long after the release of the hugely successful Bohemian Rhapsody film. And boy is it a good show. I knew nothing about this other than it was Queen music, and I'm not sure what I had been expecting from the actual story but this wasn't it! The plot centres around a futuristic world where rock music is banned, and whilst the actual story element isn't particularly strong, it more than makes up for this by being downright hilarious. You can tell this is a Ben Elton written musical. The script is so funny and clever, and I love how it's obviously been updated over the years to still be relevant with modern pop culture. The acting and singing too are very strong. The two leads have stunning voices and whilst Ian McIntosh isn't quite Freddie, he still has an amazing voice. Although for me the two standouts were Adam Strong as Khashoggi (who really needed even more stage time) and Michael McKell as Buddy. McKell especially was amazing, really embracing the camp Jack Sparrow-esque Buddy and bringing the house down with his delivery on the jokes.
Whilst the plot may not be the strongest, this more than makes up for it in sheer fun and entertainment.
It really is a genius marketing idea to announce a tour of this show not long after the release of the hugely successful Bohemian Rhapsody film. And boy is it a good show. I knew nothing about this other than it was Queen music, and I'm not sure what I had been expecting from the actual story but this wasn't it! The plot centres around a futuristic world where rock music is banned, and whilst the actual story element isn't particularly strong, it more than makes up for this by being downright hilarious. You can tell this is a Ben Elton written musical. The script is so funny and clever, and I love how it's obviously been updated over the years to still be relevant with modern pop culture. The acting and singing too are very strong. The two leads have stunning voices and whilst Ian McIntosh isn't quite Freddie, he still has an amazing voice. Although for me the two standouts were Adam Strong as Khashoggi (who really needed even more stage time) and Michael McKell as Buddy. McKell especially was amazing, really embracing the camp Jack Sparrow-esque Buddy and bringing the house down with his delivery on the jokes.
Whilst the plot may not be the strongest, this more than makes up for it in sheer fun and entertainment.
Gareth von Kallenbach (980 KP) rated Triple 9 (2016) in Movies
Aug 6, 2019
A crew of bank robbers is strong-armed by the Russian mob to pull off a near impossible heist due the response time of the police. In order to create a larger window, the dirty cops of this crew suggest creating a 999 (police code for “officer down.”) on the other side of town. That is the basic plot of Triple 9. Yet, the tagline for this film is, “The Code on the street is never black and white.” Seems like a different movie which is part of the letdown of Triple 9. It doesn’t know what it wants to be. Is it a heist movie like Heat or The Town? Or is it trying to be a movie about the cops and the rules of the streets like Training Day?
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
Alice (12 KP) rated War Dogs: Ares Rising in Books
Jul 3, 2018
<i>I received a copy of this book from the publisher in exchange for an honest review</i>
War Dogs was so far out of my comfort zone I expected to not enjoy it. I’m pleased to say that I did enjoy this, not only was this a new style of writing for me, it was also a new author. At first I was a little sceptic of a book set on Mars (I haven’t read The Martian yet so the topic of being stuck on Mars is new!) this book was set in the perspective of Master Sergeant Michael Venn (Vinnie), a veteran Marine trained in off-world combat.
The book opens with Vinnie being back on Earth after a shit-storm of a Mars mission throws everything for a loop:
<blockquote>I’m trying to go home. As the poet said, if you don’t know where you are, you don’t know who you are. Home is where you go to get all that sorted out.</blockquote>
The chapters flick between Earth now and Mars then which is, in reality probably only about 2 weeks or so. Michael Venn has been on multiple tours of the Red Planet in his six years as a Skyrine and this is likely to be his last. There’s a good setting of Seattle in the beginning of the book where he’s just got out of the military base he touched down in a little while ago, it’s told from first person perspective and lots of memories are forth coming to the reader.
The basis of the Skyrine and their missions to Mars is from the Gurus – an alien race who made their presence known thirteen years ago when they touched down in the desert and spoke with some camel herders, it then progresses to the Gurus sneaking into the telecoms and satlinks, making a lot of money and then being “spotted” by some really clever computer folks. The Gurus then provide us humans with lots of technological advances for seemingly nothing, at least until they break the news that they have their own enemies – the Antagonists or Antags – and it’s now up the humans to go to war with the Antags.
After this little bit of background the story flicks to Mars with what has got to be one of my favourite lines in this book:
<blockquote>Physics is what kills you, but biology is what wants you dead.</blockquote>
Another favourite is:
<blockquote>…and share a silent fear that here, buckaroos, there are far too many cowboys and not nearly enough Indians.</blockquote>
The story then continues with Michael Venn’s tale of how their mission went tits up and describes various settings on Mars where they are thrown in the deep end and are at risk of dying. I didn’t quite understand why the book was called War Dogs until page 75 when it was explained to a point:
<blockquote>We’re all War Dogs, adopted by a very tall, strong ranch wife.</blockquote>
The descriptions of the characters and the settings in this book are wonderfully done and you actually feel like you’re there on Mars suffering along with Venn, Tak, Kazak and the rest of the Skyrines (a Skyrine is a Marine who is ‘sky-bound’ to Mars) while they wait out the possibility of death before Teal the ranch wife from the above quote comes to their rescue and then while they discover that their mission was compromised from the very beginning long before they actually launched.
Throughout the book there is a character called Alice who comes to Seattle on behalf of Joe (another Skyrine) who is there to help Michael come to terms with being back on Earth after the blow out of Mars. She’s a sort of psychotherapist I suppose who is there to listen to Michael’s story of what happened on Mars (which is basically how the book is written, the storytelling of what happened on Mars but through visions or flashbacks) and she eventually takes him to see Joe only they get caught by the military police. Michael ends up being taken “prisoner” as a fugitive.
This book was – though short – incredibly well written and I definitely want to read the next one which is lucky as I have that as well. This one book has made me want to read more of Greg Bear’s work and I’m on the hunt for the next series to read. As mentioned before the characters were brilliant although there is lots of unique jargon that both does and doesn’t make sense (SNKRAZ for one), the Muskie lingo (Teal’s people) is a little hard going to understand.
The chapter switches between past and present, with the past represented as memories or hallucinations/visions; ultimately War Dogs is a humorous but dramatic tale of Mars from the POV of a Marine that can’t swear. Michael Venn is a great main character with plenty of well presented secondary characters and a good ecclectic mix of plots.
I will leave you with a parting quote:
<blockquote>Ant farm stories are just like life. We have no idea why we’re here, what we’re doing alive, or even where we are, but here we are, doing our best to make do.</blockquote>
War Dogs was so far out of my comfort zone I expected to not enjoy it. I’m pleased to say that I did enjoy this, not only was this a new style of writing for me, it was also a new author. At first I was a little sceptic of a book set on Mars (I haven’t read The Martian yet so the topic of being stuck on Mars is new!) this book was set in the perspective of Master Sergeant Michael Venn (Vinnie), a veteran Marine trained in off-world combat.
The book opens with Vinnie being back on Earth after a shit-storm of a Mars mission throws everything for a loop:
<blockquote>I’m trying to go home. As the poet said, if you don’t know where you are, you don’t know who you are. Home is where you go to get all that sorted out.</blockquote>
The chapters flick between Earth now and Mars then which is, in reality probably only about 2 weeks or so. Michael Venn has been on multiple tours of the Red Planet in his six years as a Skyrine and this is likely to be his last. There’s a good setting of Seattle in the beginning of the book where he’s just got out of the military base he touched down in a little while ago, it’s told from first person perspective and lots of memories are forth coming to the reader.
The basis of the Skyrine and their missions to Mars is from the Gurus – an alien race who made their presence known thirteen years ago when they touched down in the desert and spoke with some camel herders, it then progresses to the Gurus sneaking into the telecoms and satlinks, making a lot of money and then being “spotted” by some really clever computer folks. The Gurus then provide us humans with lots of technological advances for seemingly nothing, at least until they break the news that they have their own enemies – the Antagonists or Antags – and it’s now up the humans to go to war with the Antags.
After this little bit of background the story flicks to Mars with what has got to be one of my favourite lines in this book:
<blockquote>Physics is what kills you, but biology is what wants you dead.</blockquote>
Another favourite is:
<blockquote>…and share a silent fear that here, buckaroos, there are far too many cowboys and not nearly enough Indians.</blockquote>
The story then continues with Michael Venn’s tale of how their mission went tits up and describes various settings on Mars where they are thrown in the deep end and are at risk of dying. I didn’t quite understand why the book was called War Dogs until page 75 when it was explained to a point:
<blockquote>We’re all War Dogs, adopted by a very tall, strong ranch wife.</blockquote>
The descriptions of the characters and the settings in this book are wonderfully done and you actually feel like you’re there on Mars suffering along with Venn, Tak, Kazak and the rest of the Skyrines (a Skyrine is a Marine who is ‘sky-bound’ to Mars) while they wait out the possibility of death before Teal the ranch wife from the above quote comes to their rescue and then while they discover that their mission was compromised from the very beginning long before they actually launched.
Throughout the book there is a character called Alice who comes to Seattle on behalf of Joe (another Skyrine) who is there to help Michael come to terms with being back on Earth after the blow out of Mars. She’s a sort of psychotherapist I suppose who is there to listen to Michael’s story of what happened on Mars (which is basically how the book is written, the storytelling of what happened on Mars but through visions or flashbacks) and she eventually takes him to see Joe only they get caught by the military police. Michael ends up being taken “prisoner” as a fugitive.
This book was – though short – incredibly well written and I definitely want to read the next one which is lucky as I have that as well. This one book has made me want to read more of Greg Bear’s work and I’m on the hunt for the next series to read. As mentioned before the characters were brilliant although there is lots of unique jargon that both does and doesn’t make sense (SNKRAZ for one), the Muskie lingo (Teal’s people) is a little hard going to understand.
The chapter switches between past and present, with the past represented as memories or hallucinations/visions; ultimately War Dogs is a humorous but dramatic tale of Mars from the POV of a Marine that can’t swear. Michael Venn is a great main character with plenty of well presented secondary characters and a good ecclectic mix of plots.
I will leave you with a parting quote:
<blockquote>Ant farm stories are just like life. We have no idea why we’re here, what we’re doing alive, or even where we are, but here we are, doing our best to make do.</blockquote>