"Reservoir Dogs, I love for the dialogue. I think it’s just unbelievably brilliant and funny. Original, and just strange — the little conversations between Joe and Michael Madsen when they’re in the office, and Chris Penn comes running in and he goes, “I see you sitting there, but I don’t believe it!” I just love every inch of that movie."

"“Everybody Hurts” is a song that came to me fairly late in my life. As I was maturing into a young adult I started to really fall in love with R.E.M. and find out about their history as a group. This can be read as a kind of simple and sad tune of course, but it’s surpassed that for me. “When you’re talking about iconic frontmen, Michael Stipe is the one and it’s all in his voice: there’s no song that he could sing when you wouldn’t know it was him. I love the lyrics and the melody but I think I’m always attracted to the vocals above everything else. Michael Stipe’s voice is so unique and that’s what I love about R.E.M"

"Breakfast Club. That movie is awesome. I love it because it really gets to me, especially Anthony Michael Hall‘s part. When he’s talking about how he feels lonely and how he feels pain, too. He calls out Molly Ringwald. He’s all, “You don’t think I feel this way. F— you, Claire.” I love that. I love that. That part gets to me so hard because I had his spirit in high school. Even though you can relate to everyone in a certain way, I feel like I related to him the most internally."

"A masterwork codirected by Emeric Pressburger and the sui generis Michael Powell, whose twisted imagination I revere. As usual, Powell and company go to extremes—nuns in love, isolated high up in the Himalayas. Interestingly, Powell felt this was his most erotic movie. It is worth watching for the seductive color scheme alone."