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Charlie Cobra Reviews (1840 KP) rated The Hard Way (2019) in Movies
Jul 5, 2020
The Way Or Not The Hard Way - 6/10
The Hard Way is a 2019 action movie directed by Keoni Waxman and written by Keoni Waxman and Thomas J. Churchill; also produced by Binh Dang and Phillip B. Goldfine. Starring Michael Jai White, Luke Goss and Randy Couture.
In Romania, Cody (Grant Campbell) is killed pursuing a criminal while involved in an undercover operation. After learning of his brother's death, Payne (Michael Jai White), travels to Romania to investigate and exact revenge. He speaks with his brother's partner Mason (Luke Goss) and their employer, local chief investigator Briggs (Randy Couture) and finds possible leads while also attending the funeral.
This movie wasn't too bad but as a big fan of Michael Jai White, I was surprised I didn't like it more. Of course the fight scenes were awesome but I liked how the firefight scenes were really well done as well. That being said t wasn't one of his best movies. The acting of the two Russian mobsters in the opening scene was horrible and cliche. The casting was good as Luke Goss and Michael Jai White seem to have good chemistry on screen but the lack of a clear and captivating plot definitely brought the film down. The writing wasn't the greatest either as some dialogue said by Michael didn't come off natural. Not sure how I thought about Randy Couture being cast, his acting didn't seem to fit as well in the movie but he did kind of grow on me. Overall the film feels like it left something unfulfilled, it lacks some of the emotions that it should've had and doesn't live up to its potential. It's a good action flick if that's all you care about seeing on screen. I give it a 6/10.
In Romania, Cody (Grant Campbell) is killed pursuing a criminal while involved in an undercover operation. After learning of his brother's death, Payne (Michael Jai White), travels to Romania to investigate and exact revenge. He speaks with his brother's partner Mason (Luke Goss) and their employer, local chief investigator Briggs (Randy Couture) and finds possible leads while also attending the funeral.
This movie wasn't too bad but as a big fan of Michael Jai White, I was surprised I didn't like it more. Of course the fight scenes were awesome but I liked how the firefight scenes were really well done as well. That being said t wasn't one of his best movies. The acting of the two Russian mobsters in the opening scene was horrible and cliche. The casting was good as Luke Goss and Michael Jai White seem to have good chemistry on screen but the lack of a clear and captivating plot definitely brought the film down. The writing wasn't the greatest either as some dialogue said by Michael didn't come off natural. Not sure how I thought about Randy Couture being cast, his acting didn't seem to fit as well in the movie but he did kind of grow on me. Overall the film feels like it left something unfulfilled, it lacks some of the emotions that it should've had and doesn't live up to its potential. It's a good action flick if that's all you care about seeing on screen. I give it a 6/10.
JT (287 KP) rated Blood Out (2011) in Movies
Mar 10, 2020
I'm not quite sure what my thinking was behind watching this, I mean did I for one second think it was going to be any good with a cast list that included Luke Goss and Vinnie Jones.
I should have turned off within the first few minutes, but stuck it out till the bitter end. It was painful all the way through, Goss who has had some mainstream success with his turns in Blade II and Hell Boy II, looked like he hadn’t bothered to read the script.
Tamar Hassan will always be cast as the hard man, and this time it was Vinnie Jones playing the supporting nutter role. As for Val Kilmer and 50 Cent, they hardly make an appearance in the film, popping up on a few occasions and offering next to nothing.
So to the plot then, in short, Goss plays Michael Savion a hard nosed cop whose gang banging brother is brutally murdered. In an attempt to find the culprit and bring them to justice he goes deep undercover to get close to the killers.
Along the way Goss discovers that his brother’s pregnant fiancée is also involved and looks to try and get her out before its too late, while at the same time trying not to step on the toes of the FEDs who have their own mole in deep cover.
Did I for one second think it was going to be any good with a cast list that included Luke Goss and Vinnie Jones?
Goss is always going to be cast as an action B-movie star, and in no way is he going to be offered too many bigger roles. Why? Well he just isn’t good enough, simple as that.
The action set pieces are poor, the ending car chase and spectacular crash which sees just about everyone walk away without a scratch is hardly surprising of a film that has no believability whatsoever.
If Blood Out is supposed to depict a narrative of the street gang culture it does it poorly, the acting is shocking and the script seems like it was written by a two-year old.
This is Jason Hewitt’s début feature, and he is going to have to work very hard to redeem himself.
I should have turned off within the first few minutes, but stuck it out till the bitter end. It was painful all the way through, Goss who has had some mainstream success with his turns in Blade II and Hell Boy II, looked like he hadn’t bothered to read the script.
Tamar Hassan will always be cast as the hard man, and this time it was Vinnie Jones playing the supporting nutter role. As for Val Kilmer and 50 Cent, they hardly make an appearance in the film, popping up on a few occasions and offering next to nothing.
So to the plot then, in short, Goss plays Michael Savion a hard nosed cop whose gang banging brother is brutally murdered. In an attempt to find the culprit and bring them to justice he goes deep undercover to get close to the killers.
Along the way Goss discovers that his brother’s pregnant fiancée is also involved and looks to try and get her out before its too late, while at the same time trying not to step on the toes of the FEDs who have their own mole in deep cover.
Did I for one second think it was going to be any good with a cast list that included Luke Goss and Vinnie Jones?
Goss is always going to be cast as an action B-movie star, and in no way is he going to be offered too many bigger roles. Why? Well he just isn’t good enough, simple as that.
The action set pieces are poor, the ending car chase and spectacular crash which sees just about everyone walk away without a scratch is hardly surprising of a film that has no believability whatsoever.
If Blood Out is supposed to depict a narrative of the street gang culture it does it poorly, the acting is shocking and the script seems like it was written by a two-year old.
This is Jason Hewitt’s début feature, and he is going to have to work very hard to redeem himself.
Darren (1599 KP) rated I Like Me (2018) in Movies
Sep 13, 2019
Characters – Maggie is a free spirit that has spent most of her life being carefree, she returns home for her father’s funeral where she invites herself to stay with her half-sister, Maggie will drink too much and cause constant stress in her sister’s life, while not even getting a conversation out of her son. She writes a self-help book that makes her a big star, which offers her a chance to help people, but she struggles to deal with her own problems in life. Hannah is the younger half-sister of Maggie, she is married and looking for a promotion at work, she has her life pretty much together, until Maggie arrives in her life and things start to go wrong. Luke is Hannah’s husband that is still feeling young heart being a fan of disco bowling. Michael is the son of Maggie’s, the person she most wants back in her life, but he keeps his distance from her.
Performances – Sue Schaffel and Anna Fagan take the leading roles, they show us great chemistry through the film as they both have to show the ups and downs of their lives. Chris Kozlowski will get most of the laughs in the film.
Story – The story here follows a free spirit that returns to her home town, where she tries to put her life back together with her self-help book making her an internet sensation, but can she fix her own life before it is too late. This is a story that does focus on the idea that people will need help in everybody life, people might turn to books, but in reality it will always be yourself that helps the most. We do see how people can go off the rails and will try to find their own directions, while we will also people that seem to be grounded, but lack direction. We do get the important messages here and by the end of the film you will understand the meaning behind everything in the story.
Comedy – The comedy in the film comes from Maggie’s action and a lot comes from Luke just trying to be a good husband without ever siding with anybody.
Settings – The film keeps the settings simple enough being everyday home locations, until we go to the disco bowling which adds the colour and fun to the life of the characters.
Scene of the Movie – Disco bowling.
That Moment That Annoyed Me – There could have been more on Maggie’s childhood, like was she raised with Hannah, who was her mother.
Final Thoughts – This is a fun comedy that does have a life message involved, it will get the laughs and has strong performances throughout.
Overall: Fun comedy.
Performances – Sue Schaffel and Anna Fagan take the leading roles, they show us great chemistry through the film as they both have to show the ups and downs of their lives. Chris Kozlowski will get most of the laughs in the film.
Story – The story here follows a free spirit that returns to her home town, where she tries to put her life back together with her self-help book making her an internet sensation, but can she fix her own life before it is too late. This is a story that does focus on the idea that people will need help in everybody life, people might turn to books, but in reality it will always be yourself that helps the most. We do see how people can go off the rails and will try to find their own directions, while we will also people that seem to be grounded, but lack direction. We do get the important messages here and by the end of the film you will understand the meaning behind everything in the story.
Comedy – The comedy in the film comes from Maggie’s action and a lot comes from Luke just trying to be a good husband without ever siding with anybody.
Settings – The film keeps the settings simple enough being everyday home locations, until we go to the disco bowling which adds the colour and fun to the life of the characters.
Scene of the Movie – Disco bowling.
That Moment That Annoyed Me – There could have been more on Maggie’s childhood, like was she raised with Hannah, who was her mother.
Final Thoughts – This is a fun comedy that does have a life message involved, it will get the laughs and has strong performances throughout.
Overall: Fun comedy.
Charlie Cobra Reviews (1840 KP) rated I Am Mother (2019) in Movies
Jul 7, 2020
Intriguing and Intense
I Am Mother is a 2019 sci-fi/thriller movie directed by Grant Sputore, with screenplay written by Michael Lloyd Green. It was produced by Penguin Empire, Southern Light Films, Mister Smith Entertainment and Endeavor Content and distributed by Netflix and Studio Canal. The film stars Luke Hawker, Clara Ruggard, Rose Byrne, and Hilary Swank.
A robot named "Mother" grows a human embryo and cares for her over several years when after an extinction event, an automated bunker activates to repopulate humanity. Mother teaches a teenage girl named "Daughter" complex moral and ethical lessons advising her that she needs practice being a good parent. Daughter captures a mouse but Mother disposes of it and explains that surface contamination with the outside world makes contact potentially lethal. Their bond is tested when Daughter becomes increasingly curious about the outside world and opens the bunker's airlock to let in a wounded woman begging for help and claims all is not as Mother claims.
This movie was awesome, classic sci-fi but with great acting and special effects. I like how suspenseful it was and how it told such a compelling story. It had me paying attention to every detail and trying to predict how it was going to unravel plot wise and though some parts I could see coming, it threw a couple of curve balls here and there. There wasn't a lot to complain about other than some people saying it revealed too much a little too soon and that it was a slow paced film. I just really like the way it played out, with one of those classic, sci-fi, artificial intelligence concepts. I give this movie a 8/10. And I also give it my "Must See Seal of Approval".
A robot named "Mother" grows a human embryo and cares for her over several years when after an extinction event, an automated bunker activates to repopulate humanity. Mother teaches a teenage girl named "Daughter" complex moral and ethical lessons advising her that she needs practice being a good parent. Daughter captures a mouse but Mother disposes of it and explains that surface contamination with the outside world makes contact potentially lethal. Their bond is tested when Daughter becomes increasingly curious about the outside world and opens the bunker's airlock to let in a wounded woman begging for help and claims all is not as Mother claims.
This movie was awesome, classic sci-fi but with great acting and special effects. I like how suspenseful it was and how it told such a compelling story. It had me paying attention to every detail and trying to predict how it was going to unravel plot wise and though some parts I could see coming, it threw a couple of curve balls here and there. There wasn't a lot to complain about other than some people saying it revealed too much a little too soon and that it was a slow paced film. I just really like the way it played out, with one of those classic, sci-fi, artificial intelligence concepts. I give this movie a 8/10. And I also give it my "Must See Seal of Approval".
RəX Regent (349 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Feb 20, 2019
This is not the first Star Wars spin-off, but it is joining a legacy of sub par entries to the franchise, certainly as where the big screen has been concerned, with two Ewoks movies and The Clone Wars TV pilot come movie to contend with. But Rogue One is first to take on the mantle of a blockbuster and attempt to compete with the very best of the Saga, if not join them.
In many ways, Rogue One is the prequel that we have been waiting for, taking place directly before the original movie, A New Hope, Gareth Edwards of Monsters (2010) and Godzilla fame, has managed to create a fan boy's dream following the events which are mentioned in the opening crawl for that classic movie, the theft of the Death Star plans which would ultimately lead to Luke Skywalker's "shot in a million" to destroy the moon sized planet killer.
But here, the task was to both take Star Wars in new new direction as well as to flesh out the story of the Star Wars saga itself. They manage to pull this off with the only real complaint being the pacing which is sporadic at best. With a combination of contrived plotting and uneven pacing, the starker, war movie which this is, can feel at times, like a check list of everything that fans have wanted to see on the big screen since 1983 and as such, runs the risk of being a vacuous, through-away movie, the "greatest hits" as it were.
But I feel that it skirts this issue and manages to stay on the side of narrative integrity, just about. We finally see Darth Vader, post Episode III for the first time in a life action film since 2005, something which the prequels failed to deliver and whilst at first it seemed to be a crowd pleasing cameo, by the finale, it paid off perfectly, as did the resurrection of the late Peter Cushing's Grand Moff Tarkin, with the aid of ground breaking, if not morally questionable CGI effects. This was also used to bring us a cameo from Princess Laia (1977) to great effect.
Also, integrating stock footage of the original Red and Gold Squadron pilots from Star Wars (1977) and the demise of the original Red 5, who's place Luke Skywalker would assume, were all nice touches.
In the end, at best Rogue One serves to turn the original Star Wars movie into and two part epic, with this movie seamlessly leading into the opening of Star Wars but how does it hold up in its own right?
Well, it is entertaining, well acted, if not let down by Gareth Edwards' slightly uneven direction, but how the notorious re-shoots, which have clearly left several key shots form the trailers on the cutting room floor and possibly changes the finale significantly, effected this is as yet unknown, and Michael Giacchino's slightly over the top bombastic score, Rogue One will certainly be an entertaining and action packed entry into the Star Wars universe.
But the true success of this film lies with its expansion of the Saga as a whole, bridging the less popular prequels with the original trilogy for the first time on the big screen, taking on finally, what J.J. Abrams' The Force Awakens (2015) deliberately chose not too. Hopefully Episode VIII (2017) follow in the same vein, finally repairing some of the issues which Lucas' much derided prequels, which at their heart, may have had much more to offer than Lucas' poor direction let us see the first time around.
In many ways, Rogue One is the prequel that we have been waiting for, taking place directly before the original movie, A New Hope, Gareth Edwards of Monsters (2010) and Godzilla fame, has managed to create a fan boy's dream following the events which are mentioned in the opening crawl for that classic movie, the theft of the Death Star plans which would ultimately lead to Luke Skywalker's "shot in a million" to destroy the moon sized planet killer.
But here, the task was to both take Star Wars in new new direction as well as to flesh out the story of the Star Wars saga itself. They manage to pull this off with the only real complaint being the pacing which is sporadic at best. With a combination of contrived plotting and uneven pacing, the starker, war movie which this is, can feel at times, like a check list of everything that fans have wanted to see on the big screen since 1983 and as such, runs the risk of being a vacuous, through-away movie, the "greatest hits" as it were.
But I feel that it skirts this issue and manages to stay on the side of narrative integrity, just about. We finally see Darth Vader, post Episode III for the first time in a life action film since 2005, something which the prequels failed to deliver and whilst at first it seemed to be a crowd pleasing cameo, by the finale, it paid off perfectly, as did the resurrection of the late Peter Cushing's Grand Moff Tarkin, with the aid of ground breaking, if not morally questionable CGI effects. This was also used to bring us a cameo from Princess Laia (1977) to great effect.
Also, integrating stock footage of the original Red and Gold Squadron pilots from Star Wars (1977) and the demise of the original Red 5, who's place Luke Skywalker would assume, were all nice touches.
In the end, at best Rogue One serves to turn the original Star Wars movie into and two part epic, with this movie seamlessly leading into the opening of Star Wars but how does it hold up in its own right?
Well, it is entertaining, well acted, if not let down by Gareth Edwards' slightly uneven direction, but how the notorious re-shoots, which have clearly left several key shots form the trailers on the cutting room floor and possibly changes the finale significantly, effected this is as yet unknown, and Michael Giacchino's slightly over the top bombastic score, Rogue One will certainly be an entertaining and action packed entry into the Star Wars universe.
But the true success of this film lies with its expansion of the Saga as a whole, bridging the less popular prequels with the original trilogy for the first time on the big screen, taking on finally, what J.J. Abrams' The Force Awakens (2015) deliberately chose not too. Hopefully Episode VIII (2017) follow in the same vein, finally repairing some of the issues which Lucas' much derided prequels, which at their heart, may have had much more to offer than Lucas' poor direction let us see the first time around.
Movie Metropolis (309 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jun 10, 2019
The 2nd best star wars film
The Star Wars universe just got a whole lot bigger. When Rogue One: A Star Wars Story was announced by Disney a couple of years ago, diehard fans of the sci-fi saga met the news with a huge dose of scepticism.
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/