Search
Search results
Matthew Krueger (10051 KP) rated Batman (1989) in Movies
Oct 10, 2019
Batman- i love this movie, i have seen it about 7-9 times. I love michael Keaton as bruce wayne/batman. I love jack nicholson as the joker. This movie has action, comedy, suspense, laughing gas, a prince song, adventure and so much more. Also you have darkness, romance, lots of screaming from Vicki Vale played by Kim Basinger. Did i mention that Tim Burton directed this film.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
ClareR (5561 KP) rated The Sandman (Audible Original #1) in Books
Sep 6, 2020
Well. Flipping heck. I’m a huge fan of the graphic novels, so I was both hesitant and wildly excited (it’s confusing to be me sometimes) when this popped on to my radar. Of course I preordered it off Audible, I’m not completely daft, and just in time for our holiday in Scotland. A nice, seven hour drive from Chester to the Black Isle (near Inverness - it’s beautiful there, by the way) and time well spent listening to this.
The cast was excellent: James McAvoy as Morpheus/ Dream/ The Sandman (they’re all the same person), Michael Sheen as Lucifer, and a host of other excellent voice actors: Rio Ahmed, Kat Dennings, Taron Egerton, Samantha Morton, Bebe Neuwirth, Andy Serkis and Miriam Margolyes. There are more actors, and they were all wonderful. It was ALL wonderful - it stuck faithfully to the original graphic novels, and Neil Gaiman narrated wonderfully ( I know I need a thesaurus, but ‘wonderful’ is THE word!). Whatever that man touches is golden, it seems to me.
Can you tell I liked it? Actually, I LOVED it. I usually fall asleep on long car journeys (I get terribly car sick, and I don’t drive 🤷🏼♀️), but I stayed awake for the whole time - and didn’t feel sick at all (even during the gory bits!).
The most potentially exciting part for me, is that it says ‘#1’. So I’ve set up my waiting post (I have to work out what that is exactly. I see it as a mental waiting room).
I can’t wait!!
The cast was excellent: James McAvoy as Morpheus/ Dream/ The Sandman (they’re all the same person), Michael Sheen as Lucifer, and a host of other excellent voice actors: Rio Ahmed, Kat Dennings, Taron Egerton, Samantha Morton, Bebe Neuwirth, Andy Serkis and Miriam Margolyes. There are more actors, and they were all wonderful. It was ALL wonderful - it stuck faithfully to the original graphic novels, and Neil Gaiman narrated wonderfully ( I know I need a thesaurus, but ‘wonderful’ is THE word!). Whatever that man touches is golden, it seems to me.
Can you tell I liked it? Actually, I LOVED it. I usually fall asleep on long car journeys (I get terribly car sick, and I don’t drive 🤷🏼♀️), but I stayed awake for the whole time - and didn’t feel sick at all (even during the gory bits!).
The most potentially exciting part for me, is that it says ‘#1’. So I’ve set up my waiting post (I have to work out what that is exactly. I see it as a mental waiting room).
I can’t wait!!
BankofMarquis (1832 KP) rated Bloodshot (2020) in Movies
May 8, 2020
"Funner" than I expected
BLOODSHOT was one of those movies that I was going to "get around to see, sometime" before it left the movie theaters, little did I know that I would leave the movie theaters before Bloodshot did. So, when I ran across it On-Demand at home, I figured I would check it out - probably to let it run in the background as I multi-tasked.
Well...a funny thing happened while multi-tasking while watching this film. I found myself NOT multi-tasking, but rather, I stopped to focus on the film, for I was being entertained by the events unfolding before me on my screen.
Based on the Valiant comic of the same name, BLOODSHOT tells the tale of Ray Garrison a slain soldier who is brought back to life with nano-technology - technology that allows him to be used as a tool by Dr. Emil Harting.
Vin Diesel is the perfect blunt instrument to play Bloodshot. He reeks of testosterone and macho-ness but is a winning personality on the screen with enough charm and charisma to draw the audience in. Ably aiding him is Eiza Gonzalez (BABY DRIVER) as KT - another experiment/tool of Dr. Harting's - their relationship is the heart of this movie and it there is "enough" chemistry between the two to make me care about them. The revelation for me in this film is Lamorne Morris (GAME NIGHT) as Wilfred Wigans - a rival hacker who is an enemy (or is he a friend) of Bloodshot. I loved the fun that Wigans brought to the role and the film - he knew what kind of movie he was in and just "ran with it".
Everyone else in this film is pretty "generic" - especially (to my disappointment) Guy Pearce as Dr. Harting. I needed him to be less contained and more broad for this type of comic book film. I read that Michael Sheen was slated to play this role but had to drop out at the last moment due to scheduling conflicts. I would have loved to have seen "wild. out of control Michael Sheen" in this role.
The direction by David Wilson - in his major motion picture debut - is "serviceable", his direction doesn't get in the way. He is a former Visual Effects Supervisor and it shows in this film for it is at it's best when the VFX takes center stage (especially in the fight/action scenes). The key to Bloodshot is that he cannot be killed by conventional means for the nano-bots in his blood stream will reform immediately. So, you get quite a few slow-motion shots of bullets piercing through various parts of Bloodshot's body (with nano-bots flying out) only to have the nano-bots stop their flight away from the body and return to reform the shape of the particular body part (mostly, Bloodshot's head). In lesser hands, this could be an annoying trick, but it worked for me here.
The script and secondary characters and the plot is mostly throwaway in this film - clearly we are here for the fight scenes and the VFX - and if you set your expectations correctly, you will be entertained by this film.
I know I was - to my surprise.
Letter Grade: B
7 Stars (out of 10) - and you can take that to the Bank(ofMarquis)
Well...a funny thing happened while multi-tasking while watching this film. I found myself NOT multi-tasking, but rather, I stopped to focus on the film, for I was being entertained by the events unfolding before me on my screen.
Based on the Valiant comic of the same name, BLOODSHOT tells the tale of Ray Garrison a slain soldier who is brought back to life with nano-technology - technology that allows him to be used as a tool by Dr. Emil Harting.
Vin Diesel is the perfect blunt instrument to play Bloodshot. He reeks of testosterone and macho-ness but is a winning personality on the screen with enough charm and charisma to draw the audience in. Ably aiding him is Eiza Gonzalez (BABY DRIVER) as KT - another experiment/tool of Dr. Harting's - their relationship is the heart of this movie and it there is "enough" chemistry between the two to make me care about them. The revelation for me in this film is Lamorne Morris (GAME NIGHT) as Wilfred Wigans - a rival hacker who is an enemy (or is he a friend) of Bloodshot. I loved the fun that Wigans brought to the role and the film - he knew what kind of movie he was in and just "ran with it".
Everyone else in this film is pretty "generic" - especially (to my disappointment) Guy Pearce as Dr. Harting. I needed him to be less contained and more broad for this type of comic book film. I read that Michael Sheen was slated to play this role but had to drop out at the last moment due to scheduling conflicts. I would have loved to have seen "wild. out of control Michael Sheen" in this role.
The direction by David Wilson - in his major motion picture debut - is "serviceable", his direction doesn't get in the way. He is a former Visual Effects Supervisor and it shows in this film for it is at it's best when the VFX takes center stage (especially in the fight/action scenes). The key to Bloodshot is that he cannot be killed by conventional means for the nano-bots in his blood stream will reform immediately. So, you get quite a few slow-motion shots of bullets piercing through various parts of Bloodshot's body (with nano-bots flying out) only to have the nano-bots stop their flight away from the body and return to reform the shape of the particular body part (mostly, Bloodshot's head). In lesser hands, this could be an annoying trick, but it worked for me here.
The script and secondary characters and the plot is mostly throwaway in this film - clearly we are here for the fight scenes and the VFX - and if you set your expectations correctly, you will be entertained by this film.
I know I was - to my surprise.
Letter Grade: B
7 Stars (out of 10) - and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (965 KP) rated Dolittle (2020) in Movies
Jan 18, 2020
The new Universal Studios movie Dr. Dolittle stars Robert Downey Jr as Dr. Dolittle, Antonio Banderas as King Rassouli, Michael Sheen as Dr. Mudfly, Emma Thompson as Poly, Jessie Buckley as Queen Victoria, and a host of other well-known stars as the voices of the animals, including John Cena, Ralph Fiennes and Selna Gomez. Dolittle is directed by Stephen Gaghan
Dr. Dolittle is a charming movie.
The audience is taken on a wonderful adventure across oceans and far away kingdoms in search of a magical cure for young Queen Victoria.
Robert Downey Jr. does a phenomenal job in portraying Dr. Dolittle. He plays the role with emotion and charm. His life has been sad since the passing of his wife, and he secludes himself with the only beings he wants to have contact with, his animal menagerie. He is interrupted in his solitude by a request from the palace to find a cure for young Queen Victoria who has been poisoned.
Dr. Dolittle and his animal menagerie set off on an epic adventure to hunt down the one thing that might save the Queen, the sap from a tree that Dolittles late wife has been researching. On the way, they must get around the nefarious Dr. Blair Mudfly, and Rassouli the king of pirates.
Younger viewers are sure to be kept engaged, as the movie is fast paced and they will not have the chance to be bored. The audience are sure to be pleased with the vitality and humor that each role brings to the film.
The movie is perfect for families to view together and everyone will enjoy it.
Dr. Dolittle is a charming movie.
The audience is taken on a wonderful adventure across oceans and far away kingdoms in search of a magical cure for young Queen Victoria.
Robert Downey Jr. does a phenomenal job in portraying Dr. Dolittle. He plays the role with emotion and charm. His life has been sad since the passing of his wife, and he secludes himself with the only beings he wants to have contact with, his animal menagerie. He is interrupted in his solitude by a request from the palace to find a cure for young Queen Victoria who has been poisoned.
Dr. Dolittle and his animal menagerie set off on an epic adventure to hunt down the one thing that might save the Queen, the sap from a tree that Dolittles late wife has been researching. On the way, they must get around the nefarious Dr. Blair Mudfly, and Rassouli the king of pirates.
Younger viewers are sure to be kept engaged, as the movie is fast paced and they will not have the chance to be bored. The audience are sure to be pleased with the vitality and humor that each role brings to the film.
The movie is perfect for families to view together and everyone will enjoy it.
JT (287 KP) rated Frost/Nixon (2008) in Movies
Mar 10, 2020
"Hello, Good Evening and Welcome”, David Frost’s suave and debonair talk show host, up against Richard Nixon a President draped in controversy while all the while standing firm in his beliefs.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.
Sarah (7798 KP) rated Slaughterhouse Rulez (2018) in Movies
Nov 14, 2018
Such a disappointment
I've seen a lot of horrendous reviews for this film and whilst I'd agree that it isn't great, it's not nearly as bad as expected.
The problem is that this film has a stellar cast with impressive comedy credentials, yet apart from one or two titters, it just isn't funny. The humour falls completely flat. Michael Sheen, Simon Pegg and Nick Frost ham it up the best they can but their performances border on cringeworthy. Even the cameo from Margot Robbie is wasted. I did quite like Asa Butterfield though, who managed to get away with some of the best lines in the film.
The plot isn't the worst, and is surprisingly relevant to current affairs. Considering the ongoing debate over fracking and the fracking going on in Lancashire (30 mins down the road from where I live), I was impressed at the relevance even if they didn't really touch on any of the serious issues. The start of the story is a little bit cliched too. Fish out of water Northerner going to a posh Southern boarding school? Some originality would be nice, as a northerner myself it's gets a little frustrating seeing so many films choose this sort of plot mechanism.
The creatures themselves are underdeveloped and aren't scary, although the amount of blood and gore was a nice touch. And it all just gets a little bit silly and ridiculous with them towards the end, which is a shame as there was some potential hidden here somewhere.
That said, as horror comedies go it's fairly inoffensive. Whilst I wouldn't recommend going out of your way to watch it, if you're ever at a loss for something easy to watch, there are worse films you could choose. Just don't expect another of the Cornetto films...
The problem is that this film has a stellar cast with impressive comedy credentials, yet apart from one or two titters, it just isn't funny. The humour falls completely flat. Michael Sheen, Simon Pegg and Nick Frost ham it up the best they can but their performances border on cringeworthy. Even the cameo from Margot Robbie is wasted. I did quite like Asa Butterfield though, who managed to get away with some of the best lines in the film.
The plot isn't the worst, and is surprisingly relevant to current affairs. Considering the ongoing debate over fracking and the fracking going on in Lancashire (30 mins down the road from where I live), I was impressed at the relevance even if they didn't really touch on any of the serious issues. The start of the story is a little bit cliched too. Fish out of water Northerner going to a posh Southern boarding school? Some originality would be nice, as a northerner myself it's gets a little frustrating seeing so many films choose this sort of plot mechanism.
The creatures themselves are underdeveloped and aren't scary, although the amount of blood and gore was a nice touch. And it all just gets a little bit silly and ridiculous with them towards the end, which is a shame as there was some potential hidden here somewhere.
That said, as horror comedies go it's fairly inoffensive. Whilst I wouldn't recommend going out of your way to watch it, if you're ever at a loss for something easy to watch, there are worse films you could choose. Just don't expect another of the Cornetto films...
Sarah (7798 KP) rated Good Omens in TV
Aug 25, 2019
Could’ve been better
I love Terry Pratchett and Neil Gaiman, but yet I’ve never read Good Omens. The book is next on my to read list, but I thought I’d give the show a go first and in the main, I did enjoy it.
The best thing about this show is by far the interactions between Aziraphale and Crowley, and the performances of Michael Sheen and David Tennant. They’re so much fun and this is where virtually all of the laughs in this show come from. They’re a great pairing, even if they are a little over the top at times, and my favourite episode by far was the one that showed their interactions over the ages. It’s the rest of the plot that I feel let’s this show down a little bit. There are some wonderful cameos from a whole host of stars, and Jon Hamm was great if a little underused. I would’ve loved to have seen more of him. However I really wish they hadn’t cast Jack Whitehall, I don’t get his appeal as he’s an horrendous actor and rather irritating.
The problem though is that despite this show being about the Antichrist and the end of the world, the ending itself is rather lacklustre and whilst everyone wants to stop (or start) the end of the world, the urgency and tension and terror is all too lacking. I get that this is meant to be humorous, but it can still be funny and threatening in the same episode. I actually think they could’ve done without the whole end of the world thing and just had buddy type show with Aziraphale and Crowley that would’ve been just as or even more entertaining. I’m intrigued now to see how this plays out in the book and if it works better.
The best thing about this show is by far the interactions between Aziraphale and Crowley, and the performances of Michael Sheen and David Tennant. They’re so much fun and this is where virtually all of the laughs in this show come from. They’re a great pairing, even if they are a little over the top at times, and my favourite episode by far was the one that showed their interactions over the ages. It’s the rest of the plot that I feel let’s this show down a little bit. There are some wonderful cameos from a whole host of stars, and Jon Hamm was great if a little underused. I would’ve loved to have seen more of him. However I really wish they hadn’t cast Jack Whitehall, I don’t get his appeal as he’s an horrendous actor and rather irritating.
The problem though is that despite this show being about the Antichrist and the end of the world, the ending itself is rather lacklustre and whilst everyone wants to stop (or start) the end of the world, the urgency and tension and terror is all too lacking. I get that this is meant to be humorous, but it can still be funny and threatening in the same episode. I actually think they could’ve done without the whole end of the world thing and just had buddy type show with Aziraphale and Crowley that would’ve been just as or even more entertaining. I’m intrigued now to see how this plays out in the book and if it works better.
Sarah (7798 KP) rated Dolittle (2020) in Movies
Feb 26, 2020 (Updated Feb 26, 2020)
Perfect... for kids
The trailer for this didn't fill me with much confidence, and I was even more concerned after hearing about the troubles even getting it to the screen, and I'm afraid to say it lived up to my rather low expectations.
Right from the opening scene, its obvious this film has been made solely for children. The plot is basic and predictable and a lot of the action and gags are very childish and puerile. Even Emma Thompson's narration made me feel like I was watching a kids educational show. I appreciate it's difficult to make a film suitable for kids and adults alike, but Disney and Pixar have proved it's possible without being infantile - sadly Dolittle doesn't. There are a few moments that I did have a small giggle at, but most of the gags I found either too obvious or childish to be funny. Weirdly enough I found Kevin the squirrel and his logs hilarious.
The cast themselves I found underused, or rather odd choices - some of the voice actors of the animals to me seemed a little out of place. That probably wasn't helped by how distractingly odd the animals looked when they were talking, and with the CGI ranging from pretty good to decidedly dodgy. Antonio Banderas was wasted as King Rassouli and Michael Sheen was hamming it up to the extremes, but it's Robert Downey Jnr that deserves a notable mention... for how terrible his accent is. I love RDJ, but his Welsh accent ranges from ok to downright horrendous. I couldn't even tell from the trailer what sort of accent he was doing it was that bad. And the problem with this is the accent took away all of the fun and charisma you'd expect from his performance.
The one benefit of this film is that it's fairly short, so it doesnt drag too much. Your kids will love it, but as an adult I wouldn't expect much.
Right from the opening scene, its obvious this film has been made solely for children. The plot is basic and predictable and a lot of the action and gags are very childish and puerile. Even Emma Thompson's narration made me feel like I was watching a kids educational show. I appreciate it's difficult to make a film suitable for kids and adults alike, but Disney and Pixar have proved it's possible without being infantile - sadly Dolittle doesn't. There are a few moments that I did have a small giggle at, but most of the gags I found either too obvious or childish to be funny. Weirdly enough I found Kevin the squirrel and his logs hilarious.
The cast themselves I found underused, or rather odd choices - some of the voice actors of the animals to me seemed a little out of place. That probably wasn't helped by how distractingly odd the animals looked when they were talking, and with the CGI ranging from pretty good to decidedly dodgy. Antonio Banderas was wasted as King Rassouli and Michael Sheen was hamming it up to the extremes, but it's Robert Downey Jnr that deserves a notable mention... for how terrible his accent is. I love RDJ, but his Welsh accent ranges from ok to downright horrendous. I couldn't even tell from the trailer what sort of accent he was doing it was that bad. And the problem with this is the accent took away all of the fun and charisma you'd expect from his performance.
The one benefit of this film is that it's fairly short, so it doesnt drag too much. Your kids will love it, but as an adult I wouldn't expect much.
Bob Mann (459 KP) rated Slaughterhouse Rulez (2018) in Movies
Sep 28, 2021
Form-Prefect of the Dead.
The Plot
Meredith Houseman (Simon Pegg) is housemaster of Sparta house in Slaughterhouse school: an ancient public school establishment steering England’s future greats to greatness (which probably explains a lot about the current Brexit mess!). Houseman is not in a happy place, given that his girlfriend is now in deepest darkest African doing “good works” with handsome French doctors, and particularly that she is played by Margot Robbie: I would be also be sad… #punching!
New school starter Don Wallace (Finn Cole) is equally unhappy as he is a northern teen dragooned into attending the school by his well-meaning Mum (Jo Hartley). His strange room-mate Willoughby (Asa Butterfield) seems to be a chronic depressive; he is being picked on by the prefect-bully Clegg (Tom Rhys Harries); and his bed was previously occupied by a Viscount, since deceased under unpleasant circumstances that no-one wants to talk about. At least he has the distraction of the upper-sixth school goddess Clemsie Lawrence (Hermione Corfield) to take his mind off his woes.
All this washes over “The Bat” – the school’s headmaster (Michael Sheen) – since he is engrossed in some shady deal with an evil corporation doing fracking in the school grounds. The fracking though seems to be doing more than just causing a few minor earth tremors, as ancient forces are unleashed.
The Review
The movie is positioned as a “comedy/horror”, along the lines of “Shaun of the Dead”. The film also has Frost and Pegg as executive producers and they also have starring roles in the film. But there the similarities really end: this is a “Cornetto film” without a cone of solid chocolate lurking at the bottom to enjoy.
The script (by director Crispian Mills and first-time screenwriter Henry Fitzherbert) is nowhere near as sharp as the Frost/Pegg scripts for their famous collaborations. The story overall makes precious little sense: it’s a hodge-podge of elements from many Harry Potter films (especially “The Chamber of Secrets”), Lindsay Anderson’s “If…”; and Roy Boulting’s “The Guinea Pig”; with also a sprinkling of the anarchic essence of Michael Palin’s classic “Tomkinson’s Schooldays”. The whole thing never manages to gel into a cohesive whole.
After the second reel, the film completely loses sight of the plot: there’s a whole lot of running, screaming and dying going on but there’s little logic behind any of it that I could fathom. What didn’t help my comprehension of what was going on were some ‘Cornetto-esque’ sequences of manic editing. Images were thrown onto the screen so subliminally that any clever nuance was lost. I’m sure at one point there was a droll (if gross) segue at a “Roman orgy” of a girl receiving oral sex before being ‘eaten out’ in an entirely different way. But you would need a Blu-ray and a frame-by-frame pause function to get the joke.
That’s not to say that I didn’t laugh a few times along the way. There are some sight gags – for example, Wooten (Kit Connor) as the lad at the bottom of the bullying pecking order, chained to a U-bend – that made me laugh, and some running jokes – for example, Frost as the head of the anti-fracking camp offering the kids drugs at every encounter – that mildly amuse. But once again here’s a British comedy that, like the atrocious “The Brits are Coming“, thinks that “funny” largely revolves around swearing a lot – how useful that “frack” sounds so similar to another word – with added bodily dismemberment.
The turns
Pegg and Frost ham it up with their usual comedy schtick well enough, and it was quite fun to see Sheen try a comedy role for a change as the conniving and supercilious headmaster. Elsewhere all the young cast put their hearts into it, but it’s again Asa Butterfield that your eyes gravitate to, due to his striking features. I last saw Asa in the excellent if harrowing WW1 drama “Journey’s End“, and he here proves again that he is a One Mann’s Movies ‘name to watch for the future’.
Final thoughts
There’s a lot to irritate in this film. From the “z” in the title to… well… about 80% of the film. There is no nuance or subtlety to either the writing or the direction. I think that’s a great shame. The film has a good premise hidden in there. An adult comedy set around the ridiculous rules and rites of public schools (away from the light nonsense of “St Trinians”) is overdue. And the whole subject of fracking, and the conflicts surrounding the controversial techniques, hasn’t yet – to my knowledge – been explored in a fictional movie. The film does have a few very funny moments. But as a whole I left the cinema with that “wasted two hours” feeling. Not recommended.
Meredith Houseman (Simon Pegg) is housemaster of Sparta house in Slaughterhouse school: an ancient public school establishment steering England’s future greats to greatness (which probably explains a lot about the current Brexit mess!). Houseman is not in a happy place, given that his girlfriend is now in deepest darkest African doing “good works” with handsome French doctors, and particularly that she is played by Margot Robbie: I would be also be sad… #punching!
New school starter Don Wallace (Finn Cole) is equally unhappy as he is a northern teen dragooned into attending the school by his well-meaning Mum (Jo Hartley). His strange room-mate Willoughby (Asa Butterfield) seems to be a chronic depressive; he is being picked on by the prefect-bully Clegg (Tom Rhys Harries); and his bed was previously occupied by a Viscount, since deceased under unpleasant circumstances that no-one wants to talk about. At least he has the distraction of the upper-sixth school goddess Clemsie Lawrence (Hermione Corfield) to take his mind off his woes.
All this washes over “The Bat” – the school’s headmaster (Michael Sheen) – since he is engrossed in some shady deal with an evil corporation doing fracking in the school grounds. The fracking though seems to be doing more than just causing a few minor earth tremors, as ancient forces are unleashed.
The Review
The movie is positioned as a “comedy/horror”, along the lines of “Shaun of the Dead”. The film also has Frost and Pegg as executive producers and they also have starring roles in the film. But there the similarities really end: this is a “Cornetto film” without a cone of solid chocolate lurking at the bottom to enjoy.
The script (by director Crispian Mills and first-time screenwriter Henry Fitzherbert) is nowhere near as sharp as the Frost/Pegg scripts for their famous collaborations. The story overall makes precious little sense: it’s a hodge-podge of elements from many Harry Potter films (especially “The Chamber of Secrets”), Lindsay Anderson’s “If…”; and Roy Boulting’s “The Guinea Pig”; with also a sprinkling of the anarchic essence of Michael Palin’s classic “Tomkinson’s Schooldays”. The whole thing never manages to gel into a cohesive whole.
After the second reel, the film completely loses sight of the plot: there’s a whole lot of running, screaming and dying going on but there’s little logic behind any of it that I could fathom. What didn’t help my comprehension of what was going on were some ‘Cornetto-esque’ sequences of manic editing. Images were thrown onto the screen so subliminally that any clever nuance was lost. I’m sure at one point there was a droll (if gross) segue at a “Roman orgy” of a girl receiving oral sex before being ‘eaten out’ in an entirely different way. But you would need a Blu-ray and a frame-by-frame pause function to get the joke.
That’s not to say that I didn’t laugh a few times along the way. There are some sight gags – for example, Wooten (Kit Connor) as the lad at the bottom of the bullying pecking order, chained to a U-bend – that made me laugh, and some running jokes – for example, Frost as the head of the anti-fracking camp offering the kids drugs at every encounter – that mildly amuse. But once again here’s a British comedy that, like the atrocious “The Brits are Coming“, thinks that “funny” largely revolves around swearing a lot – how useful that “frack” sounds so similar to another word – with added bodily dismemberment.
The turns
Pegg and Frost ham it up with their usual comedy schtick well enough, and it was quite fun to see Sheen try a comedy role for a change as the conniving and supercilious headmaster. Elsewhere all the young cast put their hearts into it, but it’s again Asa Butterfield that your eyes gravitate to, due to his striking features. I last saw Asa in the excellent if harrowing WW1 drama “Journey’s End“, and he here proves again that he is a One Mann’s Movies ‘name to watch for the future’.
Final thoughts
There’s a lot to irritate in this film. From the “z” in the title to… well… about 80% of the film. There is no nuance or subtlety to either the writing or the direction. I think that’s a great shame. The film has a good premise hidden in there. An adult comedy set around the ridiculous rules and rites of public schools (away from the light nonsense of “St Trinians”) is overdue. And the whole subject of fracking, and the conflicts surrounding the controversial techniques, hasn’t yet – to my knowledge – been explored in a fictional movie. The film does have a few very funny moments. But as a whole I left the cinema with that “wasted two hours” feeling. Not recommended.
Jesters_folly (230 KP) rated Tron Legacy (2010) in Movies
Nov 20, 2020
Contains spoilers, click to show
Ok this was actually good which is a bit surprising as there have been a few sequels to older films released over the past few years and they haven't all be great, not that they haven't necessarily been bad but, depending on how they continuing they have been a bit problematic. Either by using now outdated concepts or trying to to match modern political standards and missing the mark, Ghostbusters I'm looking at you. Tron: Legacy goes down the path of of handing the franchise over to the next generation in a similar manner to Bill and Ted Face the Music and I think Tron does it better.
I'll start by saying that Tron: Legacy is not as original or forward thinking as it's predecessor but that is to be expected. The original had Ideas that were slightly before it's time which i talk about in my review of that film. Tron: Legacy can't re do that originality, partly because its a sequel and so is constrained by the world built in the original but also because a lot of the ideas have been used since, we've had the likes of 'The Matrix' and 'Wreck-it Ralph' and so Tron: Legacy seems to concentrate on being a Tron film and nothing more.
The film keeps close to the original by bringing back quite a few things, we have Jeff Bridges and Bruce Boxleitner reprising their roles of Kevin Flynn And Alan Bradley, with Kevin now trapped in the computer world known as the Grid. The light cycles are back as well as few other craft. The effects have been updated but the grid and it's games are still very recognisable and there are a few through back lines and scenes.
Tron: Legacy does feel a bit Matrixy at times, neither of the flynns are Neo but it does draw on the familiar God/Devil tropes that you often see. The costumes are more cyber punk than the original, still using the red/blue lighting but also being more PVC and trench coat in its aesthetic with many characters supporting visors or crash helmets, to the point that Daft Punk actually look like they belong there.
Like a lot of Cyberpunk films there is a night club and this has one of the films stand out characters, Castor, played by Michael Sheen who is doing his best 'Ziggy Stardust' impression.
The strange thing is, this is a good film, with good franchise potential and Disney don't seem to have marketed it well, it's 10 years old (at the time of writing) and isn't mentioned much and it's only due to watching this on Disney+ that I now know about the spin off animated series, Tron: Uprising, which I'm going to have to watch.
I'll start by saying that Tron: Legacy is not as original or forward thinking as it's predecessor but that is to be expected. The original had Ideas that were slightly before it's time which i talk about in my review of that film. Tron: Legacy can't re do that originality, partly because its a sequel and so is constrained by the world built in the original but also because a lot of the ideas have been used since, we've had the likes of 'The Matrix' and 'Wreck-it Ralph' and so Tron: Legacy seems to concentrate on being a Tron film and nothing more.
The film keeps close to the original by bringing back quite a few things, we have Jeff Bridges and Bruce Boxleitner reprising their roles of Kevin Flynn And Alan Bradley, with Kevin now trapped in the computer world known as the Grid. The light cycles are back as well as few other craft. The effects have been updated but the grid and it's games are still very recognisable and there are a few through back lines and scenes.
Tron: Legacy does feel a bit Matrixy at times, neither of the flynns are Neo but it does draw on the familiar God/Devil tropes that you often see. The costumes are more cyber punk than the original, still using the red/blue lighting but also being more PVC and trench coat in its aesthetic with many characters supporting visors or crash helmets, to the point that Daft Punk actually look like they belong there.
Like a lot of Cyberpunk films there is a night club and this has one of the films stand out characters, Castor, played by Michael Sheen who is doing his best 'Ziggy Stardust' impression.
The strange thing is, this is a good film, with good franchise potential and Disney don't seem to have marketed it well, it's 10 years old (at the time of writing) and isn't mentioned much and it's only due to watching this on Disney+ that I now know about the spin off animated series, Tron: Uprising, which I'm going to have to watch.