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Gareth von Kallenbach (968 KP) rated Passengers (2016) in Movies
Jul 12, 2019
Jim Preston (Chris Pratt) is a man looking for a fresh start on a new world. Along with 5000 other passengers; Jim is sleeping away the 120 year journey in stasis aboard a luxury ship. In the new film “Passengers”, Jim finds his entire world turned upside down when he is awakened 90 years before the completion of his trip. Alone with no way to return to stasis; Jim struggles to keep his wits as despite having food and recreation readily available, his only companions are server robots and an Android bartender named Arthur (Michael Sheen).
Unable to wake any of the crew to assist him with the situation or access the bridge of the ship, Jim uses his engineering skills to study the operations of the ship as well as gain access to areas normally reserved for VIP passengers.
As time goes by Jim becomes more and more despondent because he cannot even contact anyone on earth as the computer informs him that it will take 36 years for reply to any of his messages to reach the ship and he grows weary of the thought of spending the rest of his life alone.
During one of his frequent visits to his former stasis chamber, Jim discovers an attractive passenger named Aurora (Jennifer Lawrence), and using the ships database, proceeds to learn all about her and begins to fall in love with her as she sleeps blissfully unaware of his presence.
Fate eventually gets in the way and Aurora awakens and joins Jim is the only people awake on the massive ship. Having come from a privileged background as a successful author, Aurora is really upset over spending the rest of her life on the ship as her plan was to spend a year on the colony world before returning to Earth and resuming her writing career 241 years after she left with the adventure she is undertaken being the basis for some of her new work.
The two eventually have feelings for one another, but Jim is harboring a dark secret that threatens to unravel the happy life they have been able to build for one another. As if that was not enough, the ship is experiencing random and increasing malfunctions which threaten not only their survival, but the long-term survival of the fellow crew and passengers and the long journey that they have ahead of them.
What follows is a time predictable but albeit entertaining mix of romance and action. There are some very good visuals in the film and while the story moves along at a very predictable pace, the two leads make the material work. The film does have numerous plot holes in it which I cannot go into without spoiling it but suffice it to say the premise of q couple stranded is not new.
Yes we have seen this all before but the cast and the interesting locale and visuals make the film add up to more than the sum of its parts. I only wish there’d been a little more time shoring up the plot holes and perhaps adding a little bit of mystery and intrigue to the plot as it truly would’ve made this more compelling.
Unable to wake any of the crew to assist him with the situation or access the bridge of the ship, Jim uses his engineering skills to study the operations of the ship as well as gain access to areas normally reserved for VIP passengers.
As time goes by Jim becomes more and more despondent because he cannot even contact anyone on earth as the computer informs him that it will take 36 years for reply to any of his messages to reach the ship and he grows weary of the thought of spending the rest of his life alone.
During one of his frequent visits to his former stasis chamber, Jim discovers an attractive passenger named Aurora (Jennifer Lawrence), and using the ships database, proceeds to learn all about her and begins to fall in love with her as she sleeps blissfully unaware of his presence.
Fate eventually gets in the way and Aurora awakens and joins Jim is the only people awake on the massive ship. Having come from a privileged background as a successful author, Aurora is really upset over spending the rest of her life on the ship as her plan was to spend a year on the colony world before returning to Earth and resuming her writing career 241 years after she left with the adventure she is undertaken being the basis for some of her new work.
The two eventually have feelings for one another, but Jim is harboring a dark secret that threatens to unravel the happy life they have been able to build for one another. As if that was not enough, the ship is experiencing random and increasing malfunctions which threaten not only their survival, but the long-term survival of the fellow crew and passengers and the long journey that they have ahead of them.
What follows is a time predictable but albeit entertaining mix of romance and action. There are some very good visuals in the film and while the story moves along at a very predictable pace, the two leads make the material work. The film does have numerous plot holes in it which I cannot go into without spoiling it but suffice it to say the premise of q couple stranded is not new.
Yes we have seen this all before but the cast and the interesting locale and visuals make the film add up to more than the sum of its parts. I only wish there’d been a little more time shoring up the plot holes and perhaps adding a little bit of mystery and intrigue to the plot as it truly would’ve made this more compelling.
Darren (1599 KP) rated Slaughterhouse Rulez (2018) in Movies
Oct 14, 2019
Characters – Don is the new student being sent to a boarding school, he comes from a common family where he has a close group of friends which he would prefer to be around, he does stick out around the rest of the students, easily breaking the rules around the school. Willoughby is the student that must show Don around the school, he fills in the blanks, has a secret and will be the one that helps Don be prepared for everything in the year. Meredith Houseman is one of teachers, he once attended the school, feeling the pride the school embodies, he will end up helping the students against the evil in the school grounds. The Bat is the headmaster, he has been taking bribes to let the fracking happen and isn’t willing to lose the money coming his way.
Performances – Michael Sheen and Simon Pegg both look like they are having a lot of fun playing the stuck up British stereotypes which are here for the supporting roles. Finn Cole takes the lead in this film and he does all he can because this film does try to introduce too many different types of characters, not giving the lead enough time to shine, Asa Butterfield does well with his role too, getting to become a supporting character for once, instead of having the weight of the film put on him.
Story – The story here follows the time at a private British boarding school which sees monsters unleashed on the students, who must fight to save themselves. The weirdest way to describe this film would be to say this is the British boarding school version of ‘Attack the Block’, I say this because we are trying to play into a lot of stereotypes for added comedy to the situation. When we break down this alone we get to see how the British private school system comes off, with the student classes, the students believing they are better than anybody else and how the teachers are trapped in their own illusions. Add in the monsters which is what they feel like, which again disappoints along with one serious side to the story which is almost played out for jokes.
Comedy/Horror – The comedy only works if you find taking the piss out of upper-class English funny, this is what the film is set around getting laughs from. The horror is what the monsters do to the people, it would have been nice to get more time with them, once we do it does work well for blood splatter.
Settings – The film is set on the grounds of a private boarding school, this is put in an isolated location which does help make the film get added horror elements involved.
Special Effects – The effects in the film are mixed because it does feel like the thrown buckets of blood which for the budget isn’t what you want to see, though the creatures do look frightening at times.
Scene of the Movie – Monsters unleashed.
That Moment That Annoyed Me – Too much upper-class British jokes.
Final Thoughts – This is a fun enough horror comedy, it will get the laughs in places and has well created creatures.
Overall: British Ripped apart
Performances – Michael Sheen and Simon Pegg both look like they are having a lot of fun playing the stuck up British stereotypes which are here for the supporting roles. Finn Cole takes the lead in this film and he does all he can because this film does try to introduce too many different types of characters, not giving the lead enough time to shine, Asa Butterfield does well with his role too, getting to become a supporting character for once, instead of having the weight of the film put on him.
Story – The story here follows the time at a private British boarding school which sees monsters unleashed on the students, who must fight to save themselves. The weirdest way to describe this film would be to say this is the British boarding school version of ‘Attack the Block’, I say this because we are trying to play into a lot of stereotypes for added comedy to the situation. When we break down this alone we get to see how the British private school system comes off, with the student classes, the students believing they are better than anybody else and how the teachers are trapped in their own illusions. Add in the monsters which is what they feel like, which again disappoints along with one serious side to the story which is almost played out for jokes.
Comedy/Horror – The comedy only works if you find taking the piss out of upper-class English funny, this is what the film is set around getting laughs from. The horror is what the monsters do to the people, it would have been nice to get more time with them, once we do it does work well for blood splatter.
Settings – The film is set on the grounds of a private boarding school, this is put in an isolated location which does help make the film get added horror elements involved.
Special Effects – The effects in the film are mixed because it does feel like the thrown buckets of blood which for the budget isn’t what you want to see, though the creatures do look frightening at times.
Scene of the Movie – Monsters unleashed.
That Moment That Annoyed Me – Too much upper-class British jokes.
Final Thoughts – This is a fun enough horror comedy, it will get the laughs in places and has well created creatures.
Overall: British Ripped apart
Bob Mann (459 KP) rated Passengers (2016) in Movies
Sep 29, 2021
Guilt trip.
“Passengers” is not a film that you can really talk about in much depth without straying into spoiler territory, so I will break my normal tradition of my reviews being entirely “Spoiler Free” and add a further discussion (but below the Fad Rating, so you are safe ‘til there).
The backdrop for “Passengers” is the spaceship “Avalon”, on a 120 year trip taking Earth colonists to the new world of “Homestead 2”. Following an ‘incident’ the story finds two individuals – Jim Preston, played by Chris “Jurassic World” Pratt, and Jennifer “Joy” Lawrence – as the only passengers awake on the automated ship among 5000+ other slumbering souls. It rather goes without saying that with two attractive and bankable Hollywood stars and nothing else to do, the two ‘get it on’. With things on the ship going from bad to worse, the two must work as a team to try to save the ship, crew and fellow passengers from disaster.
As a fan of sci-fi, I’ll start with a positive that the Avalon is a gloriously rendered spacecraft, and many of the scenes of space walking present beautiful cinematography (by Rodrigo Prieto of “The Wolf of Wall Street” and “Argo”). Many of the other special effects in the film – led by special effects supervisor Daniel Sudick, of the Marvel franchise – are spectacularly good, especially one which demonstrates why the lifeguards closed the pool on the International Space Station!
The overall premise of the film is also original and well-conceived, setting up the backdrop for some serious post-watch ethical debate (see spoiler section).
Where the wheels came off for me though is with the script by Jon Spaihts (“Prometheus”, “Doctor Strange”). Some of the dialogue is just appallingly trite, and some of the supposed capabilities of our hero, Preston, are laughable. For example, he possesses an uncanny ability as “an engineer” to open a cabinet of electronics, scan the circuits and say “Nope – that all looks fine”: the next time my washing machine controller packs in, he’s going to be on my speed-dial for sure! And (cue trite line – “every component on the ship has a spare”) Preston immediately finds the required part (curiously, it’s right next to the failing component and not in Bay 67 on cargo deck 327!) and knows how to plug and play it as required.
Chris Pratt; Jennifer Lawrence
Pratt and Lawrence, with Pratt about to debug my washing machine controller just by looking at it.
But, for me, there was one particularly dire point in the script where Spaihts obviously forgets which film he’s writing the scene for and ‘goes superhero’: oh, hang on, Preston doesn’t HAVE any superhero powers! For me, any goodwill the story had built up through to that point get vented into space.
The director is Morten Tyldum, whose “Headhunters” I really enjoyed but who is probably more famous for “The Imitation Game”. Not overawed by the production’s scale, he does a great job of getting good performances out of the rather wooden action hunk that is Chris Pratt and the reliable Oscar-winner Jennifer Lawrence who (apart from one dramatic and emotional scene) the script doesn’t really stretch. Michael Sheen is also a great watch as the witty and dry android bar-tender.
In summary, this was a nice premise with great special effects and gorgeous production design, but frustratingly let down with a weak screenplay. With a better script and another 10% of tweaking, this could have been a real sci-fi classic.
The backdrop for “Passengers” is the spaceship “Avalon”, on a 120 year trip taking Earth colonists to the new world of “Homestead 2”. Following an ‘incident’ the story finds two individuals – Jim Preston, played by Chris “Jurassic World” Pratt, and Jennifer “Joy” Lawrence – as the only passengers awake on the automated ship among 5000+ other slumbering souls. It rather goes without saying that with two attractive and bankable Hollywood stars and nothing else to do, the two ‘get it on’. With things on the ship going from bad to worse, the two must work as a team to try to save the ship, crew and fellow passengers from disaster.
As a fan of sci-fi, I’ll start with a positive that the Avalon is a gloriously rendered spacecraft, and many of the scenes of space walking present beautiful cinematography (by Rodrigo Prieto of “The Wolf of Wall Street” and “Argo”). Many of the other special effects in the film – led by special effects supervisor Daniel Sudick, of the Marvel franchise – are spectacularly good, especially one which demonstrates why the lifeguards closed the pool on the International Space Station!
The overall premise of the film is also original and well-conceived, setting up the backdrop for some serious post-watch ethical debate (see spoiler section).
Where the wheels came off for me though is with the script by Jon Spaihts (“Prometheus”, “Doctor Strange”). Some of the dialogue is just appallingly trite, and some of the supposed capabilities of our hero, Preston, are laughable. For example, he possesses an uncanny ability as “an engineer” to open a cabinet of electronics, scan the circuits and say “Nope – that all looks fine”: the next time my washing machine controller packs in, he’s going to be on my speed-dial for sure! And (cue trite line – “every component on the ship has a spare”) Preston immediately finds the required part (curiously, it’s right next to the failing component and not in Bay 67 on cargo deck 327!) and knows how to plug and play it as required.
Chris Pratt; Jennifer Lawrence
Pratt and Lawrence, with Pratt about to debug my washing machine controller just by looking at it.
But, for me, there was one particularly dire point in the script where Spaihts obviously forgets which film he’s writing the scene for and ‘goes superhero’: oh, hang on, Preston doesn’t HAVE any superhero powers! For me, any goodwill the story had built up through to that point get vented into space.
The director is Morten Tyldum, whose “Headhunters” I really enjoyed but who is probably more famous for “The Imitation Game”. Not overawed by the production’s scale, he does a great job of getting good performances out of the rather wooden action hunk that is Chris Pratt and the reliable Oscar-winner Jennifer Lawrence who (apart from one dramatic and emotional scene) the script doesn’t really stretch. Michael Sheen is also a great watch as the witty and dry android bar-tender.
In summary, this was a nice premise with great special effects and gorgeous production design, but frustratingly let down with a weak screenplay. With a better script and another 10% of tweaking, this could have been a real sci-fi classic.
Movie Metropolis (309 KP) rated The Twilight Saga: Breaking Dawn Part 2 (2012) in Movies
Jun 10, 2019
The Twilight Saga has had a tough time in its short screen life. Constant comparisons to Harry Potter and now The Hunger Games have ensured that it has taken a back seat to these franchises. After 3 bitterly disappointing instalments in the series, Breaking Dawn Part 1 which was released last year lifted the bar and promised a fine end to the series. One year later, Part 2 has been released, but can it keep up the momentum set by its predecessor?
The answer, unfortunately is no and as Robert Pattinson (Edward Cullen), Taylor Lautner, (Jacob Black) and Kristen Stewart (Bella Swan) pull the curtains over the long suffering franchise, you can’t help but feel a strange sense of sadness. These films haven’t been as good as they could’ve.
Breaking Dawn Part 2 starts immediately where the last film finished as Bella Swan (Stewart) gives birth to her half-human, half-vampire child. For some bizarre reason, the blood and childbirth elements of the last film have been completely thrown to the wind as Bella awakens as a vampire and is better than ever. Not reminding viewers of what went before was a major oversight on the part of director Bill Condon and those not familiar with the books will have a hard time remembering what happened last year.
It just so happens that Bella and Edward’s daughter Renesmee is growing at an astonishing rate. To show this, the producers have created her with a CGI layering effect which means using a real baby with a CGI face. Unfortunately, this means that Renesmee is the creepiest baby you will have ever had the misfortune to see. Surely there must’ve been some money left over from the $120m budget to create a real treat for fans. As it is, the first time you lay eyes on Renesmee, there is a gasp of horror rather than adoration.
Unfortunately, the sinister Volturi have gotten wind of Renesmee’s existence thanks to a brief cameo by Maggie Grace (Taken 2) as Irina. She mistakenly believes that the child is a pure vampire which is, under no circumstances allowed. Michael Sheen is a highlight as Aro, leader of the Volturi, his camp, unbelievably over the top performance, highlighted perfectly in the film’s finale, is a breath of fresh air against the heavy breathing, downtrodden characterisations from the rest of the cast.
Special effects have never been a strong point for this movie franchise and things really haven’t improved in this latest instalment. We’ve already mentioned the horror of Bella’s demon baby, but the werewolves are pretty bad too and really don’t move the game on at all. In fact, in some sequences it’s like we’re back in the 90s.
It’s not all bad news however; a real highlight for me throughout the course of the films has been the excellent cinematography. The setting is absolutely wonderful, from the snow-capped peaks and plains, to the cliff edges and forests, everything looks fantastic and director Bill Condon really knows how to maximise the environment he has been given to work with.
Unfortunately, no amount of scenery can save a film which, ultimately is a bit of a damp squib. This is more apparent in the finale, which I can honestly say is one of the worst I have ever seen in a film franchise. This is, partly down to Stephenie Meyer’s amateurish writing in the novel, which ensures the final scenes which should’ve been a joy to watch, are completely disregarded and frankly, stupid.
So, there we have it, The Twilight Saga has ended and what a saga it has been. Three average films at best gave way to Breaking Dawn Part 1, which showed promise and could possibly have been the saviour of the franchise. However, the release of Breaking Dawn Part 2 has pushed things back to where it was before the 3rd instalment, Eclipse. The series’ passionate fans have deserved much better and when it should’ve been going out with a bit of bite, instead, we leave Twilight on a bit of a whimper.
https://moviemetropolis.net/2012/12/03/twilight-breaking-dawn-pt-2-review/
The answer, unfortunately is no and as Robert Pattinson (Edward Cullen), Taylor Lautner, (Jacob Black) and Kristen Stewart (Bella Swan) pull the curtains over the long suffering franchise, you can’t help but feel a strange sense of sadness. These films haven’t been as good as they could’ve.
Breaking Dawn Part 2 starts immediately where the last film finished as Bella Swan (Stewart) gives birth to her half-human, half-vampire child. For some bizarre reason, the blood and childbirth elements of the last film have been completely thrown to the wind as Bella awakens as a vampire and is better than ever. Not reminding viewers of what went before was a major oversight on the part of director Bill Condon and those not familiar with the books will have a hard time remembering what happened last year.
It just so happens that Bella and Edward’s daughter Renesmee is growing at an astonishing rate. To show this, the producers have created her with a CGI layering effect which means using a real baby with a CGI face. Unfortunately, this means that Renesmee is the creepiest baby you will have ever had the misfortune to see. Surely there must’ve been some money left over from the $120m budget to create a real treat for fans. As it is, the first time you lay eyes on Renesmee, there is a gasp of horror rather than adoration.
Unfortunately, the sinister Volturi have gotten wind of Renesmee’s existence thanks to a brief cameo by Maggie Grace (Taken 2) as Irina. She mistakenly believes that the child is a pure vampire which is, under no circumstances allowed. Michael Sheen is a highlight as Aro, leader of the Volturi, his camp, unbelievably over the top performance, highlighted perfectly in the film’s finale, is a breath of fresh air against the heavy breathing, downtrodden characterisations from the rest of the cast.
Special effects have never been a strong point for this movie franchise and things really haven’t improved in this latest instalment. We’ve already mentioned the horror of Bella’s demon baby, but the werewolves are pretty bad too and really don’t move the game on at all. In fact, in some sequences it’s like we’re back in the 90s.
It’s not all bad news however; a real highlight for me throughout the course of the films has been the excellent cinematography. The setting is absolutely wonderful, from the snow-capped peaks and plains, to the cliff edges and forests, everything looks fantastic and director Bill Condon really knows how to maximise the environment he has been given to work with.
Unfortunately, no amount of scenery can save a film which, ultimately is a bit of a damp squib. This is more apparent in the finale, which I can honestly say is one of the worst I have ever seen in a film franchise. This is, partly down to Stephenie Meyer’s amateurish writing in the novel, which ensures the final scenes which should’ve been a joy to watch, are completely disregarded and frankly, stupid.
So, there we have it, The Twilight Saga has ended and what a saga it has been. Three average films at best gave way to Breaking Dawn Part 1, which showed promise and could possibly have been the saviour of the franchise. However, the release of Breaking Dawn Part 2 has pushed things back to where it was before the 3rd instalment, Eclipse. The series’ passionate fans have deserved much better and when it should’ve been going out with a bit of bite, instead, we leave Twilight on a bit of a whimper.
https://moviemetropolis.net/2012/12/03/twilight-breaking-dawn-pt-2-review/
Emma @ The Movies (1786 KP) rated Dolittle (2020) in Movies
Mar 5, 2020
More CGI animals in another adaptation of a franchise that has been around since the 1920s. I do so love Eddie Murphy's comedy portrayal, am I ready for a period appropriate version?
Tommy Stubbins isn't like his uncle, he doesn't want to hunt the animals in the wood. When he shoots wide in an attempt to miss his target he accidentally hits a squirrel, but his reaction makes his uncle and cousin leave him there with the injured animal. Clutching the squirrel and not knowing what to do Tommy finds himself being beckoned by a parrot. She leads him through a gap in a high stone wall to an expanse filled with (not so) wild animals.
Doctor Dolittle has been hidden behind closed doors ever since his wife disappeared. With just the animals for company he's forgotten some of his human manners, he must remember them quickly as he's summoned by the Queen who is gravely ill.
Welsh. That accent that you couldn't quite put your finger on, that was Welsh... yeah, it wouldn't have been my first guess either but let's just accept it and move on shall we?
Seeing the CGI on this in the trailer didn't annoy me, and looking back now I'm not sure how that was the case when Call Of The Wild basically the same thing and I was livid. Just like Call Of The Wild, Dolittle benefits from the comedy you can get from the CGI and it really needed that.
RDJ is a big ticket name, but I'm not entirely sure he was suited to the role of John Dolittle. Perhaps that's partly to do with the fact that so much of his recent history is dominated by him as Tony Stark, perhaps it's because the slightly crazy and vulnerable Dolittle in this film has little impact. The truth for me is probably somewhere in the middle.
Considering the live action section of the films features a lot of Tommy Stubbins (played by Harry Collett) his role seems of little consequence after he's taken us to the estate, after all, Lady Rose would still have gone there and I suspect Polly would have steered him right. Stubbins, in the books, narrates the stories after he first appears, but in this adaptation it's given to Polly, voiced by Emma Thompson. I can understand that decision, she's got a very soothing and yet commanding voice that's perfect for that role.
There seems to be a lot of pieces kept from the books, though they've been tweaked for the modern audience. Not only the change of narrator but Polly is no longer a grey African parrot, instead we're given a much brighter macaw which has a better visual payoff.
One day I'll remember to look at the cast list for animated films before I go in, trying to place voices is so difficult on the fly. All in all the animals are fine, the script doesn't feel great but the antics help it out somewhat.
Our villains are quite varied throughout but Michael Sheen takes a main role as Dr. Blair Müdfly, Dolittle's rival. The interactions between him and the animals did amuse me but his over the top nature that built steadily through the film felt much too cliche, sadly not always in an entertaining way.
There are many things to like hidden in the film. It opens with a great animation that gives us back story which allows us not to suffer through clumsy attempts at the same during the film. I also really enjoyed the way we're shown how Dolittle speaks to the animals, though that does raise other questions that make things unravel, so I'll move on. The squirrel's commentary is hilarious and probably makes him my favourite character, though the octopus isn't too far behind.
Dolittle has a lot of nice little touches but it relies heavily on predictable humour and at times doesn't know when to stop (I'm thinking specifically about a scene towards the end of the film here). Even with its many ups and downs the film was enjoyable to watch, just the once. I'm entirely convinced that with a different accent it would have been infinitely better.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/dolittle-movie-review.html
Tommy Stubbins isn't like his uncle, he doesn't want to hunt the animals in the wood. When he shoots wide in an attempt to miss his target he accidentally hits a squirrel, but his reaction makes his uncle and cousin leave him there with the injured animal. Clutching the squirrel and not knowing what to do Tommy finds himself being beckoned by a parrot. She leads him through a gap in a high stone wall to an expanse filled with (not so) wild animals.
Doctor Dolittle has been hidden behind closed doors ever since his wife disappeared. With just the animals for company he's forgotten some of his human manners, he must remember them quickly as he's summoned by the Queen who is gravely ill.
Welsh. That accent that you couldn't quite put your finger on, that was Welsh... yeah, it wouldn't have been my first guess either but let's just accept it and move on shall we?
Seeing the CGI on this in the trailer didn't annoy me, and looking back now I'm not sure how that was the case when Call Of The Wild basically the same thing and I was livid. Just like Call Of The Wild, Dolittle benefits from the comedy you can get from the CGI and it really needed that.
RDJ is a big ticket name, but I'm not entirely sure he was suited to the role of John Dolittle. Perhaps that's partly to do with the fact that so much of his recent history is dominated by him as Tony Stark, perhaps it's because the slightly crazy and vulnerable Dolittle in this film has little impact. The truth for me is probably somewhere in the middle.
Considering the live action section of the films features a lot of Tommy Stubbins (played by Harry Collett) his role seems of little consequence after he's taken us to the estate, after all, Lady Rose would still have gone there and I suspect Polly would have steered him right. Stubbins, in the books, narrates the stories after he first appears, but in this adaptation it's given to Polly, voiced by Emma Thompson. I can understand that decision, she's got a very soothing and yet commanding voice that's perfect for that role.
There seems to be a lot of pieces kept from the books, though they've been tweaked for the modern audience. Not only the change of narrator but Polly is no longer a grey African parrot, instead we're given a much brighter macaw which has a better visual payoff.
One day I'll remember to look at the cast list for animated films before I go in, trying to place voices is so difficult on the fly. All in all the animals are fine, the script doesn't feel great but the antics help it out somewhat.
Our villains are quite varied throughout but Michael Sheen takes a main role as Dr. Blair Müdfly, Dolittle's rival. The interactions between him and the animals did amuse me but his over the top nature that built steadily through the film felt much too cliche, sadly not always in an entertaining way.
There are many things to like hidden in the film. It opens with a great animation that gives us back story which allows us not to suffer through clumsy attempts at the same during the film. I also really enjoyed the way we're shown how Dolittle speaks to the animals, though that does raise other questions that make things unravel, so I'll move on. The squirrel's commentary is hilarious and probably makes him my favourite character, though the octopus isn't too far behind.
Dolittle has a lot of nice little touches but it relies heavily on predictable humour and at times doesn't know when to stop (I'm thinking specifically about a scene towards the end of the film here). Even with its many ups and downs the film was enjoyable to watch, just the once. I'm entirely convinced that with a different accent it would have been infinitely better.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/dolittle-movie-review.html