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Gareth von Kallenbach (971 KP) rated Stonehearst Asylum (2015) in Movies
Jun 19, 2019
In the late 19th century in England, medicine was by today’s standards primitive and at times barbaric. The nature of psychiatric care of the times was even more frightening as maladies that today are treated with medication often resulted in a lifetime of confinement in an Asylum where all manner of treatments which today would be considered torture were used.
In the new thriller “Stonehearst Asylum” a young doctor named Edward Newgate (Jim Sturgess), travels to a remote asylum on Christmas Eve to being a practical study following his time at Oxford.
He is greeted upon his arrival by Silas Lamb (Ben Kingsley, who is eager to size up the new assistant upon his arrival.
Newgate is fascinated by the patients especially one named Eliza (Kate Beckinsale), who shows a grace and range of talents not normally associated with those who have been committed. It is explained that all of those assigned to Stonehearts are from the upper class of society and as such, their maladies have made them outcasts from polite society.
Edward begins to have concerns when he is told by Eliza that he must leave immediately and not return and despite her warnings, he remains and soon makes a startling discovery.
It is learned that a patient named Salt (Michael Caine) is actually the man in charge of the facility and that Lamb is a dangerous psychopath who has imprisoned or killed the asylum staff and has replaced them with his fellow inmates.
Trapped in a world gone mad, Edward must strive to do his duty as a physician to care for those in need, while trying to walk the line between the madness of Lamb and his fellow inmates.
The film is a well-cast and exciting thriller that keeps you entertained without resorting to the standard scares and tricks of other suspense films.
The characters have a complexity and compassion to them as you will find yourself engrossed by the various characters and their situations.
Director Brad Anderson is no stranger to suspense and he has crafted a captivating take that is rich with the visuals of the era yet remaining a character based drama it its core.
The film is based on a short story by Edgar Allen Poe and Mel Gibson is one of the Producers attached to the film which helps underscore how they were able to assemble such a strong cast to the film despite the lack of a major studio to finance or distribute the film.
The film does have some moments that at times make you wonder why some characters did not take more obvious courses of action but yet the film works in spite of this.
In the end the haunting setting and subject matter mesh well with the characters to create a thrilling and entertaining drama that is one of the more enjoyable surprises of the year.
http://sknr.net/2014/10/24/stonehearst-asylum/
In the new thriller “Stonehearst Asylum” a young doctor named Edward Newgate (Jim Sturgess), travels to a remote asylum on Christmas Eve to being a practical study following his time at Oxford.
He is greeted upon his arrival by Silas Lamb (Ben Kingsley, who is eager to size up the new assistant upon his arrival.
Newgate is fascinated by the patients especially one named Eliza (Kate Beckinsale), who shows a grace and range of talents not normally associated with those who have been committed. It is explained that all of those assigned to Stonehearts are from the upper class of society and as such, their maladies have made them outcasts from polite society.
Edward begins to have concerns when he is told by Eliza that he must leave immediately and not return and despite her warnings, he remains and soon makes a startling discovery.
It is learned that a patient named Salt (Michael Caine) is actually the man in charge of the facility and that Lamb is a dangerous psychopath who has imprisoned or killed the asylum staff and has replaced them with his fellow inmates.
Trapped in a world gone mad, Edward must strive to do his duty as a physician to care for those in need, while trying to walk the line between the madness of Lamb and his fellow inmates.
The film is a well-cast and exciting thriller that keeps you entertained without resorting to the standard scares and tricks of other suspense films.
The characters have a complexity and compassion to them as you will find yourself engrossed by the various characters and their situations.
Director Brad Anderson is no stranger to suspense and he has crafted a captivating take that is rich with the visuals of the era yet remaining a character based drama it its core.
The film is based on a short story by Edgar Allen Poe and Mel Gibson is one of the Producers attached to the film which helps underscore how they were able to assemble such a strong cast to the film despite the lack of a major studio to finance or distribute the film.
The film does have some moments that at times make you wonder why some characters did not take more obvious courses of action but yet the film works in spite of this.
In the end the haunting setting and subject matter mesh well with the characters to create a thrilling and entertaining drama that is one of the more enjoyable surprises of the year.
http://sknr.net/2014/10/24/stonehearst-asylum/
Lee (2222 KP) rated Last Christmas (2019) in Movies
Nov 16, 2019
I guess I’m not exactly the target audience for a Christmas rom-com, but I don’t usually mind them. Providing the leads have believable chemistry, there’s a good story behind it all, a few laughs and something that gives you that Christmas feel good feeling, I’m happy to watch them. Sadly though, for the most part, Last Christmas struggles to tick most of those boxes.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
365Flicks (235 KP) rated Cold Moon (2017) in Movies
Nov 20, 2019
At first glance this looks like most other by the numbers Horror/Thriller movies with a cast of people you will recognize straight away but take a while to place where from. However give it a minute because this movie has some really stellar performances from the core cast which considering the concept is just bonkers enough to take you out of it completely, I find this to be nothing short of incredible.
THE BLURB:
In a sleepy southern town, the Larkin family suffers a terrible tragedy. Now the Larkin’s are about to endure another: Traffic lights blink an eerie warning, a ghostly visage prowls in the streets, and graves erupt from the local cemetery in an implacable march of terror . . . And beneath the murky surface of the river, a shifting, almost human shape slowly takes form to seek a terrible vengeance.
I found this movie to be way more Thriller than Horror, sure there are some solid as hell jump scares but one of the defining points in a Horror is that we don’t find out who the man in the mask is till the last quarter of the movie. In Cold Moon we know who the killer is early on and the film interestingly begins to focus on the rapid decline of our killers mind. Being haunted by the eerie ghosts of his victims, leading him to drink heavily, become careless and basically begin to lose his shit… Well that is where this movie cuts its teeth and showcases not only what our core cast can do but how effortlessly our Director/Writer can craft his tale.
Griff Furst has crafted a pretty eerie, Good looking, Atmospheric and Clever movie from the original novel written by the late Michael McDowell, author of Beetlejuice and The Nightmare Before Christmas. Not only that but he managed to perfectly cast his roles from top to bottom **In my eyes, of course**. So lets touch on a couple of those people you know but may not place.
Josh Stewart from mostly everything, most notably for me he was Bane’s main henchmen in Dark Knight Rises. He is great in this flick, given a real chance to show us his range and I was pleased to see more of him. Frank Whaley from almost everything ever and he is fantastic in this. Up and Coming Robbie Kay from Tv show Once Upon A Time puts in a pretty strong performance. Ladies and Gentlemen we are even treated to some Christopher Lloyd, Doc Brown-ing all over the place.
Oh crap I almost forgot we are given a Tommy Wiseau cameo that is a real treat… Listen closely for his one line “He’s tearing him Apart”. Awww man now I wanna watch the room.
I recommend the hell out of this movie, is it amazing?? Not really… But its good fun, pretty clever, great performances and entertaining as hell. So a definite recommend.
THE BLURB:
In a sleepy southern town, the Larkin family suffers a terrible tragedy. Now the Larkin’s are about to endure another: Traffic lights blink an eerie warning, a ghostly visage prowls in the streets, and graves erupt from the local cemetery in an implacable march of terror . . . And beneath the murky surface of the river, a shifting, almost human shape slowly takes form to seek a terrible vengeance.
I found this movie to be way more Thriller than Horror, sure there are some solid as hell jump scares but one of the defining points in a Horror is that we don’t find out who the man in the mask is till the last quarter of the movie. In Cold Moon we know who the killer is early on and the film interestingly begins to focus on the rapid decline of our killers mind. Being haunted by the eerie ghosts of his victims, leading him to drink heavily, become careless and basically begin to lose his shit… Well that is where this movie cuts its teeth and showcases not only what our core cast can do but how effortlessly our Director/Writer can craft his tale.
Griff Furst has crafted a pretty eerie, Good looking, Atmospheric and Clever movie from the original novel written by the late Michael McDowell, author of Beetlejuice and The Nightmare Before Christmas. Not only that but he managed to perfectly cast his roles from top to bottom **In my eyes, of course**. So lets touch on a couple of those people you know but may not place.
Josh Stewart from mostly everything, most notably for me he was Bane’s main henchmen in Dark Knight Rises. He is great in this flick, given a real chance to show us his range and I was pleased to see more of him. Frank Whaley from almost everything ever and he is fantastic in this. Up and Coming Robbie Kay from Tv show Once Upon A Time puts in a pretty strong performance. Ladies and Gentlemen we are even treated to some Christopher Lloyd, Doc Brown-ing all over the place.
Oh crap I almost forgot we are given a Tommy Wiseau cameo that is a real treat… Listen closely for his one line “He’s tearing him Apart”. Awww man now I wanna watch the room.
I recommend the hell out of this movie, is it amazing?? Not really… But its good fun, pretty clever, great performances and entertaining as hell. So a definite recommend.
BankofMarquis (1832 KP) rated The Gentlemen (2020) in Movies
Jun 27, 2020
Clever and Inventive
Ever since he burst onto the film scene with back-to-back interesting British Mob movies LOCK, STOCK & TWO SMOKING BARRELS and SNATCH, Director Guy Ritchie has had a "hit and miss" track record (including the Madonna-starring, Razzie-Award "winner" SWEPT AWAY). Fortunately, for us, we seem to be in a Guy Ritchie "peak" a this moment.
Following up to his surprise strong Directing turn in the live action ALADDIN remake (if you haven't seen this film, the BankofMarquis strongly recommends you do), Ritchie returns to his "British Gangster" roots with the violent, funny and original THE GENTLEMEN.
Starring Matthew McConaughey as a U.S. born and bred, Cambridge educated hustler who becomes king of the British Marijuana scene who is looking to get out of the business, THE GENTLEMEN tells the tale of the...ahem...gentlemen that are pursuing (both legitimately and illegitimately) his empire.
The way that this film is constructed, the most essential casting of this film is that of the central character of Michael Pearson. He is billed as an enigmatic, charismatic, violent and brilliant legend of the British drug trade, so Ritchie needed someone with all these qualities to inhabit that role. Fortunately, with McConaughey, Ritchie finds his man (I'm sure the backstory of this character needed to be tweaked a bit upon this casting to explain why an American is the king of British Weed). McConaughey is at his laconic best in this role, bringing star quality - and star power - that holds the center of this film together well.
He is joined by a strong cast that understands the type of film they are in and are game to join in on the (violent) fun. Michelle Dockery (DOWNTON ABBEY), Henry Golding (CRAZY, RICH ASIANS) , Jeremy Strong (THE BIG SHORT) and the always watchable Eddie Marsan (THE WORLD'S END, amongst others) all are strong in the limited moments that their characters are allowed to shine, but with McConaughey and 3 other actors I will speak to in a moment, they are relegated mostly to the background.
This is because Hugh Grant (4 WEDDINGS AND A FUNERAL), Colin Farrell (PHONE BOOTH) and (surpisingly) Charlie Hunnam IPACIFIC RIM) almost steal the film from McConaughey, Each one of these characters could have easily been the centerpiece of their own film and I would be happy if Ritchie would spin one of these characters off.
Credit, of course, for all of this has to go to Ritchie who wrote and directed this film I was pleasantly surprised by the cleverness and inventiveness in storytelling and style as well as the restraint that Ritchie shows in the violence. He uses it (somewhat) sparingly and well, so the violence punctuates the action.
All-in-all a fun (though violent) time at the movies.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Following up to his surprise strong Directing turn in the live action ALADDIN remake (if you haven't seen this film, the BankofMarquis strongly recommends you do), Ritchie returns to his "British Gangster" roots with the violent, funny and original THE GENTLEMEN.
Starring Matthew McConaughey as a U.S. born and bred, Cambridge educated hustler who becomes king of the British Marijuana scene who is looking to get out of the business, THE GENTLEMEN tells the tale of the...ahem...gentlemen that are pursuing (both legitimately and illegitimately) his empire.
The way that this film is constructed, the most essential casting of this film is that of the central character of Michael Pearson. He is billed as an enigmatic, charismatic, violent and brilliant legend of the British drug trade, so Ritchie needed someone with all these qualities to inhabit that role. Fortunately, with McConaughey, Ritchie finds his man (I'm sure the backstory of this character needed to be tweaked a bit upon this casting to explain why an American is the king of British Weed). McConaughey is at his laconic best in this role, bringing star quality - and star power - that holds the center of this film together well.
He is joined by a strong cast that understands the type of film they are in and are game to join in on the (violent) fun. Michelle Dockery (DOWNTON ABBEY), Henry Golding (CRAZY, RICH ASIANS) , Jeremy Strong (THE BIG SHORT) and the always watchable Eddie Marsan (THE WORLD'S END, amongst others) all are strong in the limited moments that their characters are allowed to shine, but with McConaughey and 3 other actors I will speak to in a moment, they are relegated mostly to the background.
This is because Hugh Grant (4 WEDDINGS AND A FUNERAL), Colin Farrell (PHONE BOOTH) and (surpisingly) Charlie Hunnam IPACIFIC RIM) almost steal the film from McConaughey, Each one of these characters could have easily been the centerpiece of their own film and I would be happy if Ritchie would spin one of these characters off.
Credit, of course, for all of this has to go to Ritchie who wrote and directed this film I was pleasantly surprised by the cleverness and inventiveness in storytelling and style as well as the restraint that Ritchie shows in the violence. He uses it (somewhat) sparingly and well, so the violence punctuates the action.
All-in-all a fun (though violent) time at the movies.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated Stowaway (2021) in Movies
Apr 30, 2021
Good physics but otherwise bland and forgettable
In "Stowaway", three astronauts - Commander Marina Bartlett (Toni Collette), doctor and scientist Zoe Levensen (Anna Kendrick) and scientist David Kim (Daniel Dae Kim) - have left earth on a mission to Mars. Bartlett is a bit surprised when she removes an overhead panel and technician Michael Adams (Shamier Anderson) falls out on her, injuring her arm.
This is problematic. The ship was designed for two (with the specs pushed for three - - ed: really???!). With oxygen levels depleting, the crew are left with some difficult decisions to make.
Positives:
- For once, I have no issues with the physics of this sci-fi movie! As a PhD physicist by training, you will generally hear me huffing and puffing in sci-fi movies about loud noises in space; implausible decompressions; and the like. But here, I really liked the design of the spaceship and its implementation of artificial gravity. No massive and wasteful 'wheel' construction as in "2001: A Space Odyssey" here. Just units on the ends of a sufficiently long tether to get the right G.
- Equally - again physics related - the 'climb' and 'descent' scenes are nicely executed.
- Toni Collette adds gravitas to the (otherwise OK) cast. Shamier Anderson is also good in his emotional scenes. And the ensemble works well enough together.
Negatives:
- The screenplay is so vanilla and linear in its storytelling that you could ask me what happened in this movie in six months time and I think I would struggle to answer. When the 'stowaway' was discovered, my mind went crazy with options: was he there by accident? (which I don't think can strictly be defined as a "stowaway"); had he smuggled himself on-board deliberately?; did he have nefarious intentions towards the crew or the mission?; when push came to shove, would the 'short-straw' candidate fight back? Literally NONE of this was explored. True that we have a "will they survive" story, as the oxygen depletes, but this has been done much better in films like "Apollo 13" (with CO2 instead of O2).
- Sorry. I've never been a fan of Anna Kendrick. She's fine in fluffier fare like "Pitch Perfect" and "A Simple Favor". But as the brave and all action heroine here, I didn't buy it.
- Why have Toni Collette in a movie if you are going to give her so little to do?
Summary Thoughts on "Stowaway":
I've seen a number of extremely positive reviews of this one, which I've found a bit mystifying. I really like Sci-fi films, and particularly space-based sci-fi flicks. But this was all very "meh" for me. The premise was full of potential, but failed to deliver on much of it.
(For the full graphical review, please check out the review on One Mann's Movies here https://bob-the-movie-man.com/2021/04/30/stowaway-bland-and-forgettable-sci-fi-fare/. Thanks.).
This is problematic. The ship was designed for two (with the specs pushed for three - - ed: really???!). With oxygen levels depleting, the crew are left with some difficult decisions to make.
Positives:
- For once, I have no issues with the physics of this sci-fi movie! As a PhD physicist by training, you will generally hear me huffing and puffing in sci-fi movies about loud noises in space; implausible decompressions; and the like. But here, I really liked the design of the spaceship and its implementation of artificial gravity. No massive and wasteful 'wheel' construction as in "2001: A Space Odyssey" here. Just units on the ends of a sufficiently long tether to get the right G.
- Equally - again physics related - the 'climb' and 'descent' scenes are nicely executed.
- Toni Collette adds gravitas to the (otherwise OK) cast. Shamier Anderson is also good in his emotional scenes. And the ensemble works well enough together.
Negatives:
- The screenplay is so vanilla and linear in its storytelling that you could ask me what happened in this movie in six months time and I think I would struggle to answer. When the 'stowaway' was discovered, my mind went crazy with options: was he there by accident? (which I don't think can strictly be defined as a "stowaway"); had he smuggled himself on-board deliberately?; did he have nefarious intentions towards the crew or the mission?; when push came to shove, would the 'short-straw' candidate fight back? Literally NONE of this was explored. True that we have a "will they survive" story, as the oxygen depletes, but this has been done much better in films like "Apollo 13" (with CO2 instead of O2).
- Sorry. I've never been a fan of Anna Kendrick. She's fine in fluffier fare like "Pitch Perfect" and "A Simple Favor". But as the brave and all action heroine here, I didn't buy it.
- Why have Toni Collette in a movie if you are going to give her so little to do?
Summary Thoughts on "Stowaway":
I've seen a number of extremely positive reviews of this one, which I've found a bit mystifying. I really like Sci-fi films, and particularly space-based sci-fi flicks. But this was all very "meh" for me. The premise was full of potential, but failed to deliver on much of it.
(For the full graphical review, please check out the review on One Mann's Movies here https://bob-the-movie-man.com/2021/04/30/stowaway-bland-and-forgettable-sci-fi-fare/. Thanks.).
Emma @ The Movies (1786 KP) rated Beetlejuice (1988) in Movies
Sep 25, 2019
I'm really enjoying the classic movie re-releases at Cineworld. I've been along to several in the last year and enjoyed every one of them, so when Beetlejuice came up in the listings it was a must see for me as I loved this from the very first time I saw it.
With the other releases I didn't have much to worry about, they were either brand new to me or I'd never seen them the whole way through so it was going to be a new experience... but this time... could I be risking those great memories? While it did run through my head while I waited for the film to start I wasn't going to deny myself the chance to see it on the big screen. It did bring up a few moments that made me ponder, but all in all I'm glad that I got the chance to see it in the cinema.
At 30 years old you'd expect things to be a little dated, and perhaps the general feel of the film is with some old fashioned clothing, but most of it still holds up. The one thing that makes you notice the age is the cast. Everyone looks so young!
It's a fantastic cast too. Alec Baldwin and Geena Davis, Adam and Barbara, the perfect couple living a peaceful life out in the country. Winona Ryder, Lydia, the dark and brooding teenage daughter of Jeffrey Jones' Charles and step-daughter to Catherine O'Hara's Delia. We of course can't forget the film's (almost) namesake, Michael Keaton as Betelgeuse. Each one brings a little something different to the film and you get some fun interactions between them all as well as with the supporting cast.
The only real thing that struck me after rewatching this after a few years is that Beetlejuice doesn't actually feature in it as much as I remember. But then the film itself also feels quite short, which at 1 and a half hours it is, again, I just didn't remember it that way.
Some of Beetlejuice's antics may feel a little cringe worthy to newer viewers. To be fair some did to me as a seasoned veteran of the movie. But his over the top nature and motor mouth lead to some entertaining diversions throughout.
The highlights for me as always are the dance routines. (And possibly some of the earliest twerking in the movie biz?) I think we were all dancing a little in our seats as they played out in front of us.
It still brings just as much fun as it did before, it's one of those favourites that you can watch anytime you need something a bit upbeat
What you should do
You should watch this at least once. It's daft and some fun lighthearted humour to break up a dull day.
Movie thing you wish you could take home
If I could have the full backing band when I sing at home that would be great!
With the other releases I didn't have much to worry about, they were either brand new to me or I'd never seen them the whole way through so it was going to be a new experience... but this time... could I be risking those great memories? While it did run through my head while I waited for the film to start I wasn't going to deny myself the chance to see it on the big screen. It did bring up a few moments that made me ponder, but all in all I'm glad that I got the chance to see it in the cinema.
At 30 years old you'd expect things to be a little dated, and perhaps the general feel of the film is with some old fashioned clothing, but most of it still holds up. The one thing that makes you notice the age is the cast. Everyone looks so young!
It's a fantastic cast too. Alec Baldwin and Geena Davis, Adam and Barbara, the perfect couple living a peaceful life out in the country. Winona Ryder, Lydia, the dark and brooding teenage daughter of Jeffrey Jones' Charles and step-daughter to Catherine O'Hara's Delia. We of course can't forget the film's (almost) namesake, Michael Keaton as Betelgeuse. Each one brings a little something different to the film and you get some fun interactions between them all as well as with the supporting cast.
The only real thing that struck me after rewatching this after a few years is that Beetlejuice doesn't actually feature in it as much as I remember. But then the film itself also feels quite short, which at 1 and a half hours it is, again, I just didn't remember it that way.
Some of Beetlejuice's antics may feel a little cringe worthy to newer viewers. To be fair some did to me as a seasoned veteran of the movie. But his over the top nature and motor mouth lead to some entertaining diversions throughout.
The highlights for me as always are the dance routines. (And possibly some of the earliest twerking in the movie biz?) I think we were all dancing a little in our seats as they played out in front of us.
It still brings just as much fun as it did before, it's one of those favourites that you can watch anytime you need something a bit upbeat
What you should do
You should watch this at least once. It's daft and some fun lighthearted humour to break up a dull day.
Movie thing you wish you could take home
If I could have the full backing band when I sing at home that would be great!
Debbiereadsbook (1102 KP) rated Crossing the Touchline (Auckland Med. #2) in Books
May 7, 2019 (Updated Mar 3, 2021)
freaking loved this!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
*Edited to add the review for the AUDIO version.*
Gary Furlong narrates.
Now, I gotta say this. After listening to audio books for a good while now, I've noticed an influx of NON-American narrators. And I LOVE that, I really do. But Furlong narrates this book in the New Zealand accent, quite correctly, since that is where Reuben and Cam are from, and it just takes a little getting used to! This is the first I've listen to of his work, and I have to say, he NAILS this one!
Furlong gets over every single feeling, emotion, internal wrangling these guys have, and it's painful listening, it really is. It was difficult reading, but hearing it?? Oh Lord I wanted to wrap them both up and look after them so bad! And Reuben's dad?? He headed for another punching!
The emotions in the guy's voices, especially since this is first person, is amazing, and I had to stop what I was doing a time or two, to just LISTEN, you know? To hear the heartbreak pouring out for them, the rage, the passion, and finally, all that love.
I did have a little chuckle though. Michael (from book one, First Impressions, pops up. Michael is American, and it took me a little while to figure out why he sounded all kinds of wrong. It's because of that! His American accent, in the midst of all these New Zealand ones was odd, is all.
I loved this book when I read it, and listening to it?? Loved it more!
5 stars for the narration, my wish list just got a whole lot longer with Mr Furlong's books on it!
*Original Review*
Stealing the tagline from the official blurb, because it is just the perfect tagline I have ever come across!
What if your dream will cost you the man who's stolen your heart?
Reuben Taylor has a choice to make. Cameron Wano is that choice.
I'm struggling to say what I want to about this book, because I FREAKING loved it! So if this review runs away with the fairies, I apologise. I shall try to make a coherent sentence or two!
Reuben is so far in the closet, it's pitch black in his life. His brother is an alcoholic, trying to look after a small child, and his father is (in my humble opinion) an utter douchbag of a man. One kiss with Cameron and Reuben is scared. Scared of what could be, but also, scared of what could NEVER be.
Cam is well aware of his status with the rugby team his brother plays for. He is out and PROUD and loud about it. But becoming Reuben's friend is far more important than the possibility of losing Reuben altogether. When things spiral downwards, and passion between the two men spins out of control, Reuben has to make the one choice he never wanted to: his rugby career, or Cameron.
So, I make no bones that I am not a fan of first person books, especially if they are multi point of view. This book is written as such. But both Reuben and Cam have such distinct voices, it took me a while to actually figure out this was a first person book! So well done to Ms Hogan for that one.
I read this book in one sitting. It's not a short book, some three hundred pages. But I started it at 7pm, and did not stop til I ran out of book.
And I went through the whole gamut of human emotion and then some! I tell ya, this book has funny spots, dark spots, scary spots, sexy bits (so much with the sexy bits!) and points along the way that garnered so much rage out of me, had Reuben's father been around, that man would be flat on his back! You can't blame Reuben's brother for what he is doing to Reuben, because he really is not coping and not getting the correct help he and his son need, but I did want to punch him a time or two, too.
But it's not just Reuben who has such extreme's of emotions. Cam does too. He did all the "in the closet thing" and swore never to again. Which is why he decides Reuben needs him to be his friend. But Cam's emotions run away with him, and he can't stop the avalanche of feelings he gets every time he touches Reuben, even if it's just a brush past, or something. He didn't have the difficult upbringing Reuben did, his family love him just as he is, but he can understand why Reuben is hiding. It HURTS Cam, but he gets it.
But ultimately, it isn't something Reuben or Cam does that outs them, someone else does that. And the fall out?? Well, let's just say, I was very surprised about that! In a good way!
There is a wedding in this book, that Cam and Reuben attend (not together!): Michael and Josh work with Cam at the hospital. Cam says some things about these two guys that make me want to go back and read THEIR book, First Impressions. It's a stand alone to this one, but my interest is piqued and I will go back, at some point, and read. THAT book is Ms Hogan's first, that I can see. And THIS one, her second.
I'm a-gonna be following this one, I reckon!
5 emotional, gut wrenching stars!
**same worded review will appear elsewhere**
*Edited to add the review for the AUDIO version.*
Gary Furlong narrates.
Now, I gotta say this. After listening to audio books for a good while now, I've noticed an influx of NON-American narrators. And I LOVE that, I really do. But Furlong narrates this book in the New Zealand accent, quite correctly, since that is where Reuben and Cam are from, and it just takes a little getting used to! This is the first I've listen to of his work, and I have to say, he NAILS this one!
Furlong gets over every single feeling, emotion, internal wrangling these guys have, and it's painful listening, it really is. It was difficult reading, but hearing it?? Oh Lord I wanted to wrap them both up and look after them so bad! And Reuben's dad?? He headed for another punching!
The emotions in the guy's voices, especially since this is first person, is amazing, and I had to stop what I was doing a time or two, to just LISTEN, you know? To hear the heartbreak pouring out for them, the rage, the passion, and finally, all that love.
I did have a little chuckle though. Michael (from book one, First Impressions, pops up. Michael is American, and it took me a little while to figure out why he sounded all kinds of wrong. It's because of that! His American accent, in the midst of all these New Zealand ones was odd, is all.
I loved this book when I read it, and listening to it?? Loved it more!
5 stars for the narration, my wish list just got a whole lot longer with Mr Furlong's books on it!
*Original Review*
Stealing the tagline from the official blurb, because it is just the perfect tagline I have ever come across!
What if your dream will cost you the man who's stolen your heart?
Reuben Taylor has a choice to make. Cameron Wano is that choice.
I'm struggling to say what I want to about this book, because I FREAKING loved it! So if this review runs away with the fairies, I apologise. I shall try to make a coherent sentence or two!
Reuben is so far in the closet, it's pitch black in his life. His brother is an alcoholic, trying to look after a small child, and his father is (in my humble opinion) an utter douchbag of a man. One kiss with Cameron and Reuben is scared. Scared of what could be, but also, scared of what could NEVER be.
Cam is well aware of his status with the rugby team his brother plays for. He is out and PROUD and loud about it. But becoming Reuben's friend is far more important than the possibility of losing Reuben altogether. When things spiral downwards, and passion between the two men spins out of control, Reuben has to make the one choice he never wanted to: his rugby career, or Cameron.
So, I make no bones that I am not a fan of first person books, especially if they are multi point of view. This book is written as such. But both Reuben and Cam have such distinct voices, it took me a while to actually figure out this was a first person book! So well done to Ms Hogan for that one.
I read this book in one sitting. It's not a short book, some three hundred pages. But I started it at 7pm, and did not stop til I ran out of book.
And I went through the whole gamut of human emotion and then some! I tell ya, this book has funny spots, dark spots, scary spots, sexy bits (so much with the sexy bits!) and points along the way that garnered so much rage out of me, had Reuben's father been around, that man would be flat on his back! You can't blame Reuben's brother for what he is doing to Reuben, because he really is not coping and not getting the correct help he and his son need, but I did want to punch him a time or two, too.
But it's not just Reuben who has such extreme's of emotions. Cam does too. He did all the "in the closet thing" and swore never to again. Which is why he decides Reuben needs him to be his friend. But Cam's emotions run away with him, and he can't stop the avalanche of feelings he gets every time he touches Reuben, even if it's just a brush past, or something. He didn't have the difficult upbringing Reuben did, his family love him just as he is, but he can understand why Reuben is hiding. It HURTS Cam, but he gets it.
But ultimately, it isn't something Reuben or Cam does that outs them, someone else does that. And the fall out?? Well, let's just say, I was very surprised about that! In a good way!
There is a wedding in this book, that Cam and Reuben attend (not together!): Michael and Josh work with Cam at the hospital. Cam says some things about these two guys that make me want to go back and read THEIR book, First Impressions. It's a stand alone to this one, but my interest is piqued and I will go back, at some point, and read. THAT book is Ms Hogan's first, that I can see. And THIS one, her second.
I'm a-gonna be following this one, I reckon!
5 emotional, gut wrenching stars!
**same worded review will appear elsewhere**
Gareth von Kallenbach (971 KP) rated Alien: Covenant (2017) in Movies
Jun 19, 2019
Ridley Scott has followed “Prometheus” with the film that eschews the is it or isn’t it a prequel question by firmly establishing its ties to his landmark film “Alien”. The title of the film “Alien Covenant” leaves little doubt as to what franchise this film is connected to and does a very solid job of connecting elements of the franchise without being as nebulous, divisive, and confusing as its predecessor.
The film follows a colony ship named Covenant which is on an extended mission of colonization approximately 7 years away from their destination. A crew of 15 watches over approximately 2000 colonist and frozen embryos as they attempt to build a new life on a distant world. When an unexpected event jeopardizes the ship the crew was revived and forced into action to deal with the unexpected consequences that have arisen. The ship synthetic lifeform named Walter (Michael Fassbender), and crew quickly assess the damage and plot a course to repair the ship and continue on their journey.
During the course of the repairs a garbled transmission is discovered by the ship’s pilot Tennessee “Danny McBride”. What appears to be a human transmission only a relatively short distance away from the ship is too enticing to pass up for Captain Oram (Billy Crudup), even though ship’s officer Daniels (Katherine Waterston), believes that it is simply too good to be true and questions how a planet that seems to meet all of their needs alluded their initial scans. Undaunted, the ship set up to explore the mysterious planet and find a beautiful world that seems to be an ideal fit for colonization. Things take an unexpected change when a dangerous situation arises and before long the crew finds themselves facing an unexpected series of dangers of horrors and unable to evacuate thanks to a violent storm in the area.
They are eventually taken in by the android David (Michael Fassbender), who relays that he has been stranded on planet 10 years following the events of the Prometheus mission. David bonds with his “brother” Walter will the crew try to make sense of the situation as they believe there is much more to the story than they have been told.
When much larger dangers arise the crew must rally to survive against a nightmare situation that has the potential to threaten not only their ship and crew but perhaps all of humanity.
This time out director Ridley Scott has not shied away from giving fans deadly creatures and action that many felt was sadly missing from “Prometheus”. While the film certainly isn’t in the same caliber as “Alien” and “Aliens”, I did find it more enjoyable than the two subsequent films that followed and significantly more enjoyable than “Prometheus”. Yes there are still some nebulous elements to the story that will hopefully be addressed in the subsequent films and one could argue that a good portion of this film was basically a set up for the next film that his planned follow-up. However very strong performances by Fassbender, McBride, and Waterston, as well as the incredible visual effects and highly detailed sets really make this a fun and exciting adventure. While most of the cast does exist is little more than fodder for the various dangers in the film there is effort given to at least give them a little bit of back story and relate ability so you have some sympathy towards their outcome. The mixing of new and familiar creatures bodes very well for the future the franchise and the film was gripping from start to finish and certainly provided plenty of entertainment.
I really love the look of the ship and was intrigued by the potential that the film established as toward the direction of the series. While it does tread on some of the thematic elements of the previous films such as the whole nature of creation and existence, it is not as heavy handed and cerebral and finds a much better balance between horror, action, science fiction, and metaphysical questions.
From a fans perspective this is much more of the film that I was expecting when “Prometheus” was first announced and hopefully this is a very good omen for the direction that future films will follow since the intention has been established of linking the new films to the events of the original movie. If you are fan of the series you will definitely want to check this out as it has been my favorite film of the summer to date and I look forward to seeing it again soon.
http://sknr.net/2017/05/16/alien-covenant/
The film follows a colony ship named Covenant which is on an extended mission of colonization approximately 7 years away from their destination. A crew of 15 watches over approximately 2000 colonist and frozen embryos as they attempt to build a new life on a distant world. When an unexpected event jeopardizes the ship the crew was revived and forced into action to deal with the unexpected consequences that have arisen. The ship synthetic lifeform named Walter (Michael Fassbender), and crew quickly assess the damage and plot a course to repair the ship and continue on their journey.
During the course of the repairs a garbled transmission is discovered by the ship’s pilot Tennessee “Danny McBride”. What appears to be a human transmission only a relatively short distance away from the ship is too enticing to pass up for Captain Oram (Billy Crudup), even though ship’s officer Daniels (Katherine Waterston), believes that it is simply too good to be true and questions how a planet that seems to meet all of their needs alluded their initial scans. Undaunted, the ship set up to explore the mysterious planet and find a beautiful world that seems to be an ideal fit for colonization. Things take an unexpected change when a dangerous situation arises and before long the crew finds themselves facing an unexpected series of dangers of horrors and unable to evacuate thanks to a violent storm in the area.
They are eventually taken in by the android David (Michael Fassbender), who relays that he has been stranded on planet 10 years following the events of the Prometheus mission. David bonds with his “brother” Walter will the crew try to make sense of the situation as they believe there is much more to the story than they have been told.
When much larger dangers arise the crew must rally to survive against a nightmare situation that has the potential to threaten not only their ship and crew but perhaps all of humanity.
This time out director Ridley Scott has not shied away from giving fans deadly creatures and action that many felt was sadly missing from “Prometheus”. While the film certainly isn’t in the same caliber as “Alien” and “Aliens”, I did find it more enjoyable than the two subsequent films that followed and significantly more enjoyable than “Prometheus”. Yes there are still some nebulous elements to the story that will hopefully be addressed in the subsequent films and one could argue that a good portion of this film was basically a set up for the next film that his planned follow-up. However very strong performances by Fassbender, McBride, and Waterston, as well as the incredible visual effects and highly detailed sets really make this a fun and exciting adventure. While most of the cast does exist is little more than fodder for the various dangers in the film there is effort given to at least give them a little bit of back story and relate ability so you have some sympathy towards their outcome. The mixing of new and familiar creatures bodes very well for the future the franchise and the film was gripping from start to finish and certainly provided plenty of entertainment.
I really love the look of the ship and was intrigued by the potential that the film established as toward the direction of the series. While it does tread on some of the thematic elements of the previous films such as the whole nature of creation and existence, it is not as heavy handed and cerebral and finds a much better balance between horror, action, science fiction, and metaphysical questions.
From a fans perspective this is much more of the film that I was expecting when “Prometheus” was first announced and hopefully this is a very good omen for the direction that future films will follow since the intention has been established of linking the new films to the events of the original movie. If you are fan of the series you will definitely want to check this out as it has been my favorite film of the summer to date and I look forward to seeing it again soon.
http://sknr.net/2017/05/16/alien-covenant/
Movie Metropolis (309 KP) rated Kingsman: The Secret Service (2015) in Movies
Jun 10, 2019
Simply Brilliant
Director Matthew Vaughn has brought some visually striking films to the big screen in his fairly short career, from the brilliant Layer Cake, to the movie which many credit as saving the X-Men franchise, First Class, he certainly knows his way around a camera.
However, Kingsman: The Secret Service is probably his riskiest proposition yet. Can a dark comedy about upper-class British spies with their tailor-made suits compete with the very best films in the genre?
Thankfully the answer is a resounding yes. The spectacular cinematography and fantastic performances in Kingsman ensure it is one of the most memorable and cleverly crafted blockbusters of the last decade.
The film follows the story of underprivileged Eggsy, played wonderfully by Taron Egerton in his first full role, as he does his best to join The Kingsmen, a secret society of spies working to bring down evil in the world.
An absolutely marvellous Colin Firth and a slightly underused Michael Caine also play part of this group – possibly creating the poshest ensemble of characters seen in a film for years.
Naturally a spy flick isn’t complete without a villain and Samuel L Jackson is on course here to become one of the cheesiest megalomaniacs ever put to the big screen. His deliberately camp performance goes well with the dark humour throughout.
Kingsman is also genuinely funny and a real treat to watch with explosive, over-the-top visuals and beautiful scenery which utilises what the world has to offer rather than delving into the CGI drawer many directors employ nowadays.
It all feels decidedly old fashioned and all the better for it with an almost grainy quality to the production – think The Avengers TV series but with a higher budget.
The plot is top notch and whilst it may border on cliché at times, Kingsman manages to steer the story in enough directions to make sure the audience never settles into a rut, the use of our reliance on modern technology being a particular highlight.
Special effects wise, it holds up well with most other blockbusters and has just a few lapses in CGI at the start and towards the riveting finale,Taron_Egerton_SDCC_2014 though these are barely noticeable if you’re not looking hard enough.
Moreover, it is a true pleasure to sit in a film and not wonder what the producers had to cut to achieve a crowd-pleasing 12A certification. Kingsman pulls no punches, this is a violent rollercoaster ride and well deserves the BBFC 15 rating it has been given. Whether or not this hurts its box-office performance remains to be seen.
Overall, Kingsman: The Secret Service is one of the only films which combines the ever-popular spy genre with comedy and manages to keep its dignity in tact as the end credits role.
So many films, Johnny English: Reborn and Get Smart to name a couple, simply delve into slapstick territory once the writers run out of ideas – this isn’t the case here.
From its exciting plot and brutally dark humour, to the engaging performances from every single character, Kingsman: The Secret Service is simply brilliant.
https://moviemetropolis.net/2015/01/30/simply-brilliant-kingsman-the-secret-service-review/
However, Kingsman: The Secret Service is probably his riskiest proposition yet. Can a dark comedy about upper-class British spies with their tailor-made suits compete with the very best films in the genre?
Thankfully the answer is a resounding yes. The spectacular cinematography and fantastic performances in Kingsman ensure it is one of the most memorable and cleverly crafted blockbusters of the last decade.
The film follows the story of underprivileged Eggsy, played wonderfully by Taron Egerton in his first full role, as he does his best to join The Kingsmen, a secret society of spies working to bring down evil in the world.
An absolutely marvellous Colin Firth and a slightly underused Michael Caine also play part of this group – possibly creating the poshest ensemble of characters seen in a film for years.
Naturally a spy flick isn’t complete without a villain and Samuel L Jackson is on course here to become one of the cheesiest megalomaniacs ever put to the big screen. His deliberately camp performance goes well with the dark humour throughout.
Kingsman is also genuinely funny and a real treat to watch with explosive, over-the-top visuals and beautiful scenery which utilises what the world has to offer rather than delving into the CGI drawer many directors employ nowadays.
It all feels decidedly old fashioned and all the better for it with an almost grainy quality to the production – think The Avengers TV series but with a higher budget.
The plot is top notch and whilst it may border on cliché at times, Kingsman manages to steer the story in enough directions to make sure the audience never settles into a rut, the use of our reliance on modern technology being a particular highlight.
Special effects wise, it holds up well with most other blockbusters and has just a few lapses in CGI at the start and towards the riveting finale,Taron_Egerton_SDCC_2014 though these are barely noticeable if you’re not looking hard enough.
Moreover, it is a true pleasure to sit in a film and not wonder what the producers had to cut to achieve a crowd-pleasing 12A certification. Kingsman pulls no punches, this is a violent rollercoaster ride and well deserves the BBFC 15 rating it has been given. Whether or not this hurts its box-office performance remains to be seen.
Overall, Kingsman: The Secret Service is one of the only films which combines the ever-popular spy genre with comedy and manages to keep its dignity in tact as the end credits role.
So many films, Johnny English: Reborn and Get Smart to name a couple, simply delve into slapstick territory once the writers run out of ideas – this isn’t the case here.
From its exciting plot and brutally dark humour, to the engaging performances from every single character, Kingsman: The Secret Service is simply brilliant.
https://moviemetropolis.net/2015/01/30/simply-brilliant-kingsman-the-secret-service-review/
Movie Metropolis (309 KP) rated Dad's Army (2016) in Movies
Jun 11, 2019
Full of wasted British talent
I may be fairly young in years, but I grew up around comedies like Only Fools & Horses, One Foot in the Grave and of course Dad’s Army. I remember many evenings sitting at home with my dad as he cried with laughter at all three, though it was the latter’s influence that stuck with me the most.
Now, Dad’s Army like so many classic TV shows is getting the silver screen treatment, but does this modern-day reimagining, with an all-star British cast live up to the series that delighted so many for so long?
The movie adaptation of Dad’s Army follows on from the TV series, taking place just before the Second World War comes to an end. In Walmington-On-Sea, the Home Guard, led by Captain Mainwaring must track down a German spy, who is intent on swaying the war in their favour.
A whole host of British talent, young and old, star and each and every one of them slots perfectly into the well-worn shoes of classic characters. From Michael Gambon’s effervescent performance as Godfrey and Toby Jones’ faithful portrayal of Mainwaring to Inbetweeners star Blake Harrison taking on the role of Pike, it feels as though the casting team really put a lot of thought into getting the characteristics right.
It doesn’t stop there, Welsh beauty Catherine Zeta Jones, TV favourite Sarah Lancashire and Victor Meldrew’s long-suffering wife Margaret (Annette Crosbie) all make appearances for the fairer sex, with each bringing something to the table.
The scenery is beautiful, filmed just a couple of hours up the road in Bridlington, East Yorkshire, the normally vibrant seaside town is transformed into 1940s Walmington with an enviable amount of detail. Elsewhere, the White Cliffs of Dover are replicated exceptionally at Flamborough on the east coast.
Unfortunately, the story is a little on the light side, barely managing to stretch to the film’s slightly overlong running time. This is an issue that blights many TV to film projects and it feels like this unbelievably talented cast is somewhat wasted with a fairly run-of-the-mill plot.
It also feels like the comedy is on rations. Yes, it’s nostalgic with constant references to its small-screen counterpart, but it comes across like the producers were too busy trying to shoehorn as many elements of the TV series into the film, without concentrating on what Dad’s Army was all about – laughs.
Nevertheless, there is plenty to enjoy despite a lack of giggles. The acting is, as said previously, remarkable with fans of the series and newcomers alike being able to enjoy the warm, typically British feeling these thespians bring to the film.
Overall, Dad’s Army is a decent, albeit slightly underwhelming, effort in bringing one of the most popular TV shows of all time to the big screen. Its talent and casting are undeniable and the filming style is very impressive, but a lack of attention to the plot and a comedy drought stop it short of achieving what it clearly set out to do.
https://moviemetropolis.net/2016/02/07/full-of-wasted-british-talent-dads-army-review/
Now, Dad’s Army like so many classic TV shows is getting the silver screen treatment, but does this modern-day reimagining, with an all-star British cast live up to the series that delighted so many for so long?
The movie adaptation of Dad’s Army follows on from the TV series, taking place just before the Second World War comes to an end. In Walmington-On-Sea, the Home Guard, led by Captain Mainwaring must track down a German spy, who is intent on swaying the war in their favour.
A whole host of British talent, young and old, star and each and every one of them slots perfectly into the well-worn shoes of classic characters. From Michael Gambon’s effervescent performance as Godfrey and Toby Jones’ faithful portrayal of Mainwaring to Inbetweeners star Blake Harrison taking on the role of Pike, it feels as though the casting team really put a lot of thought into getting the characteristics right.
It doesn’t stop there, Welsh beauty Catherine Zeta Jones, TV favourite Sarah Lancashire and Victor Meldrew’s long-suffering wife Margaret (Annette Crosbie) all make appearances for the fairer sex, with each bringing something to the table.
The scenery is beautiful, filmed just a couple of hours up the road in Bridlington, East Yorkshire, the normally vibrant seaside town is transformed into 1940s Walmington with an enviable amount of detail. Elsewhere, the White Cliffs of Dover are replicated exceptionally at Flamborough on the east coast.
Unfortunately, the story is a little on the light side, barely managing to stretch to the film’s slightly overlong running time. This is an issue that blights many TV to film projects and it feels like this unbelievably talented cast is somewhat wasted with a fairly run-of-the-mill plot.
It also feels like the comedy is on rations. Yes, it’s nostalgic with constant references to its small-screen counterpart, but it comes across like the producers were too busy trying to shoehorn as many elements of the TV series into the film, without concentrating on what Dad’s Army was all about – laughs.
Nevertheless, there is plenty to enjoy despite a lack of giggles. The acting is, as said previously, remarkable with fans of the series and newcomers alike being able to enjoy the warm, typically British feeling these thespians bring to the film.
Overall, Dad’s Army is a decent, albeit slightly underwhelming, effort in bringing one of the most popular TV shows of all time to the big screen. Its talent and casting are undeniable and the filming style is very impressive, but a lack of attention to the plot and a comedy drought stop it short of achieving what it clearly set out to do.
https://moviemetropolis.net/2016/02/07/full-of-wasted-british-talent-dads-army-review/