8-BIT CHRISTMAS (2021)
6.5
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Movie
In 1980s Chicago, a 10-year-old sets out on a quest to get the Christmas gift of his generation: the...
Timmy Failure: Mistakes Were Made (2020)
6.0
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Movie
An 11-year-old boy who believes that he is the best detective in town runs the agency Total...
Timmy Failure
Max Winslow and the House of Secrets (2019)
7.0
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Movie
Five teens compete to win a mansion owned by an eccentric billionaire. The night takes a dark turn...
Police Academy (1984)
7.6
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It's the hit comedy that started it all, a wickedly offbeat look at law, disorder and justice,...
Terence Rattigan: The Man and His Work
Book
'Rattigan's work is a sustained assault on English Middle-Class Values: fear of Emotional...
The Art of Football: The Early Game in the Golden Age of Illustration
Book
The Art of Football is a singular look at early college football art and illustrations. This...
Mark @ Carstairs Considers (2072 KP) rated The Scarecrow (Jack McEvoy #2) in Books
Apr 18, 2021
I enjoyed Jack and Rachel’s first book, so I was glad to finally get to their second novel. They make a great team, and their characters are as strong as ever. The rest of the cast is just as great. The mystery is full of twists and thrills, and I always had a hard time putting the book down. The book did get a bit too far into the details a couple of times for my taste, but fortunately, those scenes didn’t last long. I do wish that author Michael Connelly would figure out a way to set up his climatic set pieces without stopping the story to give us data dumps. It’s always obvious when that happens, too. It’s a minor issue, but still something that makes me rolls my eyes. Overall, this is a strong thriller that kept me engaged until I reached the end.
Lee (2222 KP) rated Max Winslow and the House of Secrets (2019) in Movies
Oct 13, 2020
Max heads into school, where we’re introduced to some more teens who are set to join her later on, including a social-media obsessed girl, a boy addicted to gaming and a boy who enjoys trolling people online. As they settle down at their desks, the face of eccentric billionaire Atticus Virtue (Chad Michael Murray) takes over all of the TV screens throughout the school. He tells them that five students are to be selected to spend the night in his high tech mansion, and undertake a series of games, with the winner becoming the new owner of the mansion. When the confirmation text messages start coming through to the student phones later that day, we already know most of those that receive the big green tick on their screens, so they head off to the mansion, ready to spend the night.
Atticus himself isn’t at the mansion to greet the group. Instead, an AI named Haven (voiced by Marina Sirtis) opens the door for them, orders a takeaway delivery and gives them their instructions for the night. Basically, whoever solves the most puzzles and earns the highest score wins the mansion!
The puzzles start off ridiculously hard, with a locked door requiring a six-digit code to open, and only three attempts allowed. Max spots three jars of candy in the room and automatically decides that the total pieces of candy in each jar can be combined into a six-digit number, obviously. And you’re not supposed to think about how she managed to get them in the right order, or why the plate of cookies on the table wasn’t included in the code…
From there, the points come a lot easier for the team, such as simply putting on a pair of sunglasses(!), before turning slightly sinister as the group separates and everyone heads off on their own. Haven begins to go a little bit rogue, although with her monotone delivery of thinly veiled threats, she never really comes across as scary as I think she is meant to be. The games become a way of showing each individual the error of their ways - narcissistic Sophia is trapped in a bathroom talking to her mirror reflection, which has now turned into a nastier version of herself, while others are trapped in VR scenarios designed to show them where they’ve gone wrong in life.
It’s at this point that the movie struggles. The VR recreations are mostly dull, while other scenes utilise some pretty dodgy VFX and there’s never any real feeling of peril or threat. The young cast, for the most part, give some pretty good performances. However, with a mediocre script, none of them is really given very much to work with. Consequently, some of them, particularly the character of Max, feel a little wasted, not fleshed out enough.
While entertaining at times, Max Winslow and the House of Secrets is too scary for young children and not dramatic or scary enough for adults to really enjoy. Hopefully, though, the teen audience that this is squarely aimed at will pick up on the strong moral messages at the heart of the movie and will manage to gain some enjoyment from it.