Search
LeftSideCut (3778 KP) rated Sin City (2005) in Movies
Jan 7, 2021 (Updated Jan 11, 2021)
I absolutely adored Sin City when it first released way back in 2005, and I still do to a point, albeit a little less than I used to.
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
Sound Sleeper: White Noise
Health & Fitness and Lifestyle
App
Help your baby relax and drift gently off to sleep with real sounds of nature and the city - also...
Genuine sympathy for Katy Tur
Katy Tur gives you an inside look at the strangest political campaign, maybe in history. Following Donald Trump during his presidential campaign, Tur had the unfortunate task of interviewing Trump or dealing with his chief aids throughout this period.
Tur tells us what it was like reporting on an exhaustive daily basis and of how she felt on a professional basis and personal level. As a female journalist, she became a target for his bullying and outright 'weird' behaviour at times. She shares with us how she felt being singled out at rallies for ridicule and hateful remarks by the then presidential candidate, and of how vulnerable she and her colleagues felt at one particular venue when the behaviour of a baying mob of loyal supporters had been supported and even encouraged by Trump.
Packed amidst the vengeful, rhetoric of Trump's speeches or condemnation of pretty much anyone distasteful to his sensibilities Tur manages to inject a fair amount of humour in the form of her inner dialogue which lightens what could have been an overbearing political tirade.
Intelligently written, fast paced, and intensely compelling, I was engrossed, fascinated and repulsed in equal measure by the book. While it doesn't shed any new light on Trump's character, it vindicates much of what is said in Michael Woolf's controversial book Fire and Fury.
Tur tells us what it was like reporting on an exhaustive daily basis and of how she felt on a professional basis and personal level. As a female journalist, she became a target for his bullying and outright 'weird' behaviour at times. She shares with us how she felt being singled out at rallies for ridicule and hateful remarks by the then presidential candidate, and of how vulnerable she and her colleagues felt at one particular venue when the behaviour of a baying mob of loyal supporters had been supported and even encouraged by Trump.
Packed amidst the vengeful, rhetoric of Trump's speeches or condemnation of pretty much anyone distasteful to his sensibilities Tur manages to inject a fair amount of humour in the form of her inner dialogue which lightens what could have been an overbearing political tirade.
Intelligently written, fast paced, and intensely compelling, I was engrossed, fascinated and repulsed in equal measure by the book. While it doesn't shed any new light on Trump's character, it vindicates much of what is said in Michael Woolf's controversial book Fire and Fury.
Madbatdan82 (341 KP) rated Brightburn (2019) in Movies
Jul 6, 2019
Dark Justice anyone??
First thing to clear up - This is a comic book film. The premise - what if Superman wasnt all about truth, justice and the American way? Familiar story - couple discover crashed spaceship with baby inside and raise him as their own. As child gets older it starts to realise it has powers but rather than use them for good he uses them for his own gain. All the performances are excellent but the one thing the really surprised me is the gore. There are 3 scenes in particular that are possibly the best gore I've scene in years - an eye, a jaw and the first time we've ever seen heat vision to the face properly in live action...now this part involves some SPOILERS - this was written by James Gunn's brothers and produced by Gunn himself. This is an audition for Gunn to direct a Dark Justice League film. This is further teased at the end during Michael Rookers news program where he talks about other threats and shows rough drawings and describes wonder woman, batman and Martian manhunter - obviously not by name as it's not a DC film. Yet! This needs to be made - give the Gunn's the keys and let's start a new Dark DC universe! I'm in!!
GO
Getting on ...: Reflections on Life
Book
Charming, handsome, debonair, all-action and - unbelievably - Getting On. In this warm and engaging...
James Koppert (2698 KP) rated Hollywood Wants To Kill You: The Peculiar Science of Death in the Movies in Books
Oct 14, 2019
After the success of Science(ish):The Peculiar Science Behind the Movies, Dr Michael Brooks and Rick Edwards return with Hollywood Wants to Kill You: The Peculiar Science of Death in The Movies. Admittedly at first I was a little reluctant, it sounded a bit too geeky for its own good, so I thought I would read a sample and I couldn't stop. This book is absolutely brilliant. Hollywood wanting to kill you is used in loose terms simply as an excuse to discuss extraordinary and utterly fascinating science to you, from plants that learn, to uploading your brain mapping, to the threat of asteroids. There is not one dull moment in this book and you will find yourself discussing awe inducing facts to anyone that will listen.
Not only is it fascinating, but it is also funny and is written and explained in ways that make it accessible no matter complicated the theories inside. I could easily sit and read this book again just so I can absorb even more of the amazing world contained in these pages but I promised to pass it on to my fourteen year old son who is also going to love this book.
A mind blowing adventure of a book delivered in a fun way. I can't rate or recommend this book any higher.
Not only is it fascinating, but it is also funny and is written and explained in ways that make it accessible no matter complicated the theories inside. I could easily sit and read this book again just so I can absorb even more of the amazing world contained in these pages but I promised to pass it on to my fourteen year old son who is also going to love this book.
A mind blowing adventure of a book delivered in a fun way. I can't rate or recommend this book any higher.
Immoral (Jonathan Stride, #1)
10.0
Rate It
Book
In a moral world... murder is the ultimate crime... Brian Freeman, author of The Night Bird and...
Whatchareadin (174 KP) rated If I Fall, If I Die in Books
May 10, 2018
Will Cardiel and his mother live together in Thunder Bay. To Will's knowledge, he has never been outside of his house. He has never been to school, never had a friend, and has never been to a family members for the holiday. His mother has taught him everything; how to create masterpieces on canvas, how to write a check and how to answer the door for all the different delivery people who visit their house.
When Will hears a loud bag Outside, he is determined to find out what it is and why his mother insists he stays Inside. Will's Mom, Diane, is agoraphobic and the idea of Will or herself going Outside sends her to a place, Will calls the Black Lagoon. When Will finally makes it Outside, he's not sure what the big deal is. He find himself on the Outside more and his mom gets sucked deeper into the Black Lagoon.
Michael Christie writes an interesting quirky novel that keeps the reader guessing about where they are. While the location of most of the book takes place in the town of Thunder Bay in Canada, but the Cardiel's have named each room in their house after a major city. The Basement is Toronto, the Kitchen is Paris, Will's Room is New York, Diane's Room is San Francisco, the Living Room is Cairo and the Bathroom is Venice. Inside and Outside are capitalized throughout the book as if they also are their own little towns.
I have never met anyone who has agoraphobia before. Diane reminded me of Joan Cusak's character on the show Shameless. When she was first introduced into the show, she could not leave her house.
While Will is Outside, Diane tries all she can to relax. Will these two be able to both live their lives in a reasonable manner? Is there any way for Will to enjoy the Outside without sending his mother so far into the Black Lagoon, she may never return. This is a beautifully written book, but it gave me many mixed emotions throughout.
**I received this book from Blogging for Books in exchange for my honest review.**
When Will hears a loud bag Outside, he is determined to find out what it is and why his mother insists he stays Inside. Will's Mom, Diane, is agoraphobic and the idea of Will or herself going Outside sends her to a place, Will calls the Black Lagoon. When Will finally makes it Outside, he's not sure what the big deal is. He find himself on the Outside more and his mom gets sucked deeper into the Black Lagoon.
Michael Christie writes an interesting quirky novel that keeps the reader guessing about where they are. While the location of most of the book takes place in the town of Thunder Bay in Canada, but the Cardiel's have named each room in their house after a major city. The Basement is Toronto, the Kitchen is Paris, Will's Room is New York, Diane's Room is San Francisco, the Living Room is Cairo and the Bathroom is Venice. Inside and Outside are capitalized throughout the book as if they also are their own little towns.
I have never met anyone who has agoraphobia before. Diane reminded me of Joan Cusak's character on the show Shameless. When she was first introduced into the show, she could not leave her house.
While Will is Outside, Diane tries all she can to relax. Will these two be able to both live their lives in a reasonable manner? Is there any way for Will to enjoy the Outside without sending his mother so far into the Black Lagoon, she may never return. This is a beautifully written book, but it gave me many mixed emotions throughout.
**I received this book from Blogging for Books in exchange for my honest review.**
Wicked Beyond Belief: The Hunt for the Yorkshire Ripper
Book
Revelatory investigation into the police handling of the Yorkshire Ripper Case which spanned over 14...
CSI: Crime Scene Investigation - Season 3
TV Season
Grissom begins to suffer from hearing loss ("Inside the Box"), as Catherine faces the possibility of...