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Lenard (726 KP) rated Downton Abbey (2019) in Movies
Sep 23, 2019
A highly entertaining distraction that continues the story of Grantham Manor seen on PBS. A cast of dozens take turns in the spotlight, but mostly Michelle Dockery, Joanne Froggatt, and Allen Leech get the screen time. The King and Queen of Great Britain are visiting the Yorkshire countryside and send word that they will be staying at Downton Abbey. This sends the manor house into a frenzy as preparations must be made and old conflicts get settled. Similar to Gosford Park, Julian Fellowes's earlier film on the happennings of the upstairs, downstairs crowds, a secret affair is revealed in time. A quality waste of time, but some of the plots are settled too quickly and some plots linger so long that a sequel may be written already.
Gareth von Kallenbach (965 KP) rated Downton Abbey (2019) in Movies
Sep 16, 2019
The King and Queen, His Royal Highness, King George V and Queen Mary are visiting Downton Abbey! This is the premise set for the grand cinematic conclusion of the very popular BBC/PBS series that has told the saga of the Crawley family.
Robert Crawley, the Earl of Grantham (Hugh Bonneville) will host the King and Queen for one night as they tour the country. This starts the frenzy of preparation at Downton Abbey. The entire cast from the television series returns to wrap up the epic tale of the family led by the Dowager Countess of Grantham (Dame Maggie Smith as the stoic, protective and acid tongued head of the Crawley Family). We get to view the intrigue and subterfuge that has been built upon the ages as the players in the game, maneuver their way through the challenges of royal protocol.
The daily run of Downton has been passed down to Lady Mary Talbot (Michelle Dockery), who now needs to insure that the house is in order and passes the inspection of the Royal Servants of the King. The kitchen is all a twitter with plans and preparation for shopping and meals. Come to find that the King and Queen has their own travelling butler and ladies maid that arrive beforehand to establish the household in order to provide the crown with the comforts that they are accustomed.
This film has been eagerly anticipated since the last season had aired. Fans all around the world have been waiting for this to wrap up the loose ends from the closing season of the television series. The film does exactly that. Taking each thread and weaving a complete conclusion of the stories that compelled millions around the world to stay tuned.
For those who have not seen the series but are wrangled to watch the movie, you will find the charm, elegance, humour and wit applied to the story. One is not required to have watched any, if all of the episodes of Downton in order to enjoy the storyline. The film is perfectly entertaining as a standalone film. Each character so well crafted and beautifully acted by the ensemble.
I recommend taking your favorite Downton fan to the cinema for an evening of grand proportions, romantic notions, charm and the glamour of 1927 England. Thoroughly enjoyable with or without previous show knowledge.
5 out of 5 for fans
4 out of 5 for non fans
Robert Crawley, the Earl of Grantham (Hugh Bonneville) will host the King and Queen for one night as they tour the country. This starts the frenzy of preparation at Downton Abbey. The entire cast from the television series returns to wrap up the epic tale of the family led by the Dowager Countess of Grantham (Dame Maggie Smith as the stoic, protective and acid tongued head of the Crawley Family). We get to view the intrigue and subterfuge that has been built upon the ages as the players in the game, maneuver their way through the challenges of royal protocol.
The daily run of Downton has been passed down to Lady Mary Talbot (Michelle Dockery), who now needs to insure that the house is in order and passes the inspection of the Royal Servants of the King. The kitchen is all a twitter with plans and preparation for shopping and meals. Come to find that the King and Queen has their own travelling butler and ladies maid that arrive beforehand to establish the household in order to provide the crown with the comforts that they are accustomed.
This film has been eagerly anticipated since the last season had aired. Fans all around the world have been waiting for this to wrap up the loose ends from the closing season of the television series. The film does exactly that. Taking each thread and weaving a complete conclusion of the stories that compelled millions around the world to stay tuned.
For those who have not seen the series but are wrangled to watch the movie, you will find the charm, elegance, humour and wit applied to the story. One is not required to have watched any, if all of the episodes of Downton in order to enjoy the storyline. The film is perfectly entertaining as a standalone film. Each character so well crafted and beautifully acted by the ensemble.
I recommend taking your favorite Downton fan to the cinema for an evening of grand proportions, romantic notions, charm and the glamour of 1927 England. Thoroughly enjoyable with or without previous show knowledge.
5 out of 5 for fans
4 out of 5 for non fans
BankofMarquis (1832 KP) rated The Gentlemen (2020) in Movies
Jun 27, 2020
Clever and Inventive
Ever since he burst onto the film scene with back-to-back interesting British Mob movies LOCK, STOCK & TWO SMOKING BARRELS and SNATCH, Director Guy Ritchie has had a "hit and miss" track record (including the Madonna-starring, Razzie-Award "winner" SWEPT AWAY). Fortunately, for us, we seem to be in a Guy Ritchie "peak" a this moment.
Following up to his surprise strong Directing turn in the live action ALADDIN remake (if you haven't seen this film, the BankofMarquis strongly recommends you do), Ritchie returns to his "British Gangster" roots with the violent, funny and original THE GENTLEMEN.
Starring Matthew McConaughey as a U.S. born and bred, Cambridge educated hustler who becomes king of the British Marijuana scene who is looking to get out of the business, THE GENTLEMEN tells the tale of the...ahem...gentlemen that are pursuing (both legitimately and illegitimately) his empire.
The way that this film is constructed, the most essential casting of this film is that of the central character of Michael Pearson. He is billed as an enigmatic, charismatic, violent and brilliant legend of the British drug trade, so Ritchie needed someone with all these qualities to inhabit that role. Fortunately, with McConaughey, Ritchie finds his man (I'm sure the backstory of this character needed to be tweaked a bit upon this casting to explain why an American is the king of British Weed). McConaughey is at his laconic best in this role, bringing star quality - and star power - that holds the center of this film together well.
He is joined by a strong cast that understands the type of film they are in and are game to join in on the (violent) fun. Michelle Dockery (DOWNTON ABBEY), Henry Golding (CRAZY, RICH ASIANS) , Jeremy Strong (THE BIG SHORT) and the always watchable Eddie Marsan (THE WORLD'S END, amongst others) all are strong in the limited moments that their characters are allowed to shine, but with McConaughey and 3 other actors I will speak to in a moment, they are relegated mostly to the background.
This is because Hugh Grant (4 WEDDINGS AND A FUNERAL), Colin Farrell (PHONE BOOTH) and (surpisingly) Charlie Hunnam IPACIFIC RIM) almost steal the film from McConaughey, Each one of these characters could have easily been the centerpiece of their own film and I would be happy if Ritchie would spin one of these characters off.
Credit, of course, for all of this has to go to Ritchie who wrote and directed this film I was pleasantly surprised by the cleverness and inventiveness in storytelling and style as well as the restraint that Ritchie shows in the violence. He uses it (somewhat) sparingly and well, so the violence punctuates the action.
All-in-all a fun (though violent) time at the movies.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Following up to his surprise strong Directing turn in the live action ALADDIN remake (if you haven't seen this film, the BankofMarquis strongly recommends you do), Ritchie returns to his "British Gangster" roots with the violent, funny and original THE GENTLEMEN.
Starring Matthew McConaughey as a U.S. born and bred, Cambridge educated hustler who becomes king of the British Marijuana scene who is looking to get out of the business, THE GENTLEMEN tells the tale of the...ahem...gentlemen that are pursuing (both legitimately and illegitimately) his empire.
The way that this film is constructed, the most essential casting of this film is that of the central character of Michael Pearson. He is billed as an enigmatic, charismatic, violent and brilliant legend of the British drug trade, so Ritchie needed someone with all these qualities to inhabit that role. Fortunately, with McConaughey, Ritchie finds his man (I'm sure the backstory of this character needed to be tweaked a bit upon this casting to explain why an American is the king of British Weed). McConaughey is at his laconic best in this role, bringing star quality - and star power - that holds the center of this film together well.
He is joined by a strong cast that understands the type of film they are in and are game to join in on the (violent) fun. Michelle Dockery (DOWNTON ABBEY), Henry Golding (CRAZY, RICH ASIANS) , Jeremy Strong (THE BIG SHORT) and the always watchable Eddie Marsan (THE WORLD'S END, amongst others) all are strong in the limited moments that their characters are allowed to shine, but with McConaughey and 3 other actors I will speak to in a moment, they are relegated mostly to the background.
This is because Hugh Grant (4 WEDDINGS AND A FUNERAL), Colin Farrell (PHONE BOOTH) and (surpisingly) Charlie Hunnam IPACIFIC RIM) almost steal the film from McConaughey, Each one of these characters could have easily been the centerpiece of their own film and I would be happy if Ritchie would spin one of these characters off.
Credit, of course, for all of this has to go to Ritchie who wrote and directed this film I was pleasantly surprised by the cleverness and inventiveness in storytelling and style as well as the restraint that Ritchie shows in the violence. He uses it (somewhat) sparingly and well, so the violence punctuates the action.
All-in-all a fun (though violent) time at the movies.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated The Gentlemen (2020) in Movies
Jan 5, 2020
After the big budget train wreck that was King Arthur: Legend of the Sword in 2017, and the big budget Disney remake of Aladdin last year, Guy Ritchie has returned to the comedy gangster roots where he made his name more than two decades ago. It’s the kind of movie that I’m not really a fan of if I’m honest, and I didn’t even like the look of the trailer for The Gentlemen either, but I gave it a shot. I’m glad I did.
Matthew McConaughey is Mickey Pearson, a sharp suit wearing, self made millionaire. Mickey made his fortune by initially selling weed to students while studying with them at Oxford, before spending the next 20 years building up a nationwide marijuana empire. It’s a slick operation too - by striking up deals with British aristocrats who are struggling to maintain their large stately homes, Mickey has been able to setup 12 marijuana farms on their premises and kept them undetected. However, Mickey is now looking to sell up and retire so that he can buy himself one of those big stately homes for him and his ice queen wife (Michelle Dockery). But it’s not quite as easy as that. There are a number of interested parties who either want to screw the price down or just take the whole operation from under Mickey’s feet. And the king of the jungle isn’t having any of it.
The story plays out under the narration of sleazy reporter Fletcher (Hugh Grant), who has turned up on the doorstep of Mickey’s right hand man Raymond (Charlie Hunnam) one evening in order to try and blackmail his boss. Fletcher has been hired by a tabloid editor to dig up dirt on Mickey Pearson and has been closely following the events and players surrounding the sale of his business. Fletcher has decided that what he’s uncovered could be worth a hell of a lot more than the £150K promised by the newspaper and has turned his findings into a movie script which he then proceeds to describe to Raymond throughout the movie. Along the way, details are embellished by Fletcher to spice up certain moments that he feels are lacking in action, corrected by Raymond as we rewind to see the actual events.
The Gentlemen features a big ensemble cast, most of which give a brilliantly hilarious performance. Hugh Grant steals the show, with his campy Michael Caine. Along the way we meet Chinese rival Dry Eye (Henry Golding, redeeming himself after his wooden performance in Last Christmas recently) and Coach (another show stealer, played by Colin Farrell).
The pacing of The Gentlemen felt spot on for me, and as the story flipped back and forth in time, interspersed with Fletcher and Raymond’s comic interludes, I never felt bored. There are plenty of twists and turns, c-bombs and much more of what you’d expect from a Ritchie movie of this kind. But it also feels a lot slicker and more mainstream, with most of the violence occurring off screen - apart from the odd cocky young chav or drug addict getting the occasional well deserved slap!
Overall, I’m so glad I have this movie a chance. A great cast and a fun story with plenty of laugh out loud moments.
Matthew McConaughey is Mickey Pearson, a sharp suit wearing, self made millionaire. Mickey made his fortune by initially selling weed to students while studying with them at Oxford, before spending the next 20 years building up a nationwide marijuana empire. It’s a slick operation too - by striking up deals with British aristocrats who are struggling to maintain their large stately homes, Mickey has been able to setup 12 marijuana farms on their premises and kept them undetected. However, Mickey is now looking to sell up and retire so that he can buy himself one of those big stately homes for him and his ice queen wife (Michelle Dockery). But it’s not quite as easy as that. There are a number of interested parties who either want to screw the price down or just take the whole operation from under Mickey’s feet. And the king of the jungle isn’t having any of it.
The story plays out under the narration of sleazy reporter Fletcher (Hugh Grant), who has turned up on the doorstep of Mickey’s right hand man Raymond (Charlie Hunnam) one evening in order to try and blackmail his boss. Fletcher has been hired by a tabloid editor to dig up dirt on Mickey Pearson and has been closely following the events and players surrounding the sale of his business. Fletcher has decided that what he’s uncovered could be worth a hell of a lot more than the £150K promised by the newspaper and has turned his findings into a movie script which he then proceeds to describe to Raymond throughout the movie. Along the way, details are embellished by Fletcher to spice up certain moments that he feels are lacking in action, corrected by Raymond as we rewind to see the actual events.
The Gentlemen features a big ensemble cast, most of which give a brilliantly hilarious performance. Hugh Grant steals the show, with his campy Michael Caine. Along the way we meet Chinese rival Dry Eye (Henry Golding, redeeming himself after his wooden performance in Last Christmas recently) and Coach (another show stealer, played by Colin Farrell).
The pacing of The Gentlemen felt spot on for me, and as the story flipped back and forth in time, interspersed with Fletcher and Raymond’s comic interludes, I never felt bored. There are plenty of twists and turns, c-bombs and much more of what you’d expect from a Ritchie movie of this kind. But it also feels a lot slicker and more mainstream, with most of the violence occurring off screen - apart from the odd cocky young chav or drug addict getting the occasional well deserved slap!
Overall, I’m so glad I have this movie a chance. A great cast and a fun story with plenty of laugh out loud moments.
