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David McK (3562 KP) rated Extinction in Books
Aug 11, 2024 (Updated Aug 11, 2024)
I remember, back in the mid to late 90s, reading both 'Relic' and it's sequel 'Reliquary', and quite enjoying the both of them.
(The movie 'Relic', on the other hand, was a bit of a dud).
They're the only 2 novels by Douglas Preston I'd ever read, until I decided to give this one a go based on both the premise (extinct animals being brought back to life) and the blurb.
I knew it wouldn't be a 'Jurassic Park' (which is name-checked) scenario; wasn't quite sure what it would be. What I got was an enjoyable enough read that put me in mind of something from the late Michael Crichton: I also have to say that, whilst I didn't get either the specifics nor who was behind it (or the reason), I did see what was coming from just over roughly the halfway mark!
(The movie 'Relic', on the other hand, was a bit of a dud).
They're the only 2 novels by Douglas Preston I'd ever read, until I decided to give this one a go based on both the premise (extinct animals being brought back to life) and the blurb.
I knew it wouldn't be a 'Jurassic Park' (which is name-checked) scenario; wasn't quite sure what it would be. What I got was an enjoyable enough read that put me in mind of something from the late Michael Crichton: I also have to say that, whilst I didn't get either the specifics nor who was behind it (or the reason), I did see what was coming from just over roughly the halfway mark!
David McK (3562 KP) rated Twisters (2024) in Movies
Dec 1, 2024 (Updated Dec 6, 2024)
There's no flying cow.
I remember going to see the original 'Twister' movie in the cinema, in the mid 90s.
This is a reboot/continuation of the same, with the prologue here having a group of students trying to launch Dorothy into the sky in front of a Tornado, with disastrous consequences.
That's about the only link to that earlier film, with this one then moving on a few years from the prologue and following a new generation (or, rather, 2 groups) of storm chasers - 1 in it for the science, the other for the thrill. Or so the lead character initially believes until she discovers that things are not that straight-forward ...
I missed this in the cinema; only catching it on the small screen.
Which, I feel, is a pity - it would have been so much more impressive on the big screen, particularly on an IMAX.
This is a reboot/continuation of the same, with the prologue here having a group of students trying to launch Dorothy into the sky in front of a Tornado, with disastrous consequences.
That's about the only link to that earlier film, with this one then moving on a few years from the prologue and following a new generation (or, rather, 2 groups) of storm chasers - 1 in it for the science, the other for the thrill. Or so the lead character initially believes until she discovers that things are not that straight-forward ...
I missed this in the cinema; only catching it on the small screen.
Which, I feel, is a pity - it would have been so much more impressive on the big screen, particularly on an IMAX.
Slave to the Needle: 20 Years of Original Art from a Celebrated Seattle Tattoo Shop
Book
Professional tattoo artists and their clients showcase tattoo imagery in various forms, featuring...
David McK (3562 KP) rated True Lies (1994) in Movies
Mar 29, 2020 (Updated Apr 10, 2022)
The early to mid 90s were a great time for action movies.
Cliffhanger. Speed. And this.
Starring a pre-Governator Arnold Schwarzenneger, Jamie Lee Curtis, and a pre-TVs-Faith-from-Buffy Eliza Dushku, this basically posits the question "What if James Bond was a family man? And what if his wife doesn't know he's a spy?"
When he then discovers that said wife is - he thinks - having an affair (but is in reality falling victim to a scam artist), he then decides to 'give her a bit of excitement', which leads to her getting caught up in his 'real' job and finding out more about his life!
With a rarely-looking-hotter Tia Carrere, those tango scenes (and *that* striptease) alongside plenty of stunts and gunplay (and the Harrier jump jets) - and, of course, the one-liners! - this is a pretty enjoyable big budget action movie
(Edit: I've just discovered it's directed by a pre-Titanic James Cameron, which helps!)
Cliffhanger. Speed. And this.
Starring a pre-Governator Arnold Schwarzenneger, Jamie Lee Curtis, and a pre-TVs-Faith-from-Buffy Eliza Dushku, this basically posits the question "What if James Bond was a family man? And what if his wife doesn't know he's a spy?"
When he then discovers that said wife is - he thinks - having an affair (but is in reality falling victim to a scam artist), he then decides to 'give her a bit of excitement', which leads to her getting caught up in his 'real' job and finding out more about his life!
With a rarely-looking-hotter Tia Carrere, those tango scenes (and *that* striptease) alongside plenty of stunts and gunplay (and the Harrier jump jets) - and, of course, the one-liners! - this is a pretty enjoyable big budget action movie
(Edit: I've just discovered it's directed by a pre-Titanic James Cameron, which helps!)
David McK (3562 KP) rated Goblins (The X-Files, #1) in Books
Oct 13, 2024
The X-Files was huge during the 90's.
Especially during the mid-90s, which is when this novel was released (1995) so even before, I believe, the X-Files movie (1997?) or the more recent 2000 attempt to reboot the franchise.
back here, we're still in the hey-day of the more famous Mulder and Scully than their later replacements, with this novel seeing the two agents off to investigate the murder of an ex-sergeant and (later) a corporal, with the perpetrator vanishing into thin air both times.
I remember I read this when it was first published but, truth be told, I'd forgotten pretty much everything about it until I cam across it again recently in 2024.
The fact that I had tells you pretty much everything you need to know: largely forgettable, I'm not so sure about the characterisations of Mulder or Scully, and that the plot itself could - maybe - do with a little bit more work.
Especially during the mid-90s, which is when this novel was released (1995) so even before, I believe, the X-Files movie (1997?) or the more recent 2000 attempt to reboot the franchise.
back here, we're still in the hey-day of the more famous Mulder and Scully than their later replacements, with this novel seeing the two agents off to investigate the murder of an ex-sergeant and (later) a corporal, with the perpetrator vanishing into thin air both times.
I remember I read this when it was first published but, truth be told, I'd forgotten pretty much everything about it until I cam across it again recently in 2024.
The fact that I had tells you pretty much everything you need to know: largely forgettable, I'm not so sure about the characterisations of Mulder or Scully, and that the plot itself could - maybe - do with a little bit more work.
Gareth von Kallenbach (980 KP) rated Mid90s (2018) in Movies
Jul 2, 2019
It doesn’t take much to remember that Jonah Hill (writer and director) had already acted in one of the greatest coming-of-age movies at the age of 24. A cursory glance at Superbad shows it to be a hilarious and quotable movie. But a deeper look at the film reveals the true story. Two high school friends (Hill and Michael Cera) who realize they are drifting apart because of incoming adulthood and that they are powerless to stop it. Keeping that in mind, Hill was quoted during the production of Mid 90s as saying that coming-of-age films are cliché and what he really wanted was to make a skateboarding movie that avoided the 80s “cowabunga” tropes. The result of that focus is Mid 90s.
Sunny Suljic plays 13-year-old Stevie, a quiet and often confused boy looking to escape his bleak and abusive home life by connecting with a group of local skater kids. While Suljic absolutely steals the show with his superb acting, his (mostly no name) costars deserve massive kudos for this endeavor as well. Lucas Hedges (Manchester by the Sea, Three Billboards outside of Ebbing Missouri) plays Stevie’s abusive older brother Ian. Though he is quickly established in the opening shot as the antagonist, his character arc throughout the film is one of the greatest and you find yourself soon empathetic to his plight nearly as much as Stevie’s. The skater gang is comprised of Ray (Na-kel Smith), Fuckshit (Olan Prenatt), 4th Grade (Ryder McLaughlin) and Ruben (Gio Galicia). These four seem apathetically content to take Stevie under their wing after he begins hanging out at their skate shop. During this time they expose Stevie to a world of drinking, smoking, drugs and sex as well as a complex set of personalities that Stevie struggles to understand but tries desperately to emulate. This reverence begins to lead him down a path that worry not only his mother and brother, but also occasionally members of his new social group. The actors playing his newfound friends all bring a beautiful authenticity to their roles. They certainly aren’t playing “themselves”, but their personalities don’t feel concocted or forced.
The original score for the film was done by Trent Reznor and Atticus Ross as well as a selection of 1990s Hip Hop. And while the original music by Reznor and Ross accents the film perfectly, the 90s throwback songs struggle to do more than remind the viewer of the period and provide the sporadic nostalgia kick. In fact, most of the 90s nostalgia does little to add to the film. Thus, while the opportunity was there to give us a solid examination and social commentary on 1990s culture, Hill seems to fall short of that concept and instead uses the references as a gimmick to tie in smaller plot points.
In addition to the music, there are a few other elements that add to the hipster vintage nature of the film. It was shot entirely on 16mm and is presented in square 1:1 ratio. While this is certainly an unusual choice as more movies are shifted to wide screen formats and square televisions are no longer produced, it pushes the film closer towards the verité genre that is necessary to keep it within the indie style guide.
Mid 90s, along with Eighth Grade have positioned A24 studios in a fantastic place. They’ve demonstrated their willingness to get behind first time writer/directors and the results have been impressive to say the least. If they can remain on this type of pace I could see how the Academy would take notice come awards season.
So despite his view that they are cliché, Jonah Hill has once again created a poignant and powerful coming-of-age movie and he’s managed to wrap it into just enough skateboarding reality to give us the love letter he was hoping to produce. The film is not without its faults, but it’s not one you should miss.
Sunny Suljic plays 13-year-old Stevie, a quiet and often confused boy looking to escape his bleak and abusive home life by connecting with a group of local skater kids. While Suljic absolutely steals the show with his superb acting, his (mostly no name) costars deserve massive kudos for this endeavor as well. Lucas Hedges (Manchester by the Sea, Three Billboards outside of Ebbing Missouri) plays Stevie’s abusive older brother Ian. Though he is quickly established in the opening shot as the antagonist, his character arc throughout the film is one of the greatest and you find yourself soon empathetic to his plight nearly as much as Stevie’s. The skater gang is comprised of Ray (Na-kel Smith), Fuckshit (Olan Prenatt), 4th Grade (Ryder McLaughlin) and Ruben (Gio Galicia). These four seem apathetically content to take Stevie under their wing after he begins hanging out at their skate shop. During this time they expose Stevie to a world of drinking, smoking, drugs and sex as well as a complex set of personalities that Stevie struggles to understand but tries desperately to emulate. This reverence begins to lead him down a path that worry not only his mother and brother, but also occasionally members of his new social group. The actors playing his newfound friends all bring a beautiful authenticity to their roles. They certainly aren’t playing “themselves”, but their personalities don’t feel concocted or forced.
The original score for the film was done by Trent Reznor and Atticus Ross as well as a selection of 1990s Hip Hop. And while the original music by Reznor and Ross accents the film perfectly, the 90s throwback songs struggle to do more than remind the viewer of the period and provide the sporadic nostalgia kick. In fact, most of the 90s nostalgia does little to add to the film. Thus, while the opportunity was there to give us a solid examination and social commentary on 1990s culture, Hill seems to fall short of that concept and instead uses the references as a gimmick to tie in smaller plot points.
In addition to the music, there are a few other elements that add to the hipster vintage nature of the film. It was shot entirely on 16mm and is presented in square 1:1 ratio. While this is certainly an unusual choice as more movies are shifted to wide screen formats and square televisions are no longer produced, it pushes the film closer towards the verité genre that is necessary to keep it within the indie style guide.
Mid 90s, along with Eighth Grade have positioned A24 studios in a fantastic place. They’ve demonstrated their willingness to get behind first time writer/directors and the results have been impressive to say the least. If they can remain on this type of pace I could see how the Academy would take notice come awards season.
So despite his view that they are cliché, Jonah Hill has once again created a poignant and powerful coming-of-age movie and he’s managed to wrap it into just enough skateboarding reality to give us the love letter he was hoping to produce. The film is not without its faults, but it’s not one you should miss.
Jonah Hill recommended Small Town Ecstasy (2002) in Movies (curated)
David McK (3562 KP) rated Specter of the Past (Star Wars: The Hand of Thrawn Duology, #1) in Books
Jan 28, 2019
Back in the early 90s (round about '91 or so, so pre Special Editions), Timothy Zahn released a new Star Wars novel - <i>Heir to the Empire</i> - that would both become the first in a trilogy, and the first in the Star Wars expanded universe (EU) series as a whole.
The main antagonist of those stories was Grand Admiral Thrawn, a brilliant strategist who believed that a species art held the their weakness. Indeed, the novels were also the first to ever name the capitol of the Empire and the Old Republic ('Coruscant').
By the end of the trilogy, Thrawn was defeated and assassinated. Or was he?
This novel was first released in the mid 90's, round about the time of the Special Editions, and before the first of the Prequel trilogy. Set 10 years after the events of <i>The Last Command</i>, this also sees the return of certain characters from Zahn's previous entries in the Star Wars canon, but (I felt) was not quite as entertaining a read.
The main antagonist of those stories was Grand Admiral Thrawn, a brilliant strategist who believed that a species art held the their weakness. Indeed, the novels were also the first to ever name the capitol of the Empire and the Old Republic ('Coruscant').
By the end of the trilogy, Thrawn was defeated and assassinated. Or was he?
This novel was first released in the mid 90's, round about the time of the Special Editions, and before the first of the Prequel trilogy. Set 10 years after the events of <i>The Last Command</i>, this also sees the return of certain characters from Zahn's previous entries in the Star Wars canon, but (I felt) was not quite as entertaining a read.
