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Sean Lennon recommended Ambient 1: Music for Airports by Brian Eno in Music (curated)
Pete Wareham recommended Back With A Banger by Wiley in Music (curated)
From the Double Gone Chapel by Two Lone Swordsmen
Album
From the Double Gone Chapel is the creation of Two Lone Swordsmen Andrew Weatherall and Keith...
David McK (3816 KP) rated Decision at Thunder Rift: Book One of The Saga of the Gray Death Legion in Books
Mar 9, 2025
Battletech.
Giant stompy robots, very much - it seems to me - the Western version of Japanese mecha.
A board (miniatures) game that's been around since the 1980s, with a fair few PC games and other associated elements spin-offs.
With said spin-offs including a series of novels which - although aware they existed (in much the same way as do Start Trek or Dr Who novels) I never really read any of them - I think I might have tried one, back in the mid 90s or so, but it was forgettable at best.
So, when I was recently looking for something light to read in between bouts of heavier literature (I hate that word), I thought I would give this one a try, since it is - apparently - #1 in the entire series, and since it was on sale for something silly like 99p on Kindle.
What I got was pretty much what I expected: a sci-fi war story, where the 'mechs are basically the equivalent of futuristic tanks, with a light smattering of intrigue but with the real draw, of course, being on the mech vs mech action.
I might pick up some more in the series, but don't think I'll be going out of my way to do so.
Giant stompy robots, very much - it seems to me - the Western version of Japanese mecha.
A board (miniatures) game that's been around since the 1980s, with a fair few PC games and other associated elements spin-offs.
With said spin-offs including a series of novels which - although aware they existed (in much the same way as do Start Trek or Dr Who novels) I never really read any of them - I think I might have tried one, back in the mid 90s or so, but it was forgettable at best.
So, when I was recently looking for something light to read in between bouts of heavier literature (I hate that word), I thought I would give this one a try, since it is - apparently - #1 in the entire series, and since it was on sale for something silly like 99p on Kindle.
What I got was pretty much what I expected: a sci-fi war story, where the 'mechs are basically the equivalent of futuristic tanks, with a light smattering of intrigue but with the real draw, of course, being on the mech vs mech action.
I might pick up some more in the series, but don't think I'll be going out of my way to do so.
Weather Cal
Weather and Navigation
App
The MUST have Weather App for the Mac App Store! This app is an easy tool for looking up forecasts...
Sacred and Secular: The Piccus Collection of Tibetan Rugs
Book
Rugs have been woven and used in Tibet for centuries, but, until recent years, have been ignored by...
David McK (3816 KP) rated Sharpe's Rifles in TV
Jul 11, 2021
The first of the Sharpe adaptations from the early-to mid '90s, based on what was then the earlies set novel in Bernard Cornwell's long-running series set during the Napoleonic Wars.
I say what-was-then, because - since the culmination of the various TV movies, and even right up to date (the most recent to be released in a few months time, in late 2021), Cornwell has released plenty more such novels, quite a few of which are set even before the start of the Napoleonic Wars, never mind those set 'in-between' the core set of novels; said set of which provided the basis for the TV adaptations.
And that is what these are: an adaptation, rather than a straight re-telling. Sharpe, for instance, is supposed to be a dark haired Londoner rather than fair-haired Cockney (although Sean Bean's portrayal would win over Cornwell, who would later 'retrofit' his character to be closer to Sean Bean). That is probably for the better: literature and film, after all, are two distinct mediums: what works in one may not work in another.
To this day, though, I would still love to see a proper big-screen adaptation, with the budget to match, of one of these stories ...
I say what-was-then, because - since the culmination of the various TV movies, and even right up to date (the most recent to be released in a few months time, in late 2021), Cornwell has released plenty more such novels, quite a few of which are set even before the start of the Napoleonic Wars, never mind those set 'in-between' the core set of novels; said set of which provided the basis for the TV adaptations.
And that is what these are: an adaptation, rather than a straight re-telling. Sharpe, for instance, is supposed to be a dark haired Londoner rather than fair-haired Cockney (although Sean Bean's portrayal would win over Cornwell, who would later 'retrofit' his character to be closer to Sean Bean). That is probably for the better: literature and film, after all, are two distinct mediums: what works in one may not work in another.
To this day, though, I would still love to see a proper big-screen adaptation, with the budget to match, of one of these stories ...
LoganCrews (2861 KP) rated Titan A.E. (2000) in Movies
Sep 20, 2020
Design-wise nothing short of extraordinary, the blend of astounding nu-age CGI and trademark Bluth animation should by no means work but it ends up looking like heaven. Definitely also helps that this has exactly 0% fat to it and rides on one fun, kinetic wave from start to finish that's full of rapturous action sequences and endlessly creative visuals. That being said, outside of a couple nice turns the story is total copy-and-paste sci-fi template - but I digress, I guess it's still serviceable for this type of thing but this is just *begging* to have some depth injected into its potentially thought-provoking story. What kills this from greatness for me is how chained it is to the era it was made in; granted it still could have turned out much worse but the fakey-sounding, faux-edgy soundtrack sucks so much shit (sans a couple okay song choices [thx Powerman 5000]) that it single-handedly knocks the whole rating down a half star, and the totally repellent "tude" that was required in all of these mid-late 90s/early 2000s kids' films makes me want to rip my hair out. I suppose you can write this in with ππͺπ―π’π ππ’π―π΅π’π΄πΊ: ππ©π¦ ππ±πͺπ³πͺπ΅π΄ ππͺπ΅π©πͺπ― for flawed early-aughts orgasmically animated sci-fi bombs that I'm still a total softie for. Gets pretty gnarly sometimes, too.
David McK (3816 KP) rated The Mummy Returns (2001) in Movies
Sep 6, 2021 (Updated Sep 3, 2023)
Brendan Fraser as Rick O'Connoll (1 more)
Rachel Weisz as Evie
There was a time in the mid to late 90s/early 00s where Brendan Fraser was a Bona Fide movie star, back before he took a break from acting.
A large part of that appeal was due to his (very) Indiana Jones-alike Rick O'Connell, a role he first portrayed in 1999s The Mummy and reprised in this (which is the middle of the Mummy films).
Unlike the sequel to this, this one also sees the return of Rachel Weisz as his now-wife Evie O'Connell (a role recast in the third film) alongside returning players from the first movie: Arnold Vosloo's Imhotep himself, John Hannah as Evie's no-good brother, Oded Fehr as the Medjai Ardeth Bay - here on the O'Connell's side throughout - and Patricia Velasquez as the reincarnated Anck Su Namun.
As such, there are strong links to the original move here, with this particular entry also seeing Dwayne 'The Rock' Johnson's breakthrough to acting, as the titular Scorpion King (although some of the later effects haven't aged all that well).
Mostly enjoyable, although (and, IMO, unfortunately), they went down the 'annoying child actor' route, with the whole plot about their child getting kidnapped that kicks the journey into motion ...
A large part of that appeal was due to his (very) Indiana Jones-alike Rick O'Connell, a role he first portrayed in 1999s The Mummy and reprised in this (which is the middle of the Mummy films).
Unlike the sequel to this, this one also sees the return of Rachel Weisz as his now-wife Evie O'Connell (a role recast in the third film) alongside returning players from the first movie: Arnold Vosloo's Imhotep himself, John Hannah as Evie's no-good brother, Oded Fehr as the Medjai Ardeth Bay - here on the O'Connell's side throughout - and Patricia Velasquez as the reincarnated Anck Su Namun.
As such, there are strong links to the original move here, with this particular entry also seeing Dwayne 'The Rock' Johnson's breakthrough to acting, as the titular Scorpion King (although some of the later effects haven't aged all that well).
Mostly enjoyable, although (and, IMO, unfortunately), they went down the 'annoying child actor' route, with the whole plot about their child getting kidnapped that kicks the journey into motion ...
βThere is evil in all of us, and it is the mark of a man how he defies the evil within.β
The third of David Gemmell's Drenai books, this is also chronologically the first, set (as it is) centuries before the events of Legend.
I think I first read this in the mid-to-late 90s, not that long after discovering Gemmell as an author.
As an early work by Gemmell, this also has several of what-would-become-known-as his trademark: the main character of Waylander himself, for instance (who he would return to twice more in Waylander II and Hero in the Shadows) is not a clean-cut hero (perhaps more of an anti-hero), only rescuing the priest Dardalian (who would go on to have a VERY important impact on the history of the Drenai) at the very start of the novel as the renegades who are torturing that priest have also stolen Waylander's horse.
Full of powerful imagery (Waylander standing alone against the robbers in the dusk with the sun setting behind him for one, not that long after this rescue) and Gemmell's contemplation on the Source, Waylander would become - I feel - second only to Druss amongst his most popular creations.
That's not to say this is perfect: like Legend, the romance between Waylander and Danyal does seemingly come out of nowhere, although Gemmell is (was) getting better at organically growing those relationships compared to his first work.
The third of David Gemmell's Drenai books, this is also chronologically the first, set (as it is) centuries before the events of Legend.
I think I first read this in the mid-to-late 90s, not that long after discovering Gemmell as an author.
As an early work by Gemmell, this also has several of what-would-become-known-as his trademark: the main character of Waylander himself, for instance (who he would return to twice more in Waylander II and Hero in the Shadows) is not a clean-cut hero (perhaps more of an anti-hero), only rescuing the priest Dardalian (who would go on to have a VERY important impact on the history of the Drenai) at the very start of the novel as the renegades who are torturing that priest have also stolen Waylander's horse.
Full of powerful imagery (Waylander standing alone against the robbers in the dusk with the sun setting behind him for one, not that long after this rescue) and Gemmell's contemplation on the Source, Waylander would become - I feel - second only to Druss amongst his most popular creations.
That's not to say this is perfect: like Legend, the romance between Waylander and Danyal does seemingly come out of nowhere, although Gemmell is (was) getting better at organically growing those relationships compared to his first work.