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Life Awheel: The 'Auto'biography of W de Forte
Richard Skelton and Wilberforce De Forte
Book
Born in Shropshire soon after the end of the First World War, venerable motoring writer W de Forte...
David McK (3857 KP) rated Star Wars: Alphabet Squadron (Alphabet Squadron #1) in Books
Dec 23, 2019
During the mid-to-late 90s (prior to even the Prequels), there was an explosion of Star Wars Expanded Universe novels.
Most of those novels concentrated on Han, Luke, Leia and co.
Most, but not all.
Alongside those, there was also two separate series of books, initially taking Wedge Antilles as a key character, concentrating instead on the fighter pilots of (initially) Rogue Squadron and (later) Wraith Squadron, taking inspiration for the X-Wing and TIE fighter computer games of the time.
And those novels themselves - now considered 'Legends' i.e. no longer canon - could very well have provided inspiration for this, the first of a spin-off trilogy (I think) from a series of graphic novels.
Whereas Rogue and Wraith squadron both had their pilots flying the same type of fighter craft, and both were very cinematic in their presentation, this novel - definitely in the first half (which, I felt, dragged somewhat) - concentrates more on its members psychology, with the so-called Alphabet squadron headed up by an ex-Imperial keen to prove her loyalty to the New Republic. And why is it called Alphabet Squadron? Because the pilots fly a mix of starfighter, from an A-Wing (i.e. that which crashes into the Star Destroyer bridge in Return of the Jedi) to a B Wing (the cross-shaped bomber glimpsed in flight), to an X-Wing (the type Luke Skywalker flies) to a U-Wing (The personnel carrier introduced in Rogue One) to a Y-Wing (the initial bombing run on the Death Star).
Most of those novels concentrated on Han, Luke, Leia and co.
Most, but not all.
Alongside those, there was also two separate series of books, initially taking Wedge Antilles as a key character, concentrating instead on the fighter pilots of (initially) Rogue Squadron and (later) Wraith Squadron, taking inspiration for the X-Wing and TIE fighter computer games of the time.
And those novels themselves - now considered 'Legends' i.e. no longer canon - could very well have provided inspiration for this, the first of a spin-off trilogy (I think) from a series of graphic novels.
Whereas Rogue and Wraith squadron both had their pilots flying the same type of fighter craft, and both were very cinematic in their presentation, this novel - definitely in the first half (which, I felt, dragged somewhat) - concentrates more on its members psychology, with the so-called Alphabet squadron headed up by an ex-Imperial keen to prove her loyalty to the New Republic. And why is it called Alphabet Squadron? Because the pilots fly a mix of starfighter, from an A-Wing (i.e. that which crashes into the Star Destroyer bridge in Return of the Jedi) to a B Wing (the cross-shaped bomber glimpsed in flight), to an X-Wing (the type Luke Skywalker flies) to a U-Wing (The personnel carrier introduced in Rogue One) to a Y-Wing (the initial bombing run on the Death Star).
First in the World Somewhere
Book
Penny Pepper has led an extraordinary life. She is a writer. Poet. Punk. Pioneer. Activist. And she...
Unraveling the Secrets
Podcast
Welcome to "Unraveling the Secrets." My name is Dennis Crenshaw. My co-host is Rick "Oz" Osmon....
Jarvis Cocker recommended The Dark Side of the Wall by The Stallion in Music (curated)
Andy K (10826 KP) rated Psycho (1960) in Movies
Sep 30, 2019
Most Hollywood scholars and film critics agree Vertigo is the ultimate Hitchcock masterpiece with Psycho, North By Northwest or Rear Window rounding out the top 4. Although I would give each a 10 out of 10, I would say Psycho is probably my all time favorite.
Maybe you could say Vertigo is a better technical film or it uses camera, lighting, sets and scenery better, but Psycho has all of that as well and then some. I remember reading somewhere a list of movies where mid way through the film the plot was hijacked in a completely different direction than it had been going (for movies like From Dusk Till Dawn and True Lies), but Psycho was not listed.
I was extremely surprised in that by 1960, how many filmmakers would dare kill off their only main character and the only one the audience cares about partially through and leave the audience gasping as what was to happen next? I wish I had been sitting in a darkened theatre in 1960 to see just that. Working at movie theatres for years, I have had my share of watching crowd reaction both in laughter and in fear, and I can see how movie makers enjoy doing this themselves for their own films.
Great movies keep you coming back even though you are completely familiar with every detail already, but still come back to rewatch anyways.
I have to assume Anthony Perkins did too good of a job as Norman Bates to have any casting directors use him for different roles. He reprised Norman, several times in the 80s and 90s, and also had roles in other films like The Black Hole and Murder on the Orient Express, but no one really remembers him for anything other than Psycho. He was just that great.
I absolutely love the Bernard Herrmann score, especially over the haunting opening credit sequence. One of the best of all time. Have to mention Janet Leigh also won an Oscar for Best Supporting Actress. She was memorable and marvelous as well.
And Hitch never won Best Director.
Maybe you could say Vertigo is a better technical film or it uses camera, lighting, sets and scenery better, but Psycho has all of that as well and then some. I remember reading somewhere a list of movies where mid way through the film the plot was hijacked in a completely different direction than it had been going (for movies like From Dusk Till Dawn and True Lies), but Psycho was not listed.
I was extremely surprised in that by 1960, how many filmmakers would dare kill off their only main character and the only one the audience cares about partially through and leave the audience gasping as what was to happen next? I wish I had been sitting in a darkened theatre in 1960 to see just that. Working at movie theatres for years, I have had my share of watching crowd reaction both in laughter and in fear, and I can see how movie makers enjoy doing this themselves for their own films.
Great movies keep you coming back even though you are completely familiar with every detail already, but still come back to rewatch anyways.
I have to assume Anthony Perkins did too good of a job as Norman Bates to have any casting directors use him for different roles. He reprised Norman, several times in the 80s and 90s, and also had roles in other films like The Black Hole and Murder on the Orient Express, but no one really remembers him for anything other than Psycho. He was just that great.
I absolutely love the Bernard Herrmann score, especially over the haunting opening credit sequence. One of the best of all time. Have to mention Janet Leigh also won an Oscar for Best Supporting Actress. She was memorable and marvelous as well.
And Hitch never won Best Director.
ELLE Magazine US
Lifestyle and Magazines & Newspapers
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SUBSCRIBE NOW AND GET YOUR FIRST ISSUE FREE! In the fashion world, September is all about power....
Everything Is Combustible: Television, CBGB's and Five Decades of Rock and Roll: The Memoirs of an Alchemical Guitarist
Book
Legendary Rock and Roll guitarist. Founding member of Television. Masterful storyteller. ...
Music
City Centre
Simon J. Halliday and Clive Woodward
Book
Simon Halliday has tackled everything that life has thrown at him, be it on the rugby field, or in...
Andy K (10826 KP) rated What We Left Behind: Looking Back at Deep Space Nine (2018) in Movies
Jul 23, 2019
Where would we be without DS9?
Maybe the best Trek of all time?
Sisko, Odo, Kira, O'Brien, Dax, Quark, Bashir and the rest of the massive cast brought Star Trek to life as never before in this vastly different "station"ary style of Trek.
At the time, syndication was where it was at for reruns and additional revenue for a TV program. DS9 bucked the trend of wrapping up everything within one episode and began a TV serial which pretty much ran almost the entire run, much to the dismay of studio executives. Nowadays, shows like The Walking Dead, Lost, or Game of Thrones do this every week, but in the mid 90s this was not common.
Sandwiched in between The Next Generation and Voyager, DS9 did not get a lot of respect during its initial run at all. Also at that time, Trek TNG movies were in full swing so the show had to compete with that as well. Television stations would often preempt the show, skip a week or run the show in the early morning hours which made it even harder for its audience to keep track of the action.
DS9 certainly got a 2nd life with the current popularity of "binge watching" on your favorite streaming service. Having the ability to watch multi-part episodes or entire seasons within a few weeks brought back to life the en genius writing, acting and production quality of the series.
For this documentary, former showrunner Ira Steven Behr took several years worth of cast, crew and fan interviews, clips, behind the scenes footage and compiled a wonderful interesting film for any Trek fan. Many cast members major and minor as well as producers, writers and tech workers told tales of working on the show and how they very much enjoyed their time.
Throughout the many iterations of Trek, original creator Gene Roddenberry felt the show should entertain as well as provide social commentary on the issues of the time and DS9 was no exception. Throughout the show's 7 year run they dealt with issues such as racism, homelessness, same sex relationships and even genetic engineering.
One of the most fun subplots of the film was gathering the show's original writers in a room to formulate the first episode for the fictitious "Season 8" which will never actually happen (although I wish it would). The ideas, plot points and arcs they went through and came up with were extremely interesting, keep with the high level of writing the show originally produced, but also through us a few curveballs with some fun surprises.
Through the cast interviews we got to hear how the crew got along, some of their favorite and least favorite episodes and even the friendships they have maintained with one another.
The DVD set I received also had included a vast assortment of additional footage featuring even more nuggets and stories of what made the show great.
Overall, this film was one of the best documentaries I have ever seen about one of my favorite television programs in my lifetime. I might have to start binge watching the show again very soon.
Did I mention my name appears in the end credits?!? 😊
Sisko, Odo, Kira, O'Brien, Dax, Quark, Bashir and the rest of the massive cast brought Star Trek to life as never before in this vastly different "station"ary style of Trek.
At the time, syndication was where it was at for reruns and additional revenue for a TV program. DS9 bucked the trend of wrapping up everything within one episode and began a TV serial which pretty much ran almost the entire run, much to the dismay of studio executives. Nowadays, shows like The Walking Dead, Lost, or Game of Thrones do this every week, but in the mid 90s this was not common.
Sandwiched in between The Next Generation and Voyager, DS9 did not get a lot of respect during its initial run at all. Also at that time, Trek TNG movies were in full swing so the show had to compete with that as well. Television stations would often preempt the show, skip a week or run the show in the early morning hours which made it even harder for its audience to keep track of the action.
DS9 certainly got a 2nd life with the current popularity of "binge watching" on your favorite streaming service. Having the ability to watch multi-part episodes or entire seasons within a few weeks brought back to life the en genius writing, acting and production quality of the series.
For this documentary, former showrunner Ira Steven Behr took several years worth of cast, crew and fan interviews, clips, behind the scenes footage and compiled a wonderful interesting film for any Trek fan. Many cast members major and minor as well as producers, writers and tech workers told tales of working on the show and how they very much enjoyed their time.
Throughout the many iterations of Trek, original creator Gene Roddenberry felt the show should entertain as well as provide social commentary on the issues of the time and DS9 was no exception. Throughout the show's 7 year run they dealt with issues such as racism, homelessness, same sex relationships and even genetic engineering.
One of the most fun subplots of the film was gathering the show's original writers in a room to formulate the first episode for the fictitious "Season 8" which will never actually happen (although I wish it would). The ideas, plot points and arcs they went through and came up with were extremely interesting, keep with the high level of writing the show originally produced, but also through us a few curveballs with some fun surprises.
Through the cast interviews we got to hear how the crew got along, some of their favorite and least favorite episodes and even the friendships they have maintained with one another.
The DVD set I received also had included a vast assortment of additional footage featuring even more nuggets and stories of what made the show great.
Overall, this film was one of the best documentaries I have ever seen about one of my favorite television programs in my lifetime. I might have to start binge watching the show again very soon.
Did I mention my name appears in the end credits?!? 😊
