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Night Reader Reviews (683 KP) rated Rediscovering the Earth in Books
Feb 4, 2020
Honest Review for Free Copy of Book
Rediscovering the Earth by Michal Hall was a very quick read with a powerful message. This is a book full of both despair and hope that deserves to be read multiple times. It reminds me slightly of Voice of the Elders by Greg Ripley (the first book review I wrote).
The Earth is dying, humans and animals are going extinct quickly, and it is our fault. Humans have let our pride destroy our planet. Our belief that we can control everything and that we are better than even each other has destroyed our connection with other humans. Our pride, wars, and so-called technological advances have polluted the air and water, making it poisonous to humans, plants, and animals alike. In seeing plants and animals as inferior humans have selfishly destroyed entier ecosystems an wiped out species. Within one-hundred years or so humans will be completely gone as well.
This is where The Federation steps in. As a highly evolved alien race, they offer to help pull the human race back from the brink of extinction and at first, humans foolishly deny this help. Thankfully one man by the name of Carl, who is nothing special himself, takes it upon himself to advocate for the entire race. After many years of deliberation on the subject, The Federation decides to help. Even with their help, it takes around twenty years before any major difference is noticed and much longer before most of the damage is reversed. As humans learn a culture of love, humility, and connection to the Earth The Federation hopes humans will one day be able to join them.
Using a work of fiction to bring a serious problem to light is a wonderful idea and may help alert more people to the problem. Telling how help is almost denied because of how selfish and prideful humans are is a slap in the face that we would face destruction before the change. The book is a bit on the repetitive side, which is always disappointing but even more so with shorter books such as this one. I understand the repetitiveness is to drive home the point but it still could have been better. Also, I wish it was more detailed on how Earth went from being in so much trouble to be safe. It seems to make a large time jump in that area and I would have liked to see more of the transformative process.
There is nothing in this book that would be inappropriate for anyone. However, anyone younger than a middle schooler probably would not understand the powerful message in this book, and some middle school students might even miss it. Adults and those that truly love the Earth will enjoy this book and see it as hope. Others who are not as aware of our situation might see it as a wake-up call. I rate this book 3 out of 4. The book brilliantly delivers a very important message. Without holding anything back it shows just how much trouble the world is in but offers hope through change. I hope millions of people across the world get to read this book.
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The Earth is dying, humans and animals are going extinct quickly, and it is our fault. Humans have let our pride destroy our planet. Our belief that we can control everything and that we are better than even each other has destroyed our connection with other humans. Our pride, wars, and so-called technological advances have polluted the air and water, making it poisonous to humans, plants, and animals alike. In seeing plants and animals as inferior humans have selfishly destroyed entier ecosystems an wiped out species. Within one-hundred years or so humans will be completely gone as well.
This is where The Federation steps in. As a highly evolved alien race, they offer to help pull the human race back from the brink of extinction and at first, humans foolishly deny this help. Thankfully one man by the name of Carl, who is nothing special himself, takes it upon himself to advocate for the entire race. After many years of deliberation on the subject, The Federation decides to help. Even with their help, it takes around twenty years before any major difference is noticed and much longer before most of the damage is reversed. As humans learn a culture of love, humility, and connection to the Earth The Federation hopes humans will one day be able to join them.
Using a work of fiction to bring a serious problem to light is a wonderful idea and may help alert more people to the problem. Telling how help is almost denied because of how selfish and prideful humans are is a slap in the face that we would face destruction before the change. The book is a bit on the repetitive side, which is always disappointing but even more so with shorter books such as this one. I understand the repetitiveness is to drive home the point but it still could have been better. Also, I wish it was more detailed on how Earth went from being in so much trouble to be safe. It seems to make a large time jump in that area and I would have liked to see more of the transformative process.
There is nothing in this book that would be inappropriate for anyone. However, anyone younger than a middle schooler probably would not understand the powerful message in this book, and some middle school students might even miss it. Adults and those that truly love the Earth will enjoy this book and see it as hope. Others who are not as aware of our situation might see it as a wake-up call. I rate this book 3 out of 4. The book brilliantly delivers a very important message. Without holding anything back it shows just how much trouble the world is in but offers hope through change. I hope millions of people across the world get to read this book.
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Chris Sawin (602 KP) rated Good Boys (2019) in Movies
Aug 14, 2019
Repetitive. (1 more)
Too similar to other R-rated teen comedies.
Thor Casts Anal Bead Nunchucks
“Bean Bag Boys for life!” In Good Boys, that’s the motto for three 12-year-old best friends that are finding the sixth grade way more profound and coercing than the fifth grade or any other grade before it ever was. Max (Jacob Tremblay) is at the age where girls aren’t so gross and are actually quite arousing, Thor (Brady Noon) is giving up on who he is and what he loves in a bold attempt to try to fit in with kids who he thinks are cool, and Lucas (Keith L. Williams) mostly just loves Magic: The Gathering, treating women with respect, and being honest.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
Lee (2222 KP) rated Eighth Grade (2018) in Movies
Apr 10, 2019
Eighth Grade had its US release back in July last year and since then, I've seen nothing but praise and high ratings for it online. Only now is it heading to UK cinemas and, for some reason, the powers that be have decided to go and release it at the same time as Avengers: Endgame later this month. Cineworld showed it earlier this week as one of their unlimited screenings, so I thought I'd give it a go before it gets lost among all the Avengers hype when it goes on general release.
Eighth Grade is the directorial debut of comedian and former YouTube star, Bo Burnham. It stars Elsie Fisher as Kayla, a young girl lacking in confidence, awkward around her fellow students at school and generally very quiet by nature. So quiet she even lands the award at school for being the quietest, nominated by fellow students in an awards ceremony held during assembly. The movie basically follows the daily struggles of Kayla and her life as a teenager. By night she endlessly scrolls through social media feeds and records her own YouTube videos. Her posts are confident, self help motivational videos about teenage issues, but rarely get more than a single like. She spends her days attempting to follow her own advice and dealing with the anxiety and heartbreak that brings. You feel genuinely awkward with her and spend the majority of the movie totally rooting for her, hoping she'll make it through this tough period of life. Even at home she struggles - mum is no longer on the scene and conversations with her dad are just strained and awkward. All of what makes this feel so natural and believable is down to Elsie Fisher, who is incredible as Kayla, a real star in the making. It all goes to show that growing up can be so hard, girls can be real bitches and boys can be absolute dicks!
I guess your overall enjoyment of the movie kind of depends on whether you can relate to, or appreciate, any of the experiences or feelings that Kayla has. Being a socially awkward father of two daughters, I guess I was hoping to find a lot more to relate to and enjoy than I actually did. To be fair, there are plenty of perfectly observed, wonderfully acted and genuinely beautiful moments throughout, but the movie plays too much like a documentary and that worked against it for me. Far too many moments, particularly around the middle section, when the movie really dragged. And at only 93 minutes long, I shouldn't really be checking my watch and hoping for it to end in the way that I did.
Probably only about 15 or so people attended the large screening of this at my local Cineworld, and around half a dozen of those got up and left during the movie. I wondered if this was indicative of the other screenings around the country but, judging by the reaction online afterwards, approximately 90% of Cineworld Unlimited members seem to have really loved it, with many declaring it their favourite movie so far this year! So I guess this is one of those movies that's really going to divide people. Worth checking out though, and hopefully you'll enjoy it a lot more than I did.
Eighth Grade is the directorial debut of comedian and former YouTube star, Bo Burnham. It stars Elsie Fisher as Kayla, a young girl lacking in confidence, awkward around her fellow students at school and generally very quiet by nature. So quiet she even lands the award at school for being the quietest, nominated by fellow students in an awards ceremony held during assembly. The movie basically follows the daily struggles of Kayla and her life as a teenager. By night she endlessly scrolls through social media feeds and records her own YouTube videos. Her posts are confident, self help motivational videos about teenage issues, but rarely get more than a single like. She spends her days attempting to follow her own advice and dealing with the anxiety and heartbreak that brings. You feel genuinely awkward with her and spend the majority of the movie totally rooting for her, hoping she'll make it through this tough period of life. Even at home she struggles - mum is no longer on the scene and conversations with her dad are just strained and awkward. All of what makes this feel so natural and believable is down to Elsie Fisher, who is incredible as Kayla, a real star in the making. It all goes to show that growing up can be so hard, girls can be real bitches and boys can be absolute dicks!
I guess your overall enjoyment of the movie kind of depends on whether you can relate to, or appreciate, any of the experiences or feelings that Kayla has. Being a socially awkward father of two daughters, I guess I was hoping to find a lot more to relate to and enjoy than I actually did. To be fair, there are plenty of perfectly observed, wonderfully acted and genuinely beautiful moments throughout, but the movie plays too much like a documentary and that worked against it for me. Far too many moments, particularly around the middle section, when the movie really dragged. And at only 93 minutes long, I shouldn't really be checking my watch and hoping for it to end in the way that I did.
Probably only about 15 or so people attended the large screening of this at my local Cineworld, and around half a dozen of those got up and left during the movie. I wondered if this was indicative of the other screenings around the country but, judging by the reaction online afterwards, approximately 90% of Cineworld Unlimited members seem to have really loved it, with many declaring it their favourite movie so far this year! So I guess this is one of those movies that's really going to divide people. Worth checking out though, and hopefully you'll enjoy it a lot more than I did.
Shock Treatment
Book
-If you haven't read this book yet--buy it, take it home, and read it now! This is the work that...
Andy K (10821 KP) rated Vox Lux (2018) in Movies
Sep 18, 2019
Black Swan 2: The Return of Durant
In 1999, a middle school teenager Celeste has survived a horrific school shooting which has left multiple students and teacher dead. Through tragedy, the wounded girl triumphs through the singing of a tribute song which goes viral and becomes an anthem for heartbreak throughout the world.
She achieves instant success with her song, so much so, she gets a recording contract and her and her sister are whisked away to Sweden to record it officially and make a music video. Her manager chaperones her time there, but does not have much success. The girls have a good time partying and choosing every excess including the consequences. The video is a success and she becomes a star.
Eighteen years later, the aging pop star is trying to make a comeback and show she can still keep up. Her relationships with her sister, teenage daughter and sister as she has lived the ego-driven life of a celebrity now for too long. One the eve of a concert performance, another massive multi-person shooting happens at a beachfront, the perpetrators donning masks used in one of her videos making her the target of paparazzi and media scrutiny at a pivotal time in her life.
She tries to salvage her relationship with her daughter who is going through her own teenage angst with mixed success. It seems she is her own worst enemy questioning her choices and continuing leading the lifestyle of a demanding celebrity.
The movie seems like a tale of two halves with the teenage Celeste and the "grown up" version even having screen captures saying so. For me the first half was way more interesting than the second. The teenage Celeste was more believable, maybe because you didn't know her, but the screenplay was more interesting for her as well.
One can only imagine the emotions of having to live through such a tragedy and having to rebuild your life afterwards. Then adding on top of it, her instantaneous global stardom could not have done well to heal her physical, but emotional scars as well.
I felt Natalie Portman seemed out of place and her acting felt very wooden and dry to me unlike most of her portfolio. She even was an executive producer on the film along with her costar Jude Law, so she may have been focused on that instead of her acting performance. She doesn't appear in the film until close to an hour in and filmed her scenes over 10 days. It is unfortunate, but I really didn't believe her and took me out of several scenes as a result.
It is hard to empathize with the celebrity lifestyle of excess and demands having never lived it myself. It has certainly been portrayed onscreen much better than it is here and it really felt like the two halves of the film were disconnected and not resolved.
I certainly don't mind, or even encourage, the vague open-ended type of film generally speaking if it is left you to think about the plight of the characters their decisions, and ultimate destinations; however, this film accomplishes this only through bad writing.
The concert footage was well done and Portman certainly delivered on transforming into a Madonna/Britney Spears type icon. I was just hoping for more of a payoff and felt disappointed in the end.
She achieves instant success with her song, so much so, she gets a recording contract and her and her sister are whisked away to Sweden to record it officially and make a music video. Her manager chaperones her time there, but does not have much success. The girls have a good time partying and choosing every excess including the consequences. The video is a success and she becomes a star.
Eighteen years later, the aging pop star is trying to make a comeback and show she can still keep up. Her relationships with her sister, teenage daughter and sister as she has lived the ego-driven life of a celebrity now for too long. One the eve of a concert performance, another massive multi-person shooting happens at a beachfront, the perpetrators donning masks used in one of her videos making her the target of paparazzi and media scrutiny at a pivotal time in her life.
She tries to salvage her relationship with her daughter who is going through her own teenage angst with mixed success. It seems she is her own worst enemy questioning her choices and continuing leading the lifestyle of a demanding celebrity.
The movie seems like a tale of two halves with the teenage Celeste and the "grown up" version even having screen captures saying so. For me the first half was way more interesting than the second. The teenage Celeste was more believable, maybe because you didn't know her, but the screenplay was more interesting for her as well.
One can only imagine the emotions of having to live through such a tragedy and having to rebuild your life afterwards. Then adding on top of it, her instantaneous global stardom could not have done well to heal her physical, but emotional scars as well.
I felt Natalie Portman seemed out of place and her acting felt very wooden and dry to me unlike most of her portfolio. She even was an executive producer on the film along with her costar Jude Law, so she may have been focused on that instead of her acting performance. She doesn't appear in the film until close to an hour in and filmed her scenes over 10 days. It is unfortunate, but I really didn't believe her and took me out of several scenes as a result.
It is hard to empathize with the celebrity lifestyle of excess and demands having never lived it myself. It has certainly been portrayed onscreen much better than it is here and it really felt like the two halves of the film were disconnected and not resolved.
I certainly don't mind, or even encourage, the vague open-ended type of film generally speaking if it is left you to think about the plight of the characters their decisions, and ultimate destinations; however, this film accomplishes this only through bad writing.
The concert footage was well done and Portman certainly delivered on transforming into a Madonna/Britney Spears type icon. I was just hoping for more of a payoff and felt disappointed in the end.
Green Screen by Do Ink
Education and Photo & Video
10.0
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The #1 Green Screen app for the iPad in Education, now available for the iPhone too! Green Screen by...
Merissa (11800 KP) rated Strike Out (Barlow Sisters #2) in Books
Oct 23, 2017
Strike Out (Barlow Sisters #2) by Jordan Ford
Strike Out hits the ball waaaay out of the park! Don't get me wrong, I still love Maddie and Holden, but wow... Max and Cairo! Max has lost her love for baseball, but has no idea how to tell her father when all his hopes and dreams rest on her. That's a lot of pressure on a young woman. On her first day at school, she gets lost and finds herself in the music room. There is a red Stratocaster in the room, and she can't help but be drawn to it. Cairo, the resident rock star, finds this strange blonde girl near to his precious guitar, but he doesn't think that she is there to steal it. Instead, it comes about that he offers to teach her how to play guitar - and Max finds something, and someone, who brings her alive.
Now, there are parts to this book that I didn't like - for example, how Max keeps Cairo a secret. I didn't like it, but I completely understood it, and my heart broke for both of them. Like I said in the first paragraph, Max is under a lot of pressure from her father, and doesn't want to disappoint him. The thought of losing the music though, and having to play baseball forever, hurts her more than she can say. Jordan Ford did an amazing job of making this so real. My emotions were swinging like a pendulum as I read, just like Max and Cairo's were.
The first part of the book takes you over ground already covered in Maddie and Hayden's story, but from Max's perspective. You never feel like you are bored reading this, because something is always happening that you didn't know about before.
This book had no editing or grammatical errors that disrupted my reading flow. The scenes changed smoothing, flowing from one to the next. The characters continue to engage the reader's interest, and you get updates on how things are going for characters you have met previously. No middle book slump for this series. Highly recommended by me, and I can't wait for Chloe's book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now, there are parts to this book that I didn't like - for example, how Max keeps Cairo a secret. I didn't like it, but I completely understood it, and my heart broke for both of them. Like I said in the first paragraph, Max is under a lot of pressure from her father, and doesn't want to disappoint him. The thought of losing the music though, and having to play baseball forever, hurts her more than she can say. Jordan Ford did an amazing job of making this so real. My emotions were swinging like a pendulum as I read, just like Max and Cairo's were.
The first part of the book takes you over ground already covered in Maddie and Hayden's story, but from Max's perspective. You never feel like you are bored reading this, because something is always happening that you didn't know about before.
This book had no editing or grammatical errors that disrupted my reading flow. The scenes changed smoothing, flowing from one to the next. The characters continue to engage the reader's interest, and you get updates on how things are going for characters you have met previously. No middle book slump for this series. Highly recommended by me, and I can't wait for Chloe's book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Kyera (8 KP) rated The Prisoner of Cell 25 (Michael Vey, #1) in Books
Feb 1, 2018
Michael is a 14-year-old who gets bullied in school, and just so happens to have electrical powers? The tale seems familiar until the exciting addition of having these special abilities is introduced. One of my favourite superpowers or forms of magic is one that is based on the elements, so I was very curious to see how electricity would be represented here. It was fascinating to see how it could manifest itself differently and be used in a variety of situations.
The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
It was definitely very trope-y, but that's not necessarily a bad thing - it completely depends upon your reading preference. I personally enjoy some tropes but when they're overused you tend to connect with the characters less because they're no longer unique. The biggest one for me in this book was the characterization of our three leads and how one dimensional it made them. I don't want to spoil the story, but once you read the book you will understand my issues with the characterization. I would love to see more character development over the next few novels.
As there are six other books in the series, I expect that the character development and world building will be improved upon. It wasn't until the end of the book that I started to feel more of a connection to the characters and curiosity about the world. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
It was definitely very trope-y, but that's not necessarily a bad thing - it completely depends upon your reading preference. I personally enjoy some tropes but when they're overused you tend to connect with the characters less because they're no longer unique. The biggest one for me in this book was the characterization of our three leads and how one dimensional it made them. I don't want to spoil the story, but once you read the book you will understand my issues with the characterization. I would love to see more character development over the next few novels.
As there are six other books in the series, I expect that the character development and world building will be improved upon. It wasn't until the end of the book that I started to feel more of a connection to the characters and curiosity about the world. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
Hazel (1853 KP) rated The Paper Magician (The Paper Magician Trilogy, #1) in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>The Paper Magician</i> is the first in a trilogy of fantasy books by Charlie N. Holmberg. Set in London in the early 1900s it explores the idea of magic in a unique and original way. The protagonist, Ceony Twill, is only nineteen and has recently graduated from the Tagis Praff School for the Magically Inclined. For the next few years of her life she is to be apprenticed to a magician who will teach her to use the magic of their chosen material. To Ceony’s disgust she is paired with Magician Emery Thane, a Folder. She is going to spend the rest her life bonded to an extremely boring object: paper.
Ceony and the reader soon discover that there is a particular art to folding paper correctly in order to produce something (e.g. a paper bird) that lives and breathes. But there is something peculiar about Mg. Thane and he ends up in a life and death situation that only Ceony can save him from.
The originality of the plot made this book fascinating to read. A large variety of magical abilities have been explored throughout novels over the years but until now I have not read one that focuses on the material paper. The author has taken something that exists in the known world – origami – and given it a whole new purpose.
Both Ceony and Mg. Thane are likable characters that have a variety of character traits that appeal to a range of different personalities. There were times when their behaviour and speech felt too contemporary for the historical setting resulting in the time period being completely irrelevant to the narrative. Despite this the general storyline was still exciting.
Fantasy novels naturally involve ideas a little beyond the average person’s comprehension, however the middle of <i>The Paper Magician</i> became so far fetched that it was a little confusing for a while.
Overall, <i>The Paper Magician</i> is a fast paced, easy to read book suitable for young adults and fans of fantasy and magic. The story continues in <i>The Glass Magician</i> and the third and finally book can be expected in 2015.
<i>The Paper Magician</i> is the first in a trilogy of fantasy books by Charlie N. Holmberg. Set in London in the early 1900s it explores the idea of magic in a unique and original way. The protagonist, Ceony Twill, is only nineteen and has recently graduated from the Tagis Praff School for the Magically Inclined. For the next few years of her life she is to be apprenticed to a magician who will teach her to use the magic of their chosen material. To Ceony’s disgust she is paired with Magician Emery Thane, a Folder. She is going to spend the rest her life bonded to an extremely boring object: paper.
Ceony and the reader soon discover that there is a particular art to folding paper correctly in order to produce something (e.g. a paper bird) that lives and breathes. But there is something peculiar about Mg. Thane and he ends up in a life and death situation that only Ceony can save him from.
The originality of the plot made this book fascinating to read. A large variety of magical abilities have been explored throughout novels over the years but until now I have not read one that focuses on the material paper. The author has taken something that exists in the known world – origami – and given it a whole new purpose.
Both Ceony and Mg. Thane are likable characters that have a variety of character traits that appeal to a range of different personalities. There were times when their behaviour and speech felt too contemporary for the historical setting resulting in the time period being completely irrelevant to the narrative. Despite this the general storyline was still exciting.
Fantasy novels naturally involve ideas a little beyond the average person’s comprehension, however the middle of <i>The Paper Magician</i> became so far fetched that it was a little confusing for a while.
Overall, <i>The Paper Magician</i> is a fast paced, easy to read book suitable for young adults and fans of fantasy and magic. The story continues in <i>The Glass Magician</i> and the third and finally book can be expected in 2015.
MaryAnn (14 KP) rated On a Summer Tide (Three Sisters Island #1) in Books
Nov 4, 2019
Sometimes love hurtsand sometimes it can heal in the most unexpected way. Camden Grayson loves her challenging career, but the rest of her life could use some improvement. Moving on is Cams mantra. But theres a difference, her two sisters insist, between one who moves on . . . and one who keeps moving. Cams full-throttle life skids to a stop when her father buys a remote island off the coast of Maine. Paul Grayson has a dream to breathe new life into the islanda dream that includes reuniting his estranged daughters. Certain Dad has lost his mind, the three sisters rush to the island. To Cams surprise, the slow pace of island life appeals to her, along with the localsand one in particular. Seth Walker, the scruffy island schoolteacher harbors more than a few surprises. With On a Summer Tide, bestselling author Suzanne Woods Fisher begins a brand-new contemporary romance series that is sure to delight her fans and draw new ones.
My Thoughts: This is a wonderful story about how family roles and events mold a person and their life. Welcome to a story that brings a family back together again, where they begin to see each other for who they are and what their abilities or gifting is; how they learn to work together and learn to love one another again. It is also a story about learning to forgive, that people do grow as they live their life; that people do learn from their mistakes. It is a story about being honest with one another.
Suzanne Woods Fisher will does not disappoint in this novel. Once again she has spun a wonderful true to life tale. Living on a small island is quaint. I know, I come from a small island in the middle of the Chesapeake Bay; Smith Island. This novel reminds me so much of where I come from, no police, a small school, etc. and a small population. The author has spun a tale that makes the reader want to come to visit this place and take home some of the distinctiveness it gives the residents and visitors.
Readers will enjoy this new series, I certainly look forward to more from Suzanne Woods Fisher!
My Thoughts: This is a wonderful story about how family roles and events mold a person and their life. Welcome to a story that brings a family back together again, where they begin to see each other for who they are and what their abilities or gifting is; how they learn to work together and learn to love one another again. It is also a story about learning to forgive, that people do grow as they live their life; that people do learn from their mistakes. It is a story about being honest with one another.
Suzanne Woods Fisher will does not disappoint in this novel. Once again she has spun a wonderful true to life tale. Living on a small island is quaint. I know, I come from a small island in the middle of the Chesapeake Bay; Smith Island. This novel reminds me so much of where I come from, no police, a small school, etc. and a small population. The author has spun a tale that makes the reader want to come to visit this place and take home some of the distinctiveness it gives the residents and visitors.
Readers will enjoy this new series, I certainly look forward to more from Suzanne Woods Fisher!