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Darren (1599 KP) rated Door in the Woods (2019) in Movies
Nov 7, 2019
Characters – Evelyn is the mother that is preparing to start her own internet business, she redecorates the random door they find and starts experiencing the events, she learns the truth and sets out to get help. Redd is the father that has moved here to start a new job hunt, he tries to help with the behavioural problems and joins Evelyn searching for the truth. Uriah is a pastor that has come to bless the house, he is turned to, to help deal with the hauntings knowing how to end the problems they are facing. Kane is the troublesome child that often finds himself getting into trouble at school, becoming the target of the sinister nature of the door.
Performances – When we look at the performances, we don’t have the strongest ones here, Jennifer Pierce Mathus and David Rees Snell do struggle to make us believe the situations and life they have lived with these characters, while CJ Jones is the standout performer in the film.
Story – The story here follows a family that are looking to start a new life in a small town only to find a door in the woods, inviting evil into their own home needing to get rid of it before it is too late. The start of this story is really good, with creepy elements of hauntings in the house, the problems start when the story tries to break out of following this trend and spends way too long with the final act that is more talking than anything thrilling, which is could have been. This is a story that could have become a lot deeper, but gets caught up in the middle of the two ideas and not using enough of the horror involved.
Thriller – The opening half of the film does offer plenty thrilling horror moments, only to spend more of the second half of the film trying to make up and discuss what has been happening.
Settings – The film uses the small town setting for everything to unfold, showing people can try to escape for a new life, but every small town has a secret.
Scene of the Movie – Background walking.
That Moment That Annoyed Me – Would you really take that door home.
Final Thoughts – This is a film that has a lot of potential only to fall short in how everything unfolds.
Overall: Doesn’t hit the marks.
Performances – When we look at the performances, we don’t have the strongest ones here, Jennifer Pierce Mathus and David Rees Snell do struggle to make us believe the situations and life they have lived with these characters, while CJ Jones is the standout performer in the film.
Story – The story here follows a family that are looking to start a new life in a small town only to find a door in the woods, inviting evil into their own home needing to get rid of it before it is too late. The start of this story is really good, with creepy elements of hauntings in the house, the problems start when the story tries to break out of following this trend and spends way too long with the final act that is more talking than anything thrilling, which is could have been. This is a story that could have become a lot deeper, but gets caught up in the middle of the two ideas and not using enough of the horror involved.
Thriller – The opening half of the film does offer plenty thrilling horror moments, only to spend more of the second half of the film trying to make up and discuss what has been happening.
Settings – The film uses the small town setting for everything to unfold, showing people can try to escape for a new life, but every small town has a secret.
Scene of the Movie – Background walking.
That Moment That Annoyed Me – Would you really take that door home.
Final Thoughts – This is a film that has a lot of potential only to fall short in how everything unfolds.
Overall: Doesn’t hit the marks.
Sophia (Bookwyrming Thoughts) (530 KP) rated Gamer Girl in Books
Jan 23, 2020
I was in the process of getting another book entirely at the library when I noticed Mari Mancusi's Gamer Girl peeking out from its hiding place between two other books. Being the occasional gamer myself (though currently I'm being a little too scholarly to even focus on gaming), I could definitely relate to the title (not so much the synopsis).
There's much to love about Gamer Girl: the synopsis made the book sound like a very happy book something that I've been on the hunt for awhile. The cover is simplistic and gorgeous it definitely puts down the entire idea of the book with the drawing of the main character, Maddy, and the avatar she uses in a game (Fields of Fantasy) she gets for her birthday shortly after her parents divorce. The interior is just as gorgeous as the cover the chapter headings depict Maddy's main emotions she's feeling by the end of the chapter.
Mancusi's writing style and use of Maddy's voice is great as well Maddy is a very relatable character and she has an attitude that isn't annoying, making the book feel perfectly paced as Maddy gets to know SirLeo in Fields of Fantasy and falls in love with him. For awhile it probably feels as though Maddy will find out SirLeo is really an online predator.
Much as I really loved Gamer Girl and Mancusi's writing style, the book feels as though it's aimed more toward middle grade than a high schooler my age. The book is stereotypical with Maddy being bullied by the "Royal Court" as soon as she starts a new school and Maddy tries to escape from the troubles of her reality by entering the gaming world and playing Fields of Fantasy with an elfin character named Allora, someone she would rather be. It all leads to a very cute and adorable ending with the popular guy falling for the outcast very happy and light-hearted, and certainly not something you're likely to come across in real life, compared to the realistic drama of Margo Kelly's Who R U Really.
----------------
Review originally posted at <a href="http://bookwyrming-thoughts.blogspot.com/2015/01/review-gamer-girl-by-mari-mancusi.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
There's much to love about Gamer Girl: the synopsis made the book sound like a very happy book something that I've been on the hunt for awhile. The cover is simplistic and gorgeous it definitely puts down the entire idea of the book with the drawing of the main character, Maddy, and the avatar she uses in a game (Fields of Fantasy) she gets for her birthday shortly after her parents divorce. The interior is just as gorgeous as the cover the chapter headings depict Maddy's main emotions she's feeling by the end of the chapter.
Mancusi's writing style and use of Maddy's voice is great as well Maddy is a very relatable character and she has an attitude that isn't annoying, making the book feel perfectly paced as Maddy gets to know SirLeo in Fields of Fantasy and falls in love with him. For awhile it probably feels as though Maddy will find out SirLeo is really an online predator.
Much as I really loved Gamer Girl and Mancusi's writing style, the book feels as though it's aimed more toward middle grade than a high schooler my age. The book is stereotypical with Maddy being bullied by the "Royal Court" as soon as she starts a new school and Maddy tries to escape from the troubles of her reality by entering the gaming world and playing Fields of Fantasy with an elfin character named Allora, someone she would rather be. It all leads to a very cute and adorable ending with the popular guy falling for the outcast very happy and light-hearted, and certainly not something you're likely to come across in real life, compared to the realistic drama of Margo Kelly's Who R U Really.
----------------
Review originally posted at <a href="http://bookwyrming-thoughts.blogspot.com/2015/01/review-gamer-girl-by-mari-mancusi.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
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Kristy H (1252 KP) rated 13 Minutes in Books
Feb 13, 2018
When they pull Natasha out of the river, she's been dead for thirteen minutes. Thirteen dark, cold minutes. It's amazing the teenager even lives; in fact, it's just pure luck that a man and his dog stumble upon her and pull her from the river's icy clutches. Tasha, as she's known, has no memory of how she wound up in the river, but she knows it wasn't intentional on her part. In fact, she's pretty sure two of her closest friends, Hayley and Jenny, had something to do with it. The two seemed weird in the days leading up to the incident. The trio of beautiful, popular girls--known as "the Barbies" at school--were supposedly the best of friends. But after the accident, Tasha feels drawn to her former friend, Becca, whom she dropped in middle school. Becca isn't sure why Tasha is suddenly being so nice to her. Tasha isn't sure either. And no one is exactly sure how or why Tasha ended up in that river.
I've never read a novel by [a:Sarah Pinborough|457300|Sarah Pinborough|https://images.gr-assets.com/authors/1463056151p2/457300.jpg] before, and I was pretty impressed. She's a great writer, and <i>she certainly knows how to capture the voice of the teenagers within the pages of her novel</i>. I don't think I realized this book would be quite so YA, if that makes any sense. I <i>kept waiting for there to be a bit more to the story than teenage politics</i>, but it's truly sort of a <i>Pretty Little Liars</i>-type tale. That's not to say it's not well-done. It may have just been a tad bit young for me; still, <i>it's an excellent novel and would be a truly wonderful read for most teens</i>, too.
Part of the novel's brilliance comes in its format. It's told from the point of view of Becca and Tasha, but we also get excerpts from Tasha's diary; case files from the Inspector on Tasha's case; notes from Tasha's psychologist; texts between the teens; and more. <i>I enjoyed the format, and it was quite effective at building suspense and tension. </i>
Because,<i> wow, yes, the book is certainly tense and compelling.</i> You're constantly wondering how reliable our teenage narrators are and questioning everything that happens. Now, as mentioned, there's a lot of teenage drama. A LOT. <i>These teens are truly a little scary</i>, and this was yet another book that makes me a tiny bit frightened for my five-year-old daughters to grow up. My goodness. At times, I got a bit bogged down in all the teen antics, but it was still quite interesting.
Becca was definitely a bit of a kid, but I still liked her (for the most part). She was well-written, just a little young for me. Pinborough is truly amazing at getting in the head of these teenagers--capturing the pettiness, meanness, and honestly, sometimes the dumbness, of their mindset. But she also caught the brutal neediness behind some of their actions: that raw need of kids that age to fit in with their peers.
I had a decent idea how this one was going to play out pretty early on, but that didn't stop me from reading (as mentioned, I tore through this in about 24 hours). There's something oddly compelling about this book and its characters. Pinborough weaves in <i>The Crucible</i> as a backdrop--it's the school play--which is a really clever move, as there are a lot of parallels between said drama and the melodrama unfolding among Tasha, Hayley, and Jenny.
Overall, this novel really just hinges on the duality of the hatefulness and vulnerability of teenagers. It may come across as a little too YA and predictable for some adults, but I can't deny that it's well-written and crisp. It's hard to like some of the characters, but I think it would make a great book for teens (albeit it's rather freaking scary). I was leaning toward 3.5 stars before writing this review, but I think I'll do 3.75 and bump up to 4 stars here on Goodreads (that's not complicated at all, right? Perhaps fitting for this complicated and twisty novel).
I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 10/03/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
I've never read a novel by [a:Sarah Pinborough|457300|Sarah Pinborough|https://images.gr-assets.com/authors/1463056151p2/457300.jpg] before, and I was pretty impressed. She's a great writer, and <i>she certainly knows how to capture the voice of the teenagers within the pages of her novel</i>. I don't think I realized this book would be quite so YA, if that makes any sense. I <i>kept waiting for there to be a bit more to the story than teenage politics</i>, but it's truly sort of a <i>Pretty Little Liars</i>-type tale. That's not to say it's not well-done. It may have just been a tad bit young for me; still, <i>it's an excellent novel and would be a truly wonderful read for most teens</i>, too.
Part of the novel's brilliance comes in its format. It's told from the point of view of Becca and Tasha, but we also get excerpts from Tasha's diary; case files from the Inspector on Tasha's case; notes from Tasha's psychologist; texts between the teens; and more. <i>I enjoyed the format, and it was quite effective at building suspense and tension. </i>
Because,<i> wow, yes, the book is certainly tense and compelling.</i> You're constantly wondering how reliable our teenage narrators are and questioning everything that happens. Now, as mentioned, there's a lot of teenage drama. A LOT. <i>These teens are truly a little scary</i>, and this was yet another book that makes me a tiny bit frightened for my five-year-old daughters to grow up. My goodness. At times, I got a bit bogged down in all the teen antics, but it was still quite interesting.
Becca was definitely a bit of a kid, but I still liked her (for the most part). She was well-written, just a little young for me. Pinborough is truly amazing at getting in the head of these teenagers--capturing the pettiness, meanness, and honestly, sometimes the dumbness, of their mindset. But she also caught the brutal neediness behind some of their actions: that raw need of kids that age to fit in with their peers.
I had a decent idea how this one was going to play out pretty early on, but that didn't stop me from reading (as mentioned, I tore through this in about 24 hours). There's something oddly compelling about this book and its characters. Pinborough weaves in <i>The Crucible</i> as a backdrop--it's the school play--which is a really clever move, as there are a lot of parallels between said drama and the melodrama unfolding among Tasha, Hayley, and Jenny.
Overall, this novel really just hinges on the duality of the hatefulness and vulnerability of teenagers. It may come across as a little too YA and predictable for some adults, but I can't deny that it's well-written and crisp. It's hard to like some of the characters, but I think it would make a great book for teens (albeit it's rather freaking scary). I was leaning toward 3.5 stars before writing this review, but I think I'll do 3.75 and bump up to 4 stars here on Goodreads (that's not complicated at all, right? Perhaps fitting for this complicated and twisty novel).
I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 10/03/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Hadley (567 KP) rated The Haunted in Books
Jun 23, 2019
A lot of inconsistencies (1 more)
Stereo-typical characters
A murder begins the story of 'The Haunted,' where Vega starts with every parent's nightmare:
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
Jamie (131 KP) rated Dangerous Behavior in Books
May 24, 2017
Extremely slow start (1 more)
Heavy focus on the romance can be off-putting
Killer Couples
I could almost tag this book as a straight up romance given how much time is dedicated to Sam and Jules’ love story. While the romance could be a good hook for some I personally just found it distracting and kind of eye roll worthy. Sam and Jules were high school sweethearts, Sam cheats, and after getting dumped Jules finds her way into the arms of his brother, who took care of her through her family troubles. The book spends an inordinate amount of time on Sam’s miserable love life and how he never got over his first love despite a plethora of women throwing themselves at him. This made the earlier parts of the novel slow down to a crawl as the narrative focus was more about the romance than the actual murder.
It got worse when Jules started getting her memory back and remembers nothing of the love she shared with her husband and instead keeps thinking about Sam and all the great sex they had. Days after her husband is murdered. I groaned. I guess I shouldn’t be surprised and it’s predictable, it’s just so distasteful and was just sort of a big middle finger to Sam’s brother Joe. I couldn’t get behind the romance in the story at all and it really decreased my enjoyment. So much that I actually was really struggling to like the book and had been thinking about rating it lower until I got to the second half of the book.
Thank goodness for the second half, when the mystery really started to come together. The thrill killers were an interesting pair that bring to mind several serial killer couples. It was a confusing twist on an otherwise average murder mystery and at first I had been wondering why they were even in the story at all. As I dug deeper into the story, however, things pulled together nicely and I actually found these characters to be pretty interesting.
This was the part of the book that was actually good, and the ending alone convinced me to push my rating just a little bit higher. It was worth slogging through the romance to get to the good stuff. While I found certain parts predictable and had figured out the dastardly duo immediately when they were introduced I still enjoyed unraveling the mystery and finding a few surprises along the way.
It got worse when Jules started getting her memory back and remembers nothing of the love she shared with her husband and instead keeps thinking about Sam and all the great sex they had. Days after her husband is murdered. I groaned. I guess I shouldn’t be surprised and it’s predictable, it’s just so distasteful and was just sort of a big middle finger to Sam’s brother Joe. I couldn’t get behind the romance in the story at all and it really decreased my enjoyment. So much that I actually was really struggling to like the book and had been thinking about rating it lower until I got to the second half of the book.
Thank goodness for the second half, when the mystery really started to come together. The thrill killers were an interesting pair that bring to mind several serial killer couples. It was a confusing twist on an otherwise average murder mystery and at first I had been wondering why they were even in the story at all. As I dug deeper into the story, however, things pulled together nicely and I actually found these characters to be pretty interesting.
This was the part of the book that was actually good, and the ending alone convinced me to push my rating just a little bit higher. It was worth slogging through the romance to get to the good stuff. While I found certain parts predictable and had figured out the dastardly duo immediately when they were introduced I still enjoyed unraveling the mystery and finding a few surprises along the way.
Phillip McSween (751 KP) rated Eighth Grade (2018) in Movies
May 13, 2019
Generational Movie
Eighth Grade left a long impact on me after viewing and I think it has a lot to do with how real it is. There were so many moments where I cringed as if I was watching this happen to someone I knew. For a lot of people, myself included, middle school sucks and it’s not getting any easier the more social media has emerged. Eighth Grade in no way romanticizes things, but instead opts to identify fully with the struggle of young Kayla (Elsie Fisher) and her quest fit in while maintaining some kind of self-identity.
Acting: 10
After watching this movie, it left no doubt in my mind that Elsie Fisher has an amazing career ahead of her in acting if she so chooses. It wouldn’t have surprised me in the slightest if she had been up for an Academy Award. She makes this movie feel very real and personal. You can feel her awkwardness and how it impacts the situations she’s in. She captures the essence of teenage angst: Having the need to fit in and impress at the same time. It makes you cringe and laugh all at once.
Beginning: 10
Characters: 10
While there are a number of other characters in the movie that make it great, Eighth Grade is nothing without our star Kayla. Rooting for her character is really what drives the movie overall. She reminds you of what it was like to find yourself and how it good it feels to not have to pretend to be something you’re not for the sake of the approval of others. She’s a bit strange, but in an endearing, funny kind of way.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Memorability: 10
Pace: 10
Never gets old or suffers from “filler” scenes like a good number of dramas tend to do. It gets right to the chase showing you exactly what it wants to you to see before moving on to the next moment. The beauty of this movie is I was always intrigued from scene to the next and I think it’s due in large part to the fact that I was always invested in Kayla’s well-being.
Plot: 10
Resolution: 10
Overall: 100
Eighth Grade snuck up on me in 2018 and I’m so glad it did. I loved it in more ways than one and I think it’s a generational movie that should be on a number of all-time lists for years to come. Beautiful, inspiring movie.
Acting: 10
After watching this movie, it left no doubt in my mind that Elsie Fisher has an amazing career ahead of her in acting if she so chooses. It wouldn’t have surprised me in the slightest if she had been up for an Academy Award. She makes this movie feel very real and personal. You can feel her awkwardness and how it impacts the situations she’s in. She captures the essence of teenage angst: Having the need to fit in and impress at the same time. It makes you cringe and laugh all at once.
Beginning: 10
Characters: 10
While there are a number of other characters in the movie that make it great, Eighth Grade is nothing without our star Kayla. Rooting for her character is really what drives the movie overall. She reminds you of what it was like to find yourself and how it good it feels to not have to pretend to be something you’re not for the sake of the approval of others. She’s a bit strange, but in an endearing, funny kind of way.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Memorability: 10
Pace: 10
Never gets old or suffers from “filler” scenes like a good number of dramas tend to do. It gets right to the chase showing you exactly what it wants to you to see before moving on to the next moment. The beauty of this movie is I was always intrigued from scene to the next and I think it’s due in large part to the fact that I was always invested in Kayla’s well-being.
Plot: 10
Resolution: 10
Overall: 100
Eighth Grade snuck up on me in 2018 and I’m so glad it did. I loved it in more ways than one and I think it’s a generational movie that should be on a number of all-time lists for years to come. Beautiful, inspiring movie.
