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Mark @ Carstairs Considers (2200 KP) rated The Downtown Desperadoes in Books
Jan 19, 2020
Returning to NYC to Help a Friend
It all starts with a phone call. Ricky Kidd is confused by the strange message, and he is certain it is a prank, expect for the fact that the voice sounds familiar. It’s a couple of hours later when he recognizes it as Brother Phillip, the man who had helped him track down his younger brother when Joel was kidnapped during the class trip to New York City back in the spring. When his father tries to find out what is happening with Brother Phillip, he discovers the mission the man run has burned down, and the police believe that Brother Phillip died in the fire. The only problem is, the fire took place before the phone call. Ricky is able to convince his family and friends, Ralphy and Mike, to change their Thanksgiving plans and go to the city, but when they arrive, things only get weirder. Did they really know Brother Phillip? Is he in danger? Or is he a criminal?
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
Lottie disney bookworm (1056 KP) rated Slumber in Books
Sep 9, 2019
Thank you to NetGalley and Becky Bird for providing an e-copy of Slumber in exchange for an honest opinion.
Everyone knows that the market for fairy tale retellings is hot right now and, as such, is becoming saturated. However, Becky Bird comes at the story of Sleeping Beauty from a completely different angle: what if “true love’s kiss” which breaks the spell isn’t that between the Prince and Princess?
Slumber was a slow burner for me personally. Initially I agreed with previous reviews that the novel would be considered middle-grade rather than YA but my opinion did change about half way through the book. In my opinion, this was when the author ‘settled in’ to the novel and truly developed the characters into ones the reader could relate to and find themselves rooting for.
This was also the point where it became clear Becky Bird was challenging a number of stereotypes through her characters: the Cardinal is a man of God but this does not necessarily make him good; Lucy is an orphan but this does not make her weak; Jack is a boy but this does not make him brave and, finally, Thomas is a Prince but this does not make him charming! This humanised the characters for me and I found myself growing to really like them.
There are also a number of tongue-in-cheek references to fairy tales which I really appreciated. Phrases such as “bibbidi-bobbidi-boo” and Jack running for the trees every chance he got added an undercurrent of humour throughout the novel.
Unfortunately, there were moments where I got frustrated by the novel skipping between locations and characters- sometimes mid-event. Separating these by chapters or even page breaks would have made this an easier read. The start of the book especially also seemed to be a tad “over written” with references to a literal river of tears and a croissant described as a “creamy delight”.
Overall Slumber was a quick and easy read with a really great concept and endearing characters. It possibly could have benefitted from some suspense as all the Cardinal’s motives were revealed right at the start of the book but nevertheless it was an enjoyable read.
Everyone knows that the market for fairy tale retellings is hot right now and, as such, is becoming saturated. However, Becky Bird comes at the story of Sleeping Beauty from a completely different angle: what if “true love’s kiss” which breaks the spell isn’t that between the Prince and Princess?
Slumber was a slow burner for me personally. Initially I agreed with previous reviews that the novel would be considered middle-grade rather than YA but my opinion did change about half way through the book. In my opinion, this was when the author ‘settled in’ to the novel and truly developed the characters into ones the reader could relate to and find themselves rooting for.
This was also the point where it became clear Becky Bird was challenging a number of stereotypes through her characters: the Cardinal is a man of God but this does not necessarily make him good; Lucy is an orphan but this does not make her weak; Jack is a boy but this does not make him brave and, finally, Thomas is a Prince but this does not make him charming! This humanised the characters for me and I found myself growing to really like them.
There are also a number of tongue-in-cheek references to fairy tales which I really appreciated. Phrases such as “bibbidi-bobbidi-boo” and Jack running for the trees every chance he got added an undercurrent of humour throughout the novel.
Unfortunately, there were moments where I got frustrated by the novel skipping between locations and characters- sometimes mid-event. Separating these by chapters or even page breaks would have made this an easier read. The start of the book especially also seemed to be a tad “over written” with references to a literal river of tears and a croissant described as a “creamy delight”.
Overall Slumber was a quick and easy read with a really great concept and endearing characters. It possibly could have benefitted from some suspense as all the Cardinal’s motives were revealed right at the start of the book but nevertheless it was an enjoyable read.
Lottie disney bookworm (1056 KP) rated Dragon By Midnight in Books
Aug 30, 2021
The concept of Dragon by Midnight immediately intrigued me: a Cinderella retelling where, at the stroke of midnight, Cinderella becomes a dragon and is hunted by Prince Charming? Yes please!
Karen Kincy had some bestseller-worthy ideas when it came to this book: I loved Sikandar's mysterious sorcerer vibe and dark past; the Jinni gave Arabian nights/Aladdin vibes and the plot twist of the curse was brilliant.
However, in my opinion, the major elements that made Dragon by Midnight great were just not developed enough and I was left with unanswered questions, in particular with Cinderella's story line.
Sikandar is bound to be everyone's favourite character and the description of him as a cinnamon roll hero is perfect. I would have liked him to keep his mystery for a bit longer and for the worthiness of his previous actions to be withheld instead of instantly revealed - it felt like he was a mysterious murderer one second and then an amazing hero the next . Although this was in keeping with the fast-paced nature of the story.
Similarly, the romance between Sikandar and Cinderella developed so quickly. She almost fell in love with him straight away! It was also very fluffy and cute: which is not a criticism! This is a YA book after all. However, sometimes Cinderella seemed too wrapped up in the cute boy and less concerned about ... well, being a dragon!
Prince Benedict Charming was brilliant in his arrogance and cringe worthiness. I did expect a bit more action and dragon-hunting from him though and his attitude towards Cinderella when she returned to the castle as a girl was very odd. I truly couldn't tell if he was so self-absorbed he didn't care what had happened, or if he was plotting something.
Overall I did enjoy Dragon by Midnight and read it within a day. It is a very cute, fast-paced fairytale with some genius ideas. The overly descriptive language and lack of character development would push it closer to the middle-grade side of YA for me but I enjoyed the story and will possibly pick up the sequel if I see it.
I received an advance review copy for free, and I am leaving this review voluntarily.
Karen Kincy had some bestseller-worthy ideas when it came to this book: I loved Sikandar's mysterious sorcerer vibe and dark past; the Jinni gave Arabian nights/Aladdin vibes and the plot twist of the curse was brilliant.
However, in my opinion, the major elements that made Dragon by Midnight great were just not developed enough and I was left with unanswered questions, in particular with Cinderella's story line.
Sikandar is bound to be everyone's favourite character and the description of him as a cinnamon roll hero is perfect. I would have liked him to keep his mystery for a bit longer and for the worthiness of his previous actions to be withheld instead of instantly revealed - it felt like he was a mysterious murderer one second and then an amazing hero the next . Although this was in keeping with the fast-paced nature of the story.
Similarly, the romance between Sikandar and Cinderella developed so quickly. She almost fell in love with him straight away! It was also very fluffy and cute: which is not a criticism! This is a YA book after all. However, sometimes Cinderella seemed too wrapped up in the cute boy and less concerned about ... well, being a dragon!
Prince Benedict Charming was brilliant in his arrogance and cringe worthiness. I did expect a bit more action and dragon-hunting from him though and his attitude towards Cinderella when she returned to the castle as a girl was very odd. I truly couldn't tell if he was so self-absorbed he didn't care what had happened, or if he was plotting something.
Overall I did enjoy Dragon by Midnight and read it within a day. It is a very cute, fast-paced fairytale with some genius ideas. The overly descriptive language and lack of character development would push it closer to the middle-grade side of YA for me but I enjoyed the story and will possibly pick up the sequel if I see it.
I received an advance review copy for free, and I am leaving this review voluntarily.
BankofMarquis (1832 KP) rated Kimi (2022) in Movies
Feb 22, 2022
Better-Than-Average, but nothing more
Oscar winning Director Steven Soderbergh (TRAFFIC) could rightfully be called the current “Master of Suspense” as most of his films fall into the “Psychological Drama” category - and his latest HBO MAX film, KIMI, is a perfectly ordinary entry in his catalogue.
Starring Zoe Kravitz (BIG LITTLE LIES) in the titular role, KIMI follows an agoraphobic tech worker, in the middle of global pandemic, who thinks she might have stumbled upon a crime.
Written by veteran Screenwriter David Koepp (the OG SPIDERMAN, starring Tobey Maguire), KIMI is a better-than-average thriller with a better-than-average lead performance by Kravitz and Directed in better-than-average style by Soderbergh.
Which makes this film entertaining, somewhat interesting but nothing special.
The plot twists and turns enough that keeps you guessing, but never falls into over-the-top “you got to be kidding me” territory or something of true suspense while the performance of Kravitz is good (enough) to hold your attention without falling prey to gimmickry/tricks/twitches. It is a solid “B” performance but not better (or worse).
A highlight for me was the appearance of Robin Givens (the former Mrs. Mike Tyson) as Kravitz’/Kimi’s mother. It was good to see her get some work. On the other hand, this is counter-balanced by the horrible performance of Rita Wilson (the current Mrs. Tom Hanks) as a shady Corporate-type who does everything by twirl her mustache in her single appearance on screen.
Add on top of this some fairly pedestrian Direction by Soderbergh and you have a serviceable, passable, “good enough” film that is, mercifully, only an hour and a 1/2 long. It is one of those rare films that I wondered when it ended that if they added another 1/2 hour to this film - and added some depth to the characters (especially the villians) perhaps this would have been a better film.
But, instead, we get a pleasant (enough) diversion.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Zoe Kravitz (BIG LITTLE LIES) in the titular role, KIMI follows an agoraphobic tech worker, in the middle of global pandemic, who thinks she might have stumbled upon a crime.
Written by veteran Screenwriter David Koepp (the OG SPIDERMAN, starring Tobey Maguire), KIMI is a better-than-average thriller with a better-than-average lead performance by Kravitz and Directed in better-than-average style by Soderbergh.
Which makes this film entertaining, somewhat interesting but nothing special.
The plot twists and turns enough that keeps you guessing, but never falls into over-the-top “you got to be kidding me” territory or something of true suspense while the performance of Kravitz is good (enough) to hold your attention without falling prey to gimmickry/tricks/twitches. It is a solid “B” performance but not better (or worse).
A highlight for me was the appearance of Robin Givens (the former Mrs. Mike Tyson) as Kravitz’/Kimi’s mother. It was good to see her get some work. On the other hand, this is counter-balanced by the horrible performance of Rita Wilson (the current Mrs. Tom Hanks) as a shady Corporate-type who does everything by twirl her mustache in her single appearance on screen.
Add on top of this some fairly pedestrian Direction by Soderbergh and you have a serviceable, passable, “good enough” film that is, mercifully, only an hour and a 1/2 long. It is one of those rare films that I wondered when it ended that if they added another 1/2 hour to this film - and added some depth to the characters (especially the villians) perhaps this would have been a better film.
But, instead, we get a pleasant (enough) diversion.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated M3gan (2023) in Movies
Mar 1, 2023
Nothing Special
Move over, Chucky, there’s a new killer doll in town.
The first “hit” of 2023, M3GAN (whichs stands for Model 3 Generative Android) is exactly what you think it is, the latest spin on a theme that has been seen over and over again - a scientist creates a sentient being that ends up turning on it’s masters.
As Directed by Gerard Johnstone, M3GAN is a winning (enough) entree into this genre, with the twist this time being that the sentient being is a doll (much like the aforementioned Chucky or Annabelle) and M3GAN is created as a companion for a lonely young girl who has lost her parents, as the relationship between M3GAN and Cady (Violet McGraw) grows, M3GAN becomes overly protective of her.
Because the main character is a tween girl, Director Johnstone tries to tow the line between hard-core, R-rated Horror and more “kid-friendly” PG-13 fright/scares. He succeeds as much as he fails in this quest, but…ultimately…the films lands squarely in the middle…not gorey/horror enough for horror fans, but too gorey/horror-y for the younger set that just might be it’s target audience.
As the creator of M3GAN (and the Aunt of Cady), Allison Williams (GET OUT) does a professional job of holding down the center of the film with the rest of the supporting cast/victims being played inconsistently as realistic (the next door neighbor played by Lori Dungey (The Lord of the RINGS trilogy) or too over-the-top like the scum-bag, “only interested in making money” CEO played by comedian Ronny Chieng.
It is these types of inconsistencies - “R-Rated or PG-13”? Realistic or over-the-top acting? That, ultimately, sentences this picture as something that is neither interesting nor uninteresting. It just sits there like a doll on the shelf, staring at you, waiting for you to decide whether or not you wish to play with it.
Letter Grade: C+
5 Stars (out of 10) and you can take that to the Bank(ofMarquis)
The first “hit” of 2023, M3GAN (whichs stands for Model 3 Generative Android) is exactly what you think it is, the latest spin on a theme that has been seen over and over again - a scientist creates a sentient being that ends up turning on it’s masters.
As Directed by Gerard Johnstone, M3GAN is a winning (enough) entree into this genre, with the twist this time being that the sentient being is a doll (much like the aforementioned Chucky or Annabelle) and M3GAN is created as a companion for a lonely young girl who has lost her parents, as the relationship between M3GAN and Cady (Violet McGraw) grows, M3GAN becomes overly protective of her.
Because the main character is a tween girl, Director Johnstone tries to tow the line between hard-core, R-rated Horror and more “kid-friendly” PG-13 fright/scares. He succeeds as much as he fails in this quest, but…ultimately…the films lands squarely in the middle…not gorey/horror enough for horror fans, but too gorey/horror-y for the younger set that just might be it’s target audience.
As the creator of M3GAN (and the Aunt of Cady), Allison Williams (GET OUT) does a professional job of holding down the center of the film with the rest of the supporting cast/victims being played inconsistently as realistic (the next door neighbor played by Lori Dungey (The Lord of the RINGS trilogy) or too over-the-top like the scum-bag, “only interested in making money” CEO played by comedian Ronny Chieng.
It is these types of inconsistencies - “R-Rated or PG-13”? Realistic or over-the-top acting? That, ultimately, sentences this picture as something that is neither interesting nor uninteresting. It just sits there like a doll on the shelf, staring at you, waiting for you to decide whether or not you wish to play with it.
Letter Grade: C+
5 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated Eighth Grade (2018) in Movies
Apr 10, 2019
Eighth Grade had its US release back in July last year and since then, I've seen nothing but praise and high ratings for it online. Only now is it heading to UK cinemas and, for some reason, the powers that be have decided to go and release it at the same time as Avengers: Endgame later this month. Cineworld showed it earlier this week as one of their unlimited screenings, so I thought I'd give it a go before it gets lost among all the Avengers hype when it goes on general release.
Eighth Grade is the directorial debut of comedian and former YouTube star, Bo Burnham. It stars Elsie Fisher as Kayla, a young girl lacking in confidence, awkward around her fellow students at school and generally very quiet by nature. So quiet she even lands the award at school for being the quietest, nominated by fellow students in an awards ceremony held during assembly. The movie basically follows the daily struggles of Kayla and her life as a teenager. By night she endlessly scrolls through social media feeds and records her own YouTube videos. Her posts are confident, self help motivational videos about teenage issues, but rarely get more than a single like. She spends her days attempting to follow her own advice and dealing with the anxiety and heartbreak that brings. You feel genuinely awkward with her and spend the majority of the movie totally rooting for her, hoping she'll make it through this tough period of life. Even at home she struggles - mum is no longer on the scene and conversations with her dad are just strained and awkward. All of what makes this feel so natural and believable is down to Elsie Fisher, who is incredible as Kayla, a real star in the making. It all goes to show that growing up can be so hard, girls can be real bitches and boys can be absolute dicks!
I guess your overall enjoyment of the movie kind of depends on whether you can relate to, or appreciate, any of the experiences or feelings that Kayla has. Being a socially awkward father of two daughters, I guess I was hoping to find a lot more to relate to and enjoy than I actually did. To be fair, there are plenty of perfectly observed, wonderfully acted and genuinely beautiful moments throughout, but the movie plays too much like a documentary and that worked against it for me. Far too many moments, particularly around the middle section, when the movie really dragged. And at only 93 minutes long, I shouldn't really be checking my watch and hoping for it to end in the way that I did.
Probably only about 15 or so people attended the large screening of this at my local Cineworld, and around half a dozen of those got up and left during the movie. I wondered if this was indicative of the other screenings around the country but, judging by the reaction online afterwards, approximately 90% of Cineworld Unlimited members seem to have really loved it, with many declaring it their favourite movie so far this year! So I guess this is one of those movies that's really going to divide people. Worth checking out though, and hopefully you'll enjoy it a lot more than I did.
Eighth Grade is the directorial debut of comedian and former YouTube star, Bo Burnham. It stars Elsie Fisher as Kayla, a young girl lacking in confidence, awkward around her fellow students at school and generally very quiet by nature. So quiet she even lands the award at school for being the quietest, nominated by fellow students in an awards ceremony held during assembly. The movie basically follows the daily struggles of Kayla and her life as a teenager. By night she endlessly scrolls through social media feeds and records her own YouTube videos. Her posts are confident, self help motivational videos about teenage issues, but rarely get more than a single like. She spends her days attempting to follow her own advice and dealing with the anxiety and heartbreak that brings. You feel genuinely awkward with her and spend the majority of the movie totally rooting for her, hoping she'll make it through this tough period of life. Even at home she struggles - mum is no longer on the scene and conversations with her dad are just strained and awkward. All of what makes this feel so natural and believable is down to Elsie Fisher, who is incredible as Kayla, a real star in the making. It all goes to show that growing up can be so hard, girls can be real bitches and boys can be absolute dicks!
I guess your overall enjoyment of the movie kind of depends on whether you can relate to, or appreciate, any of the experiences or feelings that Kayla has. Being a socially awkward father of two daughters, I guess I was hoping to find a lot more to relate to and enjoy than I actually did. To be fair, there are plenty of perfectly observed, wonderfully acted and genuinely beautiful moments throughout, but the movie plays too much like a documentary and that worked against it for me. Far too many moments, particularly around the middle section, when the movie really dragged. And at only 93 minutes long, I shouldn't really be checking my watch and hoping for it to end in the way that I did.
Probably only about 15 or so people attended the large screening of this at my local Cineworld, and around half a dozen of those got up and left during the movie. I wondered if this was indicative of the other screenings around the country but, judging by the reaction online afterwards, approximately 90% of Cineworld Unlimited members seem to have really loved it, with many declaring it their favourite movie so far this year! So I guess this is one of those movies that's really going to divide people. Worth checking out though, and hopefully you'll enjoy it a lot more than I did.
Night Reader Reviews (683 KP) rated The Core Fulcrum in Books
Apr 6, 2020
Honest Review for Free Copy of Book
The Core Fulcrum by Prashanti Talluri has multiple details that made me think it was largely inspired by Harry Potter. The school has rooms that move daily which were a big reminder of Harry Potter but there were multiple little things as well.
Snowball and Goldie are two kittens that have just started the fifth grade. Like the school's humans are used to there are classes that everyone has to take an optional class. It is one of these optional classes that Snowball, Goldie, and some of their friends choose that sends them on an amazing and scary adventure. They all choose to take part in the class called “Curiosity Kills the Cat”, but so does their class bully Hisky.
In this class, after passing a test they learn of the Core Fulcrum. They learn that the Core Fulcrum is a powerful artifact that is responsible for all the cat’s extraordinary abilities. The problem is that the Core Fulcrum is missing and that could cause major issues for all cats unless it is found soon. Their solution is to enlist the help of kittens in school to join the dangerous search for this all-important item. Can they find it before it it's too late and the rats figure out how to use it?
I like how it acknowledges how cats essentially got their independence from humans (although I can’t help but wonder what happened to the people). It was also interesting how the casts and rats have created separate kingdoms from each other and even seem to war with each other to some extent. Honestly things like the snakes that bite their tails to function as seat belts just seemed a bit farfetched, along with busses that seem to be living animals at the same time (or maybe just created to mimic animal abilities, I am not sure). Then there was how the cats were in harnesses to practice for their version of the Olympics yet they were going through tunnels without getting tangled and finishing in around fifteen seconds seemed unrealistic even for cats.
This is a children's book all the way. I don’t think may people past middle school would be all that interested in it or find it very enjoyable. It may even be questionable for some middle school readers. It all depends on how well a reader can accept the strangeness of this book. I rate this book 2 out of 4. This is because the base story is good but the details just felt awkward. I just don’t think anyone but younger readers are going to be into it. I could be wrong though.
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Snowball and Goldie are two kittens that have just started the fifth grade. Like the school's humans are used to there are classes that everyone has to take an optional class. It is one of these optional classes that Snowball, Goldie, and some of their friends choose that sends them on an amazing and scary adventure. They all choose to take part in the class called “Curiosity Kills the Cat”, but so does their class bully Hisky.
In this class, after passing a test they learn of the Core Fulcrum. They learn that the Core Fulcrum is a powerful artifact that is responsible for all the cat’s extraordinary abilities. The problem is that the Core Fulcrum is missing and that could cause major issues for all cats unless it is found soon. Their solution is to enlist the help of kittens in school to join the dangerous search for this all-important item. Can they find it before it it's too late and the rats figure out how to use it?
I like how it acknowledges how cats essentially got their independence from humans (although I can’t help but wonder what happened to the people). It was also interesting how the casts and rats have created separate kingdoms from each other and even seem to war with each other to some extent. Honestly things like the snakes that bite their tails to function as seat belts just seemed a bit farfetched, along with busses that seem to be living animals at the same time (or maybe just created to mimic animal abilities, I am not sure). Then there was how the cats were in harnesses to practice for their version of the Olympics yet they were going through tunnels without getting tangled and finishing in around fifteen seconds seemed unrealistic even for cats.
This is a children's book all the way. I don’t think may people past middle school would be all that interested in it or find it very enjoyable. It may even be questionable for some middle school readers. It all depends on how well a reader can accept the strangeness of this book. I rate this book 2 out of 4. This is because the base story is good but the details just felt awkward. I just don’t think anyone but younger readers are going to be into it. I could be wrong though.
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BankofMarquis (1832 KP) rated Pieces of a Woman (2020) in Movies
Apr 16, 2021
Realistic view of Grieving
Films about grief are a tricky proposition, for while they can be cathartic and life-affirming, they can also be dour, depressing experiences that spiral downward under it’s own weight.
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
BankofMarquis (1832 KP) rated The Lion King (2019) in Movies
Jul 21, 2019
Middle of the Road
I have to give the Walt Disney Company credit, with their Live Action remakes of their classic animated movies, they have developed a very lucrative profit stream with properties that they already own - and are well known to audiences. Some are successful (THE JUNGLE BOOK, ALADDIN), some are not quite so successful (DUMBO, ALICE IN WONDERLAND).
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
Heather Cranmer (2721 KP) rated The Encouragement Letters in Books
Oct 3, 2018
The plot (2 more)
The characters
The educational lesson
An Uplifting Read
When I read the synopsis for The Encouragement Letters by Shanna Spence, I was intrigued. The cover also drew my attention. I lived in England for over 6 years which is another reason I wanted to read this book. I love all things England! When I got the opportunity to review it, I jumped at the chance!
I found the pacing to be perfect in The Encouragement Letters. This is a middle grade read, and Miss Spence sets the pacing perfectly for that age group. Never once did I feel like the book was too fast or too slow for young readers. I also feel the length of the book was perfect for the age group it targets.
I enjoyed the plot of The Encouragement Letters very much. It was interesting to read about Will's struggles and how he was overcoming them. I loved reading about how kind everyone was to each other. It was as if everyone was one big family. Everyone would help each other out, and that was very encouraging. It was interesting and uplifting to read about Will overcoming his challenges and not becoming a victim of circumstance even when that would have been the easiest thing to do. Reading about how Will was trying to lift everyone up in hard times with his encouragement letters truly was heartwarming. There are no plot twists in this book, but it doesn't need plot twists as it's not that kind of book. All of my questions were answered in the book. There are no cliff hangers whatsoever which was great.
The world building was done very well. Although written in third person, The Encouragement Letters is told through the eyes of 11 year old Will. I feel that Shanna Spence did a fantastic job making it seem as if a real 11 year old is telling the story. Miss Spence also does a great job making you feel as if you are involved with everything going on. Her use of language is profound. A few of the characters' accents were written exactly as they speak. I loved this! This made it that much more realistic. I also loved the Yorkshire dialect guide at the beginning of the book. Shanna Spence does a great job educating and making her readers feel like they are experiencing the Industrial Revolution in England first hand.
I loved every character in The Encouragement Letters. They all felt very real and fleshed out. Will was such a sweet boy as I mentioned earlier. I admired his work ethic and how empathetic he was even at such a young age. I loved all the shop workers and how caring they were towards Will always giving him extra food, scraps of leather, or whatever they had left over. Mary Beth was a character who also stood out to me. I enjoyed when she was mentioned. Maybe it's because I felt like I could relate to her. Like all of the characters in The Encouragement Letters, she had a strong work ethic and was so kind to Will. I thought it was cute how Will seemed to have a bit of a crush on her.
As this is a middle grade read, there aren't many trigger warnings. There is talk of death (Will's father had passed away a year prior when the novel starts) as well as sickness (Will's mother is sick throughout the book, and Will looks after her. There's one scene of violence (Will gets punched in the face), but it is not very graphic and is described in an age appropriate manner.
Overall, The Encouragement Letters is a very inspiring and uplifting novel. The characters are all so kind and have great work ethics, and the book is somewhat educational with describing how life was like during the Industrial Revolution in England. I would definitely recommend The Encouragement Letters by Shanna Spence to those 9+ who need some encouragement or who just love reading uplifting novels. Actually, I'd just recommend this to every and all people who are 9 years and older! This book gets a solid 5 out of 5 stars from me!
(Thank you to the author for providing me with a paperback of this title for a review on a blog tour I am doing in exchange for an honest and unbiased review.)
I found the pacing to be perfect in The Encouragement Letters. This is a middle grade read, and Miss Spence sets the pacing perfectly for that age group. Never once did I feel like the book was too fast or too slow for young readers. I also feel the length of the book was perfect for the age group it targets.
I enjoyed the plot of The Encouragement Letters very much. It was interesting to read about Will's struggles and how he was overcoming them. I loved reading about how kind everyone was to each other. It was as if everyone was one big family. Everyone would help each other out, and that was very encouraging. It was interesting and uplifting to read about Will overcoming his challenges and not becoming a victim of circumstance even when that would have been the easiest thing to do. Reading about how Will was trying to lift everyone up in hard times with his encouragement letters truly was heartwarming. There are no plot twists in this book, but it doesn't need plot twists as it's not that kind of book. All of my questions were answered in the book. There are no cliff hangers whatsoever which was great.
The world building was done very well. Although written in third person, The Encouragement Letters is told through the eyes of 11 year old Will. I feel that Shanna Spence did a fantastic job making it seem as if a real 11 year old is telling the story. Miss Spence also does a great job making you feel as if you are involved with everything going on. Her use of language is profound. A few of the characters' accents were written exactly as they speak. I loved this! This made it that much more realistic. I also loved the Yorkshire dialect guide at the beginning of the book. Shanna Spence does a great job educating and making her readers feel like they are experiencing the Industrial Revolution in England first hand.
I loved every character in The Encouragement Letters. They all felt very real and fleshed out. Will was such a sweet boy as I mentioned earlier. I admired his work ethic and how empathetic he was even at such a young age. I loved all the shop workers and how caring they were towards Will always giving him extra food, scraps of leather, or whatever they had left over. Mary Beth was a character who also stood out to me. I enjoyed when she was mentioned. Maybe it's because I felt like I could relate to her. Like all of the characters in The Encouragement Letters, she had a strong work ethic and was so kind to Will. I thought it was cute how Will seemed to have a bit of a crush on her.
As this is a middle grade read, there aren't many trigger warnings. There is talk of death (Will's father had passed away a year prior when the novel starts) as well as sickness (Will's mother is sick throughout the book, and Will looks after her. There's one scene of violence (Will gets punched in the face), but it is not very graphic and is described in an age appropriate manner.
Overall, The Encouragement Letters is a very inspiring and uplifting novel. The characters are all so kind and have great work ethics, and the book is somewhat educational with describing how life was like during the Industrial Revolution in England. I would definitely recommend The Encouragement Letters by Shanna Spence to those 9+ who need some encouragement or who just love reading uplifting novels. Actually, I'd just recommend this to every and all people who are 9 years and older! This book gets a solid 5 out of 5 stars from me!
(Thank you to the author for providing me with a paperback of this title for a review on a blog tour I am doing in exchange for an honest and unbiased review.)