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The Happiness Of The Katakuris (2001)
The Happiness Of The Katakuris (2001)
2001 | Comedy, Horror, Musical
Takashi Miike's π˜‹π˜’π˜―π˜€π˜¦π˜³ π˜ͺ𝘯 𝘡𝘩𝘦 π˜‹π˜’π˜³π˜¬. When this movie gets weird (and speaking as someone who would consider themselves somewhat of an aficionado, it gets *weird*) it's damn near unbeatable - raw delirium, Miike at some of his absolute most Miike. The musical numbers are sidesplitting and actually pretty solid songs in their own right, and I simply can't sing the praises of the batshit claymation segments enough. However - and I don't mean to sound ungrateful for the unique insanity this provides - the 'normal' parts can *really* stagnate. Scenes that should wrap up in a minute max drone on for what feels like ages - nothing like the more suitable pacing of 𝘐𝘀𝘩π˜ͺ 𝘡𝘩𝘦 π˜’π˜ͺ𝘭𝘭𝘦𝘳, his other film from that year where scenes flew neatly and snapped together like puzzle pieces (and that one ran nearly 20 minutes longer, at that). But I digress, the sheer lunacy of the last act make its crimes in the structure/pacing department easy to forgive. Shinji Takeda steals the show here for me - going from stereotypical apathetic teen type immediately busting out into over-the-top song and dance never fails to crack me up.
  
As the Gods Will (2014)
As the Gods Will (2014)
2014 | Action, Horror, Sci-Fi
"π˜›π˜©π˜¦ 𝘴𝘢𝘳𝘷π˜ͺ𝘷𝘰𝘳𝘴 𝘒𝘳𝘦 𝘨𝘰𝘰π˜₯, 𝘡𝘩𝘦 π˜₯𝘦𝘒π˜₯ 𝘒𝘳𝘦 𝘦𝘷π˜ͺ𝘭."

Seventh Miike down and so far this is my favorite of his by a wide margin: gorgeous, fearlessly stupid, entertaining as can be, grisly, funny, and as giddy as a kid in a candy shop with its cruelty. Pretty much the shit movies were made for. Couldn't tell you how this holds up as an adaptation of the manga, but it's a top-to-bottom gnarly blast in its own right - just keeps topping and topping itself with its series of totally ludicrous rug-pulls until you have no choice but to strap in blindfolded and hold on for the ride. I still can't get over the combination of all these breathtaking sets with the garish, purposefully fugly CGI - it adds a deep idiosyncrasy to the project that works like a motherfucker in deepening its artsy camp. The entirety of the 'telling the truth' game is the best scene in any Miike movie I've seen up to this point. Ryunosuke Kamiki is a God's-honest talent. And at this point in Takashi's filmography it should go without saying that Koji Endo's score rips hard. Catch me demanding a sequel to this overlooked genre classic.
  
Visitor Q (2001)
Visitor Q (2001)
2001 | Comedy, Drama, Horror
Visitor Q is Takashi Miike's take on reality television. If you've never seen a Takashi Miike film, then prepare yourself to be shocked and to see things you've never seen in a movie before. Visitor Q focuses around the Yamazaki family. Kiyoshi, the father, used to be a television broadcaster and is trying to come up with ideas for a new reality television show. Keiko, the mother, is verbally and physically abused by her son. She and Kiyoshi pretty much allow it to happen, but her only rule is that her son doesn't mess up her face. Takuya, the son, is picked on by bullies even while he's at home. A visitor shows up at the house after hitting Kiyoshi over the head with a rock...twice. Their lives get even more screwed up as he shows up and it's all caught on camera.

If you watch this movie, you might as well know what you're getting yourself into. This movie not only contains "strong aberrant sexual and violent content, language and drug use" as stated by the MPAA when giving the movie an R rating, but it also contains incest, necrophilia, and just things that people will find disturbing in general. Like a woman lactating from her nipples and having it squirt all over the place. I'm just trying to give you fair warning just in case you're thinking about watching a movie that you won't be able to finish. It's not for everybody and just know that you're in for a wild ride.

That's not to say that the movie isn't enjoyable though. Even though it deals with a lot of disturbing material, there's some comedy in there. The fact that the visitor(he never really says what his name is) bashes people over the head with a rock just because he can is kind of hilarious. To tell the truth, it kept me watching because this family was so messed up. And the way Kiyoshi lost his broadcasting job will be remembered...forever.

Takashi Miike is known quite well in the horror community for pushing the envelope in movies like Ichi the Killer and Imprint, so horror fans know that if they know they're watching a movie done by Miike that they're going to see some material they won't see anywhere else. Casual movie fans may not be interested in shock value or movies that are this disturbing. Visitor Q not only pushes the envelope, it pays for postage and insurance as well.

The bottom line is that if you want to be grossed out or have a bunch of wtf moments, rent Visitor Q or any Takashi Miike film for that matter.
  
One Missed Call (2003)
One Missed Call (2003)
2003 | Horror
Ah, okay - so it's like π˜—π˜Άπ˜­π˜΄π˜¦ without any of the themes (or at least more reductive ones in their place) or terrifically written characters, trying to cash in on the exact same story premise/structure as π˜™π˜ͺ𝘯𝘨𝘢 and π˜‘π˜Ά-𝘰𝘯: π˜›π˜©π˜¦ 𝘎𝘳𝘢π˜₯𝘨𝘦. Seemed doomed from the start, but enter reliable workhorse Takashi Miike - who manages to make this a terrifying masterclass in what a good horror movie should look and sound like. My fifth film of his down in my ill-fated quest to watch as many films from his gargantuan filmography that can reasonably be acquired on physical media, and stylistically it's my favorite by a mile thus far. Even his better films I confess tend to look a little flat to me but this is just *drenched* in dread: unnerving music, ripper practical effects, and gripping cinematography among many other positives. The opening ten minutes are flawless and the entire last act (end credits included) is fucking outstanding, had me glued to my seat begging for more. Stuff in the middle rocks too, go figure (the third death in particular is not only perfectly anticipated, but a real screamer too). Like a lot of Miike, scenes here can go on for a little too long - but when the final product is otherwise put together this expertly it's impossible to argue with. I'm sure the American remake sucks ass as much as this kicks it.