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Acanthea Grimscythe (300 KP) rated Festival in Books
May 16, 2018
A fast and entertaining read is always a plus for busy readers. Aaron J. French's Festival is just that: a quick, fun read, even if it does not appear so at first glance. Totaling 142 pages, I completed the book within 24 hours. Because of my current health issues, that's pretty impressive.
Festival begins on the slower side of things with flashbacks to Steve's abusive childhood with an alcoholic mother. His present-day girlfriend, though pretty, isn't much better. In a desperate bid to save their failing relationship, the two take an impromptu outing in search of a romantic vacation. They end up at Serenity Sanctum, a small campground and hot springs resort run by two women. The two quickly learn that they aren't alone. What begins as a dreadfully boring, typical last resort for a failing relationship quickly culminates in an action packed ending that fans of horror films like Teeth will love.
Though the plot is fairly intriguing, I must admit that the characters aren't anything special. At least, not the protagonist and his girlfriend. Cherie is far from perfect, as stated previously. Her alcoholism and her penchant for putting herself in risky situations undoes her, but Steve is no better. His misogynistic attitude justifies his blaming of Cherie for a past incident, which I won't go into detail. I don't like to give out spoilers, after all.
When I read books, I do it mostly for entertainment. On occasion, I may read something in hopes of gleaning something educational (such as non-fiction). Because of that, I don't tend to spend time looking for themes in a piece of material. That said, I would like to point my readers in the direction of <a href="https://vaguevisages.com/2017/05/08/book-review-gender-and-genre-in-aaron-j-frenchs-festival/"; target="_new">this excellently written review by Mike Thorn.</a>
Though I wouldn't place Festival among my favorite reads, it is definitely a book to look into. It's perfect if you only have a short amount of time and has enough of the occult in it to appease readers like me. I would like to thank Unnerving for providing me with a free copy for the purpose of unbiased review.
Festival begins on the slower side of things with flashbacks to Steve's abusive childhood with an alcoholic mother. His present-day girlfriend, though pretty, isn't much better. In a desperate bid to save their failing relationship, the two take an impromptu outing in search of a romantic vacation. They end up at Serenity Sanctum, a small campground and hot springs resort run by two women. The two quickly learn that they aren't alone. What begins as a dreadfully boring, typical last resort for a failing relationship quickly culminates in an action packed ending that fans of horror films like Teeth will love.
Though the plot is fairly intriguing, I must admit that the characters aren't anything special. At least, not the protagonist and his girlfriend. Cherie is far from perfect, as stated previously. Her alcoholism and her penchant for putting herself in risky situations undoes her, but Steve is no better. His misogynistic attitude justifies his blaming of Cherie for a past incident, which I won't go into detail. I don't like to give out spoilers, after all.
When I read books, I do it mostly for entertainment. On occasion, I may read something in hopes of gleaning something educational (such as non-fiction). Because of that, I don't tend to spend time looking for themes in a piece of material. That said, I would like to point my readers in the direction of <a href="https://vaguevisages.com/2017/05/08/book-review-gender-and-genre-in-aaron-j-frenchs-festival/"; target="_new">this excellently written review by Mike Thorn.</a>
Though I wouldn't place Festival among my favorite reads, it is definitely a book to look into. It's perfect if you only have a short amount of time and has enough of the occult in it to appease readers like me. I would like to thank Unnerving for providing me with a free copy for the purpose of unbiased review.
<i>Many thanks to the publisher and Netgalley for providing me with a copy of this book in exchange for an honest review </i>
This review can be found on my blog <a href="http://wp.me/p5y0lX-1NL">here</a href>
Skitter is part two of The Hatching trilogy and though it did sort of fall victim to the second book in a trilogy trope it was actually pretty good regardless.
It was a general lull in the mania that was The Hatching that gives you the idea that Boone hasn't finished with the spiders and he hasn't finished telling his story that's for sure.
Skitter is more of a plateau for Boone to pitch the following ideas of where the story is going to go; it follows the same characters from The Hatching and plenty of new ones as they all experience the changes from the first wave of spiders and the transition to the second wave.
The survivalists Gordo, Shotgun and their significant others Amy and Fred become integral to the storyline whereas in the first book they were merely amusing side characters. Development of a weapon that is supposedly able to destroy the spiders takes a good precedent.
Although the series so far has been dark this book was infinitely darker with a lot more death and destruction mostly at the hands of government officials who are in a respect doing what they believe to be the right move. Agent Mike Rich has holed up with his family on an island in the woods and he's feeling particularly twitchy when some folks appear from nowhere.
There was some more scientific deductions about these spiders that potentially could not be actual spiders but could actually be spiders - if that made any sense whatsoever yay. It's left open to have the story continued and hopefully the next book will give me the info I crave.
Skitter wasn't particularly creepy and there was minimal spider action with only a few people being eaten, some weird experiences from civilians and some people jumping the gun with regards to the egg sacs.
In all, the book wrapped up some trailing story arcs nicely and left the story wide open for the next book.
This review can be found on my blog <a href="http://wp.me/p5y0lX-1NL">here</a href>
Skitter is part two of The Hatching trilogy and though it did sort of fall victim to the second book in a trilogy trope it was actually pretty good regardless.
It was a general lull in the mania that was The Hatching that gives you the idea that Boone hasn't finished with the spiders and he hasn't finished telling his story that's for sure.
Skitter is more of a plateau for Boone to pitch the following ideas of where the story is going to go; it follows the same characters from The Hatching and plenty of new ones as they all experience the changes from the first wave of spiders and the transition to the second wave.
The survivalists Gordo, Shotgun and their significant others Amy and Fred become integral to the storyline whereas in the first book they were merely amusing side characters. Development of a weapon that is supposedly able to destroy the spiders takes a good precedent.
Although the series so far has been dark this book was infinitely darker with a lot more death and destruction mostly at the hands of government officials who are in a respect doing what they believe to be the right move. Agent Mike Rich has holed up with his family on an island in the woods and he's feeling particularly twitchy when some folks appear from nowhere.
There was some more scientific deductions about these spiders that potentially could not be actual spiders but could actually be spiders - if that made any sense whatsoever yay. It's left open to have the story continued and hopefully the next book will give me the info I crave.
Skitter wasn't particularly creepy and there was minimal spider action with only a few people being eaten, some weird experiences from civilians and some people jumping the gun with regards to the egg sacs.
In all, the book wrapped up some trailing story arcs nicely and left the story wide open for the next book.
Gareth von Kallenbach (971 KP) rated Life of the Party (2018) in Movies
Jul 8, 2019
Deanna (Melissa McCarthy) has spent the past 21 years being a dedicated wife and mother. Her and her husband Dan (Matt Walsh) have delivered their only daughter, Maddie (Molly Gordon) to their alma mater for her Senior year at college. As Deanna and Dan leave to what she thinks is their romantic trip to Italy, Dan breaks the information that 1. He wants a divorce and 2. He has been seeing Marcie (Julie Bowen) for a while and is in love with her. In a tailspin, Deanna retreats to her parents Mike and Sandy (Stephen Root and Jacki Weaver, respectively)feeling upended and lost.
While recovering from the emotional bomb, her best friend Christine (Maya Rudolph as that BFF who says all things unedited and is SO VERY Ride or Die) helps to pull her (and the audience) out of the dark depths with the best drunk racquetball sideline ever. The chemistry between McCarthy and Rudolph feels like two naturals riffing off with each other. Their interchanges throughout the film had me snort-laughing throughout.
Deanna decides that since she did not graduate with her degree due to motherhood and Dan, it’s an opportunity to finish and pursue her dream of being an archaeologist. Dee registers and lets her daughter know of the huge changes happening. Dee can come off as a Pollyanna to a degree, but it is her can do, positive attitude that eventually helps her ride out the rollercoaster for her senior year.
Once she is entrenched in the school year, her daughter’s friends bring her into their circle and forces her to life the college life instead of only studying all the time. She meets the very handsome Jack ( Luke Benward) a much younger man, teaching him the finer arts of canoodling of a more experienced kind.
The film is cleverly written and produced by McCarthy and Ben Falcone (her husband) at the helm directing this movie. Melissa, is brilliant at giving us wonderfully unexpected physical comedy with fantastic comic timing. The cast, have given us an enjoyable movie that is a heartily, welcomed respite.
Life of the Party is a fun Girls Night Out.
While recovering from the emotional bomb, her best friend Christine (Maya Rudolph as that BFF who says all things unedited and is SO VERY Ride or Die) helps to pull her (and the audience) out of the dark depths with the best drunk racquetball sideline ever. The chemistry between McCarthy and Rudolph feels like two naturals riffing off with each other. Their interchanges throughout the film had me snort-laughing throughout.
Deanna decides that since she did not graduate with her degree due to motherhood and Dan, it’s an opportunity to finish and pursue her dream of being an archaeologist. Dee registers and lets her daughter know of the huge changes happening. Dee can come off as a Pollyanna to a degree, but it is her can do, positive attitude that eventually helps her ride out the rollercoaster for her senior year.
Once she is entrenched in the school year, her daughter’s friends bring her into their circle and forces her to life the college life instead of only studying all the time. She meets the very handsome Jack ( Luke Benward) a much younger man, teaching him the finer arts of canoodling of a more experienced kind.
The film is cleverly written and produced by McCarthy and Ben Falcone (her husband) at the helm directing this movie. Melissa, is brilliant at giving us wonderfully unexpected physical comedy with fantastic comic timing. The cast, have given us an enjoyable movie that is a heartily, welcomed respite.
Life of the Party is a fun Girls Night Out.
Matthew Krueger (10051 KP) rated Child's Play (1988) in Movies
Nov 13, 2019
Good Guy Doll
Childs Play- after the remake that came out early this year, i finally watched this one. Yes the remake was the first chucky movie that i watched, i wasnt really that intresting in the child's play franchise and still really not that intresting in it. But i wanted to watch the oringal one, i wanted to know where it all started from and what a start in a good way. This movie started Brad Drouif's iconic voice as chucky and went on to voice Chucky in the sequels followed. Also Chris Sarandon who started in Fright Night two years before star in this and Tom Holland, no not that one. The one who directed Fright Night directed this one. So lets talk about it...
The Plot: Gunned down by Detective Mike Norris (Chris Sarandon), dying murderer Charles Lee Ray (Brad Dourif) uses black magic to put his soul inside a doll named Chucky -- which Karen Barclay (Catherine Hicks) then buys for her young son, Andy (Alex Vincent). When Chucky kills Andy's baby sitter, the boy realizes the doll is alive and tries to warn people, but he's institutionalized. Now Karen must convince the detective of the murderous doll's intentions, before Andy becomes Chucky's next victim.
Their are so many iconic scenes and iconic lines in this movie, that people remember till this day. Lines like...
"Well John it's been fun, but i gotta go, i have a date with a 6 year-old boy. ..."
"I bled and it hurt like a son of a bitch."
"We're friends 'til the end, remember?"
"This is the end, friend."
"Andy remember, friends stick together till the end".
"Hi, I'm Chucky wanna play?"
"I said talk to me, damn it. Or else I'll throw you in the fire."
"You stupid bitch! You filthy slut! I'll teach you to fuck with me!"
So many iconic lines and scenes, Child's play is a iconic late 80's horror movie that had many sequels afterwards.
If you havent seen child's play, than i highly recordmend watching this film.
The Plot: Gunned down by Detective Mike Norris (Chris Sarandon), dying murderer Charles Lee Ray (Brad Dourif) uses black magic to put his soul inside a doll named Chucky -- which Karen Barclay (Catherine Hicks) then buys for her young son, Andy (Alex Vincent). When Chucky kills Andy's baby sitter, the boy realizes the doll is alive and tries to warn people, but he's institutionalized. Now Karen must convince the detective of the murderous doll's intentions, before Andy becomes Chucky's next victim.
Their are so many iconic scenes and iconic lines in this movie, that people remember till this day. Lines like...
"Well John it's been fun, but i gotta go, i have a date with a 6 year-old boy. ..."
"I bled and it hurt like a son of a bitch."
"We're friends 'til the end, remember?"
"This is the end, friend."
"Andy remember, friends stick together till the end".
"Hi, I'm Chucky wanna play?"
"I said talk to me, damn it. Or else I'll throw you in the fire."
"You stupid bitch! You filthy slut! I'll teach you to fuck with me!"
So many iconic lines and scenes, Child's play is a iconic late 80's horror movie that had many sequels afterwards.
If you havent seen child's play, than i highly recordmend watching this film.
Mark @ Carstairs Considers (2099 KP) rated The Downtown Desperadoes in Books
Jan 19, 2020
Returning to NYC to Help a Friend
It all starts with a phone call. Ricky Kidd is confused by the strange message, and he is certain it is a prank, expect for the fact that the voice sounds familiar. It’s a couple of hours later when he recognizes it as Brother Phillip, the man who had helped him track down his younger brother when Joel was kidnapped during the class trip to New York City back in the spring. When his father tries to find out what is happening with Brother Phillip, he discovers the mission the man run has burned down, and the police believe that Brother Phillip died in the fire. The only problem is, the fire took place before the phone call. Ricky is able to convince his family and friends, Ralphy and Mike, to change their Thanksgiving plans and go to the city, but when they arrive, things only get weirder. Did they really know Brother Phillip? Is he in danger? Or is he a criminal?
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
JT (287 KP) rated It: Chapter Two (2019) in Movies
Mar 10, 2020
“For 27 years, I dreamt of you. I craved you… I’ve missed you!” The return of Pennywise the Dancing Clown was one of the most eagerly anticipated horror icons of the year – and we weren’t left disappointed.
Bill Skarsgård‘s demented shape-shifting entity is a performance for the horror ages, as he yet again terrifies the Losers Club. Now all grown up but still suffering from their traumatic problems and insecurities, the group must reunite once again to honour a promise they made to each other all those years ago.
Stephen King’s mammoth book would always be a hard piece of work to adapt, but director Andy Muschietti has more to play with this time around – and he doesn’t hold back. Kicking off proceedings with a rather nasty homophobic attack, Muschietti sets out his stall for what is a nerve-shredding 160 minutes.
Fast forward 27-years and the Losers Club appear to be living successful lives, having left the town of Derry and their pasts behind. However, it is all about to catch up them when Mike (Isaiah Mustafa), the only one not to leave, calls each one, in turn, to reveal that ‘It‘ has returned.
It is fantastically well cast with both young and old actors delivering excellent performances.
In shock and not willing to continue the fight, the group are brought back together by their close-knit bond for each other and the willingness to end the horror that has plagued them for almost three decades – however, Pennywise is not going down without a fight.
Flashbacks between young and old work very well and connect the timeline and narrative with seamless precision. It is fantastically well cast with both young and old actors delivering excellent performances. Rarely does it ever feel disjointed? Skarsgård clearly has fun and his terror is matched by the inclusion of several other monsters, equally as terrifying as the white-faced clown.
The ending might not be everyone’s cup of tea, but die-hard fans of the book should lavish praise on Muschietti’s interpretation. The furious pace at which it is delivered will be more than enough to keep viewers strapped to their seats.
Bill Skarsgård‘s demented shape-shifting entity is a performance for the horror ages, as he yet again terrifies the Losers Club. Now all grown up but still suffering from their traumatic problems and insecurities, the group must reunite once again to honour a promise they made to each other all those years ago.
Stephen King’s mammoth book would always be a hard piece of work to adapt, but director Andy Muschietti has more to play with this time around – and he doesn’t hold back. Kicking off proceedings with a rather nasty homophobic attack, Muschietti sets out his stall for what is a nerve-shredding 160 minutes.
Fast forward 27-years and the Losers Club appear to be living successful lives, having left the town of Derry and their pasts behind. However, it is all about to catch up them when Mike (Isaiah Mustafa), the only one not to leave, calls each one, in turn, to reveal that ‘It‘ has returned.
It is fantastically well cast with both young and old actors delivering excellent performances.
In shock and not willing to continue the fight, the group are brought back together by their close-knit bond for each other and the willingness to end the horror that has plagued them for almost three decades – however, Pennywise is not going down without a fight.
Flashbacks between young and old work very well and connect the timeline and narrative with seamless precision. It is fantastically well cast with both young and old actors delivering excellent performances. Rarely does it ever feel disjointed? Skarsgård clearly has fun and his terror is matched by the inclusion of several other monsters, equally as terrifying as the white-faced clown.
The ending might not be everyone’s cup of tea, but die-hard fans of the book should lavish praise on Muschietti’s interpretation. The furious pace at which it is delivered will be more than enough to keep viewers strapped to their seats.
Gareth von Kallenbach (971 KP) rated Run All Night (2015) in Movies
Aug 6, 2019
Run All Night” is directed by Jaume Collet-Serra. The film stars Liam
Neeson, Joel Kinnaman and Ed Harris.
Liam Neeson plays Jimmy Conlon, an aging hit man who seems to be trying
to come to terms (and failing) with the bad things that he has done in
his life for Irish Mob boss Shawn Maguire(Ed Harris). Jimmy and his son
Mike (Joel Kinnamen) have no relationship, and Jimmy is alone in the
world except for Shawn.
In a convoluted story line, Shawns son Danny (Boyd Holbrook) tries to
“prove himself” to his father by arranging a deal with some drug running
Albanians, but since Shawn has taken his business away from dealing with
anything to do with drugs because of the people he has lost over that
sort of business, Shawn refuses the deal.
Things quickly head south, and in an even more convoluted story line,
Danny ends up dead, by Jimmys’ hand.
Shawn vows to get even, and the remainder of the movie is spent in car
chases, shoot outs, burning buildings, near escapes, and deaths.
I was pulled into the movie, and found myself caring what happened to
the main characters.
It was rather predictable, in the way that all “Mob” movies are
predictable, with the shooting and car chases etc.
What wasn’t so predictable was the amount of “caring” that Neeson was
able to project and portray and how invested he was able to make me as
an audience member. He played the part of an aging, emotionally and
physically beat down guy, with regrets about his relationship with his
son, trying against all odds to “make it right” this one last time, to
protect his family, at any cost to himself. I was pulling for him to be
able to get it done.
The one part of the movie that i didn’t like was the “swooping” with the
camera angles, when jumping (literally) from one scene or location to
the next in the movie. I found it to be dizzying and I had to close my
eyes until those parts were done.
Neeson, Joel Kinnaman and Ed Harris.
Liam Neeson plays Jimmy Conlon, an aging hit man who seems to be trying
to come to terms (and failing) with the bad things that he has done in
his life for Irish Mob boss Shawn Maguire(Ed Harris). Jimmy and his son
Mike (Joel Kinnamen) have no relationship, and Jimmy is alone in the
world except for Shawn.
In a convoluted story line, Shawns son Danny (Boyd Holbrook) tries to
“prove himself” to his father by arranging a deal with some drug running
Albanians, but since Shawn has taken his business away from dealing with
anything to do with drugs because of the people he has lost over that
sort of business, Shawn refuses the deal.
Things quickly head south, and in an even more convoluted story line,
Danny ends up dead, by Jimmys’ hand.
Shawn vows to get even, and the remainder of the movie is spent in car
chases, shoot outs, burning buildings, near escapes, and deaths.
I was pulled into the movie, and found myself caring what happened to
the main characters.
It was rather predictable, in the way that all “Mob” movies are
predictable, with the shooting and car chases etc.
What wasn’t so predictable was the amount of “caring” that Neeson was
able to project and portray and how invested he was able to make me as
an audience member. He played the part of an aging, emotionally and
physically beat down guy, with regrets about his relationship with his
son, trying against all odds to “make it right” this one last time, to
protect his family, at any cost to himself. I was pulling for him to be
able to get it done.
The one part of the movie that i didn’t like was the “swooping” with the
camera angles, when jumping (literally) from one scene or location to
the next in the movie. I found it to be dizzying and I had to close my
eyes until those parts were done.
Johnny Marr recommended track No Solutions by The Only Ones in Even Serpents Shine by The Only Ones in Music (curated)
7.0
Album
Favorite
Joe Goodhart (27 KP) rated Justice League International, Vol. 5 in Books
Nov 30, 2020
I've been enjoying this trip down Memory Lane. The 80s were a fun time, especially the comics! I remember I couldn't get enough "Bwa-hahahaha", i.e. anything JLI, JLA, or JLE-related, in my life! When they brought then-newcomer Adam Hughes on as artist, JLA got turned out up to 11! Unfortunately, this was not that volume; that's the next volume)!
When I think back to this point in the 80s, the fun times, laugh riot that was the JLA brings a great amount of joy to my collective consciousness. I can't even remember anything I didn't like about any of the stories in the run. Then, I started reading Vol. 5..
So, yeah, the characters were still great fun! I miss the fun Wally West/Flash! :( Giffen and DeMatteis continued to churn out some of the funniest JLA stories! The JLEurope ones weren't AS funny as the JLAmerica/JLI stories were, but still fun nonetheless.
Now, the art? OOF! That's a whole other thing! I don't recall disliking it when I first read the issues in the 80s. I can recall meeting Bart Sears at a comic shop signing around the time of the series debut, and I thought he was friendly and likeable.
However, after this re-visit, I am disappointed to say that I found Sears' art to be not as enjoyable. The characters, both male and female, looked distorted and, in some cases, wicked muscular. And the facial expressions? Um, NO! Yeah, the art was enough of a disappointment that I almost gave it 2 Stars.
The saving grace of this TPB was the last story, from JLI Annual #3, "Around the World with the Justice League". Not only was it the first appearance of the island of Kooeykooeykooey, but it also featured some knockout pencils from Mike McKone and even more stellar inks from Bruce D. Patterson! if memory serves, the team of McKone-Patterson continued to do the annuals for the remainder of the JLI/JLA run.
It's not a perfect TPB, but again, the writing was on target, and the art in the last part of the book was pretty solid. Overall, you can read it, but it won't wow ya! Jus' sayin'...
When I think back to this point in the 80s, the fun times, laugh riot that was the JLA brings a great amount of joy to my collective consciousness. I can't even remember anything I didn't like about any of the stories in the run. Then, I started reading Vol. 5..
So, yeah, the characters were still great fun! I miss the fun Wally West/Flash! :( Giffen and DeMatteis continued to churn out some of the funniest JLA stories! The JLEurope ones weren't AS funny as the JLAmerica/JLI stories were, but still fun nonetheless.
Now, the art? OOF! That's a whole other thing! I don't recall disliking it when I first read the issues in the 80s. I can recall meeting Bart Sears at a comic shop signing around the time of the series debut, and I thought he was friendly and likeable.
However, after this re-visit, I am disappointed to say that I found Sears' art to be not as enjoyable. The characters, both male and female, looked distorted and, in some cases, wicked muscular. And the facial expressions? Um, NO! Yeah, the art was enough of a disappointment that I almost gave it 2 Stars.
The saving grace of this TPB was the last story, from JLI Annual #3, "Around the World with the Justice League". Not only was it the first appearance of the island of Kooeykooeykooey, but it also featured some knockout pencils from Mike McKone and even more stellar inks from Bruce D. Patterson! if memory serves, the team of McKone-Patterson continued to do the annuals for the remainder of the JLI/JLA run.
It's not a perfect TPB, but again, the writing was on target, and the art in the last part of the book was pretty solid. Overall, you can read it, but it won't wow ya! Jus' sayin'...
Leanne Crabtree (480 KP) rated When Polly Met Olly in Books
Sep 3, 2019
I've seen this book on Goodreads quite often with friends rating and reviewing it so when I saw it on Netgalley as a "Read Now" and with me looking for good chick-lit writers that I'm going to buy again and again, I thought I'd give this a try.
So we meet Polly--a British ex-pat--who is being interviewed for a job at a successful dating agency. It turns out that Polly isn't so good at the dating thing in real life though, as shown in these quotes:
"Didn't you send him a peach and aubergine emoji with a question mark and a winky face when you were drunk?"
"What about that guy you called Mike for four dates then it turned out his name was Matt."
She gets the job and, quite quickly, she's asked to check out a rival firm who is stealing some of their clients. So Polly goes to the other firm as a possible client and meets Olly, the owner. They seem to have an instant connection, a spark, but Olly turns a little cold and clinical towards the end of her interview. They meet by accident a few more times as Polly explores the area surrounding her new office. We don't see him all that often in the book until near the end, to be honest. She's too busy trying to find the perfect partner and setting up dates for her clients.
As the books name suggests, they do end up together but not before hitting a few bumps along the way. It's on a really slow burn and does come a little out of left field when they finally admit they have feelings for each other but after that, the happiness they feel when they're together was really cute.
I loved the camaraderie between Polly and her friend Gabe, he teases her terribly at times but I had to smile. And her friendship with her boss, too, was pretty cool. They made quite a good team at the whole dating agency thing.
I think this was quite enjoyable and will look out for further releases to see if they're as cute as this one was.
So we meet Polly--a British ex-pat--who is being interviewed for a job at a successful dating agency. It turns out that Polly isn't so good at the dating thing in real life though, as shown in these quotes:
"Didn't you send him a peach and aubergine emoji with a question mark and a winky face when you were drunk?"
"What about that guy you called Mike for four dates then it turned out his name was Matt."
She gets the job and, quite quickly, she's asked to check out a rival firm who is stealing some of their clients. So Polly goes to the other firm as a possible client and meets Olly, the owner. They seem to have an instant connection, a spark, but Olly turns a little cold and clinical towards the end of her interview. They meet by accident a few more times as Polly explores the area surrounding her new office. We don't see him all that often in the book until near the end, to be honest. She's too busy trying to find the perfect partner and setting up dates for her clients.
As the books name suggests, they do end up together but not before hitting a few bumps along the way. It's on a really slow burn and does come a little out of left field when they finally admit they have feelings for each other but after that, the happiness they feel when they're together was really cute.
I loved the camaraderie between Polly and her friend Gabe, he teases her terribly at times but I had to smile. And her friendship with her boss, too, was pretty cool. They made quite a good team at the whole dating agency thing.
I think this was quite enjoyable and will look out for further releases to see if they're as cute as this one was.