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Andy K (10821 KP) created a video about The Hangover (2009) in Movies
Feb 28, 2018 (Updated Feb 28, 2018)
Entertainment Editor (1988 KP) created a video about My House From All Angles by Mike Dunn in Music
Dec 29, 2017
Entertainment Editor (1988 KP) created a video about track We Can Hit (Round 1) Mike WiLL Made-It, Crime Mob & Slim Jxmmi by Mike WiLL Made-It in Creed II: The Album by Mike WiLL Made-It in Music
Nov 19, 2018
Entertainment Editor (1988 KP) created a video about track Ice Cold (Final Round) Mike WiLL Made-It, Vince Staples & Ludwig Göransson by Mike WiLL Made-It in Creed II: The Album by Mike WiLL Made-It in Music
Nov 19, 2018
Entertainment Editor (1988 KP) created a video about Mike Judge Presents: Tales from the Tour Bus - Season 1 in TV
Nov 7, 2017
Entertainment Editor (1988 KP) created a video about Brick Body Kids Still Daydream by Open Mike Eagle in Music
Nov 27, 2017
Billie Wichkan (118 KP) rated The Greenway (Mike Croft, #1) in Books
May 22, 2019
AUGUST 1975: Cassie Malthams life changes forever one scorching day. She and her twelve-year-old cousin Suzie take a shortcut through the Greenway, an ancient pathway steeped in Norfolk legend. Somewhere along this path Suzie simply vanishes . . .
TWENTY YEARS LATER: Cassie is still tormented by nightmares, parts of her memory completely erased. With her husband Fergus and friends Anna and Simon, she returns to Norfolk, determined to confront her fears and solve a mystery that wont let her rest.
Then another young girl goes missing at the entrance to the Greenway, and Cassie is pushed once more into the darkest recesses of her mind.
John Tynan, the retired detective whod been in charge of Suzies case, is still haunted by her disappearance. He offers his help to Detective Inspector Mike Croft who is leading the increasingly frantic search for the missing child. Has evil returned? And what really happened all those years ago and who can be believed?
First time for me reading this author and it wont be last. The Greenway is a kind of pathway that connects two large empty fields.
This is a gripping mystery story.
A genuinely scary, psychological thriller.
I enjoyed the twists and turns in the plot. I enjoyed the story and the building of the characters.
This book was published originally in 1995, and is now being repackaged and republished now.
Very enjoyable and I am pleased to see there are another three Mike Croft books already published.
Recommend reading!
I would like to thank NetGalley, Joffe Books and the author Jane Adams for my ARC in exchange for an honest review.
TWENTY YEARS LATER: Cassie is still tormented by nightmares, parts of her memory completely erased. With her husband Fergus and friends Anna and Simon, she returns to Norfolk, determined to confront her fears and solve a mystery that wont let her rest.
Then another young girl goes missing at the entrance to the Greenway, and Cassie is pushed once more into the darkest recesses of her mind.
John Tynan, the retired detective whod been in charge of Suzies case, is still haunted by her disappearance. He offers his help to Detective Inspector Mike Croft who is leading the increasingly frantic search for the missing child. Has evil returned? And what really happened all those years ago and who can be believed?
First time for me reading this author and it wont be last. The Greenway is a kind of pathway that connects two large empty fields.
This is a gripping mystery story.
A genuinely scary, psychological thriller.
I enjoyed the twists and turns in the plot. I enjoyed the story and the building of the characters.
This book was published originally in 1995, and is now being repackaged and republished now.
Very enjoyable and I am pleased to see there are another three Mike Croft books already published.
Recommend reading!
I would like to thank NetGalley, Joffe Books and the author Jane Adams for my ARC in exchange for an honest review.
Joe Goodhart (27 KP) rated Justice League International, Vol. 5 in Books
Nov 30, 2020
I've been enjoying this trip down Memory Lane. The 80s were a fun time, especially the comics! I remember I couldn't get enough "Bwa-hahahaha", i.e. anything JLI, JLA, or JLE-related, in my life! When they brought then-newcomer Adam Hughes on as artist, JLA got turned out up to 11! Unfortunately, this was not that volume; that's the next volume)!
When I think back to this point in the 80s, the fun times, laugh riot that was the JLA brings a great amount of joy to my collective consciousness. I can't even remember anything I didn't like about any of the stories in the run. Then, I started reading Vol. 5..
So, yeah, the characters were still great fun! I miss the fun Wally West/Flash! :( Giffen and DeMatteis continued to churn out some of the funniest JLA stories! The JLEurope ones weren't AS funny as the JLAmerica/JLI stories were, but still fun nonetheless.
Now, the art? OOF! That's a whole other thing! I don't recall disliking it when I first read the issues in the 80s. I can recall meeting Bart Sears at a comic shop signing around the time of the series debut, and I thought he was friendly and likeable.
However, after this re-visit, I am disappointed to say that I found Sears' art to be not as enjoyable. The characters, both male and female, looked distorted and, in some cases, wicked muscular. And the facial expressions? Um, NO! Yeah, the art was enough of a disappointment that I almost gave it 2 Stars.
The saving grace of this TPB was the last story, from JLI Annual #3, "Around the World with the Justice League". Not only was it the first appearance of the island of Kooeykooeykooey, but it also featured some knockout pencils from Mike McKone and even more stellar inks from Bruce D. Patterson! if memory serves, the team of McKone-Patterson continued to do the annuals for the remainder of the JLI/JLA run.
It's not a perfect TPB, but again, the writing was on target, and the art in the last part of the book was pretty solid. Overall, you can read it, but it won't wow ya! Jus' sayin'...
When I think back to this point in the 80s, the fun times, laugh riot that was the JLA brings a great amount of joy to my collective consciousness. I can't even remember anything I didn't like about any of the stories in the run. Then, I started reading Vol. 5..
So, yeah, the characters were still great fun! I miss the fun Wally West/Flash! :( Giffen and DeMatteis continued to churn out some of the funniest JLA stories! The JLEurope ones weren't AS funny as the JLAmerica/JLI stories were, but still fun nonetheless.
Now, the art? OOF! That's a whole other thing! I don't recall disliking it when I first read the issues in the 80s. I can recall meeting Bart Sears at a comic shop signing around the time of the series debut, and I thought he was friendly and likeable.
However, after this re-visit, I am disappointed to say that I found Sears' art to be not as enjoyable. The characters, both male and female, looked distorted and, in some cases, wicked muscular. And the facial expressions? Um, NO! Yeah, the art was enough of a disappointment that I almost gave it 2 Stars.
The saving grace of this TPB was the last story, from JLI Annual #3, "Around the World with the Justice League". Not only was it the first appearance of the island of Kooeykooeykooey, but it also featured some knockout pencils from Mike McKone and even more stellar inks from Bruce D. Patterson! if memory serves, the team of McKone-Patterson continued to do the annuals for the remainder of the JLI/JLA run.
It's not a perfect TPB, but again, the writing was on target, and the art in the last part of the book was pretty solid. Overall, you can read it, but it won't wow ya! Jus' sayin'...
Mandy and G.D. Burkhead (26 KP) rated The Book of Kings in Books
May 20, 2018
Shelf Life – The Book of Kings Has a Few Gems and a Few Warts
Contains spoilers, click to show
Unlike other short story anthologies I could mention, this one wasn’t mostly horrible. Instead, the stories inside run the gamut from stupid to brilliant and from annoying to nothing special to fun and memorable. A little something for everyone, then.
So since I can’t review it with one blanket sentiment, let’s instead take a quick look at a handful of the 20 all-original stories inside. The following are the tales that most stood out to me during my reading, for better or worse.
“The Kiss” by Alan Dean Foster – A woman walking through a snowy city finds a frog who says he’s a prince, so she kisses him. He turns into a guy and stabs her to death.
Oh boy, we’re not off to a great start here. This story could have been told in a page or so and been an interesting twist on the old tale, but instead the author drew it out over three pages by choosing the absolute most pretentious choice of words for every damn sentence. The guy doesn’t stab the woman, his “knife describes a Gothic arc.” She doesn’t shout or whisper or ask what’s going on, she “expels a querrelous trauma.” It’s not snowing on her face, “trifles of ice as beautiful as they were capricious tickled her exposed cheeks, only to be turned into simulacra of tears as they were instantly metamorphosed by the bundled furnace of her body.”
Yes, really.
The sheer purpleness of this prose might be excused for a deliberately lofty and overwrought tale, but it absolutely does not fit a story about a girl getting shanked by a frog on the street. If the contrast between what’s happening and how it’s presented is supposed to seem absolutely ridiculous, then it’s a success. This reads more like a writing exercise for seeing how unbearably melodramatic you can tell a simple story that the author went ahead and published anyway. I only read it last night as of the time of this particular bit of review, but I still have a headache.
“Divine Right” by Nancy Holder – A king grieving for his recently passed daughter and only heir tries to figure out how to keep his legacy from dying out and eventually decides on a way to choose a successor, sealing his decision by making a pact with God.
I really liked this one, partly for the great characterization of the king via his priorities. He’s not a bastion of righteousness or a tyrannical despot. He might be a pretty decent ruler, or he might not, depending on your priorities and the angle from which you view him. Mostly he’s written to be believable for his position and time period, pride and failings and all.
But what really sealed this story for me was the ironic bent of the plot that I can’t really discuss in any more depth without spoiling it except to say that it definitely fit with the tone and left an appropriate message. So let’s just give it a thumbs up and leave it at that.
“In the Name of the King” by Judith Tarr – If you know the story of Hatshepsut, an Egyptian queen who ruled as Pharaoh, then this is an extra interesting story. It follows both Hatshepsut and her lover in the afterlife and the legacy they’re leaving behind after their deaths, in which they take a surprisingly active interest for dead people.
If you know your history, though, you know where this is going, and it’s very touching as it gets there. It’s also character-centric in a way that makes its dead cast members seem very much alive. This one’s a good contender for my favorite story in the whole anthology.
“Please to See the King” by Debra Doyle and James D. Macdonald – A small glimpse of about one evening each into the lives of two seemingly unrelated, seemingly unimportant men against the backdrop of the battles being fought over a vague and distant rebellion against a vague and distant crown.
To say more would be to spoil the story, which is short, sweet, and interesting. It gives you just enough details, and no more, that you can piece together a much deeper story with room left for speculation about who certain characters really were and what exactly just happened. I’ve spent more time thinking about how the ending may be interpreted than it took me to read it, which is a good sign of nuance done right.
“The Name of a King” by Diana L. Paxson – This’n c’n rightf’ly b’ put in w’ th’ other st’ries I woul’n’t oth’rwise b’ther t’ mention ‘cept fer th’ o’erwrought dialectic style o’ nearly all o’ th’ dialogue, whut c’n git on yer nerves right quick-like whene’er any’ne op’ns their mouths. An’ while I’m ‘ere, th’ settin’ w’s rife wi’ plen’y o’ hints at deeper d’tails whut was ne’er sufficien’ly delved into or whut impact’d th’ actu’l plot much. Felt like part o’ a fant’sy series whut I was ‘spected t’ b’ f’miliar wit’ but wasn’t, an’ whut di’n’t give me ’nuff t’ git f’miliar wit’ just fr’m this st’ry.
Oth’rwise, t’w’sn’t t’ b’d, I s’pose. Bit borin’.
“Coda: Working Stiff” by Mike Resnick and Nicholas A. DiChario – This one was just fun. Again trying not to give away any twists or revelations, this one follows a journalist interviewing a bus driver who used to be a big, famous king back in his heyday but is now content (or so he says) with his obscure life of working a simple job in the day and drinking in his spartan home at night.
Who this ex-king really is probably isn’t who you think it’s gonna be at first, but the story does still technically, and cheekily, fit in with the premise of the book overall. It reminds me very much of something Neil Gaiman might have written, or maybe Terry Pratchett if he’d decided to tackle the kingly premise from a more modern and realistic approach.
There are still 14 stories left in here, many of which are also good reads, or at least decent. In fact, looking back through it again, the only real dud that stands out to me is “The Kiss.” The weakest of what’s left are either adaptations of stories that didn’t really do it for me (“The Tale of Lady Ashburn” by John Gregory Betancourt) or weird original works that weren’t really memorable in what they set out to do (“A Parker House Roll” by Dean Wesley Smith).
Overall, The Book of Kings is a fun and interesting romp through a number of royal worlds, themes, and tones. As such, anyone who gives it a look will probably have the same general sentiment I did at the end, with a few things to like and a few to point to as examples of what doesn’t work for them. Me, I got a bit of the inspiration I was looking for and a few memorable tales out of it, so I’ll forgive the warts.
So since I can’t review it with one blanket sentiment, let’s instead take a quick look at a handful of the 20 all-original stories inside. The following are the tales that most stood out to me during my reading, for better or worse.
“The Kiss” by Alan Dean Foster – A woman walking through a snowy city finds a frog who says he’s a prince, so she kisses him. He turns into a guy and stabs her to death.
Oh boy, we’re not off to a great start here. This story could have been told in a page or so and been an interesting twist on the old tale, but instead the author drew it out over three pages by choosing the absolute most pretentious choice of words for every damn sentence. The guy doesn’t stab the woman, his “knife describes a Gothic arc.” She doesn’t shout or whisper or ask what’s going on, she “expels a querrelous trauma.” It’s not snowing on her face, “trifles of ice as beautiful as they were capricious tickled her exposed cheeks, only to be turned into simulacra of tears as they were instantly metamorphosed by the bundled furnace of her body.”
Yes, really.
The sheer purpleness of this prose might be excused for a deliberately lofty and overwrought tale, but it absolutely does not fit a story about a girl getting shanked by a frog on the street. If the contrast between what’s happening and how it’s presented is supposed to seem absolutely ridiculous, then it’s a success. This reads more like a writing exercise for seeing how unbearably melodramatic you can tell a simple story that the author went ahead and published anyway. I only read it last night as of the time of this particular bit of review, but I still have a headache.
“Divine Right” by Nancy Holder – A king grieving for his recently passed daughter and only heir tries to figure out how to keep his legacy from dying out and eventually decides on a way to choose a successor, sealing his decision by making a pact with God.
I really liked this one, partly for the great characterization of the king via his priorities. He’s not a bastion of righteousness or a tyrannical despot. He might be a pretty decent ruler, or he might not, depending on your priorities and the angle from which you view him. Mostly he’s written to be believable for his position and time period, pride and failings and all.
But what really sealed this story for me was the ironic bent of the plot that I can’t really discuss in any more depth without spoiling it except to say that it definitely fit with the tone and left an appropriate message. So let’s just give it a thumbs up and leave it at that.
“In the Name of the King” by Judith Tarr – If you know the story of Hatshepsut, an Egyptian queen who ruled as Pharaoh, then this is an extra interesting story. It follows both Hatshepsut and her lover in the afterlife and the legacy they’re leaving behind after their deaths, in which they take a surprisingly active interest for dead people.
If you know your history, though, you know where this is going, and it’s very touching as it gets there. It’s also character-centric in a way that makes its dead cast members seem very much alive. This one’s a good contender for my favorite story in the whole anthology.
“Please to See the King” by Debra Doyle and James D. Macdonald – A small glimpse of about one evening each into the lives of two seemingly unrelated, seemingly unimportant men against the backdrop of the battles being fought over a vague and distant rebellion against a vague and distant crown.
To say more would be to spoil the story, which is short, sweet, and interesting. It gives you just enough details, and no more, that you can piece together a much deeper story with room left for speculation about who certain characters really were and what exactly just happened. I’ve spent more time thinking about how the ending may be interpreted than it took me to read it, which is a good sign of nuance done right.
“The Name of a King” by Diana L. Paxson – This’n c’n rightf’ly b’ put in w’ th’ other st’ries I woul’n’t oth’rwise b’ther t’ mention ‘cept fer th’ o’erwrought dialectic style o’ nearly all o’ th’ dialogue, whut c’n git on yer nerves right quick-like whene’er any’ne op’ns their mouths. An’ while I’m ‘ere, th’ settin’ w’s rife wi’ plen’y o’ hints at deeper d’tails whut was ne’er sufficien’ly delved into or whut impact’d th’ actu’l plot much. Felt like part o’ a fant’sy series whut I was ‘spected t’ b’ f’miliar wit’ but wasn’t, an’ whut di’n’t give me ’nuff t’ git f’miliar wit’ just fr’m this st’ry.
Oth’rwise, t’w’sn’t t’ b’d, I s’pose. Bit borin’.
“Coda: Working Stiff” by Mike Resnick and Nicholas A. DiChario – This one was just fun. Again trying not to give away any twists or revelations, this one follows a journalist interviewing a bus driver who used to be a big, famous king back in his heyday but is now content (or so he says) with his obscure life of working a simple job in the day and drinking in his spartan home at night.
Who this ex-king really is probably isn’t who you think it’s gonna be at first, but the story does still technically, and cheekily, fit in with the premise of the book overall. It reminds me very much of something Neil Gaiman might have written, or maybe Terry Pratchett if he’d decided to tackle the kingly premise from a more modern and realistic approach.
There are still 14 stories left in here, many of which are also good reads, or at least decent. In fact, looking back through it again, the only real dud that stands out to me is “The Kiss.” The weakest of what’s left are either adaptations of stories that didn’t really do it for me (“The Tale of Lady Ashburn” by John Gregory Betancourt) or weird original works that weren’t really memorable in what they set out to do (“A Parker House Roll” by Dean Wesley Smith).
Overall, The Book of Kings is a fun and interesting romp through a number of royal worlds, themes, and tones. As such, anyone who gives it a look will probably have the same general sentiment I did at the end, with a few things to like and a few to point to as examples of what doesn’t work for them. Me, I got a bit of the inspiration I was looking for and a few memorable tales out of it, so I’ll forgive the warts.