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Darren (1599 KP) rated Morning Glory (2010) in Movies
Jul 25, 2019
Story: Morning Glory starts as we follow Becky (McAdams) a new producer dreaming of one day going to the next level, when she believes she is about to get the senior producer role she finds herself losing her job instead. Not one to give up on her dreams to searches endlessly for a new job in the business and it is Jerry Barnes (Goldblum) that gives her a chance to work on saving the fourth best morning news station Daybreak.
Wanting to make an impact Becky fires the demoralising anchor, Becky must find a new anchor and her choice is going after News Icon Mike Pomperoy (Ford) who is under contract but doesn’t want to work. Becky must find a way for Mike to work with her current anchor Colleen Peck (Keaton) while making new friends with fellow producer Adam Bennett (Wilson) offering up a potential love interest.
Thoughts on Morning Glory
Characters/Performance – Becky is an ambitious young woman desperate to make a career in producing the news. She gets her chance working on the lowest rated show and must use all of her good spirit and ideas to make the show climb the ratings, all while dealing with her own personal life that she has given up making her career important. This is a brilliant character because it shows how people can put their career before their own lives which is why this is something we have seen before but always good to go back too.
Mike is the difficult anchor to work with, he used to be a draw in the news reporting world but isn’t interested in working on anything he doesn’t think is news worth, he makes the job as difficult as possible for Becky by doing the bare minimum. Colleen is the seasoned anchor that is happy to take a chance on the wild stories that can bring in the ratings. Adam is the love interest for Becky as well as being involved with Mike before so he can give Becky advice when it comes to handling him.
Performance wise, McAdams is great in the leading role, not playing it overly funny which is how you can judge the whole cast, Ford does enjoy this role because it is different to the rest of his normal action material.
Story – The story following a career driven woman following her dream putting everything she has into making it happen against all the odds if something that is fantastic to watch because we all like to enjoy watching someone reach that goal. Sure, most of this film does go around in the cycle you would expect but if it isn’t broken don’t fix it.
Romantic/Comedy – The romantic side is on the main story which I think works because it isn’t the most important part of the film, the comedy comes when needed without being a constant attempt at laughter.
Settings – The settings for this film are mostly inside the news studio which shows how close everyone must be to work together. This helps us see how the tension looks between the characters.
Final Thoughts – I wasn’t expecting too much from this film going in, mostly because of the genres but in the end, I found myself enjoying everything as it was unfolding.
Overall: This is a good comedy drama that is worth watching.
Wanting to make an impact Becky fires the demoralising anchor, Becky must find a new anchor and her choice is going after News Icon Mike Pomperoy (Ford) who is under contract but doesn’t want to work. Becky must find a way for Mike to work with her current anchor Colleen Peck (Keaton) while making new friends with fellow producer Adam Bennett (Wilson) offering up a potential love interest.
Thoughts on Morning Glory
Characters/Performance – Becky is an ambitious young woman desperate to make a career in producing the news. She gets her chance working on the lowest rated show and must use all of her good spirit and ideas to make the show climb the ratings, all while dealing with her own personal life that she has given up making her career important. This is a brilliant character because it shows how people can put their career before their own lives which is why this is something we have seen before but always good to go back too.
Mike is the difficult anchor to work with, he used to be a draw in the news reporting world but isn’t interested in working on anything he doesn’t think is news worth, he makes the job as difficult as possible for Becky by doing the bare minimum. Colleen is the seasoned anchor that is happy to take a chance on the wild stories that can bring in the ratings. Adam is the love interest for Becky as well as being involved with Mike before so he can give Becky advice when it comes to handling him.
Performance wise, McAdams is great in the leading role, not playing it overly funny which is how you can judge the whole cast, Ford does enjoy this role because it is different to the rest of his normal action material.
Story – The story following a career driven woman following her dream putting everything she has into making it happen against all the odds if something that is fantastic to watch because we all like to enjoy watching someone reach that goal. Sure, most of this film does go around in the cycle you would expect but if it isn’t broken don’t fix it.
Romantic/Comedy – The romantic side is on the main story which I think works because it isn’t the most important part of the film, the comedy comes when needed without being a constant attempt at laughter.
Settings – The settings for this film are mostly inside the news studio which shows how close everyone must be to work together. This helps us see how the tension looks between the characters.
Final Thoughts – I wasn’t expecting too much from this film going in, mostly because of the genres but in the end, I found myself enjoying everything as it was unfolding.
Overall: This is a good comedy drama that is worth watching.
Gareth von Kallenbach (968 KP) rated Morning Glory (2010) in Movies
Aug 8, 2019 (Updated Aug 8, 2019)
Suddenly fired from a job she worked incredibly hard at, Becky finds herself hitting the mean streets of New York to continue to pursue her dream of producing a television show. The odds are stacked against her when she finds herself producing a failing morning show with challenging anchors, a boss who doubts her skills, and a new romance threatening to distract her already splintered focus.
Diane Keaton brightens the screen looking great while completely selling her role as the eager morning television show anchorwomen, Colleen Peck. The unexpected Harrison Ford adds a rough edge as the once great journalist and now subpar anchorman, Mike Pomeroy. However, it is rising actress, Rachel Adams, as the determined Becky, who stole the show.
Morning Glory offers exactly the amount of oddness one might expect from a film with action star Harrison Ford as a news guy. Yet somehow the story is sweet and mildly uplifting and, on occasion, laugh out loud funny.
The plot is not brilliant, new, or even all that imaginative, still the film is unique. Morning Glory oddly brings to mind “Little Black Book” all be it in a much lighter and less romantically driven tone. In fact the romance element is so light in this film that it is much more likely to fall in the drama/comedy category, with romance taking a backseat to the real focus of the film: the challenges of work-obsessed Becky.
Mashed firmly between an decent episode of the Mary Tyler Moore show and the Dolly Parton classic “9 to 5”, Morning Glory is a one-of-a-kind take on a story that is increasingly all too familiar. Without the unnecessary bells and whistles so often thrown in to modern cinema, Morning Glory keeps the audience watching and sometimes even laughing.
Diane Keaton brightens the screen looking great while completely selling her role as the eager morning television show anchorwomen, Colleen Peck. The unexpected Harrison Ford adds a rough edge as the once great journalist and now subpar anchorman, Mike Pomeroy. However, it is rising actress, Rachel Adams, as the determined Becky, who stole the show.
Morning Glory offers exactly the amount of oddness one might expect from a film with action star Harrison Ford as a news guy. Yet somehow the story is sweet and mildly uplifting and, on occasion, laugh out loud funny.
The plot is not brilliant, new, or even all that imaginative, still the film is unique. Morning Glory oddly brings to mind “Little Black Book” all be it in a much lighter and less romantically driven tone. In fact the romance element is so light in this film that it is much more likely to fall in the drama/comedy category, with romance taking a backseat to the real focus of the film: the challenges of work-obsessed Becky.
Mashed firmly between an decent episode of the Mary Tyler Moore show and the Dolly Parton classic “9 to 5”, Morning Glory is a one-of-a-kind take on a story that is increasingly all too familiar. Without the unnecessary bells and whistles so often thrown in to modern cinema, Morning Glory keeps the audience watching and sometimes even laughing.
Sarah (7798 KP) rated Snatch (2001) in Movies
Dec 20, 2020
Hilarious
Film #7 on the 100 Movies Bucket List: Snatch
Snatch (2000) is Guy Ritchie’s second film following on from his hugely successful debut, Lock, Stock and Two Smoking Barrels (1998). Critically Snatch wasn’t quite as well received as it’s predecessor but the general movie going public found it a lot more enjoyable, and personally I agree with the public. I’ve always loved Snatch and prefer it over Lock, Stock.
Snatch tells a rather convoluted and twisting tale about gangsters, diamonds and unlicensed boxing. In a number of intersecting storylines, we see unlicensed boxing promoters Turkish (Jason Statham) and Tommy (Stephen Graham) get pulled into the world of match fixing with violent bookmaker Brick Top (Alan Ford), recruiting Brad Pitt’s gypsy Mickey along the way. And then you have inept criminals Sol (Lennie James), Vinny (Robbie Gee) and Tyrone (Ade) as they attempt to steal a valuable diamond from Franky Four Fingers (Benicio Del Toro) on behalf of Russian Boris the Blade (Rade Serbedzija), also involving Vinnie Jones’s Bullet-Tooth Tony, Mike Reid’s Doug the Head and Dennis Farina’s Cousin Avi along the way. As you can see, the plot isn’t exactly straight forward but despite it’s complexity, it’s a fun and entertaining watch to see all of these separate storylines come together.
What makes this complex and quite frankly bonkers story so good to watch is the script and absolutely superb dialogue. Considering this isn’t what you’d class as a typical comedy fun, it is downright hilarious. No matter how many times I’ve seen this film, it still makes me laugh every time with it’s smart, witty and funny dialogue. From Turkish’s narration to Cousin Avi’s scathing remarks about London and pretty much every interaction between Sol, Vinny and Tyrone, Snatch is extremely amusing. Admittedly there are some lines and exchanges that feel a little too forced and staged, and I think this may be due to some questionable acting and the sometimes unnatural sounding London accents.
Guy Ritchie has undoubtedly put together a stylish and slick film, and Snatch definitely encompasses the dark and gritty feel of London. Maybe a little too much as it can feel a bit gloomy at times. It has a great soundtrack and this really works with Ritchie’s directing style for the most part. There are some questionable camera angles and not all of these work – the most grating for me was in the opening scenes with Franky Four Finger’s heist where the camera jumped around far too much.
Despite this, his style works well in general and is aided by the fantastic cast that has been assembled. I’ve never been a fan of Jason Statham, but this is by far his best work, although the star of Snatch is certainly Brad Pitt, who is virtually unrecognisable as gypsy Mickey, both in looks and with his purposely indecipherable Irish accent. Snatch came out the year after Fight Club at a time that would likely be classed as the peak of Pitt’s career, so to see him play a character like Mickey was surprising to say the least. But the entire cast shine with the material they’ve got to work with.
Snatch isn’t a film for everyone and definitely not for the easily offended. For me, I could watch this repeatedly and still laugh every time, and it’s absolutely deserving of a place on this list.
Snatch (2000) is Guy Ritchie’s second film following on from his hugely successful debut, Lock, Stock and Two Smoking Barrels (1998). Critically Snatch wasn’t quite as well received as it’s predecessor but the general movie going public found it a lot more enjoyable, and personally I agree with the public. I’ve always loved Snatch and prefer it over Lock, Stock.
Snatch tells a rather convoluted and twisting tale about gangsters, diamonds and unlicensed boxing. In a number of intersecting storylines, we see unlicensed boxing promoters Turkish (Jason Statham) and Tommy (Stephen Graham) get pulled into the world of match fixing with violent bookmaker Brick Top (Alan Ford), recruiting Brad Pitt’s gypsy Mickey along the way. And then you have inept criminals Sol (Lennie James), Vinny (Robbie Gee) and Tyrone (Ade) as they attempt to steal a valuable diamond from Franky Four Fingers (Benicio Del Toro) on behalf of Russian Boris the Blade (Rade Serbedzija), also involving Vinnie Jones’s Bullet-Tooth Tony, Mike Reid’s Doug the Head and Dennis Farina’s Cousin Avi along the way. As you can see, the plot isn’t exactly straight forward but despite it’s complexity, it’s a fun and entertaining watch to see all of these separate storylines come together.
What makes this complex and quite frankly bonkers story so good to watch is the script and absolutely superb dialogue. Considering this isn’t what you’d class as a typical comedy fun, it is downright hilarious. No matter how many times I’ve seen this film, it still makes me laugh every time with it’s smart, witty and funny dialogue. From Turkish’s narration to Cousin Avi’s scathing remarks about London and pretty much every interaction between Sol, Vinny and Tyrone, Snatch is extremely amusing. Admittedly there are some lines and exchanges that feel a little too forced and staged, and I think this may be due to some questionable acting and the sometimes unnatural sounding London accents.
Guy Ritchie has undoubtedly put together a stylish and slick film, and Snatch definitely encompasses the dark and gritty feel of London. Maybe a little too much as it can feel a bit gloomy at times. It has a great soundtrack and this really works with Ritchie’s directing style for the most part. There are some questionable camera angles and not all of these work – the most grating for me was in the opening scenes with Franky Four Finger’s heist where the camera jumped around far too much.
Despite this, his style works well in general and is aided by the fantastic cast that has been assembled. I’ve never been a fan of Jason Statham, but this is by far his best work, although the star of Snatch is certainly Brad Pitt, who is virtually unrecognisable as gypsy Mickey, both in looks and with his purposely indecipherable Irish accent. Snatch came out the year after Fight Club at a time that would likely be classed as the peak of Pitt’s career, so to see him play a character like Mickey was surprising to say the least. But the entire cast shine with the material they’ve got to work with.
Snatch isn’t a film for everyone and definitely not for the easily offended. For me, I could watch this repeatedly and still laugh every time, and it’s absolutely deserving of a place on this list.
