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The High Season
The High Season
Judy Blundell | 2018 | Fiction & Poetry
8
8.7 (3 Ratings)
Book Rating
A Terrific Beach Read
(Note: I received an Advance Readers Copy of this book in exchange for an honest review.)

You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.

Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.

Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.

Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.

And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.

Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.

The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.

A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
  
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Ari Aster recommended Naked (1993) in Movies (curated)

 
Naked (1993)
Naked (1993)
1993 | Drama
8.7 (3 Ratings)
Movie Favorite

"Mike Leigh might be my favorite living filmmaker. Topsy-Turvy is perhaps the most generous period piece I’ve ever seen. It is so funny and so filled with period detail and so clearly a film that doesn’t want to stop. It’s purely anecdotal; there’s no real plot. It’s structured around the writing of The Mikado, but really it’s just about the period, and every scene is so rich. As for Naked, David Thewlis’s performance is my favorite male performance ever. There’s nothing like it. It’s a bleak film, but it’s so filled with life and passion and it’s so funny. Leigh is an inspiration but not an influence. I don’t think anyone can work the way he does—nobody has the resources. He spends six months improvising characters and relationships and histories with the best actors in the world, and then he goes off and writes a script. I go to his films just to remind myself what I want out of movies about people. Ultimately I am a genre filmmaker and he’s not, but I’ve always wanted to make genre films that are rooted in character. I go to his films to pull myself a little bit out of genre and remember what it is that makes us care about any story in the first place—the people at the heart of it. But Leigh gets so much credit for his character work and his work with actors that people forget to mention what a brilliant craftsman he is."

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Ari Aster recommended Topsy-Turvy (1999) in Movies (curated)

 
Topsy-Turvy (1999)
Topsy-Turvy (1999)
1999 | International, Comedy, Drama
(0 Ratings)
Movie Favorite

"Mike Leigh might be my favorite living filmmaker. Topsy-Turvy is perhaps the most generous period piece I’ve ever seen. It is so funny and so filled with period detail and so clearly a film that doesn’t want to stop. It’s purely anecdotal; there’s no real plot. It’s structured around the writing of The Mikado, but really it’s just about the period, and every scene is so rich. As for Naked, David Thewlis’s performance is my favorite male performance ever. There’s nothing like it. It’s a bleak film, but it’s so filled with life and passion and it’s so funny. Leigh is an inspiration but not an influence. I don’t think anyone can work the way he does—nobody has the resources. He spends six months improvising characters and relationships and histories with the best actors in the world, and then he goes off and writes a script. I go to his films just to remind myself what I want out of movies about people. Ultimately I am a genre filmmaker and he’s not, but I’ve always wanted to make genre films that are rooted in character. I go to his films to pull myself a little bit out of genre and remember what it is that makes us care about any story in the first place—the people at the heart of it. But Leigh gets so much credit for his character work and his work with actors that people forget to mention what a brilliant craftsman he is."

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