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    Metrobolist by David Bowie

    Metrobolist by David Bowie

    (0 Ratings) Rate It

    Album

    180g 1LP November 2020 sees the 50th Anniversary of the release of David Bowie’s The Man Who Sold...

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Graham Lewis recommended Shooting At The Moon by Kevin Ayers in Music (curated)

 
Shooting At The Moon by Kevin Ayers
Shooting At The Moon by Kevin Ayers
2015 | Rock
(0 Ratings)
Album Favorite

"This is from that same period. He's such an unusual artist. I could have chosen the first album but I'll choose Shooting At The Moon because I saw him play when I was in Coventry and it was just absolutely extraordinary. It was the group that had Herbie Flowers, David Bedford, Mike Oldfield... This was another John Peel thing. I heard 'Joy Of A Toy', 'The Lady Rachel', 'Stop This Train' with Robert Wyatt playing drums, and all that early Soft Machine stuff which he liked. It's beautiful, things like 'May I?', incredibly gentle, beautiful love songs. Sexy. That gentle and sexy thing has always been there in Wire. When you think of 'Blessed State', which is Bruce's song, absolutely beautiful. There's always that temptation to make it simple; Colin with his white hat and us with our black hats, that's the tension. It's not as if we haven't been accused of being obscure on occasion, or opaque. But usually it's the things that people think are opaque are the things that are straight reportage. People do it, you see it, you write it. Real life is stranger than fiction but it seems as if in popular song it's not - it makes real life really dull and not about love, negotiation, and mess, and passion."

Source
  
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Bong Mines Entertainment (15 KP) rated Cult Classic by Fiona Grey in Music

Jun 21, 2019  
Cult Classic by Fiona Grey
Cult Classic by Fiona Grey
7
7.0 (1 Ratings)
Album Rating
Fiona Grey is an LA-based singer-songwriter from Chicago, Illinois. Not too long ago, she released a music video for her “Saviour” single featuring Emma Cole.

The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).

The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.

‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.

Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.

“Each song has its own identity and story it wants to tell.” – Fiona Grey

‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.

Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.

“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey

Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.

She hopes her music will help listeners aim to be the purest and honest versions of themselves.
  
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Gareth von Kallenbach (965 KP) rated Uncle Drew (2018) in Movies

Jul 8, 2019  
Uncle Drew (2018)
Uncle Drew (2018)
2018 | Comedy
6
5.8 (5 Ratings)
Movie Rating Watch
After spending his life savings to enter the Rucker Classic street ball tournament in Harlem, Dax (Lil Rel Howery) loses his team his team, girlfriend, and home to his longtime rival (Nick Kroll). Seeking to turn things around and win the $100,000 cash prize, Dax stumbles upon the legend of streetball, Uncle Drew (Kyrie Irving) and convinces him to return to the court one more time. The two men embark on a road trip to round up Drew’s old basketball squad (Shaquille O’Neal, Chris Webber, Reggie Miller, and Nate Robinson) to take on a new generation of ballers and redeem their legacy.

There have been countless sports films that have used basketball as a backdrop. Uncle Drew takes many of the charming and humorous elements of films like Like Mike, White Men Can’t Jump, He Got Game, and more to make a film that attempts to wedge itself into the genre instead of simply being a marketing gimmick that has been dragged out longer than it should be. Although the story is very shallow, and the plot is very predictable, the point of the movie is to showcase love and friendship. The film demonstrates that sport is a way to connect people across racial lines, economic class, and across borders. Despite its weaknesses, it brings fans together for ninety minutes to laugh and enjoy the antics of a group of senior citizens and one outcast looking for redemption and a home.