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Gareth von Kallenbach (980 KP) rated War Dogs (2016) in Movies
Jul 15, 2019
The post-9/11 world changed how America conducted business and shaped our foreign relations. It also led to changes in how war was conducted and maintained. In War Dogs, we witness how companies of varying size were able to cash in on America’s need to supply their military and those of their allies as they continued their fight against terrorism and conducted nation-building. War Dogs follows the ill-fated careers of Efraim (Jonah Hill) and David (Miles Teller) as they aspire to cash in on the arms dealing frenzy that is unleashed by the US government. The film, based on actual events, gives its audience a glimpse into the problematic and perilous world of arms dealing. Efraim and David are confronted with international gangsters, bureaucratic “red tape,” and push their friendship to the limit as they pursue the goal of becoming wealthy by fulfilling government contracts.
War Dogs allows its viewers to have a greater understanding of how the government works and how businesses are competing with each other, to not only create a positive business relationship with “Uncle Sam,” but to become major players in an industry filled with companies and individuals who must suspend, amend, or terminate their moral code in order to become “merchants of death.” The film itself does a suitable job in telling the story of how these men form their own company from the ground up only to have it dismantled by mistrust, greed, and jealousy. War Dogs has its moments where you as a viewer envy the ability of these men to succeed in an industry that many would thumb their noses at out of disagreement with the war or adherence to their principles. We quickly see how money becomes a motivator for these friends as they pursue the opportunity to take on larger and more complex contracts in order to compete with the likes of Halliburton.
War Dogs allows its viewers to have a greater understanding of how the government works and how businesses are competing with each other, to not only create a positive business relationship with “Uncle Sam,” but to become major players in an industry filled with companies and individuals who must suspend, amend, or terminate their moral code in order to become “merchants of death.” The film itself does a suitable job in telling the story of how these men form their own company from the ground up only to have it dismantled by mistrust, greed, and jealousy. War Dogs has its moments where you as a viewer envy the ability of these men to succeed in an industry that many would thumb their noses at out of disagreement with the war or adherence to their principles. We quickly see how money becomes a motivator for these friends as they pursue the opportunity to take on larger and more complex contracts in order to compete with the likes of Halliburton.
Lyndsey Gollogly (2893 KP) rated Bloodlust (The Rise Of Iliri #1) in Books
Nov 11, 2019
Contains spoilers, click to show
When you were once a slave, freed only to become a ruthless warrior, "belonging" seems a trite concept. A pipe dream, the stuff of naive fairy tales. But not for Salryc Luxx. Private Luxx—Sal for short—is iliri, a member of an untamable race surreptitiously dubbed "their kind" by humans and bred thousands of years ago to protect them. Humans consider them expendable, barely more than animals. Freaks. But in a karmic twist of fate, they’re also one of mankind’s most feared predators. Abused and enslaved, the only control Sal has over her life is what military unit she serves with – if she's good enough to be accepted – and the only one to consider her is the best in the land, the Black Blades.
Everyone has secrets, and the Blades are no different. But acceptance into the Blades gives Sal something she never expected—the family she’s never had, and with it, the undying protection of seven of the greatest warriors the world has ever seen. It also gifts her a devoted line of potential mates. Many of her fellow warriors will submit to the bloodlust that overtakes her in the heat of battle and can only be quenched by rough, passionate lovemaking (making way for the steamiest of love scenes). Though it’s not all war and sex. Sal very gradually cultivates deeply loving, evolving relationships with each of the Black Blades, which morphs as a unit into a reverse harem as sweet as it is fierce, and as protective as it is impassioned.
But belonging has its own price. Each of the Blades would die to protect Sal. And it’s only a matter of time before the enemy moves to use this against her.
This series was recommended by a friend and I finally got round to starting it. So glad I did what a brilliant series full of action. The relationship dynamics are very well written and they don't have Sal casually sleeping around all of the men! I love how it's handled and written!
⭐⭐⭐⭐
Everyone has secrets, and the Blades are no different. But acceptance into the Blades gives Sal something she never expected—the family she’s never had, and with it, the undying protection of seven of the greatest warriors the world has ever seen. It also gifts her a devoted line of potential mates. Many of her fellow warriors will submit to the bloodlust that overtakes her in the heat of battle and can only be quenched by rough, passionate lovemaking (making way for the steamiest of love scenes). Though it’s not all war and sex. Sal very gradually cultivates deeply loving, evolving relationships with each of the Black Blades, which morphs as a unit into a reverse harem as sweet as it is fierce, and as protective as it is impassioned.
But belonging has its own price. Each of the Blades would die to protect Sal. And it’s only a matter of time before the enemy moves to use this against her.
This series was recommended by a friend and I finally got round to starting it. So glad I did what a brilliant series full of action. The relationship dynamics are very well written and they don't have Sal casually sleeping around all of the men! I love how it's handled and written!
⭐⭐⭐⭐
Gareth von Kallenbach (980 KP) rated The Water Diviner (2015) in Movies
Aug 6, 2019
Russell Crowe both stars and directs the new film The Water Diviner.
The story follows Joshua Conner (Crowe) and his attempts to re-locate his three sons Arthur, Henry and Edward, who went off to war together and yet were never heard from again. The three boys were inseparable as children (Jack Patterson, Ben Norris and Aidan Smith) and they stayed inseparable as adults (played by Ryan Corr, Ben O’Toole and James Fraser) as they went off to fight in World War I in the Battle of Gallipoli in Turkey.
Joshua loses contact with his sons during the war, and after the fighting has ended, he receives a journal that belonged to them. He reads the journal with his wife and they conclude that the boys must have perished in the fighting. Corners wife kills herself in her grief over losing them and Joshua swears he will bring the boys home, even if it is just their remains, that is his wife’s last wish.
Conner crosses the continent to search for them, meeting people along the way and finding clues. His efforts to locate the boys are rejected by military authorities but he stubbornly presses on.
Seeing this film in the movie theatre rather than on a home television is definitely worth it. The action and scenes of war flash backs are better suited to the big screen than a home tv for full effect and drawing you in to feel like you are ‘right there’.
The story was a bit predictable because after all, it’s the story of a father searching for his children, but it was emotional and held my attention.
Parts of it felt a bit slow, or maybe just confusing, because during the flash backs I wasn’t really sure whose flash backs they were or why they were significant, but over all the story flowed well and I enjoyed it.
The story follows Joshua Conner (Crowe) and his attempts to re-locate his three sons Arthur, Henry and Edward, who went off to war together and yet were never heard from again. The three boys were inseparable as children (Jack Patterson, Ben Norris and Aidan Smith) and they stayed inseparable as adults (played by Ryan Corr, Ben O’Toole and James Fraser) as they went off to fight in World War I in the Battle of Gallipoli in Turkey.
Joshua loses contact with his sons during the war, and after the fighting has ended, he receives a journal that belonged to them. He reads the journal with his wife and they conclude that the boys must have perished in the fighting. Corners wife kills herself in her grief over losing them and Joshua swears he will bring the boys home, even if it is just their remains, that is his wife’s last wish.
Conner crosses the continent to search for them, meeting people along the way and finding clues. His efforts to locate the boys are rejected by military authorities but he stubbornly presses on.
Seeing this film in the movie theatre rather than on a home television is definitely worth it. The action and scenes of war flash backs are better suited to the big screen than a home tv for full effect and drawing you in to feel like you are ‘right there’.
The story was a bit predictable because after all, it’s the story of a father searching for his children, but it was emotional and held my attention.
Parts of it felt a bit slow, or maybe just confusing, because during the flash backs I wasn’t really sure whose flash backs they were or why they were significant, but over all the story flowed well and I enjoyed it.
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