"Like Gregory’s Girl, another movie about a gangly young man struggling to communicate romantically, but through a young Mike Leigh’s harsher lens, all is hopeless. There’s a depressing scene at a disco where Freda Payne’s "Band of Gold" is playing in the background. Trevor stands to the side and refuses to dance while everyone else happily boogies to this upbeat song – upbeat to dance to, but if you’re not dancing and just paying attention to the lyrics, they’re pretty miserable. It’s such a purposeful, subtle touch that is so pure Mike Leigh that it manages to subvert any irony. I can just imagine it being the only song he liked of the disco era. And the titular kiss is pure death."

"Second film: All That Jazz, Bob Fosse. It’s an incredibly hopeful, uplifting art journey and you know, on the one hand it’s about a man who is killing himself through over-work and who is over-extended and miserable and is going to die of a heart attack, and on the other hand, it’s Bob Fosse’s celebration of the fact that he didn’t die of a heart attack. He came through, and now he’s going to take the events that precipitated him into his heart attack, create a roman à clef around them, and build something magical, which he does. There’s a sort of strange and lovely honesty to it that, the first time I saw it when I was about 15/16 and it was on television, I found arresting, and it’s magic."