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Phil Leader (619 KP) rated The Midas Code (Tyler Locke #2) in Books
Nov 20, 2019
The story of King Midas is a Greek Legend warning on the folly of greed where everything the king touches turns to gold - including his daughter. But at the heart of every story is a grain of truth. What if King Midas was real and there really was a Midas Touch that could turn other things into gold? How much would it be worth? And more importantly how far would some people go in order to secure it?
Jordan Orr is in a race against time to secure this ancient and valuable artifact but he is missing two important pieces - an expert in ancient civilisations and an engineer able to decode centuries old mechanisms. He therefore puts Stacy Benedict, scholar and presenter of a popular TV show on ancient cultures, and Tyler Locke into a situation where they have no choice but to help him. Can Locke outsmart Orr? And does the Midas Touch really exist?
The second of the Tyler Locke thrillers sees Morrison once again explore the theme of an old story and imagining a what if situation of there being some truth to it. He then adds Tyler Locke - ex army engineer, mechanism and explosives expert and Grant Westfield, ex pro-wrestler and ex Army Ranger to the mix. As Benedict, Locke and Westfield move around Europe following the instructions laid down in a codex written Archimedes it seems Orr is always one step ahead of them. Locke must use all of his ingenuity to try to thwart Orr in his plans.
As with his other novels Morrison doesn't let up for one second and he relishes pushing his heroes to the limit. 'Out of the frying pan and into the fire' has nothing on this.
It would be easy to write a thriller of this sort and be sloppy with the details but Morrison is as always well-researched and keen to show off Locke's scientific and engineering credentials and is effortless at making ancient stories seem like they could - just about - be true.
Overall another absolutely brilliant book. Could Morrison be the best thriller writer working today? It's not something I'd discount.
Jordan Orr is in a race against time to secure this ancient and valuable artifact but he is missing two important pieces - an expert in ancient civilisations and an engineer able to decode centuries old mechanisms. He therefore puts Stacy Benedict, scholar and presenter of a popular TV show on ancient cultures, and Tyler Locke into a situation where they have no choice but to help him. Can Locke outsmart Orr? And does the Midas Touch really exist?
The second of the Tyler Locke thrillers sees Morrison once again explore the theme of an old story and imagining a what if situation of there being some truth to it. He then adds Tyler Locke - ex army engineer, mechanism and explosives expert and Grant Westfield, ex pro-wrestler and ex Army Ranger to the mix. As Benedict, Locke and Westfield move around Europe following the instructions laid down in a codex written Archimedes it seems Orr is always one step ahead of them. Locke must use all of his ingenuity to try to thwart Orr in his plans.
As with his other novels Morrison doesn't let up for one second and he relishes pushing his heroes to the limit. 'Out of the frying pan and into the fire' has nothing on this.
It would be easy to write a thriller of this sort and be sloppy with the details but Morrison is as always well-researched and keen to show off Locke's scientific and engineering credentials and is effortless at making ancient stories seem like they could - just about - be true.
Overall another absolutely brilliant book. Could Morrison be the best thriller writer working today? It's not something I'd discount.
LeftSideCut (3776 KP) rated American Horror Story - Season 5 in TV
Dec 5, 2019
AHS season 5 - subtitled 'Hotel' - is a real mixture of genres. It's part vampire dram, part crime-mystery thriller, part haunted house... It's ambitious to say the least.
A lot of people took issue with Hotel before it even aired, mainly due the absence of series favourite Jessica Lange, but in all honesty, as much as I like her, I didn't find myself missing her all that much, and the same goes for subsequent entries!
The season this time around is headed by Lady Gaga, who plays a pretty decent psuedo-villain - The Countess is unnerving, relatable, creepy, and tragic all at the same time, and is the beating heart of Hotel.
Not far behind is Evan Peters Mr March. I personally found this character a bit too cartoony at times, but he's still an important character, especially pulling strings behind everyone else back.
I also loved Kathy Bates and Denis O'Hare in this season, and their characters, and especially their devotion to The Countess, make the Hotel Cortez and oddly alluring place to be.
Wes Bentley gets a starring turn this time around after a bit part in Freak Show, and I actually enjoyed his character arc after not particularly caring to begin with.
Once again, I liked most if the cast, I just found it a shame that Sarah Paulson didn't get much to do here!
The plot itself is pretty thick in Hotel, lots of twists and turns, lots of different time periods being visited, and it's quite disorientating to begin with. It's a less accessible season than before but once you get into it, it's a great supernatural mystery horror ride with some inspiration from The Shining and Twin Peaks thrown in for good measure.
Just to top it off, we even get an appearance from Queenie, creating a direct connection to Coven and the wider AHS universe, an aspect of this show that I truly enjoy.
It's not my favourite season of AHS, (that Devil's Night episode was annoyingly cringey) but all in all, Hotel is pretty engaging television.
A lot of people took issue with Hotel before it even aired, mainly due the absence of series favourite Jessica Lange, but in all honesty, as much as I like her, I didn't find myself missing her all that much, and the same goes for subsequent entries!
The season this time around is headed by Lady Gaga, who plays a pretty decent psuedo-villain - The Countess is unnerving, relatable, creepy, and tragic all at the same time, and is the beating heart of Hotel.
Not far behind is Evan Peters Mr March. I personally found this character a bit too cartoony at times, but he's still an important character, especially pulling strings behind everyone else back.
I also loved Kathy Bates and Denis O'Hare in this season, and their characters, and especially their devotion to The Countess, make the Hotel Cortez and oddly alluring place to be.
Wes Bentley gets a starring turn this time around after a bit part in Freak Show, and I actually enjoyed his character arc after not particularly caring to begin with.
Once again, I liked most if the cast, I just found it a shame that Sarah Paulson didn't get much to do here!
The plot itself is pretty thick in Hotel, lots of twists and turns, lots of different time periods being visited, and it's quite disorientating to begin with. It's a less accessible season than before but once you get into it, it's a great supernatural mystery horror ride with some inspiration from The Shining and Twin Peaks thrown in for good measure.
Just to top it off, we even get an appearance from Queenie, creating a direct connection to Coven and the wider AHS universe, an aspect of this show that I truly enjoy.
It's not my favourite season of AHS, (that Devil's Night episode was annoyingly cringey) but all in all, Hotel is pretty engaging television.
Mark @ Carstairs Considers (2269 KP) rated Murder on Bank Street in Books
Jan 12, 2020
Solving the Murder of Dr. Tom Brandt
In the spring of 1897, New York City Detective Sergeant Frank Malloy has been given permission by NYPD Commissioner Theodore Roosevelt to focus solely on solving Dr. Tom Brandt’s murder. However, since people are expecting Teddy Roosevelt to be called to Washington to serve in the new administration at any moment, Malloy knows he must act quickly to solve the case. He has three good suspects and a description of the murder weapon, but he is facing the fact that Tom died over four years ago. He can’t establish alibis, and the killer might have gotten rid of the weapon over the years. He’ll only have one shot at confronting the suspects as well since his best weapon is the element of surprise. Can he gather enough evidence to get the killer to confess? Will Sarah Brandt, Tom’s widow and Frank’s friend, be happy with what Frank learns along the way?
Dr. Brandt’s murder has been an ongoing storyline since the first book, so I was happy to finally see it solved. Ironically, Sarah doesn’t play an active part in solving it, but she is still an active part of the book as she reacts to what Frank is learning and her scenes are just as compelling. We get to see a different side of several characters, including Frank’s new sleuthing partner, but Sarah gets the most development, which only makes sense. We have three viewpoint characters over the course of the book, but the changes are always easy to follow. The plot is strong and kept me confused until we reached the satisfying ending. It did seem a bit repetitive early on, but that was a minor issue overall. If you are new to the series, you could jump in here without missing too much since everything you need to know is explained. As always, I felt like I was in 1897 with the little details and character’s attitudes acting like a time machine. I’m curious to see how the series will progress without this storyline an active part of things, but I am satisfied with how this storyline was wrapped up.
Dr. Brandt’s murder has been an ongoing storyline since the first book, so I was happy to finally see it solved. Ironically, Sarah doesn’t play an active part in solving it, but she is still an active part of the book as she reacts to what Frank is learning and her scenes are just as compelling. We get to see a different side of several characters, including Frank’s new sleuthing partner, but Sarah gets the most development, which only makes sense. We have three viewpoint characters over the course of the book, but the changes are always easy to follow. The plot is strong and kept me confused until we reached the satisfying ending. It did seem a bit repetitive early on, but that was a minor issue overall. If you are new to the series, you could jump in here without missing too much since everything you need to know is explained. As always, I felt like I was in 1897 with the little details and character’s attitudes acting like a time machine. I’m curious to see how the series will progress without this storyline an active part of things, but I am satisfied with how this storyline was wrapped up.
JT (287 KP) rated Captain America: The First Avenger (2011) in Movies
Mar 10, 2020
With the impending Avengers flick due out in the summer this year, 2011 was all about wrapping up the the final film which would link yet another character into the superhero pack. If I’m honest I am pretty bored of the superhero genre of late, so this one was going to have to work hard if it was going to hold my interest. But, for the most part… hold my interest it did!
Evans starts off as a scrawny weakling, desperate to serve his country during World War II. You’ll have to look hard to realise that Evans’ appearance is a brilliant piece of CGI, no man could get to that size and back in such a short space of time.
He then gets himself accepted as part of an experiment to transform average soldiers into supreme physical beings. Rogers, now a beef cake becomes an American poster boy for the war promoting everything the American public should stand for.
Singing in chorus lines he longs to be part of the action, to get onto the front line and to help bring down HYDRA, and its main villain Johann Schmidt aka Red Skull.
The film moves through the gears, massive explosions and some great action set pieces. But you’d expect nothing less, director Joe Johnston injects the film with enough to tie over until a rather disappointing ending.
One of the bright lights however is Weaving, whose Red Skull is one of the more colourful villains we might have seen in recent times. His penetrating persona gives the film a lift when otherwise it was heading for the doldrums.
Captain America does what pretty much every other super hero film has done before it, starts as an origins story, throws some back history in along with a lot of action but ultimately fails on the big pay off.
We all know where the film is going though, as most will have seen all the trailers surrounding The Avengers, for me though this is just another missing piece of the puzzle that will lead onto a much greater film. After which Captain America will pretty much be all but forgotten.
Evans starts off as a scrawny weakling, desperate to serve his country during World War II. You’ll have to look hard to realise that Evans’ appearance is a brilliant piece of CGI, no man could get to that size and back in such a short space of time.
He then gets himself accepted as part of an experiment to transform average soldiers into supreme physical beings. Rogers, now a beef cake becomes an American poster boy for the war promoting everything the American public should stand for.
Singing in chorus lines he longs to be part of the action, to get onto the front line and to help bring down HYDRA, and its main villain Johann Schmidt aka Red Skull.
The film moves through the gears, massive explosions and some great action set pieces. But you’d expect nothing less, director Joe Johnston injects the film with enough to tie over until a rather disappointing ending.
One of the bright lights however is Weaving, whose Red Skull is one of the more colourful villains we might have seen in recent times. His penetrating persona gives the film a lift when otherwise it was heading for the doldrums.
Captain America does what pretty much every other super hero film has done before it, starts as an origins story, throws some back history in along with a lot of action but ultimately fails on the big pay off.
We all know where the film is going though, as most will have seen all the trailers surrounding The Avengers, for me though this is just another missing piece of the puzzle that will lead onto a much greater film. After which Captain America will pretty much be all but forgotten.
LeftSideCut (3776 KP) rated Tiger King: Murder, Mayhem and Madness in TV
Mar 31, 2020 (Updated Mar 31, 2020)
Tiger King is a true story. That in itself is an absurd thought. The story of Joe Exotic and his self built zoo, housing no less than 227 live tigers is something I never knew I wanted to hear until it was too late.
This well put together documentary took approximately 15 minutes to draw me in, and before I knew it, I had watched the whole thing.
The story in question revolves around Joe's constant rivalry and back-and-forth lawsuits with Carole Baskin, and her Big Cat Rescue sanctuary. It doesn't take long for everything to escalate to dangerous silliness, and the show documents Joe's eventual incarceration, where he is still residing currently.
This deep look into this cult like practice is fascinating to say the least. Some, including me, will argue that wild animals bred in captivity purely for profit is cruel, but it's genuinely difficult to see Joe Exotic as a bad person. His heart seems in the right place, and its sad to see him get so caught up in the money side of things, to the point where his intentions start to stray.
On the flip side, Carole Baskin on the surface doesn't agree with these kind of zoos and aims to rescue these animals, but in reality, she is still turning profit and her sanctuary is arguably just as bad.
These characters that we meet throughout all have layers and secrets, and ensures that the narrative being told through archive footage and interviews never stops throwing curve balls, as what starts as an animal park feud, devolves into embezzlement, attempted murder, suicide, missing persons, million-dollar legal battles... It's honestly hectic.
I'm incredibly interested to see what happens as a result of this series, and I personally don't think Joe will be incarcerated for too much longer.
The limited series could have benefited from losing an episode I feel, as it did drag a little towards the end, but overall, Tiger King is a fantastic documentary that's edited and put together to draw you in, and not let go.
This well put together documentary took approximately 15 minutes to draw me in, and before I knew it, I had watched the whole thing.
The story in question revolves around Joe's constant rivalry and back-and-forth lawsuits with Carole Baskin, and her Big Cat Rescue sanctuary. It doesn't take long for everything to escalate to dangerous silliness, and the show documents Joe's eventual incarceration, where he is still residing currently.
This deep look into this cult like practice is fascinating to say the least. Some, including me, will argue that wild animals bred in captivity purely for profit is cruel, but it's genuinely difficult to see Joe Exotic as a bad person. His heart seems in the right place, and its sad to see him get so caught up in the money side of things, to the point where his intentions start to stray.
On the flip side, Carole Baskin on the surface doesn't agree with these kind of zoos and aims to rescue these animals, but in reality, she is still turning profit and her sanctuary is arguably just as bad.
These characters that we meet throughout all have layers and secrets, and ensures that the narrative being told through archive footage and interviews never stops throwing curve balls, as what starts as an animal park feud, devolves into embezzlement, attempted murder, suicide, missing persons, million-dollar legal battles... It's honestly hectic.
I'm incredibly interested to see what happens as a result of this series, and I personally don't think Joe will be incarcerated for too much longer.
The limited series could have benefited from losing an episode I feel, as it did drag a little towards the end, but overall, Tiger King is a fantastic documentary that's edited and put together to draw you in, and not let go.
Gareth von Kallenbach (980 KP) rated Hell or High Water (2016) in Movies
Aug 6, 2019
There are numerous films about bank robbers, loveable villains who we find
ourselves cheering for throughout their escapades. Something was always
missing, though. The actions always seemed simple, shallow, and, at times,
comical in their approach. Hell or High Water breaks from many of the
tropes that we are accustomed to with reality-based crime movies. The film
follows two brothers as they rob a chain of banks in the attempt to save
their home and land from foreclosure.
Hell or High Water demonstrates to the audience the complexity with the
story in which this film is based. Marcus (Ben Foster), who is a career
criminal, returns to a life of crime in order to help his brother Toby
(Chris Pine) create a stable future for his children. He has been pushed
to his limits by the banks who have taken advantage of his dying mother
and sees robbing them as the only possible path. They must be quick,
proficient, and calculated in their actions as they are being pursued by a
Texas Ranger (Jeff Bridges) who sees this case as his chance to achieve
some peace as it keeps him further from retirement.
The film is phenomenal in being able to carry several different
storylines, issues, and directions. The film is about Americans with bank
robbing as the backdrop. It demonstrates how working people feel taken
advantage of by the banks and have no sympathy for them as they argue that
the banks are the real criminals in shady deals that result in people
losing their homes. It is an ideal modern western with “the law” hot on
the tail of the bandits. There is no clear bad guy with the brothers, just
a flawed antiheroes that several in the community will not turn against
because they understand that the boys are “one of them” and applaud them
for taking action against the banks.
Audiences will find themselves engrossed in the storyline, expansive views
of Texas, relating to the anger towards financial institutions, and
rooting for these brothers as they try to save their land and legacy.
ourselves cheering for throughout their escapades. Something was always
missing, though. The actions always seemed simple, shallow, and, at times,
comical in their approach. Hell or High Water breaks from many of the
tropes that we are accustomed to with reality-based crime movies. The film
follows two brothers as they rob a chain of banks in the attempt to save
their home and land from foreclosure.
Hell or High Water demonstrates to the audience the complexity with the
story in which this film is based. Marcus (Ben Foster), who is a career
criminal, returns to a life of crime in order to help his brother Toby
(Chris Pine) create a stable future for his children. He has been pushed
to his limits by the banks who have taken advantage of his dying mother
and sees robbing them as the only possible path. They must be quick,
proficient, and calculated in their actions as they are being pursued by a
Texas Ranger (Jeff Bridges) who sees this case as his chance to achieve
some peace as it keeps him further from retirement.
The film is phenomenal in being able to carry several different
storylines, issues, and directions. The film is about Americans with bank
robbing as the backdrop. It demonstrates how working people feel taken
advantage of by the banks and have no sympathy for them as they argue that
the banks are the real criminals in shady deals that result in people
losing their homes. It is an ideal modern western with “the law” hot on
the tail of the bandits. There is no clear bad guy with the brothers, just
a flawed antiheroes that several in the community will not turn against
because they understand that the boys are “one of them” and applaud them
for taking action against the banks.
Audiences will find themselves engrossed in the storyline, expansive views
of Texas, relating to the anger towards financial institutions, and
rooting for these brothers as they try to save their land and legacy.
Gareth von Kallenbach (980 KP) rated Paper Towns (2015) in Movies
Aug 6, 2019
As a teenager, you are always trying to discover who you truly are. You are constantly surrounded by images of what you are supposed to be and the cliques that define who you are and who you are not. What is normal? What is real? What is it about this time of our lives that makes us so susceptible to the pressures of adolescence and the need to stand out while also being accepted for who we are? In Paper Towns, Quinten (Nat Wolff), a very shy and quiet teenage boy is enthralled with his mysterious neighbor Margot (Cara Delavigne), whom he had become estranged with over the years.
He has his future laid out before him Graduation is on the horizon. He is headed to Duke University in the Fall where he will be a premed student before settling down and creating a family of his own. His plans are disrupted when Margot comes back into his life one night seeking his help to enact revenge on her friends. However, after this night of hijinks, she has gone missing which throws Quinten’s life into flux.
He skips school and begins an obscure scavenger hunt in order to locate Margot. He becomes obsessed with finding her and in the process discovers more about himself than he had ever planned. The film breaks from many of the tropes that we are accustomed to with teen films. This is by far, much more mature storytelling, offering even the ancillary characters some depth and a sense that they too have an identity.
The film, although is about Quinten and his seemingly love for Margot is much more than that. It is about the sense of reality that we have constructed. It forces us to question what is real and what is imagined. Who are we at the core? What matters to us when we are the only ones who are allowed to judge the circumstances and our actions? This is by far more than just a “Boy meets girl” tale. This is a film that makes its characters reflect on who they are and who we want to be seen and will leave audiences doing the same.
He has his future laid out before him Graduation is on the horizon. He is headed to Duke University in the Fall where he will be a premed student before settling down and creating a family of his own. His plans are disrupted when Margot comes back into his life one night seeking his help to enact revenge on her friends. However, after this night of hijinks, she has gone missing which throws Quinten’s life into flux.
He skips school and begins an obscure scavenger hunt in order to locate Margot. He becomes obsessed with finding her and in the process discovers more about himself than he had ever planned. The film breaks from many of the tropes that we are accustomed to with teen films. This is by far, much more mature storytelling, offering even the ancillary characters some depth and a sense that they too have an identity.
The film, although is about Quinten and his seemingly love for Margot is much more than that. It is about the sense of reality that we have constructed. It forces us to question what is real and what is imagined. Who are we at the core? What matters to us when we are the only ones who are allowed to judge the circumstances and our actions? This is by far more than just a “Boy meets girl” tale. This is a film that makes its characters reflect on who they are and who we want to be seen and will leave audiences doing the same.
Gareth von Kallenbach (980 KP) rated The Secret Life Of Walter Mitty (2013) in Movies
Aug 6, 2019
To say that I was blown away by this movie might be a bit of an understatement. To be honest, this movie snuck under my radar, slid into a Christmas release, and absolutely amazed me.
The Secret Life of Walter MItty is about a man who daydreams. But that doesn’t quite cut it. He is constantly thinking out, imagining, scenarios in his head of how things could play out. Often ludicrous, but sometimes realistic, he imagines what things would be like if he were a different man in the situation he’s in. From handling a jerk boss, to the girl he likes, he plays out a scenario in his head that he wishes would happen.
Mitty is a negative assets manager for Life magazine. Life is getting ready to close down the physical publication and are about to publish the last issue. Their best reporter, Sean O’Connell (Sean Penn), sent in his final roll of film indicating that frame 25 was his best shot ever and should be used for the final cover. The only problem is that frame 25 is missing. After a frantic search he is unable to find it in the lab, and with some urging from Cheryl Melhoff (Kristen Wiig) in Accounts at Life, and Mitty’s love interest, Mitty stops living in his head and sets out on a journey to find the frame, and himself.
Directed and starring Ben Stiller, The Secret Life of Walter Mitty was a delight every step of the way. The humor in the film was very well blended so as not to distract from this incredible journey, and the visuals were absolutely amazing. I am not sure that I would change much about this movie. Casting was excellent, the score was great, and the cinematography was superb. There was a whole side bit about eHarmony.com was a bit annoying at first, but it paid off in the end.
I would definitely recommend seeing this movie to any of my friends. So go check it out on opening day (Christmas Day) if you are looking for something to do that day.
The Secret Life of Walter MItty is about a man who daydreams. But that doesn’t quite cut it. He is constantly thinking out, imagining, scenarios in his head of how things could play out. Often ludicrous, but sometimes realistic, he imagines what things would be like if he were a different man in the situation he’s in. From handling a jerk boss, to the girl he likes, he plays out a scenario in his head that he wishes would happen.
Mitty is a negative assets manager for Life magazine. Life is getting ready to close down the physical publication and are about to publish the last issue. Their best reporter, Sean O’Connell (Sean Penn), sent in his final roll of film indicating that frame 25 was his best shot ever and should be used for the final cover. The only problem is that frame 25 is missing. After a frantic search he is unable to find it in the lab, and with some urging from Cheryl Melhoff (Kristen Wiig) in Accounts at Life, and Mitty’s love interest, Mitty stops living in his head and sets out on a journey to find the frame, and himself.
Directed and starring Ben Stiller, The Secret Life of Walter Mitty was a delight every step of the way. The humor in the film was very well blended so as not to distract from this incredible journey, and the visuals were absolutely amazing. I am not sure that I would change much about this movie. Casting was excellent, the score was great, and the cinematography was superb. There was a whole side bit about eHarmony.com was a bit annoying at first, but it paid off in the end.
I would definitely recommend seeing this movie to any of my friends. So go check it out on opening day (Christmas Day) if you are looking for something to do that day.
Merissa (12330 KP) rated Instigated (Daywalker Academy #3) in Books
Feb 21, 2020
Instigated is the third book in the Daywalker Academy series and it should definitely be read as a series or you just won't get what's happening.
So, what is happening? Well, Franky is trying to figure out a way to get Zoltan back. And if that means doing a Spiderman impression then so be it. Fenrir is on hand to annoy her or help her. I'm not sure either him or Franky are ever sure which way that will go! Leo is also one with the wit and the banter between them all is as top-notch as ever. But Zoltan is missing and Franky needs to get him back even if it means sacrificing her eyeballs.
For the first three-quarters of this book, Zoltan isn't there - and that hurts, you know?! I've made no secret of the fact that HE IS MINE so for him to not be there was hard. Just when I was about to pen a strongly-worded memo to Ms. Daniels, she redeemed herself in the best way ever. ZOLTAN!!!
There is so much going on in this book, you seriously can't stop reading. This was a one-sitting book for me. No way was I doing anything apart from reading. There is danger, betrayal, tension, banter, dragons, wit, humour, and lots and lots of sexual tension (and not all of it between Franky and Zoltan!).
This world continues to amaze and delight. The fight scene at the end was outstanding and the characters continue to make me want to slap them upside the head or smile at fondly, depending on what they've just said or done.
The story itself continues to move along and, as always, it ends on one helluva cliffhanger. She kills me, she really does. Now I need to wait for the next one and I will do so (mostly) happily because a book from Maya Daniels is always worth the wait.
Do I recommend this? Do bears sh*t in the woods? Of course, I freaking do!!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
So, what is happening? Well, Franky is trying to figure out a way to get Zoltan back. And if that means doing a Spiderman impression then so be it. Fenrir is on hand to annoy her or help her. I'm not sure either him or Franky are ever sure which way that will go! Leo is also one with the wit and the banter between them all is as top-notch as ever. But Zoltan is missing and Franky needs to get him back even if it means sacrificing her eyeballs.
For the first three-quarters of this book, Zoltan isn't there - and that hurts, you know?! I've made no secret of the fact that HE IS MINE so for him to not be there was hard. Just when I was about to pen a strongly-worded memo to Ms. Daniels, she redeemed herself in the best way ever. ZOLTAN!!!
There is so much going on in this book, you seriously can't stop reading. This was a one-sitting book for me. No way was I doing anything apart from reading. There is danger, betrayal, tension, banter, dragons, wit, humour, and lots and lots of sexual tension (and not all of it between Franky and Zoltan!).
This world continues to amaze and delight. The fight scene at the end was outstanding and the characters continue to make me want to slap them upside the head or smile at fondly, depending on what they've just said or done.
The story itself continues to move along and, as always, it ends on one helluva cliffhanger. She kills me, she really does. Now I need to wait for the next one and I will do so (mostly) happily because a book from Maya Daniels is always worth the wait.
Do I recommend this? Do bears sh*t in the woods? Of course, I freaking do!!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Learning games for kids toddlers girls boys free
Education and Games
App
*** Fun EDUCATIONAL game for toddlers of AGE 2 and up *** Learn about SHAPES, COLORS, SIZE and...