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Hazel (1853 KP) rated Wanted in Paradise in Books
Jun 18, 2019
Wanted in Paradise by Kate Ashenden is a quick-to-read romance thriller set on the tropical nation of the Maldives. The twenty-five-year-old protagonist, Jasmine Hartwell has been on a hellish journey: surviving a typhoon in the Philippines, which killed thousands of people, and quitting her job because she cannot stand the way her boss treats her. To top it off, her ex-boyfriend has disappeared, presumed dead. After sending her condolences to his good looking superstar brother, Romeo Moretti, Jasmine is offered the chance to join him in the Maldives to help set up a concert in aid of climate change.
Readers are aware that Jasmine has had a crush on Romeo since she met him five years ago but due to their current circumstances, it would not be right for them to form a relationship while her ex, Diego is still missing. That does not stop Jasmine having strong feelings for Romeo and vice versa, however, there is another love interest on the scene. The Sheikh has fallen for Jasmine but Romeo believes he is an evil character set on destroying the concert and taking over the islands. Not only does Jasmine have to contend with this love-triangle, but Romeo's publicist also seems fixed on making things unnecessarily hard for her.
It takes a while for the reader to warm to the characters, especially as the story is fast-paced. It also takes a moment to appreciate the complexities of the storyline; it is not only about romance, but it also encompasses natural disasters, the dangers of climate change and the ignorance and selfishness of those with power. By the closing chapters, readers are enthralled with the potential of a happy-ever-after but still in the knowledge that all could backfire at the last minute.
Wanted in Paradise is Kate Ashenden's debut novel, which, whilst it has room for improvement, gives a taster of her potential. It is the ideal book for those who want a quick read and to be transported to another part of the world to escape the challenged of everyday life.
Readers are aware that Jasmine has had a crush on Romeo since she met him five years ago but due to their current circumstances, it would not be right for them to form a relationship while her ex, Diego is still missing. That does not stop Jasmine having strong feelings for Romeo and vice versa, however, there is another love interest on the scene. The Sheikh has fallen for Jasmine but Romeo believes he is an evil character set on destroying the concert and taking over the islands. Not only does Jasmine have to contend with this love-triangle, but Romeo's publicist also seems fixed on making things unnecessarily hard for her.
It takes a while for the reader to warm to the characters, especially as the story is fast-paced. It also takes a moment to appreciate the complexities of the storyline; it is not only about romance, but it also encompasses natural disasters, the dangers of climate change and the ignorance and selfishness of those with power. By the closing chapters, readers are enthralled with the potential of a happy-ever-after but still in the knowledge that all could backfire at the last minute.
Wanted in Paradise is Kate Ashenden's debut novel, which, whilst it has room for improvement, gives a taster of her potential. It is the ideal book for those who want a quick read and to be transported to another part of the world to escape the challenged of everyday life.
Debbiereadsbook (1487 KP) rated Inciting a Riot (Riot MC #2) in Books
Jan 7, 2019
a good solid 4 star read
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
6 years ago, Lorraine caught Cary (Vamp) in their bed with two other women and her world imploded. Now, he's back and fighting dirty. Fighting for Rainy's love, and for her life, when an ex turns nasty.
This is book two in the Riot MC series, and I have not read book one. I'll come back, in a minute, to why I think I probably should have.
For the most part, I DID enjoy this, I really did. There are just a couple of things that let it down, for ME.
It's told ALMOST entirely from Rainy's point of view, in the first person. While it's clear, after a very short time who is speaking, it would have been nice to have been told. We do get a bit of Cary, in the third person, but not nearly enough for my liking! I needed MORE Cary.
At several points along the way, Cary says something happened to him a few months ago, but it was never clarified just WHAT gave him the epiphany he had that made he realise who he needed to make his life complete. THIS is where I think I should have read book one first. Maybe THAT event is in that book. I NEEDED to know what happened, and we are not told that here.
On a positive note, because it is mostly only Rainy who speaks, the MC stuff takes a bit of a back seat and I did like that. I wasn't too clear whether these guys are into all the illegal stuff that often comes with MC books, but I really don't care.
These guys love their woman, hard, and everyone seems happy. Except Trixie, she's not a happy bunnie and I want her to be! Please Ms Renee, make Trixie happy!
I did like the way the nutty ex thing so so darn complicated!
So,, because of that missing information, because I needed more of Cary, and because I DID read it in one sitting. . .
4 solid stars
**same worded review will appear elsewhere**
6 years ago, Lorraine caught Cary (Vamp) in their bed with two other women and her world imploded. Now, he's back and fighting dirty. Fighting for Rainy's love, and for her life, when an ex turns nasty.
This is book two in the Riot MC series, and I have not read book one. I'll come back, in a minute, to why I think I probably should have.
For the most part, I DID enjoy this, I really did. There are just a couple of things that let it down, for ME.
It's told ALMOST entirely from Rainy's point of view, in the first person. While it's clear, after a very short time who is speaking, it would have been nice to have been told. We do get a bit of Cary, in the third person, but not nearly enough for my liking! I needed MORE Cary.
At several points along the way, Cary says something happened to him a few months ago, but it was never clarified just WHAT gave him the epiphany he had that made he realise who he needed to make his life complete. THIS is where I think I should have read book one first. Maybe THAT event is in that book. I NEEDED to know what happened, and we are not told that here.
On a positive note, because it is mostly only Rainy who speaks, the MC stuff takes a bit of a back seat and I did like that. I wasn't too clear whether these guys are into all the illegal stuff that often comes with MC books, but I really don't care.
These guys love their woman, hard, and everyone seems happy. Except Trixie, she's not a happy bunnie and I want her to be! Please Ms Renee, make Trixie happy!
I did like the way the nutty ex thing so so darn complicated!
So,, because of that missing information, because I needed more of Cary, and because I DID read it in one sitting. . .
4 solid stars
**same worded review will appear elsewhere**
Hazel (1853 KP) rated Elora of Stone (Legend of Rhyme, #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Elora of Stone</i> is the first in an exciting fantasy series, <i>Legend of Rhyme</i>, for young readers. Set in a magical kingdom, an evil magician steals one child of every pair of twins born. In order to protect their children, Asher and Ariana’s parents move to live near Elora – a good witch turned to stone by the sorcerer. Despite the protection, four-year-old Asher goes missing. The night of her thirteenth birthday Ariana learns of Asher’s whereabouts but only has until midnight to save him.
Full of magical creatures such as witches, fairies, pixies and goblins, <i>Elora of Stone</i> is the start of a sensational story for eight to twelve year olds. Heart stopping moments will urge the young readers to see the book through to the end to discover whether the twins succeed in being reunited and learn the truth about who is good and who is evil.
Although Asher and Ariana are the main characters of the series, they are not born until exactly half way through the book. As <i>Elora of Stone</i> is only one hundred pages, there are a bit too many chapters focused on setting the scene, resulting in the main story line and climax becoming rather rushed and crammed together.
Now that the preliminary introductions to characters and settings have been made, the following books in the series will hopefully flow better. <i>Legend of Rhyme</i> promises to be a unique fairytale to enthrall pre-teens of all reading levels. The narrative is clear and easy to follow with a limit on tricky words. To break up the text there is the occasional beautiful illustration depicting the author’s visual impressions of a handful of characters.
Ending on a slight cliffhanger, <i>Elora of Stone</i> will leave readers wanting more, thus making the <i>Legend of Rhyme</i> series a great set of books to collect; a wonderful start to your own personal library.
Elora of Stone</i> is the first in an exciting fantasy series, <i>Legend of Rhyme</i>, for young readers. Set in a magical kingdom, an evil magician steals one child of every pair of twins born. In order to protect their children, Asher and Ariana’s parents move to live near Elora – a good witch turned to stone by the sorcerer. Despite the protection, four-year-old Asher goes missing. The night of her thirteenth birthday Ariana learns of Asher’s whereabouts but only has until midnight to save him.
Full of magical creatures such as witches, fairies, pixies and goblins, <i>Elora of Stone</i> is the start of a sensational story for eight to twelve year olds. Heart stopping moments will urge the young readers to see the book through to the end to discover whether the twins succeed in being reunited and learn the truth about who is good and who is evil.
Although Asher and Ariana are the main characters of the series, they are not born until exactly half way through the book. As <i>Elora of Stone</i> is only one hundred pages, there are a bit too many chapters focused on setting the scene, resulting in the main story line and climax becoming rather rushed and crammed together.
Now that the preliminary introductions to characters and settings have been made, the following books in the series will hopefully flow better. <i>Legend of Rhyme</i> promises to be a unique fairytale to enthrall pre-teens of all reading levels. The narrative is clear and easy to follow with a limit on tricky words. To break up the text there is the occasional beautiful illustration depicting the author’s visual impressions of a handful of characters.
Ending on a slight cliffhanger, <i>Elora of Stone</i> will leave readers wanting more, thus making the <i>Legend of Rhyme</i> series a great set of books to collect; a wonderful start to your own personal library.
Hazel (1853 KP) rated The Storm (The Rain, #2) in Books
Dec 17, 2018
My rating: 3.5
This eBook was provided by the publisher via NetGalley in return for an honest review.
What would happen if water became fatally harmful to humans? This is what Virginia Bergin continues to explore in the second novel in the young adult, dystopian series, The Storm. Fifteen year old Ruby Morris has been trying to survive by herself only getting through each day by telling herself "everything is going to be OK." With the belief that her Dad is still alive, she sets off to find him whilst trying to dodge violent people, the British army, and, of course, the rain.
As the story develops it is revealed that Ruby may be a key character in ending the global apocalypse, however she does not trust the scientists involved in finding a solution.
Since the first book it appears that Ruby has matured a lot. She is able to take more responsibility and even help other people. Like in the first book, The Rain, Ruby is narrating her experiences to the reader as well as her deceased mother. As her mother disapproved of swearing Ruby blocks out certain words with a symbol. In some ways this makes the story suitable for early teen readers, however it is fairly easy to work out what the missing words are and therefore may not be appropriate for some readers.
The Storm was much more exciting to read than the previous novel. Ruby was less annoying and was much more mature. It is interesting to discover how the situation develops. There is a lot of action to keep the reader on their toes.
One issue with this book is how the ending is written. It almost feels like Bergin tried to end the story quickly. The whole story was carefully planned out and narrated however the end was rushed.
Overall, The Storm is a great continuation of an interesting concept. It is much better than the first part of the story and keeps the reader interested. Although intended for young adults, there is nothing to stop adult readers from enjoying it too.
This eBook was provided by the publisher via NetGalley in return for an honest review.
What would happen if water became fatally harmful to humans? This is what Virginia Bergin continues to explore in the second novel in the young adult, dystopian series, The Storm. Fifteen year old Ruby Morris has been trying to survive by herself only getting through each day by telling herself "everything is going to be OK." With the belief that her Dad is still alive, she sets off to find him whilst trying to dodge violent people, the British army, and, of course, the rain.
As the story develops it is revealed that Ruby may be a key character in ending the global apocalypse, however she does not trust the scientists involved in finding a solution.
Since the first book it appears that Ruby has matured a lot. She is able to take more responsibility and even help other people. Like in the first book, The Rain, Ruby is narrating her experiences to the reader as well as her deceased mother. As her mother disapproved of swearing Ruby blocks out certain words with a symbol. In some ways this makes the story suitable for early teen readers, however it is fairly easy to work out what the missing words are and therefore may not be appropriate for some readers.
The Storm was much more exciting to read than the previous novel. Ruby was less annoying and was much more mature. It is interesting to discover how the situation develops. There is a lot of action to keep the reader on their toes.
One issue with this book is how the ending is written. It almost feels like Bergin tried to end the story quickly. The whole story was carefully planned out and narrated however the end was rushed.
Overall, The Storm is a great continuation of an interesting concept. It is much better than the first part of the story and keeps the reader interested. Although intended for young adults, there is nothing to stop adult readers from enjoying it too.
Jessica - Where the Book Ends (15 KP) rated Relative Strangers in Books
Jan 30, 2019
I received this book from NetGalley and Candlewick Press in exchange for an honest review.
Relative Strangers is an amazing coming of age tale that tackles all the feelings that come with trying to figure out who you are, where you fit in, and unrequited love. Garner tackles important topics like alcoholism, addiction, loss of a parent, sexuality, and abandonment issues. It is a big challenge to stuff that many topics and issues into one book and Garner does it with finesse and grace; and most importantly not leaving any loose ends.
The whole story happens within the course of Jules’ senior year of high school. She discovers something about her past that her mother has kept a secret from her for her entire life. Through detective work, support from her friends, and Facebook, she finds the one person that might be can tell her everything that is missing from her history. Jules’ embarks on a quest to find herself, her past, and her way back to reconnecting emotionally with her mother.
Not only does Paula Garner write such a wonderful story but she creates characters that suck you into the intricate weavings of the story. You feel like you’re one of the girls. I felt like Jules, Gab, and Leila were some of my closest friends. I laughed with them, cried with them, and I cheered for them. One thing I often find difficult when you have so many characters is how to make them grow as the book goes on. Garner did this without making it feel forced. Each of the characters grew in their own way as they took on the rights of passage set in their paths.
Relative Strangers is a story that I think all people will be able to relate to in one way or another. I also think that it’s a great book for teens to read that teaches about appreciating and enjoying the relationships you have with the people around you. Garner kept the emotional twists coming, the pages turning, and the tears flowing well into the night. I highly recommend checking out this book if you’re into Contemporary Coming of Age stories.
Relative Strangers is an amazing coming of age tale that tackles all the feelings that come with trying to figure out who you are, where you fit in, and unrequited love. Garner tackles important topics like alcoholism, addiction, loss of a parent, sexuality, and abandonment issues. It is a big challenge to stuff that many topics and issues into one book and Garner does it with finesse and grace; and most importantly not leaving any loose ends.
The whole story happens within the course of Jules’ senior year of high school. She discovers something about her past that her mother has kept a secret from her for her entire life. Through detective work, support from her friends, and Facebook, she finds the one person that might be can tell her everything that is missing from her history. Jules’ embarks on a quest to find herself, her past, and her way back to reconnecting emotionally with her mother.
Not only does Paula Garner write such a wonderful story but she creates characters that suck you into the intricate weavings of the story. You feel like you’re one of the girls. I felt like Jules, Gab, and Leila were some of my closest friends. I laughed with them, cried with them, and I cheered for them. One thing I often find difficult when you have so many characters is how to make them grow as the book goes on. Garner did this without making it feel forced. Each of the characters grew in their own way as they took on the rights of passage set in their paths.
Relative Strangers is a story that I think all people will be able to relate to in one way or another. I also think that it’s a great book for teens to read that teaches about appreciating and enjoying the relationships you have with the people around you. Garner kept the emotional twists coming, the pages turning, and the tears flowing well into the night. I highly recommend checking out this book if you’re into Contemporary Coming of Age stories.
Ross (3284 KP) rated The Paris Mysteries in Books
Dec 27, 2019
Crime fiction stripped bare - all tell
"Show, don't tell" is the mantra of many authors. It means give the reader the information so they can decipher the plot at their own pace, with various tidbits of information scattered throughout a book. It doesn't mean long rambling sections of exposition.
This phrase was clearly coined after Poe's demise, as he doesn't seem to have ever heard it.
Yes, he is undoubtedly the first and most important writer of detective/crime fiction. This by no means suggests it is any good.
The three stories are really just a setting out of a mysterious crime with some facts/suspicions, with a lengthy monologue where C August Dupin solves the mystery. That's it. No suspense. No character development. No real scene setting. Just a slightly puzzling crime followed by a smartarse giving the solution.
The main thing to take away from these three Poe stories is that the police and detectives used to be rubbish and looked for the wrong evidence, or were sidetracked by what they wanted to see. There are many crimes and stories with apparently impossible solutions which can't seem to be unravelled. This idea absolutely was the genesis of the rich and varied crime genre we have today. The idea that a strange set of circumstances can arise where an apparently normal crime can be committed but with the evidence so obscure and tangled that unravelling it would take a genius.
Sadly, Poe didn't put the story around the bare bones of these crimes. So all we have is three exam questions with a know-it-all giving the answer, with no charm, no suspense, no thrilling conclusion. One of them barely even concludes the murderer, just spends an age picking holes in the logic applied by various newspapers in trying to document the crime.
I might be interested in reading a retelling of these stories (except the one where a letter has simply gone missing and is found my looking somewhere obvious), where someone actually weaves a narrative around the bare bones.
I appreciate Poe's efforts because of what followed, but not for what they themselves are.
This phrase was clearly coined after Poe's demise, as he doesn't seem to have ever heard it.
Yes, he is undoubtedly the first and most important writer of detective/crime fiction. This by no means suggests it is any good.
The three stories are really just a setting out of a mysterious crime with some facts/suspicions, with a lengthy monologue where C August Dupin solves the mystery. That's it. No suspense. No character development. No real scene setting. Just a slightly puzzling crime followed by a smartarse giving the solution.
The main thing to take away from these three Poe stories is that the police and detectives used to be rubbish and looked for the wrong evidence, or were sidetracked by what they wanted to see. There are many crimes and stories with apparently impossible solutions which can't seem to be unravelled. This idea absolutely was the genesis of the rich and varied crime genre we have today. The idea that a strange set of circumstances can arise where an apparently normal crime can be committed but with the evidence so obscure and tangled that unravelling it would take a genius.
Sadly, Poe didn't put the story around the bare bones of these crimes. So all we have is three exam questions with a know-it-all giving the answer, with no charm, no suspense, no thrilling conclusion. One of them barely even concludes the murderer, just spends an age picking holes in the logic applied by various newspapers in trying to document the crime.
I might be interested in reading a retelling of these stories (except the one where a letter has simply gone missing and is found my looking somewhere obvious), where someone actually weaves a narrative around the bare bones.
I appreciate Poe's efforts because of what followed, but not for what they themselves are.
Phil Leader (619 KP) rated The Midas Code (Tyler Locke #2) in Books
Nov 20, 2019
The story of King Midas is a Greek Legend warning on the folly of greed where everything the king touches turns to gold - including his daughter. But at the heart of every story is a grain of truth. What if King Midas was real and there really was a Midas Touch that could turn other things into gold? How much would it be worth? And more importantly how far would some people go in order to secure it?
Jordan Orr is in a race against time to secure this ancient and valuable artifact but he is missing two important pieces - an expert in ancient civilisations and an engineer able to decode centuries old mechanisms. He therefore puts Stacy Benedict, scholar and presenter of a popular TV show on ancient cultures, and Tyler Locke into a situation where they have no choice but to help him. Can Locke outsmart Orr? And does the Midas Touch really exist?
The second of the Tyler Locke thrillers sees Morrison once again explore the theme of an old story and imagining a what if situation of there being some truth to it. He then adds Tyler Locke - ex army engineer, mechanism and explosives expert and Grant Westfield, ex pro-wrestler and ex Army Ranger to the mix. As Benedict, Locke and Westfield move around Europe following the instructions laid down in a codex written Archimedes it seems Orr is always one step ahead of them. Locke must use all of his ingenuity to try to thwart Orr in his plans.
As with his other novels Morrison doesn't let up for one second and he relishes pushing his heroes to the limit. 'Out of the frying pan and into the fire' has nothing on this.
It would be easy to write a thriller of this sort and be sloppy with the details but Morrison is as always well-researched and keen to show off Locke's scientific and engineering credentials and is effortless at making ancient stories seem like they could - just about - be true.
Overall another absolutely brilliant book. Could Morrison be the best thriller writer working today? It's not something I'd discount.
Jordan Orr is in a race against time to secure this ancient and valuable artifact but he is missing two important pieces - an expert in ancient civilisations and an engineer able to decode centuries old mechanisms. He therefore puts Stacy Benedict, scholar and presenter of a popular TV show on ancient cultures, and Tyler Locke into a situation where they have no choice but to help him. Can Locke outsmart Orr? And does the Midas Touch really exist?
The second of the Tyler Locke thrillers sees Morrison once again explore the theme of an old story and imagining a what if situation of there being some truth to it. He then adds Tyler Locke - ex army engineer, mechanism and explosives expert and Grant Westfield, ex pro-wrestler and ex Army Ranger to the mix. As Benedict, Locke and Westfield move around Europe following the instructions laid down in a codex written Archimedes it seems Orr is always one step ahead of them. Locke must use all of his ingenuity to try to thwart Orr in his plans.
As with his other novels Morrison doesn't let up for one second and he relishes pushing his heroes to the limit. 'Out of the frying pan and into the fire' has nothing on this.
It would be easy to write a thriller of this sort and be sloppy with the details but Morrison is as always well-researched and keen to show off Locke's scientific and engineering credentials and is effortless at making ancient stories seem like they could - just about - be true.
Overall another absolutely brilliant book. Could Morrison be the best thriller writer working today? It's not something I'd discount.
LeftSideCut (3776 KP) rated American Horror Story - Season 5 in TV
Dec 5, 2019
AHS season 5 - subtitled 'Hotel' - is a real mixture of genres. It's part vampire dram, part crime-mystery thriller, part haunted house... It's ambitious to say the least.
A lot of people took issue with Hotel before it even aired, mainly due the absence of series favourite Jessica Lange, but in all honesty, as much as I like her, I didn't find myself missing her all that much, and the same goes for subsequent entries!
The season this time around is headed by Lady Gaga, who plays a pretty decent psuedo-villain - The Countess is unnerving, relatable, creepy, and tragic all at the same time, and is the beating heart of Hotel.
Not far behind is Evan Peters Mr March. I personally found this character a bit too cartoony at times, but he's still an important character, especially pulling strings behind everyone else back.
I also loved Kathy Bates and Denis O'Hare in this season, and their characters, and especially their devotion to The Countess, make the Hotel Cortez and oddly alluring place to be.
Wes Bentley gets a starring turn this time around after a bit part in Freak Show, and I actually enjoyed his character arc after not particularly caring to begin with.
Once again, I liked most if the cast, I just found it a shame that Sarah Paulson didn't get much to do here!
The plot itself is pretty thick in Hotel, lots of twists and turns, lots of different time periods being visited, and it's quite disorientating to begin with. It's a less accessible season than before but once you get into it, it's a great supernatural mystery horror ride with some inspiration from The Shining and Twin Peaks thrown in for good measure.
Just to top it off, we even get an appearance from Queenie, creating a direct connection to Coven and the wider AHS universe, an aspect of this show that I truly enjoy.
It's not my favourite season of AHS, (that Devil's Night episode was annoyingly cringey) but all in all, Hotel is pretty engaging television.
A lot of people took issue with Hotel before it even aired, mainly due the absence of series favourite Jessica Lange, but in all honesty, as much as I like her, I didn't find myself missing her all that much, and the same goes for subsequent entries!
The season this time around is headed by Lady Gaga, who plays a pretty decent psuedo-villain - The Countess is unnerving, relatable, creepy, and tragic all at the same time, and is the beating heart of Hotel.
Not far behind is Evan Peters Mr March. I personally found this character a bit too cartoony at times, but he's still an important character, especially pulling strings behind everyone else back.
I also loved Kathy Bates and Denis O'Hare in this season, and their characters, and especially their devotion to The Countess, make the Hotel Cortez and oddly alluring place to be.
Wes Bentley gets a starring turn this time around after a bit part in Freak Show, and I actually enjoyed his character arc after not particularly caring to begin with.
Once again, I liked most if the cast, I just found it a shame that Sarah Paulson didn't get much to do here!
The plot itself is pretty thick in Hotel, lots of twists and turns, lots of different time periods being visited, and it's quite disorientating to begin with. It's a less accessible season than before but once you get into it, it's a great supernatural mystery horror ride with some inspiration from The Shining and Twin Peaks thrown in for good measure.
Just to top it off, we even get an appearance from Queenie, creating a direct connection to Coven and the wider AHS universe, an aspect of this show that I truly enjoy.
It's not my favourite season of AHS, (that Devil's Night episode was annoyingly cringey) but all in all, Hotel is pretty engaging television.
Mark @ Carstairs Considers (2393 KP) rated Murder on Bank Street in Books
Jan 12, 2020
Solving the Murder of Dr. Tom Brandt
In the spring of 1897, New York City Detective Sergeant Frank Malloy has been given permission by NYPD Commissioner Theodore Roosevelt to focus solely on solving Dr. Tom Brandt’s murder. However, since people are expecting Teddy Roosevelt to be called to Washington to serve in the new administration at any moment, Malloy knows he must act quickly to solve the case. He has three good suspects and a description of the murder weapon, but he is facing the fact that Tom died over four years ago. He can’t establish alibis, and the killer might have gotten rid of the weapon over the years. He’ll only have one shot at confronting the suspects as well since his best weapon is the element of surprise. Can he gather enough evidence to get the killer to confess? Will Sarah Brandt, Tom’s widow and Frank’s friend, be happy with what Frank learns along the way?
Dr. Brandt’s murder has been an ongoing storyline since the first book, so I was happy to finally see it solved. Ironically, Sarah doesn’t play an active part in solving it, but she is still an active part of the book as she reacts to what Frank is learning and her scenes are just as compelling. We get to see a different side of several characters, including Frank’s new sleuthing partner, but Sarah gets the most development, which only makes sense. We have three viewpoint characters over the course of the book, but the changes are always easy to follow. The plot is strong and kept me confused until we reached the satisfying ending. It did seem a bit repetitive early on, but that was a minor issue overall. If you are new to the series, you could jump in here without missing too much since everything you need to know is explained. As always, I felt like I was in 1897 with the little details and character’s attitudes acting like a time machine. I’m curious to see how the series will progress without this storyline an active part of things, but I am satisfied with how this storyline was wrapped up.
Dr. Brandt’s murder has been an ongoing storyline since the first book, so I was happy to finally see it solved. Ironically, Sarah doesn’t play an active part in solving it, but she is still an active part of the book as she reacts to what Frank is learning and her scenes are just as compelling. We get to see a different side of several characters, including Frank’s new sleuthing partner, but Sarah gets the most development, which only makes sense. We have three viewpoint characters over the course of the book, but the changes are always easy to follow. The plot is strong and kept me confused until we reached the satisfying ending. It did seem a bit repetitive early on, but that was a minor issue overall. If you are new to the series, you could jump in here without missing too much since everything you need to know is explained. As always, I felt like I was in 1897 with the little details and character’s attitudes acting like a time machine. I’m curious to see how the series will progress without this storyline an active part of things, but I am satisfied with how this storyline was wrapped up.
JT (287 KP) rated Captain America: The First Avenger (2011) in Movies
Mar 10, 2020
With the impending Avengers flick due out in the summer this year, 2011 was all about wrapping up the the final film which would link yet another character into the superhero pack. If I’m honest I am pretty bored of the superhero genre of late, so this one was going to have to work hard if it was going to hold my interest. But, for the most part… hold my interest it did!
Evans starts off as a scrawny weakling, desperate to serve his country during World War II. You’ll have to look hard to realise that Evans’ appearance is a brilliant piece of CGI, no man could get to that size and back in such a short space of time.
He then gets himself accepted as part of an experiment to transform average soldiers into supreme physical beings. Rogers, now a beef cake becomes an American poster boy for the war promoting everything the American public should stand for.
Singing in chorus lines he longs to be part of the action, to get onto the front line and to help bring down HYDRA, and its main villain Johann Schmidt aka Red Skull.
The film moves through the gears, massive explosions and some great action set pieces. But you’d expect nothing less, director Joe Johnston injects the film with enough to tie over until a rather disappointing ending.
One of the bright lights however is Weaving, whose Red Skull is one of the more colourful villains we might have seen in recent times. His penetrating persona gives the film a lift when otherwise it was heading for the doldrums.
Captain America does what pretty much every other super hero film has done before it, starts as an origins story, throws some back history in along with a lot of action but ultimately fails on the big pay off.
We all know where the film is going though, as most will have seen all the trailers surrounding The Avengers, for me though this is just another missing piece of the puzzle that will lead onto a much greater film. After which Captain America will pretty much be all but forgotten.
Evans starts off as a scrawny weakling, desperate to serve his country during World War II. You’ll have to look hard to realise that Evans’ appearance is a brilliant piece of CGI, no man could get to that size and back in such a short space of time.
He then gets himself accepted as part of an experiment to transform average soldiers into supreme physical beings. Rogers, now a beef cake becomes an American poster boy for the war promoting everything the American public should stand for.
Singing in chorus lines he longs to be part of the action, to get onto the front line and to help bring down HYDRA, and its main villain Johann Schmidt aka Red Skull.
The film moves through the gears, massive explosions and some great action set pieces. But you’d expect nothing less, director Joe Johnston injects the film with enough to tie over until a rather disappointing ending.
One of the bright lights however is Weaving, whose Red Skull is one of the more colourful villains we might have seen in recent times. His penetrating persona gives the film a lift when otherwise it was heading for the doldrums.
Captain America does what pretty much every other super hero film has done before it, starts as an origins story, throws some back history in along with a lot of action but ultimately fails on the big pay off.
We all know where the film is going though, as most will have seen all the trailers surrounding The Avengers, for me though this is just another missing piece of the puzzle that will lead onto a much greater film. After which Captain America will pretty much be all but forgotten.