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Kirk Bage (1775 KP) rated Black Mirror - Season 1 in TV
Mar 3, 2020
The National Anthem - 7.5
Yes, it’s the one that got it all started; the one with the Prime Minister and the pig. A very clever, if repulsive, episode that explores the power of media and the notion that men in power will do anything to protect their image. As the maiden voyage of Black Mirror, we find that the writing, acting and production values are very strong. There is also a nice multi-layering on display that allows you to debate what this morality tale is actually all about.
Fifteen Million Merits - 7
Before Get Out made him a star, Daniel Kaluuya shows a lot of promise in this pure satire on riding the gravy train and the fast fix provided by reality shows and the dangling carrot of fame and fortune. The rich have their penthouses while the rest of us exist in a hamster wheel of repetition and unattainable dreams. Even the seed of anger and rebellion becomes the focus of “entertainment” in an amusing, but slightly weaker ending than most.
The Entire History of You - 9
A very strong idea, beautifully / horrifically realised, in one of my personal favourites to date. Implant technology allows us to record every moment of our waking lives and replay them through our own eyes or on a screen. The benefits of security, lost keys and legal issues are explored, before the episode descends into a personal nightmare as a brilliant Toby Kebbell begins to suspect his wife, future Dr. Who Jodie Whittaker, of having an affair; proceding then to be obsessed by the minute details of both their recorded “memories”. An exploration of paranoia and close relationships, whilst questioning the morality of privacy, and the role being able to lie to a loved one might have as a positive, not a negative. The genius of it is watching Kebbell lose his mind completely whilst never knowing until the end if his doubts have any validity at all. A technology it is terrifyingly possible to imagine as a reality – and a solution that exists with mobile phones and social media already: you can always opt out, even if that is painful.
Yes, it’s the one that got it all started; the one with the Prime Minister and the pig. A very clever, if repulsive, episode that explores the power of media and the notion that men in power will do anything to protect their image. As the maiden voyage of Black Mirror, we find that the writing, acting and production values are very strong. There is also a nice multi-layering on display that allows you to debate what this morality tale is actually all about.
Fifteen Million Merits - 7
Before Get Out made him a star, Daniel Kaluuya shows a lot of promise in this pure satire on riding the gravy train and the fast fix provided by reality shows and the dangling carrot of fame and fortune. The rich have their penthouses while the rest of us exist in a hamster wheel of repetition and unattainable dreams. Even the seed of anger and rebellion becomes the focus of “entertainment” in an amusing, but slightly weaker ending than most.
The Entire History of You - 9
A very strong idea, beautifully / horrifically realised, in one of my personal favourites to date. Implant technology allows us to record every moment of our waking lives and replay them through our own eyes or on a screen. The benefits of security, lost keys and legal issues are explored, before the episode descends into a personal nightmare as a brilliant Toby Kebbell begins to suspect his wife, future Dr. Who Jodie Whittaker, of having an affair; proceding then to be obsessed by the minute details of both their recorded “memories”. An exploration of paranoia and close relationships, whilst questioning the morality of privacy, and the role being able to lie to a loved one might have as a positive, not a negative. The genius of it is watching Kebbell lose his mind completely whilst never knowing until the end if his doubts have any validity at all. A technology it is terrifyingly possible to imagine as a reality – and a solution that exists with mobile phones and social media already: you can always opt out, even if that is painful.
ClareR (5577 KP) rated The Talk of Pram Town in Books
Jun 10, 2021
The Talk of Pram Town was a bit of a walk down memory lane for me, as someone who was born in the early 1970’s: playing out with my friends, arranging to meet by speaking face to face with them, no mobile phones. I can remember watching Charles and Diana’s wedding, whilst holding commemorative coins bought by my Nan and commemorative mugs that would never be drunk out of (I still have mine somewhere!). But that’s where the similarities in my life, compared to that of 11 year old Sadie and her mum Connie, end.
Sadie and Connie live in Leeds, and don’t appear to have any other family. Connie wants to hit the big time as a singer, but instead sings at local working men’s clubs, and works at the local supermarket. Sadie certainly lives the first 11 years of her life in a much different way to many other people. This house in Leeds seems to be the most stable and ‘normal’ way of life that she has had so far.
So when Sadie is forced to go and live with the grandparents she has never met, her introduction to Essex suburbia is quite a shock to her system!
I loved this book. It has a real sense of time and place, making me feel so nostalgic for my childhood. I really enjoyed Sadie's grandparents: Jean, her grandmother, especially. It’s clear from the beginning that she has her own secrets, secrets that have embittered her over the years. I felt that the slow reveal of her younger life, and how she deals with Sadie as well as her feelings for Connie and Bernard, were fascinating.
But Sadie really is the most wonderful part of this novel. The way that she approaches her new life with such stoicism, her intelligence and curiosity of the new world that she has to grow to at least like, really made me want to read more.
I can’t wait to see what Joanna Nadin writes next - I’ve loved both this and her last novel (The Queen of Bloody Everything), both of which look at mother-daughter relationships.
I wouldn’t hesitate to recommend this - it’s a joy to read.
Sadie and Connie live in Leeds, and don’t appear to have any other family. Connie wants to hit the big time as a singer, but instead sings at local working men’s clubs, and works at the local supermarket. Sadie certainly lives the first 11 years of her life in a much different way to many other people. This house in Leeds seems to be the most stable and ‘normal’ way of life that she has had so far.
So when Sadie is forced to go and live with the grandparents she has never met, her introduction to Essex suburbia is quite a shock to her system!
I loved this book. It has a real sense of time and place, making me feel so nostalgic for my childhood. I really enjoyed Sadie's grandparents: Jean, her grandmother, especially. It’s clear from the beginning that she has her own secrets, secrets that have embittered her over the years. I felt that the slow reveal of her younger life, and how she deals with Sadie as well as her feelings for Connie and Bernard, were fascinating.
But Sadie really is the most wonderful part of this novel. The way that she approaches her new life with such stoicism, her intelligence and curiosity of the new world that she has to grow to at least like, really made me want to read more.
I can’t wait to see what Joanna Nadin writes next - I’ve loved both this and her last novel (The Queen of Bloody Everything), both of which look at mother-daughter relationships.
I wouldn’t hesitate to recommend this - it’s a joy to read.
ClareR (5577 KP) rated The Twyford Code in Books
Feb 24, 2022
The Twyford Code is written in the form of a transcribed voice recording from a mobile phone. It was a bit of a ‘Marmite’ book on The Pigeonhole (where I read it), and I came firmly down in the ‘love’ camp. It was such an original idea.
Steve a former criminal, has recorded messages to the adult son he has only met a couple of times. His son has decided that he doesn’t want to see him, but Steve has something important that he wants to share with him. He repeatedly says that he hopes his son will get to listen to what he has to say. But as the book goes on, it looks increasingly less likely. Danger is around him at every turn.
Steve has joined the hunt for hidden treasure, and he believes the clues are hidden in a series of children’s books by Edith Twyford.
Ok, so apparently the clues can be found in this book, but I’m afraid my brain just doesn’t seem to work like that. So, I’m here to say that I read this, enjoyed it immensely, and was just happy to sit back, read the book, and let the story unfold. If you like puzzle solving, you might enjoy that aspect to it. But it’s not imperative!
I thought it was fascinating. The writing style took a couple of pages to get used to, and often the words were written phonetically. Steve’s Remedial English teachers name was written as ‘missiles’ instead of Miss Isles, for example. There are lots of spellings that follow this pattern, because the recordings have apparently gone through a computer programme that changes the spoken word into text. I did wonder if Steve’s own writing would have been much different, as we learn that he only really learnt to read and write whilst in prison.
I don’t want to say too much and spoil the book, but I will say that this had me hooked. I enjoyed each and every stave on The Pigeonhole. This book deserves the hype!
Many thanks to The Pigeonhole and to Janice Hallett and her publisher.
Steve a former criminal, has recorded messages to the adult son he has only met a couple of times. His son has decided that he doesn’t want to see him, but Steve has something important that he wants to share with him. He repeatedly says that he hopes his son will get to listen to what he has to say. But as the book goes on, it looks increasingly less likely. Danger is around him at every turn.
Steve has joined the hunt for hidden treasure, and he believes the clues are hidden in a series of children’s books by Edith Twyford.
Ok, so apparently the clues can be found in this book, but I’m afraid my brain just doesn’t seem to work like that. So, I’m here to say that I read this, enjoyed it immensely, and was just happy to sit back, read the book, and let the story unfold. If you like puzzle solving, you might enjoy that aspect to it. But it’s not imperative!
I thought it was fascinating. The writing style took a couple of pages to get used to, and often the words were written phonetically. Steve’s Remedial English teachers name was written as ‘missiles’ instead of Miss Isles, for example. There are lots of spellings that follow this pattern, because the recordings have apparently gone through a computer programme that changes the spoken word into text. I did wonder if Steve’s own writing would have been much different, as we learn that he only really learnt to read and write whilst in prison.
I don’t want to say too much and spoil the book, but I will say that this had me hooked. I enjoyed each and every stave on The Pigeonhole. This book deserves the hype!
Many thanks to The Pigeonhole and to Janice Hallett and her publisher.
Ross (3282 KP) rated Black Mirror - Season 2 in TV
Jan 15, 2018
Series 2 includes 4 more episodes (three plus a Christmas special) of the cult Charlie Brooker series exploring the use of technology and extrapolating it to show where society could be headed.
We explore the use of our online personalities to recreate ourselves after we die (though this quickly became more about robots than the differences in our personalities between online and the real world so for me a trick missed to an extent).
We see a post-apocalyptic world where one woman wakes up to be haunted by people filming her on mobile phones while she runs from psychopaths trying to kill her. This is a look at how obsessed the world is with filming and documenting everything, even unpleasant events happening to other people, and voyeurism as a whole. There is a massive twist at the end which makes what was a jarring, inconsistent episode (as in doesn't fit in with the rest of the series) into an exceptional look at an aspect of the world (spoiler avoided).
I found the Waldo episode to be incredibly irritating. As if a rude, cartoonish character with tiny hands could ever really be taken seriously in the world of politics?! Waldo shows an echo of Ali G's rise to fame but takes it to the next level. While I don't think we are meant to actually find Waldo funny, I found him very annoying and a step too far. Weirdly he reminded me of the banter comedy in Nathan Barley (it turns out this story was originally written for Nathan Barley).
The Christmas special was possibly my favourite of the episodes, Rafe Spall and Jon Hamm (Don Draper) living in awkward circumstances in a cabin. We are led to believe they are working at a remote mining operation or some such and finally start to bond over Christmas dinner and open up. They share stories about their lives before they moved, all three showing the benefits and perils of the technology whereby people can stream their lives to others (and get real-time dating advice) but can also block others from their lives (whereby they are pixelated to you and vice versa). Parts of this story were truly harrowing, how a happy relationship could quickly turn sour and the technology mean years of upset that could be avoided.
We explore the use of our online personalities to recreate ourselves after we die (though this quickly became more about robots than the differences in our personalities between online and the real world so for me a trick missed to an extent).
We see a post-apocalyptic world where one woman wakes up to be haunted by people filming her on mobile phones while she runs from psychopaths trying to kill her. This is a look at how obsessed the world is with filming and documenting everything, even unpleasant events happening to other people, and voyeurism as a whole. There is a massive twist at the end which makes what was a jarring, inconsistent episode (as in doesn't fit in with the rest of the series) into an exceptional look at an aspect of the world (spoiler avoided).
I found the Waldo episode to be incredibly irritating. As if a rude, cartoonish character with tiny hands could ever really be taken seriously in the world of politics?! Waldo shows an echo of Ali G's rise to fame but takes it to the next level. While I don't think we are meant to actually find Waldo funny, I found him very annoying and a step too far. Weirdly he reminded me of the banter comedy in Nathan Barley (it turns out this story was originally written for Nathan Barley).
The Christmas special was possibly my favourite of the episodes, Rafe Spall and Jon Hamm (Don Draper) living in awkward circumstances in a cabin. We are led to believe they are working at a remote mining operation or some such and finally start to bond over Christmas dinner and open up. They share stories about their lives before they moved, all three showing the benefits and perils of the technology whereby people can stream their lives to others (and get real-time dating advice) but can also block others from their lives (whereby they are pixelated to you and vice versa). Parts of this story were truly harrowing, how a happy relationship could quickly turn sour and the technology mean years of upset that could be avoided.
Billie Wichkan (118 KP) rated The Dare (Detective Natalie Ward #3) in Books
May 22, 2019
When thirteen-year-old Savannah Hopkins doesnt come straight home from school, as she always does, her mother Jane immediately raises the alarm.
Leading the investigation is Detective Natalie Ward whose daughter Leigh is the same age as Savannah. Soon Natalies worst fears are confirmed when the teenagers broken body is found in nearby shrubland.
Evidence points towards a local recluse, but just as the net is closing around him, one of Savannahs friends, Harriet, is reported missing.
As Natalie delves into the lives of both girls, she soon discovers a sinister video on their phones, daring the girls to disappear from their families for 48 hours.
But Natalie isnt quick enough for this killer, and she is devastated to find Harriets body on a fly tip a day later.
Caught up in the case, she takes her eye off her own daughter and when Leigh goes missing after school she knows she must be in terrible danger. The clock is ticking for Natalie. Can she catch this killer before her little girl becomes the next victim?
This is the third book in Carol Wyers British 'Detective Natalie Ward' series.
The Dare opens with the disappearance of thirteen year-old Savannah Hopkins. She recently moved to this new town with her mother Jane. Savannah simply doesnt return home after school one day. The next day her body is found, and the thriller is off and running. Other seemingly random teen-aged girls disappear after Savannah. Detective Ward and her team is frustratingly one step behind the killer as the body count increases. But its certainly not for lack of trying on their part.
The plot, as always, was plausible, as we dont always know what our children are doing when not at home. We dont know what they are doing on their mobile devices, or who their friends are. It is a scary time for parents. Carol Wyer incorporated those fears into this book, and she did a great job!
I liked the additional perspective of the killer occasionally being thrown in. Definitely made it interesting to know his thoughts.
I highly recommend this book, I can't wait for book 4..
Thank-You to NetGalley; the publisher, Bookouture; and the author, Carol Wyer; for providing a free e-ARC copy of this book.
Leading the investigation is Detective Natalie Ward whose daughter Leigh is the same age as Savannah. Soon Natalies worst fears are confirmed when the teenagers broken body is found in nearby shrubland.
Evidence points towards a local recluse, but just as the net is closing around him, one of Savannahs friends, Harriet, is reported missing.
As Natalie delves into the lives of both girls, she soon discovers a sinister video on their phones, daring the girls to disappear from their families for 48 hours.
But Natalie isnt quick enough for this killer, and she is devastated to find Harriets body on a fly tip a day later.
Caught up in the case, she takes her eye off her own daughter and when Leigh goes missing after school she knows she must be in terrible danger. The clock is ticking for Natalie. Can she catch this killer before her little girl becomes the next victim?
This is the third book in Carol Wyers British 'Detective Natalie Ward' series.
The Dare opens with the disappearance of thirteen year-old Savannah Hopkins. She recently moved to this new town with her mother Jane. Savannah simply doesnt return home after school one day. The next day her body is found, and the thriller is off and running. Other seemingly random teen-aged girls disappear after Savannah. Detective Ward and her team is frustratingly one step behind the killer as the body count increases. But its certainly not for lack of trying on their part.
The plot, as always, was plausible, as we dont always know what our children are doing when not at home. We dont know what they are doing on their mobile devices, or who their friends are. It is a scary time for parents. Carol Wyer incorporated those fears into this book, and she did a great job!
I liked the additional perspective of the killer occasionally being thrown in. Definitely made it interesting to know his thoughts.
I highly recommend this book, I can't wait for book 4..
Thank-You to NetGalley; the publisher, Bookouture; and the author, Carol Wyer; for providing a free e-ARC copy of this book.
Jesters_folly (230 KP) rated Guns Akimbo (2019) in Movies
Jan 17, 2021
Contains spoilers, click to show
I'll start by saying that 'Guns Akimbo' is not for everyone. It's an ultra-violent, stupid, no brain action/comedy movie, and it doesn't pretended to be anything else. If you've seen the picture/meme of Daniel Radcliffe standing in a street in a dressing gown and bear-feet slippers waving two guns around then you've seen a publicity shot (and in some cases the DVD/Blu-ray cover) for' Guns Akimbo'.
The films premise is simple(ish), Miles (Daniel 'Harry Potter' Radcliffe) is a programmer for a mobile games company who's main outlet it getting inappropriate videos taken down and confronting internet Trolls. One day he comes across a site for 'Skizm', a real life, ultra violent game. Skizm don't take kindly to some of Miles's comments and break into his home and drug him. When Miles wakes up he has a gun bolted to both of his hands and is told that he has to kill Nix, the current top Skizm player or she will kill him.
'Guns Akimbo' does not hold back on anything, the film is filled with violence and drug use (including comparing the use of an asthma inhaler to taking cocaine), the humour is often immature (see Miles trying to work out how to go to the loo with guns bolted to his hands) and the sound track is fast and thumping. The film is made to feel like a real life computer game almost in the same way as 'Scott Pilgrim vs the World' and, in some ways comparing Guns Akimbo to Scott Pilgrim isn't wrong, Guns Akimbo is a lot more violent but, if Scot Pilgrim is a fighting game (such as Mortal Combat) then Guns Akimbo is a Doom Style shoot 'em Up. Guns Akimbo even has Scot Pilgrim style graphics occasionally interspersed through out.
The main problem I had with 'Guns Akimbo' is that it hasn't got a U.K. release, it's been released almost everywhere else but not here and, with no information as to why or when I can only assume that it's because our all powerful BBFC won't rate it or, at the very least want too many cuts to make it 15.
So, if you want an over the top violent film that you don't need to think about and you don't mind drug use, blood and daft humour then give 'Guns Akimbo' a go. Oddly there is no sex, I think this must be because it would get in the way of the violence.
The films premise is simple(ish), Miles (Daniel 'Harry Potter' Radcliffe) is a programmer for a mobile games company who's main outlet it getting inappropriate videos taken down and confronting internet Trolls. One day he comes across a site for 'Skizm', a real life, ultra violent game. Skizm don't take kindly to some of Miles's comments and break into his home and drug him. When Miles wakes up he has a gun bolted to both of his hands and is told that he has to kill Nix, the current top Skizm player or she will kill him.
'Guns Akimbo' does not hold back on anything, the film is filled with violence and drug use (including comparing the use of an asthma inhaler to taking cocaine), the humour is often immature (see Miles trying to work out how to go to the loo with guns bolted to his hands) and the sound track is fast and thumping. The film is made to feel like a real life computer game almost in the same way as 'Scott Pilgrim vs the World' and, in some ways comparing Guns Akimbo to Scott Pilgrim isn't wrong, Guns Akimbo is a lot more violent but, if Scot Pilgrim is a fighting game (such as Mortal Combat) then Guns Akimbo is a Doom Style shoot 'em Up. Guns Akimbo even has Scot Pilgrim style graphics occasionally interspersed through out.
The main problem I had with 'Guns Akimbo' is that it hasn't got a U.K. release, it's been released almost everywhere else but not here and, with no information as to why or when I can only assume that it's because our all powerful BBFC won't rate it or, at the very least want too many cuts to make it 15.
So, if you want an over the top violent film that you don't need to think about and you don't mind drug use, blood and daft humour then give 'Guns Akimbo' a go. Oddly there is no sex, I think this must be because it would get in the way of the violence.
Gareth von Kallenbach (965 KP) rated Mortal Engines (2018) in Movies
Jul 2, 2019
Take a moment and imagine a world where most of humanity has been wiped off the map and those that remain are forced to survive on the remaining resources of a civilization that has been torn apart. In this new existence, leftover technology is coveted like diamonds and massive predator cities prey on weaker smaller cities to steal whatever meager resources they still possess. This is the world of Mortal Engines, the latest Peter Jackson blockbuster based on the young adult novel of the same name by Philip Reeves.
Mortal Engines takes place roughly a thousand years after the conclusion of the Sixty Minute War that decimated the earth and now civilization has banded into two very distinct groups. There are those in the “Traction Cities”, which are behemoth mobile cities that scour what remains of Europe gobbling up smaller cities to convert them and their resources into fuel that keeps the larger cities moving. Then there is the Anti-Traction League, a group that believes in preserving what little resources remain and living in “Traction-less” cities…a.k.a. cities built on land. London is the main Traction City and it is led by Thaddeus Valentine (Hugo Weaving) and his desire to tear down a great wall that is the only barrier between London and the surplus of resources that he so desperately needs.
After London devours one of the smaller cities, we are introduced to Hester Shaw (Hera Hilmar), whose one goal in life is to kill Thaddeus Valentine, the man who murdered her mother. After her failed assassination attempt on his life, she teams up with historian Tom Natsworthy (Robert Sheehan) to not only survive, but also to prevent Valentine’s plan to recreate the war that took down humanity in the first place. This is a big job for the unlikely duo and on top of everything else, Hester is being hunted by a zombie/terminator hybrid named Shrike who wants nothing more than to kill her.
If it sounds like a lot to follow over the course of the two hours and nine-minute run time, you’d be right. In fact, without a lot of backstory which those who have read the novels will really benefit from, it can be a bit too much to take in. It comes across as a combination of Mad Max and the video game Dishonored, but it is lacking an excellent story to back up all of the post-apocalyptic action. That’s not to say that the story is bad, but it is by far the weakest part of the film and a huge missed opportunity to elevate a pretty good movie to the classic Peter Jackson masterpiece status we usually get from him. Considering the genius of Mr. Jackson this movie could have been so much more.
But now on to the good stuff…
Visually speaking Mortal Engines is a true work of art. Taking the steampunk Victorian era backdrop and adding in large mobile cities crashing through trees and forests gives us visuals that are not only magnificent, but also awe inspiring. I was lucky enough to see Mortal Engines in IMAX and the larger screen only helped to emphasize how truly awesome these large rolling cities are. This is a movie that is meant to be seen on the big screen, and with Mortal Engines, the bigger the better. The sound design matches the visuals in its epic scale, as it is loud and menacing. You can actually feel the rumble of the large treads as they move across the earth, and the crunching of smaller cities as the massive cities devour all that crosses their path. The casting and the acting were another positive as the good characters were ones you wanted to root for and the bad characters you hope would get what’s coming to them. All in all, there is quite a bit to like in this film and if nothing else you are sure to have a good time taking in all of the scenery.
In summary, Mortal Engines is a movie that feels as though it had so much potential but couldn’t quite live up to it. It definitely feels more like a summer blockbuster, full of explosions and action, instead of the deeper holiday releases that we usually get around this time. It’s the kind of movie that you go to see for the sheer spectacle of it all as long as you are willing to overlook any plot or story depth. Unfortunately, this leaves the quandary of whether or not it’s worth the full price of admission (or even more if you are planning to see it in IMAX) and my answer to that is…it depends. If you have any interest in seeing it at all then Mortal Engines is definitely a movie you should see on the big screen. On the other hand, it might be worth it to just wait to see it on pay-per-view or Blu-ray even though it may lose a lot of what makes the movie so much fun in the first place. While the movie could have been better, I have definitely seen worse and if the idea of massive rolling cities and steampunk set pieces are your thing, then Mortal Engines is certainly worth a look.
Mortal Engines takes place roughly a thousand years after the conclusion of the Sixty Minute War that decimated the earth and now civilization has banded into two very distinct groups. There are those in the “Traction Cities”, which are behemoth mobile cities that scour what remains of Europe gobbling up smaller cities to convert them and their resources into fuel that keeps the larger cities moving. Then there is the Anti-Traction League, a group that believes in preserving what little resources remain and living in “Traction-less” cities…a.k.a. cities built on land. London is the main Traction City and it is led by Thaddeus Valentine (Hugo Weaving) and his desire to tear down a great wall that is the only barrier between London and the surplus of resources that he so desperately needs.
After London devours one of the smaller cities, we are introduced to Hester Shaw (Hera Hilmar), whose one goal in life is to kill Thaddeus Valentine, the man who murdered her mother. After her failed assassination attempt on his life, she teams up with historian Tom Natsworthy (Robert Sheehan) to not only survive, but also to prevent Valentine’s plan to recreate the war that took down humanity in the first place. This is a big job for the unlikely duo and on top of everything else, Hester is being hunted by a zombie/terminator hybrid named Shrike who wants nothing more than to kill her.
If it sounds like a lot to follow over the course of the two hours and nine-minute run time, you’d be right. In fact, without a lot of backstory which those who have read the novels will really benefit from, it can be a bit too much to take in. It comes across as a combination of Mad Max and the video game Dishonored, but it is lacking an excellent story to back up all of the post-apocalyptic action. That’s not to say that the story is bad, but it is by far the weakest part of the film and a huge missed opportunity to elevate a pretty good movie to the classic Peter Jackson masterpiece status we usually get from him. Considering the genius of Mr. Jackson this movie could have been so much more.
But now on to the good stuff…
Visually speaking Mortal Engines is a true work of art. Taking the steampunk Victorian era backdrop and adding in large mobile cities crashing through trees and forests gives us visuals that are not only magnificent, but also awe inspiring. I was lucky enough to see Mortal Engines in IMAX and the larger screen only helped to emphasize how truly awesome these large rolling cities are. This is a movie that is meant to be seen on the big screen, and with Mortal Engines, the bigger the better. The sound design matches the visuals in its epic scale, as it is loud and menacing. You can actually feel the rumble of the large treads as they move across the earth, and the crunching of smaller cities as the massive cities devour all that crosses their path. The casting and the acting were another positive as the good characters were ones you wanted to root for and the bad characters you hope would get what’s coming to them. All in all, there is quite a bit to like in this film and if nothing else you are sure to have a good time taking in all of the scenery.
In summary, Mortal Engines is a movie that feels as though it had so much potential but couldn’t quite live up to it. It definitely feels more like a summer blockbuster, full of explosions and action, instead of the deeper holiday releases that we usually get around this time. It’s the kind of movie that you go to see for the sheer spectacle of it all as long as you are willing to overlook any plot or story depth. Unfortunately, this leaves the quandary of whether or not it’s worth the full price of admission (or even more if you are planning to see it in IMAX) and my answer to that is…it depends. If you have any interest in seeing it at all then Mortal Engines is definitely a movie you should see on the big screen. On the other hand, it might be worth it to just wait to see it on pay-per-view or Blu-ray even though it may lose a lot of what makes the movie so much fun in the first place. While the movie could have been better, I have definitely seen worse and if the idea of massive rolling cities and steampunk set pieces are your thing, then Mortal Engines is certainly worth a look.
Hazel (1853 KP) rated The Sunlight Pilgrims in Books
May 25, 2017
So boring
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Note: I did not finish reading this book.
It is winter 2020 and the world is facing the most extreme winter for over 200 years. Jenni Fagan’s The Sunlight Pilgrims explores the potential disastrous effects of climate change beginning with a new ice age set in the very near future, only four years away. With the North Atlantic drift slowing and temperatures around the world dropping to -40 degrees, the Earth’s inhabitants fear a pending apocalypse.
The story is largely set in Clachan Fells, a Scottish caravan park situated at the base of a group of mountains. Tin houses are not the most practical form of abodes for cold weather, let alone the worst snowstorms the world has ever seen. This is the situation the main characters of The Sunlight Pilgrims find themselves. Dylan MacRae has moved into a mobile home he did not know he owned until the recent death of his mother and soon makes friends with his neighbour Constance and her daughter Stella. Although only twelve years old Stella is more concerned about her identity than she is the fatal weather condition outside. Born a boy, Stella is uncomfortable in her body and struggles to get other people to accept that she is really a girl.
Surprisingly, the dystopian snow scene seems to be more of a backdrop to a different storyline featuring identity, family and romance. Dylan is a lonely man falling in love with the woman next door, however she is tied up with relationship problems of her own. Stella, whilst seemingly carefree, is desperate to be accepted for who she is and live a happy and secure life.
Jenni Fagan does an exceptional job of portraying the confusion, thoughts and emotions of a transgender child experiencing stigma amongst her peers. Yet Fagan also emphasises the potential acceptance of people in this situation through the reception received from Dylan who did not bat an eyelid on discovering the truth about Stella’s identity.
The Sunlight Pilgrims combines popular current affairs that are likely to attract a wide audience. Sadly as a story it falls short of mediocrity. Without a clear storyline it is a struggle to remain interested. The readers’ lack of enthusiasm for the characters and their individual worries makes it a challenge to reach the end. As I never made it to the final chapter I cannot say whether the conclusion is worth sticking around for. Mixed reviews on Goodreads suggest that enjoyment depends on the individual reader rather than the novel itself. I, however, cannot recommend this book.
Note: I did not finish reading this book.
It is winter 2020 and the world is facing the most extreme winter for over 200 years. Jenni Fagan’s The Sunlight Pilgrims explores the potential disastrous effects of climate change beginning with a new ice age set in the very near future, only four years away. With the North Atlantic drift slowing and temperatures around the world dropping to -40 degrees, the Earth’s inhabitants fear a pending apocalypse.
The story is largely set in Clachan Fells, a Scottish caravan park situated at the base of a group of mountains. Tin houses are not the most practical form of abodes for cold weather, let alone the worst snowstorms the world has ever seen. This is the situation the main characters of The Sunlight Pilgrims find themselves. Dylan MacRae has moved into a mobile home he did not know he owned until the recent death of his mother and soon makes friends with his neighbour Constance and her daughter Stella. Although only twelve years old Stella is more concerned about her identity than she is the fatal weather condition outside. Born a boy, Stella is uncomfortable in her body and struggles to get other people to accept that she is really a girl.
Surprisingly, the dystopian snow scene seems to be more of a backdrop to a different storyline featuring identity, family and romance. Dylan is a lonely man falling in love with the woman next door, however she is tied up with relationship problems of her own. Stella, whilst seemingly carefree, is desperate to be accepted for who she is and live a happy and secure life.
Jenni Fagan does an exceptional job of portraying the confusion, thoughts and emotions of a transgender child experiencing stigma amongst her peers. Yet Fagan also emphasises the potential acceptance of people in this situation through the reception received from Dylan who did not bat an eyelid on discovering the truth about Stella’s identity.
The Sunlight Pilgrims combines popular current affairs that are likely to attract a wide audience. Sadly as a story it falls short of mediocrity. Without a clear storyline it is a struggle to remain interested. The readers’ lack of enthusiasm for the characters and their individual worries makes it a challenge to reach the end. As I never made it to the final chapter I cannot say whether the conclusion is worth sticking around for. Mixed reviews on Goodreads suggest that enjoyment depends on the individual reader rather than the novel itself. I, however, cannot recommend this book.
Gareth von Kallenbach (965 KP) rated Alien: Blackout in Video Games
Jun 19, 2019
FoxNext and D3 Go have presented Alien fans a new game for mobile devices entitled Alien: Blackout. When it was first announced; many fans thought it was the Alien Shooter that had been announced earlier in 2018 but that is to come at a later date according to FoxNext.
The game has players play as Amanda Ripley; Daughter of the main character of the “Alien” film series and star of the Alien: Isolation game. Although it is described as not being a sequel to Alien: Isolation, Amanda does briefly mention events from the game as her prior experience with the title creature.
Hidden in an Air Vent; Amanda must direct members of a docked shuttle through seven levels as they attempt to locate items and accomplish tasks needed to escape.
There is of course an Alien on the loose and using Motion Trackers, video cameras, and luck, players have to protect Amanda and the shuttle crew as the movie around the map.
The Alien can come after Amanda who can protect herself by closing a vent. The issue is in doing so she cannot look at the map and cameras, and as such The Alien can vanish anywhere including one of the other tunnels that lead to her. Having to watch two or three tunnels as well as a map can be difficult as players have to rely on sound and luck to assume when the Alien is creeping down a tunnel towards them.
Players also have to make hard choices like allowing the Alien to attack and kill a character so another one can move along toward a goal. Being able to open and close doors also allows Amanda to help fence in the creature but it does not always appear on the cameras and as such players have to guess where it is. Amanda can tell characters to hide or hurry up, but there is also the matter of a ticking clock which requires objectives to be completed before a timer runs out.
The game does offer some fun and challenge but is short as with only seven levels, you can complete the game in under an hour once you get the basics down. The game allows players to pick up from the chapter they last completed and does offer some fun cut scenes to enjoy.
The biggest issue is while affordable at $4.99 fans may want more out of the game as aside from the short play time; this style of game may not be the best use of the Alien franchise. It would make a great segment of a larger game but after guiding Amanda through Alien: Isolation; having her hide in vents and direct others seems to be a step down.
While Alien: Blackout is not the game that fans had hoped for; it does offer some decent entertainment and hopefully will tide players over until the next game in the series is released.
http://sknr.net/2019/01/31/alien-blackout/
The game has players play as Amanda Ripley; Daughter of the main character of the “Alien” film series and star of the Alien: Isolation game. Although it is described as not being a sequel to Alien: Isolation, Amanda does briefly mention events from the game as her prior experience with the title creature.
Hidden in an Air Vent; Amanda must direct members of a docked shuttle through seven levels as they attempt to locate items and accomplish tasks needed to escape.
There is of course an Alien on the loose and using Motion Trackers, video cameras, and luck, players have to protect Amanda and the shuttle crew as the movie around the map.
The Alien can come after Amanda who can protect herself by closing a vent. The issue is in doing so she cannot look at the map and cameras, and as such The Alien can vanish anywhere including one of the other tunnels that lead to her. Having to watch two or three tunnels as well as a map can be difficult as players have to rely on sound and luck to assume when the Alien is creeping down a tunnel towards them.
Players also have to make hard choices like allowing the Alien to attack and kill a character so another one can move along toward a goal. Being able to open and close doors also allows Amanda to help fence in the creature but it does not always appear on the cameras and as such players have to guess where it is. Amanda can tell characters to hide or hurry up, but there is also the matter of a ticking clock which requires objectives to be completed before a timer runs out.
The game does offer some fun and challenge but is short as with only seven levels, you can complete the game in under an hour once you get the basics down. The game allows players to pick up from the chapter they last completed and does offer some fun cut scenes to enjoy.
The biggest issue is while affordable at $4.99 fans may want more out of the game as aside from the short play time; this style of game may not be the best use of the Alien franchise. It would make a great segment of a larger game but after guiding Amanda through Alien: Isolation; having her hide in vents and direct others seems to be a step down.
While Alien: Blackout is not the game that fans had hoped for; it does offer some decent entertainment and hopefully will tide players over until the next game in the series is released.
http://sknr.net/2019/01/31/alien-blackout/
Lee (2222 KP) rated Last Christmas (2019) in Movies
Nov 16, 2019
I guess I’m not exactly the target audience for a Christmas rom-com, but I don’t usually mind them. Providing the leads have believable chemistry, there’s a good story behind it all, a few laughs and something that gives you that Christmas feel good feeling, I’m happy to watch them. Sadly though, for the most part, Last Christmas struggles to tick most of those boxes.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.