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Last Night in Soho (2021)
Last Night in Soho (2021)
2021 | Drama, Horror, Thriller
Straight off the bat, there is a whole lot to love about Last Night in Soho. It's a modern-London thriller with a dashing of supernatural horror. It's a modern horror with lashings of giallo. It's a giallo that is also a murder mystery. It bursting with colour, and has two exceptionally talented actors at it's helm.
I enjoy Anya Taylor-Joy in pretty much anything she's in, and the same applies here, stealing most of the scenes that she's in. Thomasin McKenzie is an infectiously likable protagonist, whether she's battling seedy-men ghosts, or the struggles of going to University in England (the scene near the beginning where she's stuck at a dorm party is a literal nightmare put straight onto the screen if you ask me). She's fantastic here as she was in Jojo Rabbit.
It boasts a strong supporting cast as well. Matt Smith plays a convincing shit-bag, and is quite clearly having a ball shouting in a cockney accent. It's always a pleasure to see Terence Stamp, and of course, Diana Rigg was one of the best in the game, and her performance here in her final role is testament to that.
LNIS is dripping with style, which is to be expected from Edgar Wright, but it's more subtle than a lot of his other works, substituting clever edits, cuts, and comedy for a film that's visual crack with a more serious tone. The vibrancy of its colour pallettes, both in the modern and 60s settings are as important as any character. Every frame feels like it's been lovingly poured over and is cinematic in every sense of the word. It also boasts a stellar soundtrack. I didn't realise how much I fucking love a bit of Cilla Black but here we are.
The only minor gripes I have is that it does drag ever so slightly during the final third. At one point it feels like a natural resolve is near, but then the narrative continues for a while longer before the twists and turns land. It also goes a little slasher-y at one point, which isn't necessarily an issue, but it feels a bit alien to the rest of the vibe (still manages to be a visually striking moment though!)

Overall though, Last Night in Soho is an incredibly engaging and enjoyable thriller, and is a proud addition to both Wright's filmography, and the modern resurgence of top quality horror.
  
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Sing Down the Stars
10
10.0 (1 Ratings)
Book Rating
I have no words. I absolutely loved this book. It had a sympathetic protagonist who grew throughout the book, a unique world, fully-fledged characters, and great pacing. It's part fantasy, sci-fi, Techpunk (my term for a modern-type of Steampunk), thrown into a modern or slightly futuristic world. I'm sorry, but I cannot be objective about Sing Down the Stars. It's probably not perfect but I don't care, the only thing I can even remember is the action at the beginning felt muddled to me. That's it. Otherwise, I whipped through the book whenever I had the chance and was riveted. <b>Riveted!</b> I tell you! And maybe a bit rabid as well. I want the next book now. I NEED the next book or I feel I might have a coronary. The book is so fantastic and the world so different than anything else I've come across that I just want to shove it in everyone's face and tell them to read it! I don't know when the last time that's happened with a book. Even if you're iffy about the synopsis, try it, sure maybe you won't like it (what are you? Crazy?!), but what do you have to lose? Besides money, but than there are libraries.
  
Black Mirror - Season 5
Black Mirror - Season 5
2019 | Drama, Sci-Fi
Not up to it’s usual high standard
Black Mirror is known for having a dark and futuristic take on modern society, and this is why it has always succeeded. It’s bleak and harrowing at times and whilst it’s not a happy programme to watch, it’s bloody good. The problem with series 5 is that it feels like an entirely different show, and not for the better.

Whilst each episode has it’s own take on modern society and technology (VR, social media and musical pop culture), none of this felt particularly new or unique. Don’t get me wrong, the episodes aren’t bad at all. But they’re just not brilliant. There are good performances (Andrew Scott especially) and the storylines are vaguely interesting, they just don’t get pushed far enough into the dark and bleak Black Mirror world we’re used to. Not only that, but none of these stories have particularly bad endings. It all just feels a little bit meh and after the rather wonderful Bandersnatch, I’d been looking forward to another great season. Sadly, it’s been a bit of a letdown. I’m really hoping that this is just a blip and that the next series is back on form, and not a sign that Black Mirror has run out of decent ideas...