"At an early point in this novel, Lessing’s heroine, Anna, says that she wishes she could write ‘a book powered with an intellectual or moral passion strong enough to create order, to create a new way of looking at life.’ That’s as good a way as any to describe this book and its effect on me—but it’s also a genuinely involving and surprisingly enjoyable read, especially given that it is by a writer with almost no sense of humor. There was a time when I believed that any modern woman had to read The Golden Notebook, but I’m no longer given to pronouncements that are quite so doctrinaire."

"Amazingly, Joyce basically tells you how to be a writer here, in one of the most dazzling, lucid, visceral memoirs. The passage where he describes standing in the mouth of a shallow, pebbly river, at sunset, having a revelation about the rest of his life, is scientifically provable to get you as high as a quarter of an MDMA tablet. But the modern reader can't help but note that, as a story of a working class adolescent who thinks he's intellectually superior to everyone around him, is desperate to be a writer, and wanks a lot, Portrait of a Young Artist is also incredibly similar to."

"Horrors and desire, death and lust go hand in hand in Onibaba and Kuroneko, a perverse, sweaty double bill from Kaneto Shindo. I saw these two films at age ten, and they did some serious damage to my psyche. Both are perfect fables rooted in Japanese folklore but distinctly modern in their approach to violence and sexuality. As exuberant and exquisite as a netsuke carving, these atmospheric jewels show mankind trapped in a cosmically evil world. The tales seem to fit together so perfectly that they fuse into one as time goes by. Onibaba and Kuroneko make a perfect double bill for the second circle of hell."