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When an obnoxious collector dies at a kiln opening, art reporter Molly Appleby smells something fishy. The plot moves slowly, the characters were paper thin, and I hated the ending. Other then that, I loved it.

Read my full review at <a href="http://carstairsconsiders.blogspot.com/2013/03/book-review-killer-collection-by-j-b.html">Carstairs Considers</a>.
  
As 1902 comes to a close, Molly is trying to balance multiple cases, including finding out who is threatening a Broadway star making a comeback. The story moved forward quickly, and the characters were at their best.

Read my full review at <a href="http://carstairsconsiders.blogspot.com/2013/03/book-review-tell-me-pretty-maiden-by.html">Carstairs Considers</a>.
  
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Mike Birbiglia recommended Metropolitan (1990) in Movies (curated)

 
Metropolitan (1990)
Metropolitan (1990)
1990 | Comedy, Drama
9.0 (1 Ratings)
Movie Favorite

"I saw this film in high school and I watch and re-watch it now like it’s an old friend. It’s about this very specific debutante culture in Manhattan, but because the protagonist is the outsider, we feel like it’s our movie, too. We’re the outsider who has a crush on the incredible, Molly Ringwald-esque Carolyn Farina."

Source
  
Late Night (2019)
Late Night (2019)
2019 | Comedy, Drama
Late Night is a well-written comedy about a non-white female hired to add diversity to the writing staff of a late night talk show. Katherine Newbury (Emma Thompson showing the comic skills developed during her university days as Hugh Laurie's girlfriend) is a older sophisticated woman who hosts a show whose audience is dying off, literally in some cases and figuratively. If things do not improve, she will no longer be host of her eponymous talk show. So, in an unexpected but obvious hiring decision, Molly Patel is hired to join the writing staff. At first, seen as an interloper with little comedy or writing experience, Molly uses her Mindy Kaling charm to win over her co-workers and her boss. As Katherine starts to see a way to take advantage of her uniqueness and the youth of Molly, she challenges the status quo of late night.
The movie is charming. The characters are developed and not cardboard cutouts of caricatures thanks to the writing, Max Casella, Reid Scott, Denis O'Hare, Hugh Dancy, Amy Ryan, and John Lithgow have backstories and motivations. However, the movie never really goes after the boys' club landscape that late night television inhabits nor does it go after the concept of diversity hires. It simply turns Molly into some sprite who sprinkles enthusiasm into the mundane lives of the people she encounters. Late Night also begins the campaign for John Lithgow as this year's Best Supporting Actor, Not for this role as the mentor for Molly's transformation to strong woman and devoted husband of Katherine who learns the meaning of karma, but for his role later this year as Roger Ailes.