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Gareth von Kallenbach (980 KP) rated Molly's Game (2017) in Movies
Jul 8, 2019
Perfectionism, pressure, drive, success – “Molly’s Game” tells the story of a woman pushed to achieve these qualities by her father (Kevin Costner) throughout her childhood and adolescence. The pressure to become perfect went far with Molly (Jessica Chastain), who grows up to become an Olympic-class skier and scores astronomically on the law school entrance exam.
But Molly doesn’t go to law school, and she doesn’t win the gold medal. She comes in fourth and slides into the seedy world of high stakes gambling, where her clever mind and charming appearance take her far. She becomes a leader of an underground world, filled with money, greed, and glamour.
Her gambling ring included players that were famous, wealthy, and in some cases criminal. She became the target of an FBI investigation, that revealed how little she was actually in the know about her own game.
Chastain does a great job in her role as Molly. Her striking features and strong demeanor exude a woman in charge. Particularly enjoyable is the performance by Michael Cera as Player X, a celebrity poker player who always plays in the big leagues. Cera, does a great job of making you wonder which celebrity Player X was, and why he was so heavily involved in the high stakes gaming world. It is a nice switch u for Cera into a more serious kind of role.
The consequences of Molly’s choices unfold rapidly. Making it fast paced and suspenseful, without a dull moment.
The style of the film paints a pretty picture of an ugly scene, with each shot appearing beautifully smooth and gliding transitions that grab a viewer’s focus.
“Molly’s Game” is a must see for anyone who loves a good crime-thriller, especially one based on a tell all of a real human experience in a wild reality.
But Molly doesn’t go to law school, and she doesn’t win the gold medal. She comes in fourth and slides into the seedy world of high stakes gambling, where her clever mind and charming appearance take her far. She becomes a leader of an underground world, filled with money, greed, and glamour.
Her gambling ring included players that were famous, wealthy, and in some cases criminal. She became the target of an FBI investigation, that revealed how little she was actually in the know about her own game.
Chastain does a great job in her role as Molly. Her striking features and strong demeanor exude a woman in charge. Particularly enjoyable is the performance by Michael Cera as Player X, a celebrity poker player who always plays in the big leagues. Cera, does a great job of making you wonder which celebrity Player X was, and why he was so heavily involved in the high stakes gaming world. It is a nice switch u for Cera into a more serious kind of role.
The consequences of Molly’s choices unfold rapidly. Making it fast paced and suspenseful, without a dull moment.
The style of the film paints a pretty picture of an ugly scene, with each shot appearing beautifully smooth and gliding transitions that grab a viewer’s focus.
“Molly’s Game” is a must see for anyone who loves a good crime-thriller, especially one based on a tell all of a real human experience in a wild reality.
The Killer's Family
7.0
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We should never have kept our father’s secret. Before, my sisters and I were close. Now, a year...
Bob Mann (459 KP) rated The Roads Not Taken (2020) in Movies
Sep 15, 2020
Javier Bardem and Elle Fanning act their socks off (1 more)
Robbie Ryan cinematography is Oscar worthy
Pain and not a lot of Glory.
If you like your movies action packed you are going to dislike this movie. If you like light and uplifting stories you are going to positively loathe this one! For everyone else, "The Roads Not Taken" is a very thought-provoking piece of film-making from writer/director Sally Potter that I have a lot of respect for. Even more so, since I learned that the film is based on the director's time caring for her now deceased brother Nic, diagnosed with early onset dementia in 2010.
It's not a promising premise. "The Roads Not Taken" concerns a New Yorker with dementia being taking to the dentist and the opticians. Gripped yet? Nope... didn't think so. But stay with me here.
Elle Fanning plays Molly, daughter of the almost catatonic Leo (Javier Bardem) who is receiving a lot of support to stay in his own home. As his daughter assists him on his trip to his medical appointments, he is only about 10% 'there'. Glassy-eyed and almost incomprehensible, his utterances are often taken to refer to his present experiences. But actually, he's 90% somewhere else, revisiting two key episodes in his past life and reacting in the real world to what's happening in his dreams.
As he relives 'the roads not taken' we can piece together the elements of a life that's lived and - perhaps - lay out some elements that might have contributed to his mental decline in later life.
Before we plunge into the doom and gloom of the story, there was one moment of levity for me in the opening titles. I commented in my review of "The Farewell" that the company 'dog-tags' at the start of the film reminded me of a famous Family Guy comic moment. But this is kindergarten level compared to this movie. I assume Sally Potter must have tapped her complete phone contacts list to raise the funding for this one! Since I counted FOURTEEN different production companies referenced! Is this a record?
As you enter later life, it's common for many of us to suffer a significant source of stress. Sometimes - if you're lucky - four sources of stress. The reason? You stop worrying about your kids as much and start worrying about your aged parents and in-laws. Like heating up a frog in water, it's often imperceptible how much stress you are actually carrying with that until the last of the relatives 'shuffles off this mortal coil'. Within the grief, there's also a source of guilty relief in there somewhere. Such is the maelstrom that young Molly is in - with knobs on - given the disability of Leo. As a professional in her 20's, she is also having the juggle this responsibility with progressing her career.
It's a bit early in this turbulent year to talk of Oscar nominations. But for me, there are three standout performances in this movie:
1) Javier Bardem: what an acting masterclass! As with Daniel Day-Lewis's win in 1990 for "My Left Foot", the Academy loves a disability-based performance. I haven't seen much Oscar-buzz about this performance, but I'd personally throw his hat into the ring, for at least my long-list;
2) Elle Fanning: this young lady has been in movies since the age of 2, but rose to stardom with "Super 8". She's building a formidable filmography behind her. Here she matches Bardem shot-for-shot in the acting stakes: a caring daughter being emotionally torn apart; always needing to be in two places at the same time (as nicely positioned by the cryptic ending). A first Oscar-nomination perhaps?
3) Robbie Ryan: with an Oscar-nom previously for "The Favourite", could another one follow for this? For this is a beautiful film to look at, despite its downbeat story. There are some drop-dead gorgeous shots. One in particular is where a sun-lit Fanning has a "Marilyn Monroe subway skirt moment" at a window (with her hair being blown, I should add). Glorious. And all of the Mexican/Greek scenes (all Spain I believe) are deliciously lit and coloured.
"The Roads Not Taken" is an intelligent watch for sure, and reminiscent to me of Almodovar's "Pain and Glory": another artist's life lived again in flashback. If anything, this one is more unstructured in setting out a box of jigsaw pieces that you need to piece together through the unreliable narrator's random memories. ("Ooh, look - here's a bit with Laura Linney on it... ah, that goes there"; "So that's who Selma Hayek is"; etc.) But, as with a jigsaw, staying the course and putting the last pieces in is a very satisfying experience.
There's also a really feelgood scene in a taxi rank that restores your faith in the underlying goodness of people.... and a rant by a "Trump-voter" that gives you quite the opposite view!
Where I found some frustration was in the lack of backstory for Molly. She seems to be painted rather two-dimensionally. Yes - young with job, but of her personal life we see nothing. Adding another dimension (a young family for example) would have added yet another set of stresses to the mix. Leo's flashbacks are also focused on just two time periods. More wide-ranging reminiscences might have broadened the drama.
But I personally found "The Roads Not Taken" intensely moving. I'm not sure I could say I "enjoyed" it, but it is a worthy watch and has left me with thought-provoking images to chew on.
(For the full graphical review, please check out the One Mann's Movies here https://bob-the-movie-man.com/2020/09/15/the-roads-not-taken-2020-pain-and-very-little-glory/.)
It's not a promising premise. "The Roads Not Taken" concerns a New Yorker with dementia being taking to the dentist and the opticians. Gripped yet? Nope... didn't think so. But stay with me here.
Elle Fanning plays Molly, daughter of the almost catatonic Leo (Javier Bardem) who is receiving a lot of support to stay in his own home. As his daughter assists him on his trip to his medical appointments, he is only about 10% 'there'. Glassy-eyed and almost incomprehensible, his utterances are often taken to refer to his present experiences. But actually, he's 90% somewhere else, revisiting two key episodes in his past life and reacting in the real world to what's happening in his dreams.
As he relives 'the roads not taken' we can piece together the elements of a life that's lived and - perhaps - lay out some elements that might have contributed to his mental decline in later life.
Before we plunge into the doom and gloom of the story, there was one moment of levity for me in the opening titles. I commented in my review of "The Farewell" that the company 'dog-tags' at the start of the film reminded me of a famous Family Guy comic moment. But this is kindergarten level compared to this movie. I assume Sally Potter must have tapped her complete phone contacts list to raise the funding for this one! Since I counted FOURTEEN different production companies referenced! Is this a record?
As you enter later life, it's common for many of us to suffer a significant source of stress. Sometimes - if you're lucky - four sources of stress. The reason? You stop worrying about your kids as much and start worrying about your aged parents and in-laws. Like heating up a frog in water, it's often imperceptible how much stress you are actually carrying with that until the last of the relatives 'shuffles off this mortal coil'. Within the grief, there's also a source of guilty relief in there somewhere. Such is the maelstrom that young Molly is in - with knobs on - given the disability of Leo. As a professional in her 20's, she is also having the juggle this responsibility with progressing her career.
It's a bit early in this turbulent year to talk of Oscar nominations. But for me, there are three standout performances in this movie:
1) Javier Bardem: what an acting masterclass! As with Daniel Day-Lewis's win in 1990 for "My Left Foot", the Academy loves a disability-based performance. I haven't seen much Oscar-buzz about this performance, but I'd personally throw his hat into the ring, for at least my long-list;
2) Elle Fanning: this young lady has been in movies since the age of 2, but rose to stardom with "Super 8". She's building a formidable filmography behind her. Here she matches Bardem shot-for-shot in the acting stakes: a caring daughter being emotionally torn apart; always needing to be in two places at the same time (as nicely positioned by the cryptic ending). A first Oscar-nomination perhaps?
3) Robbie Ryan: with an Oscar-nom previously for "The Favourite", could another one follow for this? For this is a beautiful film to look at, despite its downbeat story. There are some drop-dead gorgeous shots. One in particular is where a sun-lit Fanning has a "Marilyn Monroe subway skirt moment" at a window (with her hair being blown, I should add). Glorious. And all of the Mexican/Greek scenes (all Spain I believe) are deliciously lit and coloured.
"The Roads Not Taken" is an intelligent watch for sure, and reminiscent to me of Almodovar's "Pain and Glory": another artist's life lived again in flashback. If anything, this one is more unstructured in setting out a box of jigsaw pieces that you need to piece together through the unreliable narrator's random memories. ("Ooh, look - here's a bit with Laura Linney on it... ah, that goes there"; "So that's who Selma Hayek is"; etc.) But, as with a jigsaw, staying the course and putting the last pieces in is a very satisfying experience.
There's also a really feelgood scene in a taxi rank that restores your faith in the underlying goodness of people.... and a rant by a "Trump-voter" that gives you quite the opposite view!
Where I found some frustration was in the lack of backstory for Molly. She seems to be painted rather two-dimensionally. Yes - young with job, but of her personal life we see nothing. Adding another dimension (a young family for example) would have added yet another set of stresses to the mix. Leo's flashbacks are also focused on just two time periods. More wide-ranging reminiscences might have broadened the drama.
But I personally found "The Roads Not Taken" intensely moving. I'm not sure I could say I "enjoyed" it, but it is a worthy watch and has left me with thought-provoking images to chew on.
(For the full graphical review, please check out the One Mann's Movies here https://bob-the-movie-man.com/2020/09/15/the-roads-not-taken-2020-pain-and-very-little-glory/.)
Darren (1599 KP) rated 21 Jump Street (2012) in Movies
Jun 20, 2019
Story: We start by following our two very different high school students failing at something different things. We fast forward seven years to the police academy where the two become friends to help each other overcome their problems and get through. After they get through the two get partnered up but continue to fail leading them to get transferred to ’21 Jump Street’ program. They have to go undercover as high school students. They have to uncover a drug ring at the high school and get over the problems they faced before.
When it comes to buddy films cop we all know the basic formula and to be fair this follows everything together to keep the action and comedy blend flowing. It is good to see the mix with the high school film working as well as the idea of giving the two a chance to see how the other get through high school. Having never seen the original show I can’t say whether it is honest to the source material but in the end it really turns into a good action comedy in a world where the comedy films are starting to fall flat. (8/10)
Actor Review
Jonah Hill: Schmidt the high school geek who can get through all the paperwork side of the police work but lacks the physical presence Jenko has. Going undercover gives him a chance to experience the high school experiences he missed out. Jonah gives a good performance as we know he can play the teen comedy but also shows he ability to bounce of somebody else’s strengths. (8/10)
hill
Channing Tatum: Jenko after only just getting out of high school and being told he has no intelligence for a future he ends up joining the police force and until he teams up with Schmidt to help him with get through the academy. While undercover he ends up having to experience the geek in high school. Channing gives a good performance and shows that he can pull off comedy to go with his all action persona. (8/10)
channing
Brie Larson: Molly high school student who Schmidt takes a shine to who ends up leading him to push aside his responsibilities as the cop. Brie gives a solid performance in the supporting role. (7/10)
Dave Franco: Eric the drug dealer at the school who befriends Schmidt while the two try different ways to find out who the supplier is. Dave gives a solid performance as the teenage drug dealer trying to stay cool. (7/10)
franco
Support Cast: The drug dealers, other police officers, Schmidt’s parents and high school attendants all make up the support cast and all offer something for our main characters to work with to progress the story.
Director Review: Phil Lord, Christopher Miller – Good directing to balance the action and comedy perfectly. (9/10)
Action: With car chases being the main source of action they all come off very well with hints of comedy during without just being silly action. (8/10)
Comedy: The most part the comedy is all very good, but I did feel the over use of the sex jokes got boring. (8/10)
Chemistry: Hill and Tatum have brilliant chemistry together. (10/10)
Settings: The high school setting works really well for the story as we haven’t seen the undercover there before. (9/10)
Suggestion: It isn’t very often that I suggest a box office comedy but with this one I feel people should be watching. (Watch)
Best Part: Car and Motorbike Chase.
Worst Part: Slight over used of sex jokes.
Action Scene Of The Film: Car and Motorbike chase
Funniest Scene: The party
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel and has talks of a third.
Post Credits Scene: No
Oscar Chances: No
Box Office: $202 Million
Budget: $42 Million
Runtime: 1 Hour 49 Minutes
Tagline: They’re too old for this shift
Overall: Enjoyable Buddy Cop Comedy
https://moviesreview101.com/2014/12/21/21-jump-street-2012/
When it comes to buddy films cop we all know the basic formula and to be fair this follows everything together to keep the action and comedy blend flowing. It is good to see the mix with the high school film working as well as the idea of giving the two a chance to see how the other get through high school. Having never seen the original show I can’t say whether it is honest to the source material but in the end it really turns into a good action comedy in a world where the comedy films are starting to fall flat. (8/10)
Actor Review
Jonah Hill: Schmidt the high school geek who can get through all the paperwork side of the police work but lacks the physical presence Jenko has. Going undercover gives him a chance to experience the high school experiences he missed out. Jonah gives a good performance as we know he can play the teen comedy but also shows he ability to bounce of somebody else’s strengths. (8/10)
hill
Channing Tatum: Jenko after only just getting out of high school and being told he has no intelligence for a future he ends up joining the police force and until he teams up with Schmidt to help him with get through the academy. While undercover he ends up having to experience the geek in high school. Channing gives a good performance and shows that he can pull off comedy to go with his all action persona. (8/10)
channing
Brie Larson: Molly high school student who Schmidt takes a shine to who ends up leading him to push aside his responsibilities as the cop. Brie gives a solid performance in the supporting role. (7/10)
Dave Franco: Eric the drug dealer at the school who befriends Schmidt while the two try different ways to find out who the supplier is. Dave gives a solid performance as the teenage drug dealer trying to stay cool. (7/10)
franco
Support Cast: The drug dealers, other police officers, Schmidt’s parents and high school attendants all make up the support cast and all offer something for our main characters to work with to progress the story.
Director Review: Phil Lord, Christopher Miller – Good directing to balance the action and comedy perfectly. (9/10)
Action: With car chases being the main source of action they all come off very well with hints of comedy during without just being silly action. (8/10)
Comedy: The most part the comedy is all very good, but I did feel the over use of the sex jokes got boring. (8/10)
Chemistry: Hill and Tatum have brilliant chemistry together. (10/10)
Settings: The high school setting works really well for the story as we haven’t seen the undercover there before. (9/10)
Suggestion: It isn’t very often that I suggest a box office comedy but with this one I feel people should be watching. (Watch)
Best Part: Car and Motorbike Chase.
Worst Part: Slight over used of sex jokes.
Action Scene Of The Film: Car and Motorbike chase
Funniest Scene: The party
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel and has talks of a third.
Post Credits Scene: No
Oscar Chances: No
Box Office: $202 Million
Budget: $42 Million
Runtime: 1 Hour 49 Minutes
Tagline: They’re too old for this shift
Overall: Enjoyable Buddy Cop Comedy
https://moviesreview101.com/2014/12/21/21-jump-street-2012/