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RavenclawPrincess913 (253 KP) rated Siren Queen in Books
Jun 8, 2022
Title: Siren Queen
Author: Nghi Vo
288 pages
Published: May 10th of 2022
Let's start off by I love the name of the book and the blue color palette on the cover. Blue makes it very pretty and anything that says "Siren" catches my intrest. Even though it's not about that I'm glad I read it. This book is about Luli Wei a beautiful talented wanting to be a star in pre-code Hollywood. In it she knows how the movie business can be very dangerous but she doesn't seem to be bothered by this. She also prefers to play a monster rather than a maid. She learns the worst monsters of all are not on screen but rather in reality around her in Hollywood. She also learns success always comes with a very steep price to pay and it's never lovely. This book caught my attention from the beginning and is well written. It has an interesting story plot and is one book I'd definitely reccomend. Also, reality is just sad.
Author: Nghi Vo
288 pages
Published: May 10th of 2022
Let's start off by I love the name of the book and the blue color palette on the cover. Blue makes it very pretty and anything that says "Siren" catches my intrest. Even though it's not about that I'm glad I read it. This book is about Luli Wei a beautiful talented wanting to be a star in pre-code Hollywood. In it she knows how the movie business can be very dangerous but she doesn't seem to be bothered by this. She also prefers to play a monster rather than a maid. She learns the worst monsters of all are not on screen but rather in reality around her in Hollywood. She also learns success always comes with a very steep price to pay and it's never lovely. This book caught my attention from the beginning and is well written. It has an interesting story plot and is one book I'd definitely reccomend. Also, reality is just sad.
No Less The Devil
6.0
Rate It
Book
'We are each our own devil, and we make this world our hell.' It's been seventeen months since...
Hazel (2934 KP) rated Family Business in Books
Oct 9, 2022
I have never read anything by Mr Sims before but I do like to dip into the horror genre on occasion however, this is what I would call more supernatural with a bit of horror thrown in rather than a full-blown horror but that's ok just like this was an ok read.
What I enjoyed: the characters were interesting and believable, the "monster" was something a bit different and the plot was pretty unique.
What let it down for me: it was a bit of a slow burn with not a lot happening for quite a lot of the book although there was an increasing sense of unease which built up from the start but it just seemed to take a long time to get there unfortunately.
Whilst I wouldn't say this was one of my favourites in this genre, I did like Mr Sim's writing style and I would be tempted to read his future books and I must give my thanks to The Orion Publishing Group and NetGalley for enabling me to read and share my thoughts of Family Business.
What I enjoyed: the characters were interesting and believable, the "monster" was something a bit different and the plot was pretty unique.
What let it down for me: it was a bit of a slow burn with not a lot happening for quite a lot of the book although there was an increasing sense of unease which built up from the start but it just seemed to take a long time to get there unfortunately.
Whilst I wouldn't say this was one of my favourites in this genre, I did like Mr Sim's writing style and I would be tempted to read his future books and I must give my thanks to The Orion Publishing Group and NetGalley for enabling me to read and share my thoughts of Family Business.
Hazel (2934 KP) rated The Stolen Twins in Books
Feb 5, 2023
Oh my word ... what a story!! I don't think there are any superlatives that captures adequately how I felt about this book and how good it was ... I was breathless and on pins from the very first to the very last word.
The story is told from the viewpoints of Jewish twins Arina and Nora and from multi timelines from their life with their parents in Hungary, through the horrors of being twins at the hands of the monster that was Mengele in Auschwitz and their road to rebuilding their lives in France and the USA.
It is a powerful story of survival, loss, resilience, hope and the power of love; I was absolutely rivetted and devoured it in quick time and have no problem recommending this to those of you who love getting totally immersed in a wonderful book that will have your emotions in tatters and my thanks must go to Bookouture and NetGalley for enabling me to read and share my thoughts of The Stolen Twins.
The story is told from the viewpoints of Jewish twins Arina and Nora and from multi timelines from their life with their parents in Hungary, through the horrors of being twins at the hands of the monster that was Mengele in Auschwitz and their road to rebuilding their lives in France and the USA.
It is a powerful story of survival, loss, resilience, hope and the power of love; I was absolutely rivetted and devoured it in quick time and have no problem recommending this to those of you who love getting totally immersed in a wonderful book that will have your emotions in tatters and my thanks must go to Bookouture and NetGalley for enabling me to read and share my thoughts of The Stolen Twins.
Fate of the Moon
10.0
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"You're a beautiful monster, and fate has bound us together for life." After the murder of his...
MM Paranormal Romance
ClareR (6238 KP) rated Everything Under in Books
Mar 22, 2022
This is a book to take your time over. It’s not to be rushed, because there’s so much going on under the surface, and you might just miss something.
It’s a story about transitions of gender, family and home. It looks at language, how it can be manipulated and made into something new and different (Gretel and her mother have their own words for some things).
‘Leaving’ is another theme: Margot leaves her family, Gretel is left by her mother, and in a way, Margot leaves herself behind when she becomes Marcus. Everything Under is also a book that reworks the Oedipus legend, as well as using elements of Hansel and Gretel (beyond just the use of the name!), and a made up legend called the Bonak (which is actually a Tagalog word for a stupid child or a ‘dumb kid’) - a monster that destroys, stays and disrupts.
There’s a dreamlike quality to this novel, which really added to the fairytale element - the really menacing versions.
I loved this book.
It’s a story about transitions of gender, family and home. It looks at language, how it can be manipulated and made into something new and different (Gretel and her mother have their own words for some things).
‘Leaving’ is another theme: Margot leaves her family, Gretel is left by her mother, and in a way, Margot leaves herself behind when she becomes Marcus. Everything Under is also a book that reworks the Oedipus legend, as well as using elements of Hansel and Gretel (beyond just the use of the name!), and a made up legend called the Bonak (which is actually a Tagalog word for a stupid child or a ‘dumb kid’) - a monster that destroys, stays and disrupts.
There’s a dreamlike quality to this novel, which really added to the fairytale element - the really menacing versions.
I loved this book.
imPerfect Fae (The imPerfect Cathar #3)
Book
Body-jacking a legendary assassin when I’m running on empty. No problem, right? After the last...
Dark Humour Supernatural Mystery
Sass Perilla (36 KP) rated Frankenstein in Books
Aug 9, 2019
The plot and major themes. (1 more)
Further work it inspired.
Readable, but disjointed and repetitive in parts.
Contains spoilers, click to show
Fundamentally, the problem with this book is the narrator, Victor. He is thoroughly detestable. A selfish, cowardly, irresponsible, excuse ridden, narcissistic d****e-bag of the highest order. And unfortunately, it is Victor Frankenstein’s POV that we are forced into for the majority of the novel.
My hatred for and frustration with the self-pitying, feckless behaviour of the (pseudo)
protagonist made this an irritating read for me- and to an extent I think this was Shelley’s intention. Victor isn’t designed to be the likable, affable, morally “good” man fallen from grace he believes himself to be, and the horrific events that befall those around him are of his making.
However, this doesn’t make him any less grating! The "monster" (to me reminiscent of Caliban with his lyrical speech and enforced isolation, being neither man nor not man) is eloquent and persuasive when he asks his creator to account for his misdoings. So, you’ve got to ask yourself, if an infanticidal, demonic, bag of sew together corpses is actually more engaging than the main storyteller, is that storyteller really the
right character to be telling the story?
Now, with all that said, it is an important book. A work by a female author with strong female characters (albeit background characters) who was only nineteen when she wrote the initial draft. Very impressive. But, for me her youth is evident. When we teach secondary school pupils to write creatively, we often give them the ambiguous instruction “show don’t tell”, and for me the book is more of a list of horrible and horrific events told in a Chinese puzzle box style story within a story, rather than an engaging and “complete” narrative. It feels like she chooses to place focus on the wrong “bits”- for example the whole of chapter nineteen where Victor travels the British Isles, comments briefly on the local architecture of each town and city and
then repetitively reminds us that he couldn’t enjoy the surroundings because of his angst.
And I would have at least like to have seen some of the courtroom drama when Victor is tried for the death of Clerval...
So, I hate to be “that” gal, who poo-poos these fantastic works of fiction (we know they’re great because some clever-britches told us they were) but in all honesty, the novel ain’t that good, and I’ll maintain that stance no matter how clever the britches of the opposing schools of thought.
I think the continuing appeal is in it’s universal themes: parenting, nature versus
nurture; morality and scientific advancement- and the whole idea of stitching a creature out of
corpse-parts and electrocuting it to life is pretty darn cool. And there are some really effective
horror scenes, such as the vignette of Victor ripping apart project lady-monster (I kind wish she had a name- a working title- but given he can’t even be bothered to name monster number one I guess this was all too much to hope for).
It’s readable, but it’s value, for me at any rate, lies in the offshoots and creativity it has spawned, rather than the work itself.
My hatred for and frustration with the self-pitying, feckless behaviour of the (pseudo)
protagonist made this an irritating read for me- and to an extent I think this was Shelley’s intention. Victor isn’t designed to be the likable, affable, morally “good” man fallen from grace he believes himself to be, and the horrific events that befall those around him are of his making.
However, this doesn’t make him any less grating! The "monster" (to me reminiscent of Caliban with his lyrical speech and enforced isolation, being neither man nor not man) is eloquent and persuasive when he asks his creator to account for his misdoings. So, you’ve got to ask yourself, if an infanticidal, demonic, bag of sew together corpses is actually more engaging than the main storyteller, is that storyteller really the
right character to be telling the story?
Now, with all that said, it is an important book. A work by a female author with strong female characters (albeit background characters) who was only nineteen when she wrote the initial draft. Very impressive. But, for me her youth is evident. When we teach secondary school pupils to write creatively, we often give them the ambiguous instruction “show don’t tell”, and for me the book is more of a list of horrible and horrific events told in a Chinese puzzle box style story within a story, rather than an engaging and “complete” narrative. It feels like she chooses to place focus on the wrong “bits”- for example the whole of chapter nineteen where Victor travels the British Isles, comments briefly on the local architecture of each town and city and
then repetitively reminds us that he couldn’t enjoy the surroundings because of his angst.
And I would have at least like to have seen some of the courtroom drama when Victor is tried for the death of Clerval...
So, I hate to be “that” gal, who poo-poos these fantastic works of fiction (we know they’re great because some clever-britches told us they were) but in all honesty, the novel ain’t that good, and I’ll maintain that stance no matter how clever the britches of the opposing schools of thought.
I think the continuing appeal is in it’s universal themes: parenting, nature versus
nurture; morality and scientific advancement- and the whole idea of stitching a creature out of
corpse-parts and electrocuting it to life is pretty darn cool. And there are some really effective
horror scenes, such as the vignette of Victor ripping apart project lady-monster (I kind wish she had a name- a working title- but given he can’t even be bothered to name monster number one I guess this was all too much to hope for).
It’s readable, but it’s value, for me at any rate, lies in the offshoots and creativity it has spawned, rather than the work itself.