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Rachel King (13 KP) rated Wither (The Chemical Garden, #1) in Books
Feb 11, 2019
The world that Lauren DeStefano builds in this book combines several dystopian concepts - genetic engineering and reproduction, a virus of epic proportions, anarchy and survival of the fittest. 70 years ago mankind finds a way to make "perfect" babies, and then their babies suffer the consequences - death at 25 for men and 20 for women - with no cure on the horizon. Prostitution, polygamy, human experimentation, wide-scale murder, the prevalence of orphanages, and a country divided on whether mankind is worth saving are all issues in the plot. Plus, all of this takes place after a world war has destroyed all but North America - or so the history goes.
The main character, Rhine Ellery, is forced into a polygamous marriage at the age of 16 to the rich Linden, age 21, along with the flighty 14-year-old Cecily and ex-prostitute, 18-year-old Jenna. Rhine's main goal is escape, but each girl in the marriage has her own motivations and goals. I found their relationships with one another far more interesting than each one's relationship with Linden. Poor Linden lives under the illusions that his aging father feeds him while suffering from the loss of his first love, Rose. While Rhine makes part of her goal to avoid consummating the marriage with Linden, her sister wives have other ideas, but ironically, jealousy among the wives is not the green-eyed monster that I think many would expect. While Cecily is typically self-absorbed and high maintenance, she still wants her sister-wives to bear children, and even Jenna, who hates Linden from the first day, sees no hypocrisy in sharing a bed with him. I also admired Rhine for her extreme patience and endurance with Cecily's immature and naive behavior, though I don't think I would have chosen denial over full disclosure to both Cecily and Linden.
Rhine's secret relationship seems to find it's power in free-formed friendship, without any expectations or requirements. Simply put, Rhine wants her freedom, and she will find it in any form she can grasp. Except for Rhine's memories, almost the entire book takes place on the grounds of Linden's mansion, so I am anxious to see what will happen in the next book in the series, Fever.
The main character, Rhine Ellery, is forced into a polygamous marriage at the age of 16 to the rich Linden, age 21, along with the flighty 14-year-old Cecily and ex-prostitute, 18-year-old Jenna. Rhine's main goal is escape, but each girl in the marriage has her own motivations and goals. I found their relationships with one another far more interesting than each one's relationship with Linden. Poor Linden lives under the illusions that his aging father feeds him while suffering from the loss of his first love, Rose. While Rhine makes part of her goal to avoid consummating the marriage with Linden, her sister wives have other ideas, but ironically, jealousy among the wives is not the green-eyed monster that I think many would expect. While Cecily is typically self-absorbed and high maintenance, she still wants her sister-wives to bear children, and even Jenna, who hates Linden from the first day, sees no hypocrisy in sharing a bed with him. I also admired Rhine for her extreme patience and endurance with Cecily's immature and naive behavior, though I don't think I would have chosen denial over full disclosure to both Cecily and Linden.
Rhine's secret relationship seems to find it's power in free-formed friendship, without any expectations or requirements. Simply put, Rhine wants her freedom, and she will find it in any form she can grasp. Except for Rhine's memories, almost the entire book takes place on the grounds of Linden's mansion, so I am anxious to see what will happen in the next book in the series, Fever.
Neon's Nerd Nexus (360 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 29, 2019
Oh my God...
#godzillakingofthemonsters is overlong, overstuffed, bland & lacks the one thing that at bare minimum I expected from a movie about big #monsters #fighting, EXCITEMENT. Now I quite liked the first #godzilla movie & yes it was to focused on the human element but visually it was really sticking & I found its slow build up to the reveal of Godzilla intense & exciting so that when he's finally introduced fully his presence became that more intimidating & thrilling. Sadly although in this sequel the monsters are given way more screen time at around 2hours the human element is still far to overpowering. That would be fine but its all so #boring & only serves as exposition to move the plot along. Dialog is sloppy/bellow basic & repetitive, acting is average at best & no one is likeable. Story wise its incredibly weak/bare bones which makes me wonder why it takes so long to play out considering we are only all here really to see monsters #fight. Cgi is really dodgy in places & I'm not sure if this is a throwback to past films but it feels odd & disjointed because at times its also impressive like it suddenly found its budget again. For an hour & a half I found this movie terrible with nothing setting it apart from stuff like #sanandreas or #geostorm. There are big set pieces upping the pace but like those movies they are a hollow mess of washed out cgi/badly framed fights that just weren't exciting at all. Why a 3? something changes in the last half hour & things do get a little cool for a bit, the score becomes epic, cgi looks great, theres some nice visual touches, #animation has weight & #action invokes some thrill but by then its all a just a bit to late. Theres also some #beautiful artsy establishing shots at times too throughout the movie & the subtle metaphors about the effects of #nuclear #weapons/war & looking after our #planet are well implemented too but thats about it. Im still #excited for #GodzillavsKong but just hoping this is a case of middle film itis but for now there are way better monster movies out there as i cant recomend seeing this one at all to be honest which is such a shame. #shingodzilla #godzillamovie #kong #japan #anime #gojira #kaiju
Kyera (8 KP) rated Our Dark Duet in Books
Jan 31, 2018
Oh, my heart. I can't. I absolutely adore V.E. Schwab's books and this series is no different. Her stories are more of a slow burn than constant, action-packed scenes but that style lends itself fantastically to her incredible world building. The first book took place solely in Verity, or V-City, a place overrun by monsters. We heard about the other cities in This Savage Song, but in Our Dark Duet, we were able to experience one of the other ones. People always said that there were no monsters in Prosperity, but they were wrong. The city just had a different type of monster.
One of those different monsters finds its way to Verity and forces Kate to return home. Both Kate and August are different, having been forced to confront or suppress their demons. August is still my favourite of the two main characters, despite his struggles. They both experience character development that makes you feel for them and only wish for their happiness.
I am glad that we got a little more development of some of the secondary characters. Schwab populated her books with such a variety of interesting and unique characters that you want to get to know them better. You want to discover their motivations, desires, fears, and secrets. The additional depth provided to Ilsa makes you love her and just want to protect her from harm. The other character that I loved the introduction of would be spoiler-y, so I'll just say I enjoyed the unique perspective they gave to the story and the diversity they added.
This world was so richly populated and described that it easily blooms into existence within your mind. Although this is only a duology and the final book, I would love to see more books set within this world. Perhaps the story in Verity is done, but there are plenty more monsters and cities to explore.
The story takes readers along on a steady, but not slow, ride that culminates with a dramatic flourish that will leave you breathless, a little heartbroken, yet hopeful.
I would highly recommend this fantastic urban fantasy series to all young adult/teen readers who enjoy fantasy, immersive world building, character development and V.E. Schwab's other books (like the Shades of Magic trilogy).
One of those different monsters finds its way to Verity and forces Kate to return home. Both Kate and August are different, having been forced to confront or suppress their demons. August is still my favourite of the two main characters, despite his struggles. They both experience character development that makes you feel for them and only wish for their happiness.
I am glad that we got a little more development of some of the secondary characters. Schwab populated her books with such a variety of interesting and unique characters that you want to get to know them better. You want to discover their motivations, desires, fears, and secrets. The additional depth provided to Ilsa makes you love her and just want to protect her from harm. The other character that I loved the introduction of would be spoiler-y, so I'll just say I enjoyed the unique perspective they gave to the story and the diversity they added.
This world was so richly populated and described that it easily blooms into existence within your mind. Although this is only a duology and the final book, I would love to see more books set within this world. Perhaps the story in Verity is done, but there are plenty more monsters and cities to explore.
The story takes readers along on a steady, but not slow, ride that culminates with a dramatic flourish that will leave you breathless, a little heartbroken, yet hopeful.
I would highly recommend this fantastic urban fantasy series to all young adult/teen readers who enjoy fantasy, immersive world building, character development and V.E. Schwab's other books (like the Shades of Magic trilogy).
Awix (3310 KP) rated The Incredible Hulk in TV
Mar 16, 2018 (Updated Mar 16, 2018)
The weird thing about the Hulk TV show is that it is almost nothing like the comic book version of the character, but still manages to be a classic piece of television (and was, for a long time, by far the most successful adaptation of a Marvel character to another medium). Creator Kenneth Johnson didn't want to do it, and did his hardest to distance his version from the book (he wanted to change the colour of the Hulk, but Marvel refused to let him), and ended up basically doing an American version of Les Miserables (the novel, not the musical) with Jean Valjean getting cross and swelling up into a monster twice an episode.
Everyone remembers this show as the one with the Hulk rasslin' small-time thugs every week, lots of jokes about 'how many shirts does this guy get through, ha ha', and 'you won't like me when I'm angry', but the range of styles and influences involved is really much greater - the programme goes from serious movie-of-the-week drama, to freewheeling comedy, to B-movie inspired horror and SF, and makes a pretty good job of all of them. Highlights include 'The Snare' (psycho millionaire whose hobby is hunting and killing drifters picks the wrong target), 'The Psychic' (a woman with unusual powers discovers Banner's secret just as it seems the Hulk has committed a murder), 'Equinox' (Banner and his indefatigable nemesis McGee finally come face-to-face at a masked ball, rather inspired by Masque of the Red Death), and 'The First' (Banner encounters another Hulk, created in the 1940s).
The programme's great strength is Bill Bixby's performance as Banner, for he is always utterly committed and usually highly convincing even when the episodes themselves wobble a bit. The show's Hulk is mute, but even so Ferrigno gives an increasingly effective turn as the creature (and eventually gets an episode where he appears as himself, so to speak, and does a pretty good job).
It is occasionally a bit formulaic, and you have to accept a few built-in implausibilities in the format, but this is a show which still stands up extremely well, and is still probably the biggest single influence on public perceptions of the Hulk. Well worth watching.
Everyone remembers this show as the one with the Hulk rasslin' small-time thugs every week, lots of jokes about 'how many shirts does this guy get through, ha ha', and 'you won't like me when I'm angry', but the range of styles and influences involved is really much greater - the programme goes from serious movie-of-the-week drama, to freewheeling comedy, to B-movie inspired horror and SF, and makes a pretty good job of all of them. Highlights include 'The Snare' (psycho millionaire whose hobby is hunting and killing drifters picks the wrong target), 'The Psychic' (a woman with unusual powers discovers Banner's secret just as it seems the Hulk has committed a murder), 'Equinox' (Banner and his indefatigable nemesis McGee finally come face-to-face at a masked ball, rather inspired by Masque of the Red Death), and 'The First' (Banner encounters another Hulk, created in the 1940s).
The programme's great strength is Bill Bixby's performance as Banner, for he is always utterly committed and usually highly convincing even when the episodes themselves wobble a bit. The show's Hulk is mute, but even so Ferrigno gives an increasingly effective turn as the creature (and eventually gets an episode where he appears as himself, so to speak, and does a pretty good job).
It is occasionally a bit formulaic, and you have to accept a few built-in implausibilities in the format, but this is a show which still stands up extremely well, and is still probably the biggest single influence on public perceptions of the Hulk. Well worth watching.
Goddess in the Stacks (553 KP) rated Dread Nation in Books
Jul 24, 2018
So, as a general rule, I don't read zombie stories. Zombies are the one monster that will almost invariably give me nightmares. This book, however, had such hype built up around it that I decided to bend my rule.
I should not have.
Before I start in on this, let me say it's a good story. It's well-written, the plot is paced nicely, and it's entertaining. All that said, it's quite problematic in many ways. I knew some of this before I read it; there was a Twitter thread about some of the issues, namely that in the Author's Note she describes the Native American boarding schools (where the government forced Native American children to go, and tried to destroy their heritage and culture in the name of "civilizing" them) as "well-meaning." The Twitter thread does an excellent job of dissecting that passage, and it's worth reading.
There's also the incredibly unrealistic scene where Jane gets flogged eleven times, walks back to where she's staying, has a coherent conversation where she lays out a plan she has formed, and then puts a shirt on. That last part especially got me. Like, what? You're going to be in more pain than that! Being flogged barely seems to slow Jane down. She asks for laudanum - for her plan. Not to take for the pain.
I don't know. There's a lot about the book that set my teeth on edge. There's the absurd amount of racism, but the protagonist is a black woman and it's civil war era, so that's to be expected. And it's coming from characters, not from narration. Jane lies. A lot. So it's hard to trust that she's even a reliable narrator.
I guess it's okay. I didn't care for it. I found it really hard to get past the author's "well-meaning" comment about the Native American boarding schools. And the plot of "as soon as they're old enough, black children get sent to combat schools." Especially with what's going on lately with the jailing of migrant children, it feels tone-deaf, ignorant, and genocidal.
One good point was the oh-so-casual mention of bisexuality (a female friend taught her "everything she knows about kissing") but it was only two sentences and never mentioned again. Not nearly enough to make up for the rest of the book.
You can find all my review at http://goddessinthestacks.wordpress.com
I should not have.
Before I start in on this, let me say it's a good story. It's well-written, the plot is paced nicely, and it's entertaining. All that said, it's quite problematic in many ways. I knew some of this before I read it; there was a Twitter thread about some of the issues, namely that in the Author's Note she describes the Native American boarding schools (where the government forced Native American children to go, and tried to destroy their heritage and culture in the name of "civilizing" them) as "well-meaning." The Twitter thread does an excellent job of dissecting that passage, and it's worth reading.
There's also the incredibly unrealistic scene where Jane gets flogged eleven times, walks back to where she's staying, has a coherent conversation where she lays out a plan she has formed, and then puts a shirt on. That last part especially got me. Like, what? You're going to be in more pain than that! Being flogged barely seems to slow Jane down. She asks for laudanum - for her plan. Not to take for the pain.
I don't know. There's a lot about the book that set my teeth on edge. There's the absurd amount of racism, but the protagonist is a black woman and it's civil war era, so that's to be expected. And it's coming from characters, not from narration. Jane lies. A lot. So it's hard to trust that she's even a reliable narrator.
I guess it's okay. I didn't care for it. I found it really hard to get past the author's "well-meaning" comment about the Native American boarding schools. And the plot of "as soon as they're old enough, black children get sent to combat schools." Especially with what's going on lately with the jailing of migrant children, it feels tone-deaf, ignorant, and genocidal.
One good point was the oh-so-casual mention of bisexuality (a female friend taught her "everything she knows about kissing") but it was only two sentences and never mentioned again. Not nearly enough to make up for the rest of the book.
You can find all my review at http://goddessinthestacks.wordpress.com
Debbiereadsbook (1444 KP) rated Escaping Exile (Escape Trilogy #1) in Books
Oct 29, 2018
kinda creeps up on ya!
I was gifted my copy of this book direct from the author, that I write a review was not required.
Andrew didn't know how long he'd been on the island, but it was a long time. When a ship wrecks on his beach, a scent pulls him to find Edmund, half dead from the wreck. But there are others who want Edmund, and they don't mean to save him. Andrew has to keep HIS monster at bay, along with those on the island, if he wants to keep Edmund safe.
So! I'm in a bit of a quandary about this book!
If you follow my reviews, you'll know I'm not a fan of books written in the present tense and first person. I don't know why I don't like them, I just don't. You'll also know, I will ALMOST always say I wanted to hear from the other main character, if a book is written from a single point of view.
And thus: my quandary. This book is written present tense AND first person. Had this book been written from both Andrew AND Edmund's point of view, in resent tense/first person, I have no doubt, NONE at all, I would have dumped this book as soon as that became clear. But it's ONLY Andrew who has a voice here. And of course, at this point I'm gonna say I needed to hear from Edmund, because I really did! But HAD Edmund had a say, I might not have finished it! You see my problem?!?!?!
Putting that fact aside, I really did enjoy these 80 pages of a vampire falling in love with his rescue, who in turn rescues him from his banishment. Andrew has been banished for killing one to many humans and keeping this human alive might just be his salvation. Edmund, curious mind that he has, wants to study Andrew's kind. And as they grow closer, Andrew's beast pushes hard for Andrew to bite Edmund, which Andrew doesn't want to do. But Edmund takes the choice away from him.
Andrew's voice is strong and clear, and he tells his story well. I saw no spelling or editing errors to spoil my reading.
It's just my bloody quandary!
So, since I really am surprised I enjoyed this first person/present tense...
4 solid stars
**same worded review will appear elsewhere**
Andrew didn't know how long he'd been on the island, but it was a long time. When a ship wrecks on his beach, a scent pulls him to find Edmund, half dead from the wreck. But there are others who want Edmund, and they don't mean to save him. Andrew has to keep HIS monster at bay, along with those on the island, if he wants to keep Edmund safe.
So! I'm in a bit of a quandary about this book!
If you follow my reviews, you'll know I'm not a fan of books written in the present tense and first person. I don't know why I don't like them, I just don't. You'll also know, I will ALMOST always say I wanted to hear from the other main character, if a book is written from a single point of view.
And thus: my quandary. This book is written present tense AND first person. Had this book been written from both Andrew AND Edmund's point of view, in resent tense/first person, I have no doubt, NONE at all, I would have dumped this book as soon as that became clear. But it's ONLY Andrew who has a voice here. And of course, at this point I'm gonna say I needed to hear from Edmund, because I really did! But HAD Edmund had a say, I might not have finished it! You see my problem?!?!?!
Putting that fact aside, I really did enjoy these 80 pages of a vampire falling in love with his rescue, who in turn rescues him from his banishment. Andrew has been banished for killing one to many humans and keeping this human alive might just be his salvation. Edmund, curious mind that he has, wants to study Andrew's kind. And as they grow closer, Andrew's beast pushes hard for Andrew to bite Edmund, which Andrew doesn't want to do. But Edmund takes the choice away from him.
Andrew's voice is strong and clear, and he tells his story well. I saw no spelling or editing errors to spoil my reading.
It's just my bloody quandary!
So, since I really am surprised I enjoyed this first person/present tense...
4 solid stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated Cabin Fever (2016) in Movies
Jun 19, 2019
Back in 2002, a fairly unknown filmmaker named Eli Roth brought a fresh and creepy horror film to theaters called “Cabin Fever”. It followed a time honored setup of a group of young people taking some time off in an isolated rural setting but instead of the worn to death psycho or monster on the loose setup, this film had something new in mind.
The film followed the outbreak of a flesh eating virus that was relentless, turned characters against one another, and had audiences wondering what would happen next. Filmed for a modest budget, the film became a hit and eventually spawned two direct to video follow ups, the most recent serving as a prequel to the original film.
There were plans to make a third follow up which was reportedly to be set on a cruise ship but they were scrapped in favor of a reboot of the main film with Roth serving as producer.
The 2016 version of the film is pretty much a scene for scene and in some cases; shot for shot remake of the original that duplicates the characters, situations, and outcomes from the first film with only a few changes along the way such as a deputy being female this time around, an addition to the ending, and some slightly better production values.
While it was entertaining to watch, I found that knowing what was to come stopped any tension in the film as has barely been 14 years since the first film came out, and without anything drastically different this time around, it made me wonder why the decision to reboot the film was made.
I do believe that there is still more to tell in this series, but that there is a better way to do it than the sequels we have had to date and a shot by shot remake. I think a story that ran parallel to the original or a more direct sequel might be very interesting as well as a look at the larger consequences of the outbreak.
That being said, if you are a fan of the series you will likely want to see the remake, but will likely wish that the series had continued forward with the story rather than going back to the beginning.
http://sknr.net/2016/02/20/cabin-fever-2016/
The film followed the outbreak of a flesh eating virus that was relentless, turned characters against one another, and had audiences wondering what would happen next. Filmed for a modest budget, the film became a hit and eventually spawned two direct to video follow ups, the most recent serving as a prequel to the original film.
There were plans to make a third follow up which was reportedly to be set on a cruise ship but they were scrapped in favor of a reboot of the main film with Roth serving as producer.
The 2016 version of the film is pretty much a scene for scene and in some cases; shot for shot remake of the original that duplicates the characters, situations, and outcomes from the first film with only a few changes along the way such as a deputy being female this time around, an addition to the ending, and some slightly better production values.
While it was entertaining to watch, I found that knowing what was to come stopped any tension in the film as has barely been 14 years since the first film came out, and without anything drastically different this time around, it made me wonder why the decision to reboot the film was made.
I do believe that there is still more to tell in this series, but that there is a better way to do it than the sequels we have had to date and a shot by shot remake. I think a story that ran parallel to the original or a more direct sequel might be very interesting as well as a look at the larger consequences of the outbreak.
That being said, if you are a fan of the series you will likely want to see the remake, but will likely wish that the series had continued forward with the story rather than going back to the beginning.
http://sknr.net/2016/02/20/cabin-fever-2016/
Andy K (10823 KP) rated The Host (Gwoemul) (2007) in Movies
Oct 23, 2019
Darn formaldehyde!
Guess what happens when a scientist orders a large amount of formaldehyde dumped down the drain? It makes its way through the sewer system and into the Han River in Korea. Several years later, it is revealed the substance has caused the mutated formation of a large sea monster creature which reveals itself when it emerges and begins an onslaught of carnage.
A local family which runs a food stand near the location of the attack races to get to safety, but, unfortunately a man grabs the hand of the wrong child instead of his daughter by mistake. The creature procures the young child and escapes with her back into the water. Further chaos ensues when it is revealed the creature is not only a menace, but also the source of a horrible infectious disease now rampant among the population.
Somehow, the child survives her journey back in the sewers with the creature who deposits her in a secluded location. Her father now has to get past government quarantine and survive battling the creature in order to try and save his child.
Director Bong Joon-ho, who has also given us the fantastic Snowpiercer and the current critic favorite Parasite, crafts a well made film which has many exciting elements.
For a movie like this it is only as good as its creature and this one does the job. Despite having a modest budget, the sea creature is well developed, has an interesting personality and does not look like bad CGI. As the audience, you are trying to figure out what the creature wants, what it is doing with the children it kidnaps and stores away while also rooting for the title family to not only survive the disease and run ins with the police to eventually attempt a rescue.
There is a good amount of action including a few intense scenes with the creature and also with one of the family members who also happens to be a famed archer. There is some comedy as well which rounds out the action and provides some down time between scenes.
I really enjoyed The Host much more than I thought I would since I hadn't heard much about it beforehand. Please check it out.
A local family which runs a food stand near the location of the attack races to get to safety, but, unfortunately a man grabs the hand of the wrong child instead of his daughter by mistake. The creature procures the young child and escapes with her back into the water. Further chaos ensues when it is revealed the creature is not only a menace, but also the source of a horrible infectious disease now rampant among the population.
Somehow, the child survives her journey back in the sewers with the creature who deposits her in a secluded location. Her father now has to get past government quarantine and survive battling the creature in order to try and save his child.
Director Bong Joon-ho, who has also given us the fantastic Snowpiercer and the current critic favorite Parasite, crafts a well made film which has many exciting elements.
For a movie like this it is only as good as its creature and this one does the job. Despite having a modest budget, the sea creature is well developed, has an interesting personality and does not look like bad CGI. As the audience, you are trying to figure out what the creature wants, what it is doing with the children it kidnaps and stores away while also rooting for the title family to not only survive the disease and run ins with the police to eventually attempt a rescue.
There is a good amount of action including a few intense scenes with the creature and also with one of the family members who also happens to be a famed archer. There is some comedy as well which rounds out the action and provides some down time between scenes.
I really enjoyed The Host much more than I thought I would since I hadn't heard much about it beforehand. Please check it out.
Sarah (7800 KP) rated Ring Fit Adventure in Video Games
Jan 9, 2020
Not as fun as I'd hoped
I loved the Wii Fit when it first came out many years ago, so I was glad to hear they'd come up with a new novel fitness game for the Switch. However it isn't as wonderful as I'd hoped.
The idea and concept of this game is great. The resistance ring and the leg strap for the joycons are a wonderful invention and a great modern update of the functionality of the Wii Fit. No more balancing on a board! The resistance ring itself is a surprisingly decent bit of kit, I was expecting something rather cheap & flimsy feeling, but it's actually decently made. I wouldn't recommend wearing lycra style pants though with the leg strap as it constantly slides down if you do!
The idea to have a fitness game that actually has a story and plot like a normal video game is also a genius move. The game looks a lot of fun and the inclusion of non story mode gameplay like mini games and normal exercises is also good to mix it up a bit. The problem with the story and the game in general is that the large majority of the exercises are weight/resistance based, even the exercises involving the legs are mostly squats or crunch type exercises. I'm sure this may not be a problem for most people but for me I personally prefer cardio style exercises with a few bits of resistance etc thrown in. The only really cardio you get in this is the jogging around the levels and it isn't enough. The monster battles that involve the exercises too are very repetitive. I can happily spend an hour in a cardio or zumba class yet after 20 minutes on this I was bored senseless.
I bought this so I had an at home exercise option for when I didn't feel like going to the gym, but in all honesty I dont feel like I got much out of it. Which is a shame as I can really appreciate what they've tried to do here. If you're looking for a bit of fun while toning up your arms, legs etc then this game is probably perfect for you. But if you're like me and are looking for a decent workout (and also struggle sticking with exercise in general), then this game probably isn't for you.
The idea and concept of this game is great. The resistance ring and the leg strap for the joycons are a wonderful invention and a great modern update of the functionality of the Wii Fit. No more balancing on a board! The resistance ring itself is a surprisingly decent bit of kit, I was expecting something rather cheap & flimsy feeling, but it's actually decently made. I wouldn't recommend wearing lycra style pants though with the leg strap as it constantly slides down if you do!
The idea to have a fitness game that actually has a story and plot like a normal video game is also a genius move. The game looks a lot of fun and the inclusion of non story mode gameplay like mini games and normal exercises is also good to mix it up a bit. The problem with the story and the game in general is that the large majority of the exercises are weight/resistance based, even the exercises involving the legs are mostly squats or crunch type exercises. I'm sure this may not be a problem for most people but for me I personally prefer cardio style exercises with a few bits of resistance etc thrown in. The only really cardio you get in this is the jogging around the levels and it isn't enough. The monster battles that involve the exercises too are very repetitive. I can happily spend an hour in a cardio or zumba class yet after 20 minutes on this I was bored senseless.
I bought this so I had an at home exercise option for when I didn't feel like going to the gym, but in all honesty I dont feel like I got much out of it. Which is a shame as I can really appreciate what they've tried to do here. If you're looking for a bit of fun while toning up your arms, legs etc then this game is probably perfect for you. But if you're like me and are looking for a decent workout (and also struggle sticking with exercise in general), then this game probably isn't for you.
JT (287 KP) rated Rogue (2008) in Movies
Mar 10, 2020
Along the quiet river banks of the Australian outback, buried deep within the baron red plains that surround desolate bush, lies a fear, a fear that lurks beneath the murky waters. Greg McLean does to boat trips what backpacking did for Wolf Creek, after seeing it you’re going to want to steer well clear of ever doing it.
Pete (Vartan) is a travel writer, sent around the world to exotic locations he finds himself in a place that he has no idea about. Taking a boat trip up the river with a bunch of people that we really won’t care much about, he goes in search of what the territory has to offer.
Leading the tour is Kate (Mitchell) someone who is the polar opposite to Pete and has never traveled out of her comfort zone once. As the boat glides up the river McLean makes sure he includes sweeping shots of the quiet picturesque landscape, of which is beautiful.
The focus of course is on the salt water crocodile’s that populate the river itself, a quick lesson from Kate about these prehistoric looking creatures sets up for the carnage that is only minutes away. Once the boat is capsized the unfortunate crew end up stranded on an island surrounded by a fast rising tidal river, with no direct route off it.
Like any monster movie we only ever catch glimpses of the predator (at least until the very end), a tail there, a moving ripple in the water there. The stranded patrons of course go through the motions, there’s infighting, emotion, selfishness and a coming together that in the end they are going to be able to escape the island.
It does carry a fairly decent degree of suspense even though it is predictable in places, and has an ending which quite frankly is a little preposterous.
The story line is as basic as it can get and the script is not brilliantly written, the acting has its moments with characters that don’t really have time to reveal their back stories to great effect, before a few all but disappear between the teeth of the seven foot beast.
It’s not overly gory but does have some scenes for those that are blood thirsty. On a whole it’s a decent flick, not as terrifying as Wolf Creek but holds itself well for the 100 minute run time.
Pete (Vartan) is a travel writer, sent around the world to exotic locations he finds himself in a place that he has no idea about. Taking a boat trip up the river with a bunch of people that we really won’t care much about, he goes in search of what the territory has to offer.
Leading the tour is Kate (Mitchell) someone who is the polar opposite to Pete and has never traveled out of her comfort zone once. As the boat glides up the river McLean makes sure he includes sweeping shots of the quiet picturesque landscape, of which is beautiful.
The focus of course is on the salt water crocodile’s that populate the river itself, a quick lesson from Kate about these prehistoric looking creatures sets up for the carnage that is only minutes away. Once the boat is capsized the unfortunate crew end up stranded on an island surrounded by a fast rising tidal river, with no direct route off it.
Like any monster movie we only ever catch glimpses of the predator (at least until the very end), a tail there, a moving ripple in the water there. The stranded patrons of course go through the motions, there’s infighting, emotion, selfishness and a coming together that in the end they are going to be able to escape the island.
It does carry a fairly decent degree of suspense even though it is predictable in places, and has an ending which quite frankly is a little preposterous.
The story line is as basic as it can get and the script is not brilliantly written, the acting has its moments with characters that don’t really have time to reveal their back stories to great effect, before a few all but disappear between the teeth of the seven foot beast.
It’s not overly gory but does have some scenes for those that are blood thirsty. On a whole it’s a decent flick, not as terrifying as Wolf Creek but holds itself well for the 100 minute run time.