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David McK (3623 KP) rated The Aeronaut's Windlass in Books
Dec 20, 2023
The first book in Jim Butcher's new series: Cinder Spires series, if I'm honest I was a little unsure what to make of this at the start: it's not 'traditional' fantasy (that would be his 'Codex Alera' series); nor is it the urban fantasy (his - still ongoing - 'Dresden Files' series).
Rather, this is probably best described as Steampunk, which is a genre I previously had little exploration in, and which Google defines as:
"...a subgenre of science fiction and sometimes fantasy that incorporates technology and aesthetic designs inspired by 19th-century industrial steam-powered machinery.".
Reading that description, this definitely fits right into that bracket!
To my mind, it also falls more towards the fantasy aspect of Steampunk: after all, we have a new magic system, airships, the ability to communicate with animals (cats), and monsters from the ground all within the pages of this story even if (for my money), it never quite gripped me as much as a Harry Dresden book.
Rather, this is probably best described as Steampunk, which is a genre I previously had little exploration in, and which Google defines as:
"...a subgenre of science fiction and sometimes fantasy that incorporates technology and aesthetic designs inspired by 19th-century industrial steam-powered machinery.".
Reading that description, this definitely fits right into that bracket!
To my mind, it also falls more towards the fantasy aspect of Steampunk: after all, we have a new magic system, airships, the ability to communicate with animals (cats), and monsters from the ground all within the pages of this story even if (for my money), it never quite gripped me as much as a Harry Dresden book.
Emma @ The Movies (1786 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Five years after Godzilla saved us from the MUTO attack the world (or some of it at least) wants to see an end to the potential threat of the Titans. Monarch are studying them and hiding them away from the world, but there are calls to destroy the monsters before more devastation befalls the planet?
Dr Emma Russell has developed the Orca, a device that communicates with the Titans and can be used to calm them and stop any further destruction. Not everyone has the same idea about how to use the Orca though and it's taken, along with Dr Russell and her daughter Madison, after its successful test run. The race is on to recover the device and avert the impending crisis.
Godzilla is one of my favourite monsters. For years the 1998 film with Matthew Broderick and Jean Reno in it was one of my favourite films. I also love the "proper" Godzilla movies where they destroy Tokyo at every given opportunity. To have new films felt like a wonderful thing... until I saw 2014 Godzilla. I rewatched it before going to see King Of The Monsters and I remembered how underwhelmed I was. The characters didn't grab me and I found the whole thing uninspiring. The prospect of a second wasn't great, but then I saw the trailers, they were spectacular.
I really enjoyed this and went to see it again in 3D, a much more peaceful screening than the first viewing. The girl who was sitting a couple of seats away was animatedly jumping at every opportunity, her reaction was far scarier than anything that happened on the screen.
This was much improved on the last instalment. I loved that it embraced the original films and the fact that it switched its focus more to the monsters than the humans. You go to a monster movie to see monsters, and Godzilla 2014 felt like it had forgotten that fact.
If I had to describe this film to someone I'd say it was a combination of Infinity War and Jurassic Park, just with slightly larger monsters... yep, I'm fairly happy with that comparison. I may have been imagining it but I felt like there were a few nods to JP jumbled in there... maybe that's just me.
There's a collection of recognisable faces in the cast and I don't think there's a single person who underperforms. I thought that Millie Bobby Brown gave a great performance as Madison, she managed to give us a child character that wasn't particularly annoying, which may actually be a first in creature features.
Charles Dance makes an excellent bad guy, there's something about his look, a cross between a vampire and the restaurant critic from Ratatouille that works for me. He also gets to have a great moment of silent humour with Brown when they're in a lift together, it was very unexpected for their potential on-screen relationship.
We get to see four of our Titans in this movie as main players. Godzilla, obvs, Mothra, Rodan and Monster Zero, or King Ghidorah to his friends. The sheer scale they've gone to is amazing, and I thought the way they were created with their individual traits was beautiful. The one drawback to the beautiful glowing monster bodies is that the scenes have to be fairly dark to appreciate that aspect. They manage to use those aspects of the creatures to give the extra lighting the scenes need meaning that you get something that's both dark and scary as well as light and hopeful. The colours were something that really stood out to me in the advertising, the lightness of the blue and green against the anger of the orange and yellow, it shows the good and evil relationship really well.
The size of the creatures is mad and sometimes a little impossible to gauge, we get a few moments where we're given some perspective with man-made structures but they do a good job of trying to get it across in basic visual techniques too. You see a lot of them from "human" angles, from the ground running, from buildings and vehicles. It feels like an exercise in shock and awe and takes you back to Dr Serizawa's point at the beginning of the film that we're Godzilla's pets, it's not the other way around.
The effects/animation looked solid, at no point did I see anything on-screen that drew my attention away from the action. One moment in particular stood out and that was a large explosion somewhere in the middle of the movie. It was given an old fashioned kind of a look and it gave me the impression that they'd really looked at things that had come before it for inspiration.
You have to obviously accept the facts that in these sorts of films, parents will willingly put their children in immense danger, bad guys will always have prepared a short video presentation to explain their motivations and just because there's destruction happening all around you does not mean you will die. It's got all the classic monster/disaster movie moments that you love to hate in it. "Movie Reality" is awesome.
If you couldn't already tell, I loved this. Much improvement from the last instalment and an entertaining action-packed addition to the monsterverse. Oscar winner? Probably not. Entertaining escapism? Most definitely. I am a little concerned about how the story will progress from here. They had plenty of scope for lots of movies after some of the things they showed in the film, but the events of KotM mean that there's little room to move with it all, we'll have to see what happens in Godzilla Vs Kong next year.
What you should do
This really deserves to be seen on the big screen. The sound and the effects combine to make some great viewing.
Movie thing you wish you could take home
If they could adapt the Orca for human use I'd be interested.
Dr Emma Russell has developed the Orca, a device that communicates with the Titans and can be used to calm them and stop any further destruction. Not everyone has the same idea about how to use the Orca though and it's taken, along with Dr Russell and her daughter Madison, after its successful test run. The race is on to recover the device and avert the impending crisis.
Godzilla is one of my favourite monsters. For years the 1998 film with Matthew Broderick and Jean Reno in it was one of my favourite films. I also love the "proper" Godzilla movies where they destroy Tokyo at every given opportunity. To have new films felt like a wonderful thing... until I saw 2014 Godzilla. I rewatched it before going to see King Of The Monsters and I remembered how underwhelmed I was. The characters didn't grab me and I found the whole thing uninspiring. The prospect of a second wasn't great, but then I saw the trailers, they were spectacular.
I really enjoyed this and went to see it again in 3D, a much more peaceful screening than the first viewing. The girl who was sitting a couple of seats away was animatedly jumping at every opportunity, her reaction was far scarier than anything that happened on the screen.
This was much improved on the last instalment. I loved that it embraced the original films and the fact that it switched its focus more to the monsters than the humans. You go to a monster movie to see monsters, and Godzilla 2014 felt like it had forgotten that fact.
If I had to describe this film to someone I'd say it was a combination of Infinity War and Jurassic Park, just with slightly larger monsters... yep, I'm fairly happy with that comparison. I may have been imagining it but I felt like there were a few nods to JP jumbled in there... maybe that's just me.
There's a collection of recognisable faces in the cast and I don't think there's a single person who underperforms. I thought that Millie Bobby Brown gave a great performance as Madison, she managed to give us a child character that wasn't particularly annoying, which may actually be a first in creature features.
Charles Dance makes an excellent bad guy, there's something about his look, a cross between a vampire and the restaurant critic from Ratatouille that works for me. He also gets to have a great moment of silent humour with Brown when they're in a lift together, it was very unexpected for their potential on-screen relationship.
We get to see four of our Titans in this movie as main players. Godzilla, obvs, Mothra, Rodan and Monster Zero, or King Ghidorah to his friends. The sheer scale they've gone to is amazing, and I thought the way they were created with their individual traits was beautiful. The one drawback to the beautiful glowing monster bodies is that the scenes have to be fairly dark to appreciate that aspect. They manage to use those aspects of the creatures to give the extra lighting the scenes need meaning that you get something that's both dark and scary as well as light and hopeful. The colours were something that really stood out to me in the advertising, the lightness of the blue and green against the anger of the orange and yellow, it shows the good and evil relationship really well.
The size of the creatures is mad and sometimes a little impossible to gauge, we get a few moments where we're given some perspective with man-made structures but they do a good job of trying to get it across in basic visual techniques too. You see a lot of them from "human" angles, from the ground running, from buildings and vehicles. It feels like an exercise in shock and awe and takes you back to Dr Serizawa's point at the beginning of the film that we're Godzilla's pets, it's not the other way around.
The effects/animation looked solid, at no point did I see anything on-screen that drew my attention away from the action. One moment in particular stood out and that was a large explosion somewhere in the middle of the movie. It was given an old fashioned kind of a look and it gave me the impression that they'd really looked at things that had come before it for inspiration.
You have to obviously accept the facts that in these sorts of films, parents will willingly put their children in immense danger, bad guys will always have prepared a short video presentation to explain their motivations and just because there's destruction happening all around you does not mean you will die. It's got all the classic monster/disaster movie moments that you love to hate in it. "Movie Reality" is awesome.
If you couldn't already tell, I loved this. Much improvement from the last instalment and an entertaining action-packed addition to the monsterverse. Oscar winner? Probably not. Entertaining escapism? Most definitely. I am a little concerned about how the story will progress from here. They had plenty of scope for lots of movies after some of the things they showed in the film, but the events of KotM mean that there's little room to move with it all, we'll have to see what happens in Godzilla Vs Kong next year.
What you should do
This really deserves to be seen on the big screen. The sound and the effects combine to make some great viewing.
Movie thing you wish you could take home
If they could adapt the Orca for human use I'd be interested.
Rikki Hammond (33 KP) rated King of Tokyo in Tabletop Games
Jun 4, 2019
Easy to teach (2 more)
Great at all player counts
Looks visually great
Games are over far too quickly sometimes (1 more)
Some cards are far too overpowered
Yahtzee With Monsters
Please note, this review is for the first edition of the game.
King of Tokyo is one of the first games I bought for myself, when I got back into board gaming years ago, and it's definitely a fantastic light filler game, that will appeal to all ages.
Players choose a monster, and then take it in turns rolling six custom dice up to three times (like Yahtzee,) to either attack other players, heal their own health, gain 1,2 or 3 victory points, or collect energy.
Once one player attacks another, they enter Tokyo, and gain an extra victory point for each turn they are in there, however, everyone else can attack you, and you can't heal, but your attacks hurt everyone else to counteract this. You can decide to exit Tokyo, which will put the last player who attacked you in there instead.
Energy is used to buy special cards that help you out in one way or another. This can be anything from allowing you to roll an additional die, to giving you an extra life if you are destroyed. Each card has a different energy cost to buy them, and generally the better cards cost more, although some cards cost very little, but can be very overpowered, which can throw a little imbalance in the game.
A player wins by either destroying all other monsters, or by gaining 20 victory points (although it's usually the former that occurs.)
King of Tokyo is a lot of fun, but sometimes the games can be over far too quickly, especially if someone gets lucky with the attack rolls and card purchases, and sometimes players can be eliminated early on, leaving them to sit and watch as the rest of the game is played.
Overall, I would recommend King of Tokyo to casual gamers, and those starting out in gaming, especially those with kids, as it's light, easy to teach, and fun to play.
King of Tokyo is one of the first games I bought for myself, when I got back into board gaming years ago, and it's definitely a fantastic light filler game, that will appeal to all ages.
Players choose a monster, and then take it in turns rolling six custom dice up to three times (like Yahtzee,) to either attack other players, heal their own health, gain 1,2 or 3 victory points, or collect energy.
Once one player attacks another, they enter Tokyo, and gain an extra victory point for each turn they are in there, however, everyone else can attack you, and you can't heal, but your attacks hurt everyone else to counteract this. You can decide to exit Tokyo, which will put the last player who attacked you in there instead.
Energy is used to buy special cards that help you out in one way or another. This can be anything from allowing you to roll an additional die, to giving you an extra life if you are destroyed. Each card has a different energy cost to buy them, and generally the better cards cost more, although some cards cost very little, but can be very overpowered, which can throw a little imbalance in the game.
A player wins by either destroying all other monsters, or by gaining 20 victory points (although it's usually the former that occurs.)
King of Tokyo is a lot of fun, but sometimes the games can be over far too quickly, especially if someone gets lucky with the attack rolls and card purchases, and sometimes players can be eliminated early on, leaving them to sit and watch as the rest of the game is played.
Overall, I would recommend King of Tokyo to casual gamers, and those starting out in gaming, especially those with kids, as it's light, easy to teach, and fun to play.
Awix (3310 KP) rated Godzilla Vs Biollante (1989) in Movies
Feb 8, 2018 (Updated Feb 8, 2018)
The Rise of the Rose of the Risen Dead
Toho Studios held a competition to find the plot for their next Godzilla movie after the semi-reboot of the series in 1984, and this is the film that resulted from the winning idea. Heaven knows what the losing entries must have been like, because this is a tale dripping with utter insanity of a kind you just don't get in conventional western movies.
Scientists hoping to grow extra-resilient genetically-modified wheat give some harvested Godzilla cells to a brilliant scientist who has been left unhinged by the death of his lovely young daughter in a terrorist attack. The scientist promptly decides to use the G-cells to create a new form of hybrid rose (as you would), which starts to exhibit worrying Godzilla-ish tendencies (demolishing the greenhouse and heading off across country, for instance). It transpires the new creature is possessed by the spirit of the scientist's daughter. 'I think now I may have made a mistake,' admits the scientist, in one of the great movie understatements.
Not to worry, for Godzilla himself erupts from the volcanic prison he was stuck in at the end of the previous film, and the new creature (Biollante, in case you haven't already figured it out) may be able to lend a hand in sorting him out. There is also a slightly dull subplot about evil American corporations and spies from the desert nation of Saradia (i.e. Saudi Arabia) which sometimes gets in the way of the monster action.
Well, if you've ever wanted to see cinema's most famous mutant nuclear dinosaur battling a botanical semi-clone of himself which has been possessed by the ghost of a young woman, this is the movie for you. Actually, this is a cut above most Godzilla movies of this period, being filled with (admittedly mad) ideas and actually keeping Godzilla at the centre of the plot. The monsters look good and it treats them with a welcome seriousness. Unfortunately, the poor box office for this outing led Toho to adopt a policy of bringing back old favourites in subsequent movies, rather than new monsters, but this is a refreshingly different and rather well-made Godzilla film.
Scientists hoping to grow extra-resilient genetically-modified wheat give some harvested Godzilla cells to a brilliant scientist who has been left unhinged by the death of his lovely young daughter in a terrorist attack. The scientist promptly decides to use the G-cells to create a new form of hybrid rose (as you would), which starts to exhibit worrying Godzilla-ish tendencies (demolishing the greenhouse and heading off across country, for instance). It transpires the new creature is possessed by the spirit of the scientist's daughter. 'I think now I may have made a mistake,' admits the scientist, in one of the great movie understatements.
Not to worry, for Godzilla himself erupts from the volcanic prison he was stuck in at the end of the previous film, and the new creature (Biollante, in case you haven't already figured it out) may be able to lend a hand in sorting him out. There is also a slightly dull subplot about evil American corporations and spies from the desert nation of Saradia (i.e. Saudi Arabia) which sometimes gets in the way of the monster action.
Well, if you've ever wanted to see cinema's most famous mutant nuclear dinosaur battling a botanical semi-clone of himself which has been possessed by the ghost of a young woman, this is the movie for you. Actually, this is a cut above most Godzilla movies of this period, being filled with (admittedly mad) ideas and actually keeping Godzilla at the centre of the plot. The monsters look good and it treats them with a welcome seriousness. Unfortunately, the poor box office for this outing led Toho to adopt a policy of bringing back old favourites in subsequent movies, rather than new monsters, but this is a refreshingly different and rather well-made Godzilla film.
Gareth von Kallenbach (980 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 19, 2019
Picking up after the events of the previous film; “Godzilla: King of the Monsters” deals with a world trying to assess what to do with the presence of the giant Titans. The Monarch Corporation wants the creatures studied and has established locales to study the ones they have found currently hibernating. The U.S. Government wants them destroyed as they do not want repeats of the destruction that was previously caused by Godzilla.
Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobbie Brown) have developed a device known as Orca that will allow them to communicate with the creatures using specific sonic frequencies.
After a successful test under duress; the duo are captured by a ruthless Eco Terrorist group who want to use the giant creatures for their own objectives.
This leads to a chase around the world with Monarch attempting to stop them and with Emma’s ex-husband Mark (Kyle Chandler) deeply involved though he is deeply divided as he blames Godzilla for the loss of their son.
When a gigantic creature is freed; Godzilla faces his greatest challenge as there is a race against time to save the world.
While the film has some very impressive visual effects, the film drags as aside from a couple of brief encounters; the audience is required to sit through roughly 90 minutes of plodding story to get to the action which is roughly only the last 15-20 minutes of the film.
The human characters were very disinteresting and many of the international cast looked at times like they were sleepwalking though their lines as they seemed to have a real lack of passion for what they were given to work with.
The human characters were also very annoying and I found myself hoping that they would be taken out by the creatures as I had no connection to them and they did not inspire any sympathy.
While it may possibly appeal to hardcore fans, this was a miss for me as there simply was not enough creature action to counter-balance having to sit through the human characters and plodding plot to get to the good stuff.
http://sknr.net/2019/05/29/godzilla-king-of-the-monsters/
Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobbie Brown) have developed a device known as Orca that will allow them to communicate with the creatures using specific sonic frequencies.
After a successful test under duress; the duo are captured by a ruthless Eco Terrorist group who want to use the giant creatures for their own objectives.
This leads to a chase around the world with Monarch attempting to stop them and with Emma’s ex-husband Mark (Kyle Chandler) deeply involved though he is deeply divided as he blames Godzilla for the loss of their son.
When a gigantic creature is freed; Godzilla faces his greatest challenge as there is a race against time to save the world.
While the film has some very impressive visual effects, the film drags as aside from a couple of brief encounters; the audience is required to sit through roughly 90 minutes of plodding story to get to the action which is roughly only the last 15-20 minutes of the film.
The human characters were very disinteresting and many of the international cast looked at times like they were sleepwalking though their lines as they seemed to have a real lack of passion for what they were given to work with.
The human characters were also very annoying and I found myself hoping that they would be taken out by the creatures as I had no connection to them and they did not inspire any sympathy.
While it may possibly appeal to hardcore fans, this was a miss for me as there simply was not enough creature action to counter-balance having to sit through the human characters and plodding plot to get to the good stuff.
http://sknr.net/2019/05/29/godzilla-king-of-the-monsters/
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Hunt Showdown
8.3
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Savage, nightmarish monsters roam the Louisiana swamps, and you are part of a group of rugged bounty...
Gareth von Kallenbach (980 KP) rated The Great Wall (2016) in Movies
Jul 12, 2019
Universal Studios and Legendary’s latest monster film is from the brilliant mind of Zhang Yimou. I must say that though this was a Yimou film I was not really intrigued with the trailer and almost skipped it however I’m glad that I didn’t!
William (Matt Damon) and Toval (Pedro Pascal) are mercenaries trying to make it rich. They are on a mission in China on the lookout for legendary exploding black powder. Instead they find a huge Great Wall and are mystified as to why it was built and what it is trying to keep out. The Tao Tei, are prehistoric looking monsters who are a danger to all of humanity and the only thing stopping them is the wall. William is a skilled archer and Toval a witty fighter. With their help they might be able to save humanity from the onslaught of the Tao Tei.
I thoroughly enjoyed this film and found it extremely entertaining. The action and unexpected humor is what sold it for me. The casting of Matt Damon and Pedro Pascal was brilliantly thought out and kept the audience laughing with the duos chemistry and how well they played off of each other.
Despite all of the controversy about having Matt Damon as the lead in a Chinese film is crazy and I think Zhang has made the right choice in doing so. To be successful in the American film industry sometimes you have to use a big star to bring in big results. Though the story and script are basic and easy to follow the action, scenery, costumes and humor are fantastic and what makes the film great. This film should definitely be viewed with the 3D option as it fully immerses the audience into and becomes a part of the story. A lot of CGI was used and though normally I am not a fan of a lot of CGI, it works with the film rather than against it. I would definitely recommend this film but the monsters might be too much for kids to handle in 3D.
William (Matt Damon) and Toval (Pedro Pascal) are mercenaries trying to make it rich. They are on a mission in China on the lookout for legendary exploding black powder. Instead they find a huge Great Wall and are mystified as to why it was built and what it is trying to keep out. The Tao Tei, are prehistoric looking monsters who are a danger to all of humanity and the only thing stopping them is the wall. William is a skilled archer and Toval a witty fighter. With their help they might be able to save humanity from the onslaught of the Tao Tei.
I thoroughly enjoyed this film and found it extremely entertaining. The action and unexpected humor is what sold it for me. The casting of Matt Damon and Pedro Pascal was brilliantly thought out and kept the audience laughing with the duos chemistry and how well they played off of each other.
Despite all of the controversy about having Matt Damon as the lead in a Chinese film is crazy and I think Zhang has made the right choice in doing so. To be successful in the American film industry sometimes you have to use a big star to bring in big results. Though the story and script are basic and easy to follow the action, scenery, costumes and humor are fantastic and what makes the film great. This film should definitely be viewed with the 3D option as it fully immerses the audience into and becomes a part of the story. A lot of CGI was used and though normally I am not a fan of a lot of CGI, it works with the film rather than against it. I would definitely recommend this film but the monsters might be too much for kids to handle in 3D.
The Son of Neptune (The Heroes of Olympus #2)
9.1
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Seven half-bloods shall answer the call, To storm or fire the world must fall. An oath to keep...
Sea Breeze: Phantom Queen Book 8 - A Temple Verse Series (The Phantom Queen Diaries)
Shayne Silvers and Cameron O'Connell
9.0
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Remember when dead in the water was just an expression? Not anymore. Fresh from her unplanned...