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Brumpolarbears (22 KP) rated Village Attacks in Tabletop Games
Jun 18, 2019
UK Games Expo 2018 was filled to the brim with new and shiny games, but one of our stand out picks was a cooperative castle defence game, with a twist. In Village Attacks, you take on the role of some of the most infamous and feared folklore legends. What could go wrong?
Set within the depths of a particularly immense castle, you and your fellow villains must defend your home from the local villagers who are laying siege to your home in an effort to exorcise your evil from the world.
Although the villagers themselves may be weak, they aren’t alone. Hunters and heroes from across the world have come to lend sword, shield and gun to rid the world of your taint.
The castle interior is constructed using a modular tile system made up from beautifully illustrated game tiles that allow for near limitless combinations and layouts. The villagers will attempt to reach the heart of the castle and destroy it, but they must be stopped! Only by slaying enough villagers and breaking their morale will you be able to drive them from your home for good.
The brainchild of two friends, Adam Smith and Mike Brown of Grimlord Games, an independent developer of tabletop games, Village Attacks uses custom dice to control the outcome of your turn. Dice results can be used to move your monster, activate your abilities, purchase traps, defend yourself from incoming attacks and even be stored for the next round.
Each monster possesses their own unique abilities that they are able to level up by slaying villagers and completing objectives. Monsters are categorised into types, which can affect how they interact with the enemy forces. Hunters and Town Heroes deal extra damage to monsters that match their types, creating another level of strategy and planning.
I had the opportunity to give Village Attacks a whirl at UK Games Expo and I really did fall in love with it. I’m a sucker for a good miniature and this has plenty of options, particularly if you backed the Kickstarter. While the game itself comes with a lot of components (see the list below), it’s fairly quick to get into. Once the heroes and hunters take to the board, that’s when things really start to heat up. This one is certainly going on the wish list.
Set within the depths of a particularly immense castle, you and your fellow villains must defend your home from the local villagers who are laying siege to your home in an effort to exorcise your evil from the world.
Although the villagers themselves may be weak, they aren’t alone. Hunters and heroes from across the world have come to lend sword, shield and gun to rid the world of your taint.
The castle interior is constructed using a modular tile system made up from beautifully illustrated game tiles that allow for near limitless combinations and layouts. The villagers will attempt to reach the heart of the castle and destroy it, but they must be stopped! Only by slaying enough villagers and breaking their morale will you be able to drive them from your home for good.
The brainchild of two friends, Adam Smith and Mike Brown of Grimlord Games, an independent developer of tabletop games, Village Attacks uses custom dice to control the outcome of your turn. Dice results can be used to move your monster, activate your abilities, purchase traps, defend yourself from incoming attacks and even be stored for the next round.
Each monster possesses their own unique abilities that they are able to level up by slaying villagers and completing objectives. Monsters are categorised into types, which can affect how they interact with the enemy forces. Hunters and Town Heroes deal extra damage to monsters that match their types, creating another level of strategy and planning.
I had the opportunity to give Village Attacks a whirl at UK Games Expo and I really did fall in love with it. I’m a sucker for a good miniature and this has plenty of options, particularly if you backed the Kickstarter. While the game itself comes with a lot of components (see the list below), it’s fairly quick to get into. Once the heroes and hunters take to the board, that’s when things really start to heat up. This one is certainly going on the wish list.
Matthew Krueger (10051 KP) rated House of Dracula (1945) in Movies
Jun 18, 2020
Get The Gang All Together: The Crossover II
House of Dracula- was a direct sequel to House of Frankenstein, and continued the theme of combining Universal's three most popular monsters: Frankenstein's monster (Glenn Strange), Count Dracula (John Carradine), and the Wolf Man (Lon Chaney Jr.).
The plot: This monster movie focuses on the iconic vampire, Count Dracula (John Carradine), and Lawrence Talbot (Lon Chaney), better known as the Wolf Man. Both beings of the night are tired of their supernatural afflictions, so they seek out Dr. Franz Edelmann (Onslow Stevens) for cures for their respective curses. While trying to aid the imposing creatures, Edelmann himself develops a transformative condition, adding to the many ghouls lurking around the foreboding landscape.
The working titles for the film were Dracula vs. the Wolf Man or The Wolf Man vs. Dracula.
Although Glenn Strange appears as the Monster in most of the film, footage of Chaney as the Monster from The Ghost of Frankenstein and Boris Karloff from Bride of Frankenstein was recycled; Karloff appears in a dream sequence, while Chaney, as well as his double Eddie Parker, are seen in footage in a fire scene.
Strange recounts that a scene with the Monster stuck in quicksand was particularly arduous for him. On top of three hours of getting into makeup, Strange spent the rest of the day buried in cold sand, including during the lunch break, and was so cold by midafternoon that he could barely feel his legs. Lon Chaney Jr. attempted to help Strange keep warm by passing him a bottle of scotch, with the result that Strange was so drunk that after getting out of costume and makeup, he had difficulty dressing himself in his street clothes. Chaney's drinking contributed to his reputation as being difficult to work with, and probably was the reason Universal let him go after the film was completed.
The film, which was the seventh Universal film to feature Frankenstein's monster, as well as the fourth with Count Dracula and the Wolf Man, was a commercial success, but was one of the last Universal movies featuring Frankenstein's monster, vampires, and werewolves, with the exception of the comedy Abbott and Costello Meet Frankenstein (1948), in which all three appear.
Its a fun entertaing horror film starring the universal monsters.
The plot: This monster movie focuses on the iconic vampire, Count Dracula (John Carradine), and Lawrence Talbot (Lon Chaney), better known as the Wolf Man. Both beings of the night are tired of their supernatural afflictions, so they seek out Dr. Franz Edelmann (Onslow Stevens) for cures for their respective curses. While trying to aid the imposing creatures, Edelmann himself develops a transformative condition, adding to the many ghouls lurking around the foreboding landscape.
The working titles for the film were Dracula vs. the Wolf Man or The Wolf Man vs. Dracula.
Although Glenn Strange appears as the Monster in most of the film, footage of Chaney as the Monster from The Ghost of Frankenstein and Boris Karloff from Bride of Frankenstein was recycled; Karloff appears in a dream sequence, while Chaney, as well as his double Eddie Parker, are seen in footage in a fire scene.
Strange recounts that a scene with the Monster stuck in quicksand was particularly arduous for him. On top of three hours of getting into makeup, Strange spent the rest of the day buried in cold sand, including during the lunch break, and was so cold by midafternoon that he could barely feel his legs. Lon Chaney Jr. attempted to help Strange keep warm by passing him a bottle of scotch, with the result that Strange was so drunk that after getting out of costume and makeup, he had difficulty dressing himself in his street clothes. Chaney's drinking contributed to his reputation as being difficult to work with, and probably was the reason Universal let him go after the film was completed.
The film, which was the seventh Universal film to feature Frankenstein's monster, as well as the fourth with Count Dracula and the Wolf Man, was a commercial success, but was one of the last Universal movies featuring Frankenstein's monster, vampires, and werewolves, with the exception of the comedy Abbott and Costello Meet Frankenstein (1948), in which all three appear.
Its a fun entertaing horror film starring the universal monsters.
Ryan Hill (152 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 29, 2019
"We opened Pandora's box. And there's no closing it now."
With Godzilla (2014) Legendary Pictures was the first American studio to get it right. No idiotic US edits of the latest Japanese films. No remakes that went out of it's way to be anything but Godzilla. It was GODZILLA! Now from what I understand from an interview with Shinji Higuchi is that Legendary only has the rights to Godzilla until 2020. So what do you do in that case? Well since you only have time to make one more Godzilla film before Godzilla vs. Kong, you do the obvious; You remake Destroy All Monsters!
There is some Michael Bay level stupidity going on in some moments of this film, but I don't care. I loved it. Some of the great Toho Godzilla films have goofy science combined with forgettable human characters. This one isn't even close to being the greatest offender of this in the franchise. Besides, when it comes to Vera Farmiga and Kyle Chandler I'm going to care about their characters at least a little no matter how they're written.
The film makers really went out of their way with tons of references from Godzilla's history. They even find a way to do a subtle nod to the Shobijin which I didn't think they'd ever touch with a 10 foot pole. I don't want to spoil anything, but it's just things that are used in the film that aren't part of American pop culture like the character itself of Godzilla. There's a lot of shit that only people who have seen the original films will pick up on.
The score is great, but even greater is that they actually used Gozilla's theme which is god damn iconic and shockingly even Mothra's theme. How can you not love that? I dunno. Maybe I'm just a geek, but seeing Ghidorah, Mothra, Rodan and Godzilla in a big budget Hollywood movie just blows my mind. I loved it. It's basically the American remake of Destroy All Monsters. Don't bother telling me how dumb the movie is either. I fully realize how dumb it is.
There is some Michael Bay level stupidity going on in some moments of this film, but I don't care. I loved it. Some of the great Toho Godzilla films have goofy science combined with forgettable human characters. This one isn't even close to being the greatest offender of this in the franchise. Besides, when it comes to Vera Farmiga and Kyle Chandler I'm going to care about their characters at least a little no matter how they're written.
The film makers really went out of their way with tons of references from Godzilla's history. They even find a way to do a subtle nod to the Shobijin which I didn't think they'd ever touch with a 10 foot pole. I don't want to spoil anything, but it's just things that are used in the film that aren't part of American pop culture like the character itself of Godzilla. There's a lot of shit that only people who have seen the original films will pick up on.
The score is great, but even greater is that they actually used Gozilla's theme which is god damn iconic and shockingly even Mothra's theme. How can you not love that? I dunno. Maybe I'm just a geek, but seeing Ghidorah, Mothra, Rodan and Godzilla in a big budget Hollywood movie just blows my mind. I loved it. It's basically the American remake of Destroy All Monsters. Don't bother telling me how dumb the movie is either. I fully realize how dumb it is.
GF
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Awix (3310 KP) rated Ghidorah, the Three-Headed Monster (1964) in Movies
Feb 12, 2019
Archetypal Toho monster mash with exuberant men-in-suits wrestling and an all-over-the-place plot - Flying Saucer enthusiasts predict the apocalypse, a Himalayan princess survives an assassination attempt when she is possessed by the spirit of a Venusian (or Martian, depending on which version you watch), a mysterious meteorite hatches out Ghidorah the three-headed space dragon. Earth's fate depends on the ability of a caterpillar to persuade a nuclear dinosaur and a giant pterodactyl to work together.
Lots of fun if you enjoy this sort of thing, with many incidental pleasures - not least the startling shades-and-ruff outfit adopted by the chief villain at one point. Not quite as jokey in tone as King Kong Vs Godzilla, but still notably lighter than most of the previous films in the series - the various monsters are treated more as characters than before, too (there's a fairly lengthy conversation between Mothra, Rodan and Godzilla). Calling this the mid-60s Japanese version of The Avengers is probably stretching a point, but it's certainly one of the better early Godzilla movies; hopefully the forthcoming American take on these characters will be as much fun.
Lots of fun if you enjoy this sort of thing, with many incidental pleasures - not least the startling shades-and-ruff outfit adopted by the chief villain at one point. Not quite as jokey in tone as King Kong Vs Godzilla, but still notably lighter than most of the previous films in the series - the various monsters are treated more as characters than before, too (there's a fairly lengthy conversation between Mothra, Rodan and Godzilla). Calling this the mid-60s Japanese version of The Avengers is probably stretching a point, but it's certainly one of the better early Godzilla movies; hopefully the forthcoming American take on these characters will be as much fun.
Awix (3310 KP) rated Godzilla Vs Mechagodzilla II (1993) in Movies
Mar 11, 2018 (Updated Mar 11, 2018)
Old-school Toho monster mash follows the trend of early-90s Godzilla movies by reinventing popular characters from 60s and 70s films. Kind of suffers from the same problem as superhero films with multiple villains (cf Spider-Man 3 or Batman Forever), in that contriving a way for all the monsters to appear and interact requires some outlandish plotting and a good deal of hand-waving of implausibilities (not to mention indulgence from the audience).
In addition to Godzilla, in this film you get Mechagodzilla (well, duh), and also giant pterodactyl Rodan and Minilla (aka Baby Godzilla). The monster battles are pretty good, though there's a slight tendency towards the combatants just standing there and zapping each other with breath-rays, and the monster suits are excellent (the Rodan puppet is particularly impressive). Set against this we must place the fact that the movie doesn't actually have a plot, as such - things just happen one after the other with no sense of theme or structure. Most of the human characters are slightly annoying too. A step down from the previous few films, but still better than much of what was to follow in the late 90s and early 2000s.
In addition to Godzilla, in this film you get Mechagodzilla (well, duh), and also giant pterodactyl Rodan and Minilla (aka Baby Godzilla). The monster battles are pretty good, though there's a slight tendency towards the combatants just standing there and zapping each other with breath-rays, and the monster suits are excellent (the Rodan puppet is particularly impressive). Set against this we must place the fact that the movie doesn't actually have a plot, as such - things just happen one after the other with no sense of theme or structure. Most of the human characters are slightly annoying too. A step down from the previous few films, but still better than much of what was to follow in the late 90s and early 2000s.
Sarah (7800 KP) rated Sucker Punch (2011) in Movies
Sep 20, 2018
All style, no substance
Apologies in advance to all of the male Smashbombers, but this film basically feels like a teenage boy’s fantasy. I saw it when it first came out at the cinema and wasn’t impressed in the slightest, but I thought I’d give it another go in case I was wrong. Unfortunately I wasn’t.
Girls wearing barely anything, mental asylums, brothels, monsters, war zones, robots, dragons, zombies.... did nobody stop to think that this was maybe a bit too much? Zack Snyder has compared this to Alice in Wonderland, but it is far from it. The plot could’ve worked better if it had just stuck to a girl resorting to a inner fantasy world to escape reality in a mental asylum, but instead it just gets far too ridiculous and silly. Visually it looks very good, although I don’t think the CGI looks quite as good on the small screen as you’d hope, and the soundtrack is great, it’s just a shame the rest of the film is so dull and laughably bad. You’ve got some great actors in here (even a brief cameo from Jon Hamm) but they really are wasted in this.
Girls wearing barely anything, mental asylums, brothels, monsters, war zones, robots, dragons, zombies.... did nobody stop to think that this was maybe a bit too much? Zack Snyder has compared this to Alice in Wonderland, but it is far from it. The plot could’ve worked better if it had just stuck to a girl resorting to a inner fantasy world to escape reality in a mental asylum, but instead it just gets far too ridiculous and silly. Visually it looks very good, although I don’t think the CGI looks quite as good on the small screen as you’d hope, and the soundtrack is great, it’s just a shame the rest of the film is so dull and laughably bad. You’ve got some great actors in here (even a brief cameo from Jon Hamm) but they really are wasted in this.