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Lyndsey Gollogly (2893 KP) rated Smoulder ( Anita Blake book 29) in Books
Mar 27, 2023
Contains spoilers, click to show
‼️‼️ spoiler in review ‼️‼️
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
Awix (3310 KP) rated Terror of Mechagodzilla (1975) in Movies
Mar 24, 2018 (Updated Mar 25, 2018)
Final movie in the first Godzilla series often gets some stick for supposedly killing off the original continuity, but is actually not that bad. Bacofoil-wearing aliens team up with mad scientist and his cyborg daughter to conquer the world; there are many opportunities for evil laughter at the planning meetings. The usual strategy of using giant monsters as invasion weapons is employed, despite it having utterly failed in at least five previous movies.
Original director Honda comes back and at least ensures this film has a degree of dignity and craft to it: pretty good monster suits and model work, but the back projection is terrible. There's slightly more focus on character than usual (particularly that of the tragic cyborg girl), which the film seems unsure how to handle. To be honest, one of the main problems is that it's not really about Godzilla any more - he just turns up to fight the bad guys at the end and everyone else takes him for granted. By no means the worst Godzilla movie even of the 1970s, but you can see why Toho decided to take a break. Best line (possibly in the whole of cinema): 'Please kill me - Mechagodzilla's brain is installed in my stomach!'
Original director Honda comes back and at least ensures this film has a degree of dignity and craft to it: pretty good monster suits and model work, but the back projection is terrible. There's slightly more focus on character than usual (particularly that of the tragic cyborg girl), which the film seems unsure how to handle. To be honest, one of the main problems is that it's not really about Godzilla any more - he just turns up to fight the bad guys at the end and everyone else takes him for granted. By no means the worst Godzilla movie even of the 1970s, but you can see why Toho decided to take a break. Best line (possibly in the whole of cinema): 'Please kill me - Mechagodzilla's brain is installed in my stomach!'
Awix (3310 KP) rated Godzilla Vs Megaguirus (2000) in Movies
Mar 9, 2018 (Updated Mar 9, 2018)
Excitable first Godzilla movie of the 21st century has some decent special effects but a more than usually ridiculous plot. Elite anti-monster force known as, and I kid you not, the 'G-Graspers' plan to kill Godzilla by filling him full of black holes; for an elite anti-monster force they seem very unconcerned when weapons test causes an infestation of giant predatory dragonflies known as Meganulons (a call-back to the original Rodan movie in the 1950s). The dragonflies proceed to flood Tokyo (quite how they manage this is not clear) and feed on Godzilla's irradiated mutant blood, which is bound to end badly.
One thing you have to say is that Godzilla Vs Megaguirus is full of big and wacky ideas, but the human characters are unappealing, the plot is very comic-booky even for a Godzilla film (and not in a good way), and the movie can't seem to figure out which of the monsters is supposed to be the good guy. The film drags on for another fifteen minutes after the climactic battle, too. The monster suits and special effects are not too bad, but the same is true of all the Godzilla films from around this point in time, and those don't have the weird flaws of this one.
One thing you have to say is that Godzilla Vs Megaguirus is full of big and wacky ideas, but the human characters are unappealing, the plot is very comic-booky even for a Godzilla film (and not in a good way), and the movie can't seem to figure out which of the monsters is supposed to be the good guy. The film drags on for another fifteen minutes after the climactic battle, too. The monster suits and special effects are not too bad, but the same is true of all the Godzilla films from around this point in time, and those don't have the weird flaws of this one.
Awix (3310 KP) rated Godzilla: Planet of the Monsters (2017) in Movies
Feb 13, 2018 (Updated Mar 7, 2018)
Now, there's nothing wrong in principle with doing an animated Godzilla movie; most of the problems with this one arise from the fact it is largely unrecognisable as such.
Earth is abandoned due to excessive growth in the giant monster population; timey-wimey plot device means the survivors return twenty years later and find thousands of years have gone past and the place has reverted to a primeval state; the ecology is now distinctly Godzillaesque. Has their technology improved to the point where they can stand a chance against the Big G himself?
Reasonable, if somewhat convoluted premise is torpedoed by a persistent mood of nihilistic misery and absence of likeable human characters; Godzilla is largely absent, and mostly passive when he does appear. You want to see Godzilla demolishing Tokyo and fighting other monsters, not mooching about in a jungle, anyway. A good way of catching up on recent tropes in mainstream SF (this is just a nice way of saying the film is rather derivative), some interesting designs, but on the whole this is hard work to watch. English subtitles seem to have been written using Google Translate, which only adds to the essentially frustrating nature of the experience.
Earth is abandoned due to excessive growth in the giant monster population; timey-wimey plot device means the survivors return twenty years later and find thousands of years have gone past and the place has reverted to a primeval state; the ecology is now distinctly Godzillaesque. Has their technology improved to the point where they can stand a chance against the Big G himself?
Reasonable, if somewhat convoluted premise is torpedoed by a persistent mood of nihilistic misery and absence of likeable human characters; Godzilla is largely absent, and mostly passive when he does appear. You want to see Godzilla demolishing Tokyo and fighting other monsters, not mooching about in a jungle, anyway. A good way of catching up on recent tropes in mainstream SF (this is just a nice way of saying the film is rather derivative), some interesting designs, but on the whole this is hard work to watch. English subtitles seem to have been written using Google Translate, which only adds to the essentially frustrating nature of the experience.
Awix (3310 KP) rated The Darkest Hour (2011) in Movies
Jun 2, 2018 (Updated Jun 2, 2018)
Ferociously generic hot-young-things-are-chased-by-high-concept-monsters movie. (Winston Churchill does not appear, by the way.) Various American, Australian and Swedish characters bump into each other in a Moscow nightclub, hit it off (or not), then find the evening takes a bit of a turn when aliens made of invisible electricity arrive and start eating people. Lots of sneaking about and tension; it's not that difficult to guess who the aliens are going to chow down on before the end of the film, and in what order.
I suppose it looks okay, and many members of the cast have gone on to marginally better things (remakes of Judge Dredd and Robocop, plus TV work for Marvel), but the whole thing seems to be actively trying to be as forgettable as possible. The film's big innovation - the Moscow setting - ends up contributing nothing to the film, really; actual Russian characters are kept peripheral. Ultimately just a very, very bland film: Olivia Thirlby deserves some kind of mention for actually making you care slightly about her character. Apart from that this is the kind of SF film that brings science fiction into disrepute. And science. And quite probably fiction, come to that.
I suppose it looks okay, and many members of the cast have gone on to marginally better things (remakes of Judge Dredd and Robocop, plus TV work for Marvel), but the whole thing seems to be actively trying to be as forgettable as possible. The film's big innovation - the Moscow setting - ends up contributing nothing to the film, really; actual Russian characters are kept peripheral. Ultimately just a very, very bland film: Olivia Thirlby deserves some kind of mention for actually making you care slightly about her character. Apart from that this is the kind of SF film that brings science fiction into disrepute. And science. And quite probably fiction, come to that.
Kevin Wilson (179 KP) rated Miss Peregrine's Home for Peculiar Children (2016) in Movies
Jul 14, 2018
Unique characters (2 more)
Great cast
Another great tim burton style
Great movie, rather unique
This was a great Tim Burton movie. I do believe it is underrated, I've heard many bad things about this movie mainly being told it's boring but its far from it.
Each character is very unique and sometimes kinda creepy and there were some very interesting parts of the story I found very very interested, more specific the loops.
The cast was great but was surprised not to see Helana Boham Carter playing the lead. I've not heard anything about a sequel but I really hope it happens with the cast returning and maybe add a few new characters (I'm yet to read the books).
It was shot really well, you can see Tim Burton all over it and the CGI was pretty good. I loved the design of the monsters. I would have loved more and it is missing something that I can't quite put my finger on.
However, I could see myself going back and watching this again and that is the sign of a good movie. It was predictable and it's not going on my list of the greatest movies ever but it did not disappoint me.
Each character is very unique and sometimes kinda creepy and there were some very interesting parts of the story I found very very interested, more specific the loops.
The cast was great but was surprised not to see Helana Boham Carter playing the lead. I've not heard anything about a sequel but I really hope it happens with the cast returning and maybe add a few new characters (I'm yet to read the books).
It was shot really well, you can see Tim Burton all over it and the CGI was pretty good. I loved the design of the monsters. I would have loved more and it is missing something that I can't quite put my finger on.
However, I could see myself going back and watching this again and that is the sign of a good movie. It was predictable and it's not going on my list of the greatest movies ever but it did not disappoint me.
Awix (3310 KP) rated Freaks (1932) in Movies
Feb 29, 2020 (Updated Feb 29, 2020)
Tod Browning's notorious horror movie remains problematic and uncomfortable to watch nearly a century on from its release. The plot is much more the stuff of a melodrama than a traditional horror movie: a vain and greedy trapeze artist and her lover plot to murder a gullible man enamoured of her for his fortune. What makes the film so queasily memorable is the fact that many of the characters are sideshow 'freaks' of different kinds.
Severely hampered by the fact that many of the cast aren't professional actors, and it shows; also by the fact that several of them don't have English as a first language (some of the dialogue is so heavily accented to be unintelligible). The existing version of the film is fairly thin on plot, too. There is strange tension between the script, which takes pains to make clear that the deformed characters are people, not monsters, and the way that the camera voyeuristically dwells on their physical abnormalities - it's there again in the climax, where the trapeze artist clearly deserves some kind of retribution, but the sequence of the 'freaks' closing in on her is deeply disturbing. A uniquely unsettling movie, and perhaps that's for the best.
Severely hampered by the fact that many of the cast aren't professional actors, and it shows; also by the fact that several of them don't have English as a first language (some of the dialogue is so heavily accented to be unintelligible). The existing version of the film is fairly thin on plot, too. There is strange tension between the script, which takes pains to make clear that the deformed characters are people, not monsters, and the way that the camera voyeuristically dwells on their physical abnormalities - it's there again in the climax, where the trapeze artist clearly deserves some kind of retribution, but the sequence of the 'freaks' closing in on her is deeply disturbing. A uniquely unsettling movie, and perhaps that's for the best.
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