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The Phantom Atlas: The Greatest Myths, Lies and Blunders on Maps
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The Phantom Atlas is an atlas of the world not as it ever existed, but as it was thought to be....
Assail
Book
Tens of thousands of years of ice is melting, and the land of Assail, long a byword for menace and...
Charlie Cobra Reviews (1840 KP) rated That Time I Got Reincarnated as a Slime in TV
Jul 7, 2020
That Time I Got Reincarnated As A Slime is a 2018 anime series animated by 8-Bit with the light novel written by Fuse. It was directed by Yasuhito Kikuchi, with Atsushi Nakayama as assistant director. Kazuyuki Fudeyasu handled music composition with Ryouma Ebata designing the characters and Takahiro Kishida providing monster designs. The series was Simulcast by both Crunchyroll and Funimation.
Minami Satoru was a 37-year old manga loving, corporate worker until one day his life ended in tragedy. While meeting up with a friend for dinner, he sees a man with a knife run up and shoves his friend out of the way, but is fatally injured and dies. When Satoru regains consciousness, he discovers he has been reborn as a "slime", a famously weak character from video games and now in a different world. Blind, deaf, and weak, things are pretty grim initially but he finds he has some new abilities which he uses to gain both friends and enemies in a whole new world.
This anime is pretty cool. It's an "isekai" anime which means it's set in a different world; and is also a genre of anime that I enjoy. It has a fantasy element too and a variety of different races of characters. This series has quite a bit of "fan service" so it might not be for everyone. Also the main character is pretty "op" (over-powered), so you might not find it as compelling as other anime. I felt that they were able to make the conflict that arises work very well with the storyline and with the introduction of new characters. One thing that I didn't think I was going to like, was how he has abilities similar to a character in a video game and learns more over the series. This wound up being really cool in the way they show him use it and develop his abilities as he uses them against enemies. I really liked the animation and designs of the characters and monsters too.
Minami Satoru was a 37-year old manga loving, corporate worker until one day his life ended in tragedy. While meeting up with a friend for dinner, he sees a man with a knife run up and shoves his friend out of the way, but is fatally injured and dies. When Satoru regains consciousness, he discovers he has been reborn as a "slime", a famously weak character from video games and now in a different world. Blind, deaf, and weak, things are pretty grim initially but he finds he has some new abilities which he uses to gain both friends and enemies in a whole new world.
This anime is pretty cool. It's an "isekai" anime which means it's set in a different world; and is also a genre of anime that I enjoy. It has a fantasy element too and a variety of different races of characters. This series has quite a bit of "fan service" so it might not be for everyone. Also the main character is pretty "op" (over-powered), so you might not find it as compelling as other anime. I felt that they were able to make the conflict that arises work very well with the storyline and with the introduction of new characters. One thing that I didn't think I was going to like, was how he has abilities similar to a character in a video game and learns more over the series. This wound up being really cool in the way they show him use it and develop his abilities as he uses them against enemies. I really liked the animation and designs of the characters and monsters too.
LeftSideCut (3778 KP) rated AVP - Alien Vs. Predator (2004) in Movies
Jul 24, 2020
A missed opportunity
More than anything, AVP just pisses me off, usually when thinking about what could have been.
Why on earth is it PG-13, and why oh why was this historic meeting of two of cinemas most iconic aliens entrusted to Paul WS Anderson!?
I mean, in all honesty, both series had run out of gas at this point, so by the time AVP finally rolled around (14 years after the conflict had been teased at the end of Predator 2), it was never going to be much more than a gimmick, a shameless cash grab to get people in the cinema, hence the family friendly blockbuster nature of the film.
In terms of a big blockbuster, it's not terrible. There are some relatively entertaining moments here and there. The first clash between the titular monsters about 30 minutes in is undeniably surrounded by a sense of child like glee.
In terms of cast, it was a great touch to have Lance Henrikson involved, and Sanaa Lathan is a likeable enough badass-female lead, but everyone else is typical forgettable mercenary cannon fodder.
The effects work is pretty decent for the most part as well.
I can't help but feel that AVP is indeed a missed opportunity. The lack of tension, scares, or viscera just doesn't cut it when it comes to these franchises (although the piss poor sequel proved that more violence doesn't always improve a films quality), but I would have gladly accepted just one of the above mentioned features, but it lacks all of it.
There's a brief flashback which shows a handful of Predators fighting waves upon waves of xenomorphs, and whilst it's a great visual, it serves to remind you that there could have been a much better film produced.
I know that I sound like a miserable bastard and that's a fair enough assumption, and for what it's worth, AVP is watchable - easy Hollywood trash to digest, which is the exact opposite of what I feel an Alien film should be.
Why on earth is it PG-13, and why oh why was this historic meeting of two of cinemas most iconic aliens entrusted to Paul WS Anderson!?
I mean, in all honesty, both series had run out of gas at this point, so by the time AVP finally rolled around (14 years after the conflict had been teased at the end of Predator 2), it was never going to be much more than a gimmick, a shameless cash grab to get people in the cinema, hence the family friendly blockbuster nature of the film.
In terms of a big blockbuster, it's not terrible. There are some relatively entertaining moments here and there. The first clash between the titular monsters about 30 minutes in is undeniably surrounded by a sense of child like glee.
In terms of cast, it was a great touch to have Lance Henrikson involved, and Sanaa Lathan is a likeable enough badass-female lead, but everyone else is typical forgettable mercenary cannon fodder.
The effects work is pretty decent for the most part as well.
I can't help but feel that AVP is indeed a missed opportunity. The lack of tension, scares, or viscera just doesn't cut it when it comes to these franchises (although the piss poor sequel proved that more violence doesn't always improve a films quality), but I would have gladly accepted just one of the above mentioned features, but it lacks all of it.
There's a brief flashback which shows a handful of Predators fighting waves upon waves of xenomorphs, and whilst it's a great visual, it serves to remind you that there could have been a much better film produced.
I know that I sound like a miserable bastard and that's a fair enough assumption, and for what it's worth, AVP is watchable - easy Hollywood trash to digest, which is the exact opposite of what I feel an Alien film should be.
Sid Krofft recommended The Wizard of Oz (1939) in Movies (curated)
Merissa (12051 KP) created a post
Mar 16, 2021
Jesters_folly (230 KP) rated Cloverfield (2008) in Movies
Oct 5, 2020
Cloverfield is, at heart a found footage Kaiju movie with the twist that you don't see much of the main monster until the end of the film. Unlike Kaiju films like Godzilla or even Pacific rim, Cloverfield does not concentrate on the monster but on the people affected by it's rampage and the found footage aspect of the film helps bring us in close with a small group of survivors as they try to work out what is happening and try to find their friends.
I knew some one who absolutely hated this film for the very fact that the monster is rarely seen, although he clamed that you never actually saw the monster, which isn't true so I don't think he watched all the way to the end. He had a point though, if you want to watch a film where monsters fight it out amongst themselves then this probably won't be for you.
The monster is really nothing more than a plot device and the fact that it is only revealed in parts and not fully seen until the end helps to keep the film centred on the people and helps add a touch of reality to the film, after all if you lived in Japan during a Kaiju attack you would be more interested in saving your own life than weather you were about to be eaten by Godzilla or Ghidorah.
Being a found footage film, Cloverfield suffers slightly from the usual shaky camera work and occasional low sound but these are kept to a minimum. The film also manages to avoid relying on night vision or infra red so the footage is, for the most part, much clearer than other films of this style and doesn't keep switching formats which make the film less distracting than others.
Over all Cloverfield is a good monster/survival film which leaves some questions to be answered in the sequels (or not )
I knew some one who absolutely hated this film for the very fact that the monster is rarely seen, although he clamed that you never actually saw the monster, which isn't true so I don't think he watched all the way to the end. He had a point though, if you want to watch a film where monsters fight it out amongst themselves then this probably won't be for you.
The monster is really nothing more than a plot device and the fact that it is only revealed in parts and not fully seen until the end helps to keep the film centred on the people and helps add a touch of reality to the film, after all if you lived in Japan during a Kaiju attack you would be more interested in saving your own life than weather you were about to be eaten by Godzilla or Ghidorah.
Being a found footage film, Cloverfield suffers slightly from the usual shaky camera work and occasional low sound but these are kept to a minimum. The film also manages to avoid relying on night vision or infra red so the footage is, for the most part, much clearer than other films of this style and doesn't keep switching formats which make the film less distracting than others.
Over all Cloverfield is a good monster/survival film which leaves some questions to be answered in the sequels (or not )
LeftSideCut (3778 KP) rated Pan's Labyrinth (2006) in Movies
Oct 12, 2020
I honestly can't think of a single thing I don't like about Pan's Labyrinth. From start to finish, it's arguably one of the most captivating pieces of cinema ever put to screen.
Guillermo del Toro once again proves his visionary status, with some superbly well realised creature designs. The dark fantasy element of Pan's Labyrinth is vividly otherworldly, and visually unique. Doug Jones portrays both Fauno and The Pale Man, two creatures that immediately earned a place in iconic movie monsters standing. The Pale Man in particular is utterly terrifying.
Ofelia is the young girl who embarks on this fantasy adventure, and actor Ivana Baquero is a delightful presence throughout the movie.
Of course, a bigger chunk of the runtime is taken up by what's happening in the real world. Set in Spain, in the early years of the Francoist period, it's a gritty narrative that touches upon war and dictatorship.
The dictator in this case is Captain Vidal, Ofelia's new stepfather and soon to be biological father of her unborn brother. His contempt towards Ofelia is unpleasant, and he has little regard for anyone's life but his own and his unborn son (nothing like a case of family lineage and mantle carrying to get the misogynistic juices flowing eh?).
He's played with despicabe glee by Sergi López, an actor who I believe was more known in Spain for his comedic work prior to this, so hats off to him. Vidal is one of the most easy-to-hate characters I've ever seen!
The collision of these two opposing world's and cinema styles is fantastic, and is paced perfectly, the fantasy sequences being a brilliant burst of magic, within a compelling and tense war story, all complimented by a beautiful music score.
Pan's Labyrinth is full of wonder and emotion, both fantastical and harrowing. It's a straight up masterpiece that easily makes my top 20 films of all time, maybe even top 10!
Guillermo del Toro once again proves his visionary status, with some superbly well realised creature designs. The dark fantasy element of Pan's Labyrinth is vividly otherworldly, and visually unique. Doug Jones portrays both Fauno and The Pale Man, two creatures that immediately earned a place in iconic movie monsters standing. The Pale Man in particular is utterly terrifying.
Ofelia is the young girl who embarks on this fantasy adventure, and actor Ivana Baquero is a delightful presence throughout the movie.
Of course, a bigger chunk of the runtime is taken up by what's happening in the real world. Set in Spain, in the early years of the Francoist period, it's a gritty narrative that touches upon war and dictatorship.
The dictator in this case is Captain Vidal, Ofelia's new stepfather and soon to be biological father of her unborn brother. His contempt towards Ofelia is unpleasant, and he has little regard for anyone's life but his own and his unborn son (nothing like a case of family lineage and mantle carrying to get the misogynistic juices flowing eh?).
He's played with despicabe glee by Sergi López, an actor who I believe was more known in Spain for his comedic work prior to this, so hats off to him. Vidal is one of the most easy-to-hate characters I've ever seen!
The collision of these two opposing world's and cinema styles is fantastic, and is paced perfectly, the fantasy sequences being a brilliant burst of magic, within a compelling and tense war story, all complimented by a beautiful music score.
Pan's Labyrinth is full of wonder and emotion, both fantastical and harrowing. It's a straight up masterpiece that easily makes my top 20 films of all time, maybe even top 10!
Kelly Knows (95 KP) rated The House of Doors in Books
Jun 28, 2019
Worlds of Horror
Wow, what a fantastic book. I am still surprised this story has not been optioned for a movie adaptation. House of Doors is a unique tale with a simple concept, the age old question of man meets aliens and how that first contact would go down. What if we were tested? Brutally? Would we measure up? This book answers those questions and more in terrifying fashion. Brian Lumley spins a rich tale of daring and adventure, with a new even more terrifying world behind each door the characters open. The illustrative text will illuminate wondrous monsters in your mind and fill your head to the brim with images of strange worlds twisted by alien machinery, born of the desires and fears within us all. The alien species in this story is unlike anything you've seen before. The characters are witty and engaging. Even the ones you hate are written so well you can't help but question your instinct to despise them. My personal favorite aspects of this book are the world designs. No spoilers, you'll just have to find out what I mean, but it is seriously awesome. Also bringing a lot to this fast paced thrill ride is the main character, Spencer Gill. A wry, clever man with more to him than meets the eye, Spencer Gill reminds me of the Indiana Jones/Jack Ryan, kind of heroes I grew up admiring. All of the characters involved have their moments to shine, whether it be a bright light or a darker moment. Even the sinister alien Thone get a role in the narrative in an unlikely writing style that pays off the investment, with interest. This is the kind of book that gets you into reading books, and if you like it, there is a pretty good sequel as well. Sci-fi and horror clash spectacularly as humanity finds out if they measure up, and the terrible consequences that will occur if they don't.
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