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Thumbelina ~ 3D Interactive Pop-up Book
Games and Book
App
Meet Thumbelina, a girl no bigger than your thumb! Join Thumbelina in this magical 3D interactive...
Cuerpos Plegables: Anatomias de la Excepcion en Espana y en America Latina (Siglos XVI-XVIII)
Book
Este libro explora la atraccion de los "Siglos de oro" por lo monstruoso. Varios trabajos recientes...
Kalila and Dimna: (From the Panchatantra, Jatakas, Bidpai, Kalilah and Dimnah and Lights of Canopus): v. 2: Fables of Conflict and Intrigue
Michael Wood, Ramsay Wood and Gillian Whitworth
Book
Kalila and Dimna or The Panchatantra (also known in Europe since 1483 as The Fables of Bidpai) is a...
The Phoenix: An Unnatural Biography of a Mythical Beast
Book
Arising triumphantly from the ashes of its predecessor, the phoenix has been an enduring symbol of...
Charlie Cobra Reviews (1840 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Jul 7, 2020
A New Take On Classic Story Horror
Scary Stories To Tell In The Dark is a 2019 horror movie directed by Andre Ovredal, with screenplay adapted by Dan and Kevin Hageman, from a screen story by producer Guillermo Del Toro, Patrick Melton and Marcus Dunstan. It's based on the children's book series by Alvin Schwartz and produced by CBS Films, Entertainment One, 1212 Entertainment, Double Dare You Productions and Sean Daniel Company, and distributed by Lionsgate. The film stars Zoe Colletti, Michael Garza, Gabriel Rush, Austin Zajur and Natalie Ganzhorn.
Three teenagers in the small town of Mill Valley, Pennsylvania, Stella (Zoe Colletti), Auggie (Gabriel Rush) and Chuck (Austin Zajur) incur the wrath of school bully Tommy Millner after playing a prank. They are chased by him and saved by a drifter named Ramon (Michael Garza) who let's them into his car. The group including Ramon explore a haunted house belonging to the Bellows, founders of the town, Inside of a secret room belonging to the Bellows' daughter Sarah, they find a book of scary stories written by her. After taking the book with them, they start to believe that there is more to the rumors about the house being haunted when stories in the book appear to happen in real life.
This movie was actually pretty good. I thought it could have been scarier but I think it was done well for being rated PG-13. Of course, I'm old enough to remember the books and they were really creepy, especially the illustrations. The movie was good at building suspense, and being creepy. I really liked the characters and felt that they were likeable and had a little something for everyone in how they were relatable. The character development could have been better for sure but the creature effects were spot on. The Monsters were definitely awesome and I like the way the made it an anthology movie without it actually being an anthology. It was pretty unique in that way and I can see how a sequel could work if it's financially successful enough to warrant one. I give this movie a 7/10.
Three teenagers in the small town of Mill Valley, Pennsylvania, Stella (Zoe Colletti), Auggie (Gabriel Rush) and Chuck (Austin Zajur) incur the wrath of school bully Tommy Millner after playing a prank. They are chased by him and saved by a drifter named Ramon (Michael Garza) who let's them into his car. The group including Ramon explore a haunted house belonging to the Bellows, founders of the town, Inside of a secret room belonging to the Bellows' daughter Sarah, they find a book of scary stories written by her. After taking the book with them, they start to believe that there is more to the rumors about the house being haunted when stories in the book appear to happen in real life.
This movie was actually pretty good. I thought it could have been scarier but I think it was done well for being rated PG-13. Of course, I'm old enough to remember the books and they were really creepy, especially the illustrations. The movie was good at building suspense, and being creepy. I really liked the characters and felt that they were likeable and had a little something for everyone in how they were relatable. The character development could have been better for sure but the creature effects were spot on. The Monsters were definitely awesome and I like the way the made it an anthology movie without it actually being an anthology. It was pretty unique in that way and I can see how a sequel could work if it's financially successful enough to warrant one. I give this movie a 7/10.
Emma @ The Movies (1786 KP) rated The Dark Tower (2017) in Movies
Sep 25, 2019
The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter Padick, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.
Jack Chambers is labelled as a troubled child, the visions he sees are just his way of coping with his father's death. But when he's confronted with the monsters that he's drawn he knows he needs to find the truth. Even if that truth lands him in the middle of the battle.
Yet another book that I haven't read. I know, I know. I'll sort myself out at some point. But if I'm truly honest, I've never really enjoyed Stephen King stuff. I think I mentioned before when I listened to Under The Dome, everything I've come across feels like it ends rather abruptly, and fairly often with a "Boom! Aliens!"
Knowing this was a series of books I wanted to know exactly what this film entailed... I'm not sure I'm any closer to understanding. Evidently this films has elements of several novels in the series. According to Wikipedia it "also serves as a canonical sequel to the novel series..." Honestly, the only way I'm going to understand it is to read all eight books, but with roughly 100 books in my TBR pile that's a fairly remote happening. I'll just have to convince my mum to see it so she can explain it all to me.
For something that crosses into multiple genres I was pleasantly surprised that it was easy to follow. It was an enjoyable watch. And although there were no aliens thrown in at the end, the film did feel like it ended too abruptly.
I'm not sure what the buzz is about this at the moment, but for a while there were certainly talks of another film, and/or a TV series. I really with all my heart don't want a series. Not after Under The Dome. But another film wouldn't be objectionable.
Jack Chambers is labelled as a troubled child, the visions he sees are just his way of coping with his father's death. But when he's confronted with the monsters that he's drawn he knows he needs to find the truth. Even if that truth lands him in the middle of the battle.
Yet another book that I haven't read. I know, I know. I'll sort myself out at some point. But if I'm truly honest, I've never really enjoyed Stephen King stuff. I think I mentioned before when I listened to Under The Dome, everything I've come across feels like it ends rather abruptly, and fairly often with a "Boom! Aliens!"
Knowing this was a series of books I wanted to know exactly what this film entailed... I'm not sure I'm any closer to understanding. Evidently this films has elements of several novels in the series. According to Wikipedia it "also serves as a canonical sequel to the novel series..." Honestly, the only way I'm going to understand it is to read all eight books, but with roughly 100 books in my TBR pile that's a fairly remote happening. I'll just have to convince my mum to see it so she can explain it all to me.
For something that crosses into multiple genres I was pleasantly surprised that it was easy to follow. It was an enjoyable watch. And although there were no aliens thrown in at the end, the film did feel like it ended too abruptly.
I'm not sure what the buzz is about this at the moment, but for a while there were certainly talks of another film, and/or a TV series. I really with all my heart don't want a series. Not after Under The Dome. But another film wouldn't be objectionable.
Gareth von Kallenbach (980 KP) rated Coco (2017) in Movies
Jul 11, 2019
PIXAR movies have a formula that expertly combines an adorable hero/heroine with a story that tugs at the heartstrings. There is always a moment or two where you have to reach for tissue or surreptitiously dash a few tears away with your sleeve. With writers and directors from Finding Nemo, the Good Dinosaur, Toy Story 3 and Monsters University, Coco is no exception.
Coco is the colorful tale of a young boy named Miguel who dreams of becoming an accomplished musician like his idol, the late Ernesto de la Cruz, despite his family’s ban on music that has spanned multiple generations
When an opportunity arises for him to prove his talent, Miguel finds himself in desperate need of a guitar. So desperate, that the plan he devises ends up taking him to the colorful Land of the Dead.
In the Land of the Dead, Miguel teams up with Hector, a trickster voiced by Gael Garcia Bernal, who promises to help him meet the great Ernesto de la Cruz, voiced by Benjamin Bratt, and get back to the Land of the Living.
Anthony Gonzalez infuses Miguel with charm and earnest determination which, of course, you can’t help but root for. Bratt brings a perfect blend of suave and smarm to Ernesto while Bernal brings a good dose of mischief to warm-hearted Hector.
Rich with cultural lessons, stunning animation and beautiful music, Coco is simply a delight. I learned a lot about Dia de Los Muertos, the Day of the Dead, which is very similar to my own culture’s observance of All Souls Day and All Saints Day in the Philippines.
Coco’s winsome depiction of what honoring our departed loved ones means is incredibly heartwarming, and honestly if the Land of the Dead is truly how PIXAR imagines it, I hope they are right.
Much like Moana, so much of the family in Coco reminded me of my own that I left the theater emotionally compromised at the end. You will, too, especially if you’re easily touched by sweet songs and tender moments between parents and their children. Coco is a moving lesson about the love of family and believing in yourself and how one can strengthen the other in turns.
Coco is the colorful tale of a young boy named Miguel who dreams of becoming an accomplished musician like his idol, the late Ernesto de la Cruz, despite his family’s ban on music that has spanned multiple generations
When an opportunity arises for him to prove his talent, Miguel finds himself in desperate need of a guitar. So desperate, that the plan he devises ends up taking him to the colorful Land of the Dead.
In the Land of the Dead, Miguel teams up with Hector, a trickster voiced by Gael Garcia Bernal, who promises to help him meet the great Ernesto de la Cruz, voiced by Benjamin Bratt, and get back to the Land of the Living.
Anthony Gonzalez infuses Miguel with charm and earnest determination which, of course, you can’t help but root for. Bratt brings a perfect blend of suave and smarm to Ernesto while Bernal brings a good dose of mischief to warm-hearted Hector.
Rich with cultural lessons, stunning animation and beautiful music, Coco is simply a delight. I learned a lot about Dia de Los Muertos, the Day of the Dead, which is very similar to my own culture’s observance of All Souls Day and All Saints Day in the Philippines.
Coco’s winsome depiction of what honoring our departed loved ones means is incredibly heartwarming, and honestly if the Land of the Dead is truly how PIXAR imagines it, I hope they are right.
Much like Moana, so much of the family in Coco reminded me of my own that I left the theater emotionally compromised at the end. You will, too, especially if you’re easily touched by sweet songs and tender moments between parents and their children. Coco is a moving lesson about the love of family and believing in yourself and how one can strengthen the other in turns.
Pinball Arcade
Games
App
Winner of the Best Mobile Game of 2012 on G4TV! Pinball Arcade by FarSight Studios features exact...
MARVEL Avengers Academy
Games and Entertainment
5.0
Rate It
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With Hydra in shambles, Baron Von Strucker recruits monsters and zombie universe Hydra villains to...
Between the Sunset and the Sea: A View of 16 British Mountains
Book
'I watched the mirror for a last view, for now, of the frozen mountains of Glen Coe. As the road...