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The Messenger: The Story of Joan of Arc (1999)
The Messenger: The Story of Joan of Arc (1999)
1999 | Drama, History, War
Sprawling, episodic historical drama which brought the Hollywood career of Luc Besson to a firm stop. 15th century France is invaded by the English, but leading the resistance is a teenage girl who believes she can hear the voice of God. She may be able to defeat the invaders, but can she survive the snake pit of court and church politics?

So: Joan of Arc, an iconic, legendary, complex figure, is brought to the screen by Milla Jovovich, whose performance mostly consists of her rolling her eyes a lot and squeaking. No matter how distinguished the rest of the cast, or how well staged the various massed battle scenes, this is a problem which any film would struggle to overcome. Some other odd creative choices don't help much (Dustin Hoffman turns up as the embodiment of Joan's self-doubt). Still, there is a genuine sense of the medieval grotesque, and Besson is very much in his comfort zone during the battles. Certainly a brave and imaginative take on history, but the end result is too close to Monty Python and the Holy Grail for comfort.
  
The Discreet Charm of the Bourgeoisie (1972)
The Discreet Charm of the Bourgeoisie (1972)
1972 | Comedy
6.0 (2 Ratings)
Movie Favorite

"As I was a young film fan growing up in a VCR-less household in rural England, my access to international cinema was limited to whatever was playing on the (then) four channels of network television. Which basically meant that Sergio Leone’s Dollars trilogy and Jacques Tati were some of the only European films I saw until I was in my late teens. During a brief art college stint, my eyes were opened as I was exposed to surrealism. First Luis Buñuel’s Un chien Andalou and L’age d’or, but then later, my favorite film of his, the 1972 masterpiece The Discreet Charm of the Bourgeoisie. Dipping into the history of cinema is an exciting yet overwhelming task for some. When appreciating older works, I like to contextualize by tracing back to them from their influences. So if the work of Buñuel ever seems daunting, know this: he directly influenced Monty Python, and John Landis was inspired by this movie for a classic shock sequence in An American Werewolf in London. I know that has now inspired some of you to watch the film immediately. Buñuel has a fiendishly prankish sense of humor to go along with his endless smarts. If you have never watched a film of his, this is a good place to start."

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The Doughnut in Granny's Greenhouse by Bonzo Dog Doo/Dah Band
The Doughnut in Granny's Greenhouse by Bonzo Dog Doo/Dah Band
1968 | Pop, Psychedelic, Rock
8.0 (1 Ratings)
Album Favorite

"This is a weird one. That was in my parent's record collection. They had a few records, but that was one that we would listen to a lot as kids. It's very appealing to children. It's kind of like a musical Monty Python, but a lot better in my opinion! They had this really stupid, silly, strange music that was a lot better than it should have been. You often get that when a comedian makes music, you can sort of tell that actually the music underneath is really good. Lots of their humour is derived from the fact that the music is played really badly, and it was sort of shit and sort of funny! That source of amusement has followed me my whole life. I'm much happier trawling YouTube for awful music than I am looking for the hottest new good band. I almost spend more time listening to awful music. Not just because I find it funny but because I find things in it that a professional would never think of, and that is sometimes all you want to hear, something that you've never heard before. I think a lot of humour is relayed in my music directly from the Bonzos."

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Awix (3310 KP) rated Vice (2018) in Movies

Jan 31, 2019  
Vice (2018)
Vice (2018)
2018 | Biography, Drama
Adam McKay's attempt to reinvent himself as a sort of non-documentarian version of Michael Moore is not so much a hatchet-job as a machete-job - no, make that a chainsaw-job - on the reputation of Dick Cheney, Vice-Prez under Dubya. Christian Bale vanishes under layers of make-up and the Cheney who emerges is a disturbing, totally unprincipled monster, consumed by the acquisition and use of power, responsible for (amongst other things) the invasion of Iraq and the rise of ISIS. Potentially quite heavy stuff going on, then, but McKay takes care to cheer things up (relatively speaking) by including big performances from Sam Rockwell and Steve Carell, along with a few Monty Python ideas repurposed for this movie.

Highly entertaining in a ghastly sort of way, and illuminating with respect to the twisted logic employed by the Bush administration and the role they played in facilitating the current civic nightmare engulfing the USA. Unlikely to appeal to the Republican base, for obvious reasons, but the film inevitably has some jokes to make about its own liberal bias, too, as well as being smart enough to allow Cheney the chance to justify himself, which he does in a disturbingly persuasive way. Still probably a bit too partisan for its own good, but still very impressive and a lot of fun; thought-provoking too.
  
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The Marinated Meeple (1848 KP) Jan 31, 2019

great review