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Awix (3310 KP) rated The Messenger: The Story of Joan of Arc (1999) in Movies
May 3, 2019
Sprawling, episodic historical drama which brought the Hollywood career of Luc Besson to a firm stop. 15th century France is invaded by the English, but leading the resistance is a teenage girl who believes she can hear the voice of God. She may be able to defeat the invaders, but can she survive the snake pit of court and church politics?
So: Joan of Arc, an iconic, legendary, complex figure, is brought to the screen by Milla Jovovich, whose performance mostly consists of her rolling her eyes a lot and squeaking. No matter how distinguished the rest of the cast, or how well staged the various massed battle scenes, this is a problem which any film would struggle to overcome. Some other odd creative choices don't help much (Dustin Hoffman turns up as the embodiment of Joan's self-doubt). Still, there is a genuine sense of the medieval grotesque, and Besson is very much in his comfort zone during the battles. Certainly a brave and imaginative take on history, but the end result is too close to Monty Python and the Holy Grail for comfort.
So: Joan of Arc, an iconic, legendary, complex figure, is brought to the screen by Milla Jovovich, whose performance mostly consists of her rolling her eyes a lot and squeaking. No matter how distinguished the rest of the cast, or how well staged the various massed battle scenes, this is a problem which any film would struggle to overcome. Some other odd creative choices don't help much (Dustin Hoffman turns up as the embodiment of Joan's self-doubt). Still, there is a genuine sense of the medieval grotesque, and Besson is very much in his comfort zone during the battles. Certainly a brave and imaginative take on history, but the end result is too close to Monty Python and the Holy Grail for comfort.
Sarah (7798 KP) rated The Man Who Killed Don Quixote (2018) in Movies
Aug 14, 2020
What did I just watch?
I love Terry Gilliam but I'm really not too sure what to make of this film and whether it was really worth the 25 year wait it's taken to get this to the big screen.
This has a great cast, notably Jonathan Pryce who is absolutely wonderful as Don Quixote. And surprisingly Adam Driver. I really don't like him as Kylo Ren but it appears it may be that particular character letting him down as I've loved him in everything else I've seen him in and especially this. He's a hoot. Sadly though I think the rest of the cast may be let down by the sheer wackiness and confusion of it all. And that's the main issue I had with this film, it's absolutely crazy and I didn't have a clue what on earth was going on for the most part. There are the odd funny quips and scenes (one with Oscar Jaenada dressed in a cupid outfit whilst brief gave me the biggest laugh of all), but for me these are few and far between and not enough. The ending is rather silly and fitting and the film overall looks good (even if some of it is in a cheap Monty Python-esque way), but I spent the rest of the film nearly pulling my hair out in frustration as to what the heck was going on and some of the dodgy weird camera angles didn't help. And that's not really something you want to feel while watching a film.
There's a scene towards the end of this film where someone says "try to keep up with the plot" and Adam Driver's character replies with "There's a plot?" - this exchange literally sums up the way I feel about this entire film.
This has a great cast, notably Jonathan Pryce who is absolutely wonderful as Don Quixote. And surprisingly Adam Driver. I really don't like him as Kylo Ren but it appears it may be that particular character letting him down as I've loved him in everything else I've seen him in and especially this. He's a hoot. Sadly though I think the rest of the cast may be let down by the sheer wackiness and confusion of it all. And that's the main issue I had with this film, it's absolutely crazy and I didn't have a clue what on earth was going on for the most part. There are the odd funny quips and scenes (one with Oscar Jaenada dressed in a cupid outfit whilst brief gave me the biggest laugh of all), but for me these are few and far between and not enough. The ending is rather silly and fitting and the film overall looks good (even if some of it is in a cheap Monty Python-esque way), but I spent the rest of the film nearly pulling my hair out in frustration as to what the heck was going on and some of the dodgy weird camera angles didn't help. And that's not really something you want to feel while watching a film.
There's a scene towards the end of this film where someone says "try to keep up with the plot" and Adam Driver's character replies with "There's a plot?" - this exchange literally sums up the way I feel about this entire film.
BankofMarquis (1832 KP) rated Dungeons and Dragons: Honour Among Thieves (2023) in Movies
May 26, 2023
A Ton of Fun
The BankofMarquis is not into Dungeons & Dragons - the role playing/fantasy game that the film DUNGEONS & DRAGONS: HONOR AMONG THIEVES is based on, so any Easter Eggs for fans of the game is lost here. What the BankofMarquis is into is a good, fun action/adventure film and DUNGEONS AND DRAGONS: HONOR AMONG THIEVES is all that…and more.
The 4th film to be based on the RPG game, this D&D is no relation to the previous three and should be viewed as a reboot of the franchise…and if HONOR AMONG THIEVES is an indication of where this film series will go, then the audience is in for a fun ride, indeed.
Written and Directed by John Francis Daley and Jonathan Goldstein, D&D follows a smooth talking, good-looking musician (the perfectly cast Chris Pine), his tough-as-nails best friend (the perfectly cast Michelle Rodriguez) and their merry band of thieves as they go on a quest to right wrongs and achieve a goal.
What that goal is doesn’t really matter as it is the journey - not the destination - that matters and the journey is quite fun thanks to an enjoyable cast and a script and direction that evokes memories of THE PRINCESS BRIDE, THE LORD OF THE RINGS and, yes, MONTY PYTHON AND THE HOLY GRAIL along the way.
The cast (Pine, Rodriguez, Rege-Jean Page, Justice Smith, Sophia Lillis and Hugh Grant) know exactly what type of film they are making and jump in with both feet to have some fun, fight some creatures and make a family-friendly medieval action/adventure comedy that works.
Credit, of course, goes to Daley & Goldstein and this appears to be their first film together as Directors. If that is the case, the BankofMarquis is eager to see where they go from here.
While, I’m sure, there are plenty of Easter Eggs in this film for the D&D fan, the BankofMarquis caught none of that and just sat back and had a really fun 2+ hours, chuckling out loud on more than one occassion.
This film is now streaming on Paramount Plus. If you run across, check it out, you’ll have a good time.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The 4th film to be based on the RPG game, this D&D is no relation to the previous three and should be viewed as a reboot of the franchise…and if HONOR AMONG THIEVES is an indication of where this film series will go, then the audience is in for a fun ride, indeed.
Written and Directed by John Francis Daley and Jonathan Goldstein, D&D follows a smooth talking, good-looking musician (the perfectly cast Chris Pine), his tough-as-nails best friend (the perfectly cast Michelle Rodriguez) and their merry band of thieves as they go on a quest to right wrongs and achieve a goal.
What that goal is doesn’t really matter as it is the journey - not the destination - that matters and the journey is quite fun thanks to an enjoyable cast and a script and direction that evokes memories of THE PRINCESS BRIDE, THE LORD OF THE RINGS and, yes, MONTY PYTHON AND THE HOLY GRAIL along the way.
The cast (Pine, Rodriguez, Rege-Jean Page, Justice Smith, Sophia Lillis and Hugh Grant) know exactly what type of film they are making and jump in with both feet to have some fun, fight some creatures and make a family-friendly medieval action/adventure comedy that works.
Credit, of course, goes to Daley & Goldstein and this appears to be their first film together as Directors. If that is the case, the BankofMarquis is eager to see where they go from here.
While, I’m sure, there are plenty of Easter Eggs in this film for the D&D fan, the BankofMarquis caught none of that and just sat back and had a really fun 2+ hours, chuckling out loud on more than one occassion.
This film is now streaming on Paramount Plus. If you run across, check it out, you’ll have a good time.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Awix (3310 KP) rated Peterloo (2018) in Movies
Nov 9, 2018 (Updated Nov 9, 2018)
Inescapably worthy costume drama sheds some light on a half-forgotten landmark in British political history, but in the process kind of comes across as Barry Lyndon as written by Jeremy Corbyn. Decent, heroic, possibly slightly naive reformers campaign to reform society; greedy and self-serving politicians, magistrates and businessmen unite to stop them; in the end the troops are sent in.
Not quite as punishingly didactic as it sounds, but this may not have been intentional: what may also have been an accident is how close the film frequently comes to being actually quite funny. There are some spectacular wigs and hats, startling accents, and very broad performances from most of the cast - it almost feels like a parody of a bad costume drama in places. There's a scene where a family of semi-literate mill-workers pause to discuss the economic effects of the Corn Laws in some detail, mostly for the audience's benefit, while another scene arguably recycles a Monty Python gag. Casting someone from Blackadder as the Prince Regent was probably a misstep, too.
Still, it all reeks with conviction and moral outrage, and in the end the Peterloo massacre itself is staged quite well - though I still think it could have been handled slightly more cinematically. This is the movie equivalent of someone who hands out the Socialist Worker in the street: the intentions are so laudable that you kind of feel obliged to indulge the earnest lack of self-awareness. Looks quite good too.
Not quite as punishingly didactic as it sounds, but this may not have been intentional: what may also have been an accident is how close the film frequently comes to being actually quite funny. There are some spectacular wigs and hats, startling accents, and very broad performances from most of the cast - it almost feels like a parody of a bad costume drama in places. There's a scene where a family of semi-literate mill-workers pause to discuss the economic effects of the Corn Laws in some detail, mostly for the audience's benefit, while another scene arguably recycles a Monty Python gag. Casting someone from Blackadder as the Prince Regent was probably a misstep, too.
Still, it all reeks with conviction and moral outrage, and in the end the Peterloo massacre itself is staged quite well - though I still think it could have been handled slightly more cinematically. This is the movie equivalent of someone who hands out the Socialist Worker in the street: the intentions are so laudable that you kind of feel obliged to indulge the earnest lack of self-awareness. Looks quite good too.